Tumgik
#i'm only tagging it so I can find it later ghjfgb
notcatherinemorland · 4 years
Text
ok i Had a bit of Fancy UpMyArse Analysis about ‘emotional horor’ as a (sub)genre but i then saw a fire emblem post so naturally ive forgotten every other thought in my head. 
i absolutely sound like an asshole, and i know nothing about any of this. but i have a lot of emotions and i like gothic novels so therefore im absolutely 110% qualified to wax lyrical on the failings of modern horror as a genre.
the book i read that had ‘emotional horror’ as a tag-along line was devil rock by paul tremblay (which, wonderful book but i preferred his other two) where the pivot of the fear element, if u like, was the fear of a mother who’s child had gone missing. 
every time i talk about horror genre i Have to do the thing where i define things for the imaginary reader bc when i talk about horror and terror, i fully subscribe to ann radcliffe’s definition. i’m sure ive mentioned it time and time again here BUT because i enjoy talking about it. Terror is ~ the feelings of fear and dread, the suspense of the horror, capitalising on the anxiety, .. the gothic liminal space effect, if ur me, where you Know you’re not safe, but you’re not face to face with the danger. the space in between. Horror is ~ confrontation with the monster itself, fits alongside sublime and grotesque, its shock and repulsion and the immediate threat, the adrenaline rush that comes with experiencing the horror element. 
i don’t say that to be condescending or to mansplain.. i say that so a) any poor soul who reads things i say (future me) knows what the fuck im on about when i talk about it & b) . i just really enjoy chatting about that. i just. like talking about the difference between horror and terror . idk why. i just dig it.  also here down ‘horror’ equals radcliffe horror, ‘horror genre’ = .. the genre of horror. horror as the noun.
anyway. ‘emotional horror.’ i remember it struck me at first because i thought huh isn’t horror as a genre based in emotion? - but with pure regard to modern horror, emotional horror seems to mean the provocation of empathy for the characters, or that the ‘horrific element’ stems from an emotional source - grief, mental health, a missing child from a mother’s perspective. 
i fully admit i haven’t watched/read enough what i could annoyingly call ‘horror-horror’ content, ie films that rely a lot of physical action and reaction to be horror - the shining with physical safety, that one film about the deaf woman being hunted in her cabin in the woods (great film, i hated the experience of watching it.) uhh. i’m a philistine so i’d shove literally any standard horror film under this banner. friday 13th, chucky, that kinda thing. i’m sure there’s really nuanced analysis of them about the themes they explore like omnipresence of religion and how god doesn’t matter in a world with free will and that kind of thing . but the annoying bottom line for me is that if it’s got jumpscares and gore, it gets shoved into ‘this is a film with emphasis on radcliffe horror and i will Suffer.’ so. i don’t watch them. i fucking HATE jumpscares. I am abolutely passing judgement on a genre i have no taste for or care to experience, and tho i therefore should not talk about it . this will not stop me . 
sorry, it’s 1am. where was i. emotional horror. 
modern horror is a very foreign ground to me, because i just. entrenched myself in a little pit of gothic lit for 3 years, discovered that ‘woah! this is a contemporary genre too!’ and then read 5 chapters of stephen king and lost my faith in humanity hjgfhhhj. but emotional horror? that’s a fucking fascinating catagory. but i really bloody wonder why it’s been segregated from pure horror genre. because imo. they Should be one in the same. whats the point in horror genre content if it’s not digging claws into proper emotional fears and making a story out of that. OH one book i loved reading was ‘the wrong train’ by . someone. where the fear is typical and very abstract until the very last lines (spoilers.. where the protagonist is set up to die offscreen) and it’s a Beautiful twist. it’s very strange because the kicker of the book was the very last part and left largely unexplored. but at the same time if a story was to start there and follow onwards.. i’d be likely to shove it in my ‘horror-horror’ catagory. depending on if it explored the emotional effects on the characters in a way that was more than physical. 
films - especially films, because unless the writer is doing a dickhead move and eliminating the character’s emotional depth from the narrative, tend to have superficial displays of terror, horror and overwhelming emotion. by limitation of the medium alone . it’s the show not tell thing all over again. film a woman screaming and crying in fear of the ghost hunting her.. or have the camera circle her, blur all the shot but her, make the shot of her as intense as the emotion the actress portrays. i absolutely sound like an asshole, and i know nothing about this. but i have a lot of emotions and i like gothic novels so therefore im absolutely 110% qualified to wax lyrical on the failings of modern horror FHIGBKEFH. 
it’s one thirty am and i need to STOP oh my god how did i write this much about fucking horror genre but i can’t write 4000 characters of a ucas statement. many reasons, mostly that a ucas statement is zero wasted space and this ramble is 90% dead air. 
anyway. emotional horror. im fucking fascinated . im appreciative of the segregation so i can find things i’ll enjoy. but. why push it into a niche when it’s fucking integral to what makes horror .. good/worthwhile (to be an asshole)/what i personally enjoy lmao
edit: i didn;t actually,, fuckign say this,, when i say ‘exploring horror thru physical means’ like the asshat i am, i mean hack and slash film, gore, onscreen bodily trauma. that kinda content. the things out find in season 4 of supernatural. where the film is very concerned with exploring the boundaries of the physical body ie . get grusomely dismembered. as opposed to ‘emotional horror’ .. like the babadook honestly. where the boundaries crossed are very mental and emotional. 
that.. that’s a whole different post and the one i was actually trying to make. fuck. 
also. i’m just a picky bitch. one kind of horror is not necessarily better or worse than the other, and we choose where we place our value in media. personal taste is paramount and im not here to shit on what other people enjoy. i just happen to be annoying about what i do. 
1 note · View note