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ghostmartyr · 3 years

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/clears throat/ so, Immi, I hear you like the locked tomb, which is fantastic! from one person also escaping the snk series into TLT to another, what did you think of the characters and plot in HtN? are there any things you're most excited to see when Alecto comes out in 2022?

-pats lifeboat- This baby can fit so much trauma.

SPOILERS, naturally.

With another paragraph informing the curious that unspoiled is the way to go into HtN, since if you aren’t lost and confused, are you really reading Harrow the Ninth?

I read it all in one day, and that was a choice. It does mean my memory and understanding of what all went on is slightly dependent on someone else on the internet exploding over a particular set of paragraphs and explaining their significance to me, but I still enjoyed the hell out of it.

HtN disappointed me on one front in that I was hoping seeing more of Harrow 1.0 would help out any future fic endeavors. On everything else, like the first one, being told the story is such a good time that I’m willing to wait on a full comprehension of where it’s going.

I also really like second person.

What I loved most about HtN is how even without Gideon mentioned until very, very late in the book, you can feel her absence everywhere. In the wrong bubble flashbacks you’re commanded to examine the strangeness, but even in Harrow going about her day, the isolation and the wrongness of it decorate her every action. She’s alone, and she shouldn’t be, and the loss she’s unaware of bleeds into a constant echo of grief.

I don’t think I’ve ever appreciated absence as a narrative tool so much. Obviously griddlehark hours go hard once they start in HtN, but even before then, there is so much power to their connection that looking into a world where it never exists still manages to punch you in the heart with how much each one inhabits everything the other is.

The whole series is amping me up with a few thoughts on loneliness, honestly. Gideon and Harrow grow up alone on the Ninth, save for each other. It takes leaving for that to be any kind of good thing. The first book is tag team Among Us with everyone in their little clusters, slowly learning what other people are about as they all drop dead.

The second book has a different vibe and different plot things going on, but it’s similar in that the protagonist gets thrown into a world they don’t fit and have to put on a show. Only now there are even fewer people to familiarize with, with that number correlating directly to how they all killed the person closest to keeping them from being alone.

Lyctorhood is taking the person dearest to your heart and trapping them there forever while they’re stripped of everything that made them who they are.

...Also Ianthe is there.

Gideon, Mercy, and Augustine are the last Lyctors standing after 10,000 years. There were only seven, starting out. Sixteen acolytes who came to the First. The only pair who didn’t succeed in condensing themselves is separated from the pack and sent to live away from their peers on a tiny planet that no one has anything good to say about.

Alecto is John’s -- who even knows, past A Lot, and he puts her to sleep and locks her in a prison no one but he can get past.

God has seven friends. More if you want to count the people in the Cohort, but realistically, he has seven friends. Then they keep dying.

Harrow spends HtN in a spaceship with five people.

One is trying to kill her.

One ordered that one to try to kill her.

Two could not care less about the useless baby Lyctor.

One is Ianthe.

There is no real endgame. There is surviving life, and life has become a game of running as far away as possible so you don’t share your ruin upon your inevitable death.

It’s bleak and sad.

Harrow’s healthiest relationships are with dead people, and some of them she didn’t know at all in life.

Reiterating it, the most plot significant bit of the world is finding someone else in the world, swearing yourself to them, and smashing your souls together until you’ve lost the connection entirely.

My brain’s not in the best place so I can’t do more than gesture loudly at it, but a few people have mentioned that the series’ thesis is a counter to Ianthe’s statement that love is acquisitive.

Harrow tightens her hold around Gideon until Gideon would rather she just strangle her and get it over with, all things considered. It fucks them both up, and when they start working to get past it, circumstance wraps a chain around both their throats.

The necromancers who become imperfect Lyctors have all acquired their cavaliers, and besides the cav, it kills that bond.

Harrow’s rejection of that is why Gideon’s soul is still in the world of the living (and John blood).

She has spent her entire life eating pieces of Gideon to keep herself a horrid imitation of whole, and when she is finally offered that, she refuses.

Grief and how Harrow just can’t are active elements of the book, and Magnus gives her more therapy in five minutes talking about it than she has ever had in her life, but the reason why that isn’t the end of Gideon is because, unlike all the other Lyctors, Harrow turns the offer down.

With the exception of Babs and Ianthe, the relationship between cavaliers and necros about to do the Lyctor thing is cavaliers promising to burn for an eternity while their necromancer lives off the fumes.

Fuck that is Harrow’s response.

Cytherea says, in the aftermath, that they had the choice to stop.

Harrow stops.

A lifetime of doing exactly what Gideon is telling her to do with her death, and Harrow chooses to stop.

Harrow remembers Ortus’ poetry. She regularly sees her congregation off to their deaths. She keeps Gideon’s glasses. She views Palamedes, head exploded and all, as an infinitely better person than she is because of the quality of his exemplary character. She pulls Gideon the First from the incinerator on the night she plans to kill him.

Kiddo has so many fucking issues, but somewhere, she has learned to respect people for being people. That’s why she and Gideon are the heroes of the story, ultimately, and Ortus saying that they’re heroes worthy of the Ninth doesn’t fall flat. They’re actually trying.

Where that puts us for Alecto, I don’t pretend to know.

Since the first book is the temptation of an end to isolation, only to have it snatched away, the second book is the continuation of isolation with a few promising sparks of human connection that pave the way for hope...

That leaves the third book to shed the isolation and allow the connections to thrive.

With Gideon and Harrow MIA.

I know that the books kick things up into high gear in the final acts each time, but if they’re both gone for the majority of the book, no matter how much fun it is, I’m going to miss them. They’re the core leads, and I don’t want to be without them in the final part.

The 2022 release date has aged my soul. I deliberately planned my GtN read to land a month before HtN came out, then suffered when that was delayed. When really that was nothing at all. I hate waiting.

(Insert note that I’m very glad they aren’t forcing Muir to rush anything out. It’s been a rough time, but also, just in general authors should have the opportunity to create the best versions of their art they can, so the extra time hurts, but it’s obviously for the best.)

What I’m most excited for is probably the cover art. The first two have been awesome, and the artist said he’d likely do print sales for all three when the third’s revealed. My wallet cries but my heart does not.

What I dare not be excited for is the potential for Gideon and Harrow meeting again and perhaps hugging. In their own bodies.

I’d take other bodies, but ideally, y’know.

Also I would love for Harrow to finally meet her popsicle girlfriend.

I doubt it would be a wholly positive experience, but by golly I want it. Maybe they could hug too. It would probably kill Harrow again, but who doesn’t expect several people to die again in the third book?

However it plays out, I’m expecting to enjoy AtN. The writing’s the sort that I’ll happily follow wherever it goes. For everything else, there’s fanfic. The only real worry I have is the whole book will be narrated by Ianthe, and while I mentally groan at that, I actually find Ianthe’s commentary delightful, so even in the worst case scenario I’m having a good time.

Thank you so much for the ask.

#Harrow the Ninth #Gideon the Ninth #The Locked Tomb #asks #oh I don't have an ask tag for the tomb yet #should work on that #tl;dr #viva la pluto

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coffeebased · 4 years

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Hey! Wikathon na! I’ve started reading Relocations by Karen Tongson, about a third through now, but I had to take a little detour through Harrow the Ninth by Tamsyn Muir like I said I would. I’ve finished reading HtN but I’m not quite done experiencing it, so I’ll probably pick Relocations back up tomorrow.

But here’s what I read in July! What’s a segue?

1. Haikyu!! Volume 44 and 45 by Haruichi Furudate

A chance event triggered Shouyou Hinata’s love for volleyball. His club had no members, but somehow persevered and finally made it into its very first and final regular match of middle school, where it was steamrolled by Tobio Kageyama, a superstar player known as “King of the Court.”

Vowing revenge, Hinata applied to the Karasuno High School volleyball club… only to come face-to-face with his hated rival, Kageyama!

And with those two volumes, Haikyū has ended. I’m really glad that my cousin got me to catch up to the series because being a part of the sheer joy and love that’s poured out the fandom these past few months has been refreshing to my spirit. I enjoyed the way Furudate brought the series to its conclusion, by giving all the characters a future and room to grow. I hope to hear more from him in the upcoming years.

2. Looking for Group by Alexis Hall

I read Looking for Group because I was reading up on Alexis Hall in anticipation of Boyfriend Material, which I will talk about later, and saw the synopsis:

So, yeah, I play Heroes of Legend, y’know, the MMO. I’m not like obsessed or addicted or anything. It’s just a game. Anyway, there was this girl in my guild who I really liked because she was funny and nerdy and a great healer. Of course, my mates thought it was hilarious I was into someone I’d met online. And they thought it was even more hilarious when she turned out to be a boy IRL. But the joke’s on them because I still really like him.

And now that we’re together, it’s going pretty well. Except sometimes I think Kit—that’s his name, sorry I didn’t mention that—spends way too much time in HoL. I know he has friends in the guild, but he has me now, and my friends, and everyone knows people you meet online aren’t real. I mean. Not Kit. Kit’s real. Obviously.

Oh, I’m Drew, by the way. This is sort of my story. About how I messed up some stuff and figured out some stuff. And fell in love and stuff.

And I knew that I had to read it. Immediately.

I enjoyed it way too much. The characters were adorable, the conflict was done well, the geeky gamer wrapper was AMAZING and the author never dropped the ball on integrating the online game into the narrative. It was very readable and I enjoyed the atmosphere of the book immensely. I also may have spent a heady week or so thinking of playing WoW, but I avoided that temptation. Made me miss uni too, and the way my friends and I would spend countless hours with each other.

3. Boyfriend Material by Alexis Hall

Wanted: One (fake) boyfriend Practically perfect in every way

Luc O’Donnell is tangentially–and reluctantly–famous. His rock star parents split when he was young, and the father he’s never met spent the next twenty years cruising in and out of rehab. Now that his dad’s making a comeback, Luc’s back in the public eye, and one compromising photo is enough to ruin everything.

To clean up his image, Luc has to find a nice, normal relationship…and Oliver Blackwood is as nice and normal as they come. He’s a barrister, an ethical vegetarian, and he’s never inspired a moment of scandal in his life. In other words: perfect boyfriend material. Unfortunately apart from being gay, single, and really, really in need of a date for a big event, Luc and Oliver have nothing in common. So they strike a deal to be publicity-friendly (fake) boyfriends until the dust has settled. Then they can go their separate ways and pretend it never happened.

But the thing about fake-dating is that it can feel a lot like real-dating. And that’s when you get used to someone. Start falling for them. Don’t ever want to let them go.

I came into this book with high expectations after Looking for Group, and my expectations were mostly met. The few issues I had were ultimately negligible, probably cultural differences or conventions of a genre that I’m not familiar with. The characters were strong, and I found the book funny. I know it sounds as though I’m damning it with faint praise, so I’ll say it plainly: it was an enjoyable read and I was totally invested in the romance. I think it’ll make a really good film as well.

4. The Subtweet by Vivek Shraya

Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.

Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.

If you’re a millennial and if you’ve ever had complicated friendships, this book will ring really true for most of it, I think. I kept wincing at the characters’ actions and “mistakes”, recognising them as things I or my friends have done, but there are portions of the story that I found inaccessible because Neela, the main character, just seems really opaque even when they’re the ones speaking. The music Shraya made as a companion to the book slaps and can be found here.

5. Empowered 11 by Adam Warren

Costumed crimefighter Empowered finds herself the desperate prey of a maniacal supervillain whose godlike powers have turned an entire city of suprahumans against her.

Not good! Outnumbered and under siege, aided only by a hero’s ghost, can Emp survive the relentless onslaught long enough to free her enslaved teammates and loved ones, or is this–*gulp*–The End?

From comics overlord Adam Warren comes Empowered, the acclaimed sexy superhero comedy–except when it isn’t, as in this volume’s no-nonsense, wall-to-wall brawl guaranteed to bring tears to the eye and fists to the face!

Warren’s tying up a lot of loose ends and answering a lot of questions and I’m wondering if that means Empowered‘s ending soon. I haven’t seen any info regarding this, even though the words “The End” are right there in the summary, because comic books always lean on the whole the hero could die! thing, and more often than not they never do. But Emp has come so far in the past 11 volumes, and I think that she’s ready to confront a lot of the stuff that Warren’s only hinted at in the past. Most of Empowered is about how Emp deals with failure and how she rises above it, and recently it’s become about how other people have failed her, rather than how she has failed, and how she deserves better. I’m worried about her, but at least we are another volume’s worth of evidence for the Emp/Thugboy/Ninjette OT3.

6. Sex and Vanity by Kevin Kwan

The iconic author of the bestselling phenomenon Crazy Rich Asians returns with a glittering tale of love and longing as a young woman finds herself torn between two worlds–the WASP establishment of her father’s family and George Zao, a man she is desperately trying to avoid falling in love with.

On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can’t stand him. She can’t stand it when he gallantly offers to trade hotel rooms with her so that she can have the view of the Tyrrhenian Sea, she can’t stand that he knows more about Curzio Malaparte than she does, and she really can’t stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin, Charlotte. “Your mother is Chinese so it’s no surprise you’d be attracted to someone like him,” Charlotte teases. Daughter of an American-born-Chinese mother and blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucy is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment, and ultimately herself as she tries mightily to deny George entry into her world–and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.

This was the third romance novel I read in July, and that’s honestly the highest concentration of romance novel I’ve ever had in my life. I know that I’m supposed to find romance novels like super kilig and stuff, but so far I am just very anxious for romance novel protagonists all the time. I think that the whole thing about the romance novels I have read is that they’re mostly about how deeply anxious people learn how to allow themselves to be loved and that is tough! I wanted to protect Lucie all the time! I was Invested in her Welfare, and I don’t think I cared about Rachel Chu from Crazy Rich Asians half as much, even if you condensed all my attachment from the entire trilogy. Also, small spoiler, there is a hint that Sex and Vanity is in the same universe as Crazy Rich Asians, which I think is awesome.

6. Trust Exercise by Susan Choi

Pulitzer Finalist Susan Choi’s narrative-upending novel about what happens when a first love between high school students is interrupted by the attentions of a charismatic teacher

In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving “Brotherhood of the Arts,” two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed—or untoyed with—by anyone, especially not by their charismatic acting teacher, Mr. Kingsley.

The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school’s walls—until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true—though it’s not false, either. It takes until the book’s stunning coda for the final piece of the puzzle to fall into place—revealing truths that will resonate long after the final sentence.

As captivating and tender as it is surprising, Trust Exercise will incite heated conversations about fiction and truth, friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

This is a book I could not stop reading and I felt gross after I finished it. I think that I enjoyed it and that the narrative flips were well-done and it was engaging, but Choi writes teenage trauma in 3D, and you can smell her scumbag characters. Very good will never read again unless looking to feel bad.

Re-read:

Temeraire: His Majesty’s Dragon, Throne of Jade, Black Powder War, andEmpire of Ivory by Naomi Novik

Aerial combat brings a thrilling new dimension to the Napoleonic Wars as valiant warriors ride mighty fighting dragons, bred for size or speed. When HMS Reliant captures a French frigate and seizes the precious cargo, an unhatched dragon egg, fate sweeps Captain Will Laurence from his seafaring life into an uncertain future – and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

I started re-reading it because I wanted to introduce it to my girlfriend, and I outpaced her very quickly, and selfishly. She’s still at the beginning fourth of Throne of Jade, and I feel like I blinked and gulped down four of the books in quick succession. I had to stop myself after Empire, in a very belated effort to sync up to my gf’s progress. The series is amazing, and I don’t know if I’ll ever read one like Temeraire again. Being able to revisit it should be enough, really, because every time I do it’s as though I’m caught up in a strong and wonderful wind that fills me up with delight and awe. Novik’s starting a new series this September, and I hope it’s just as good.

That’s it for July! I’m probably going to do two books at a time for my Wikathon posts, just to keep things fresh and current, so keep a weather eye out for those posts!

July, next verse, same as the first Hey! Wikathon na! I've started reading Relocations by Karen Tongson, about a third through now, but I had to take a little detour through…

#books #books 2 #reading #reading 2

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