#i swear this was originally readable guys idk why the formatting is fucked
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ooo i’m here for another google doc essay thesis on all the zelda trans narratives <33 lol cited sources and everything (if you have time of course, i love reading all of your headcanons on loz)
god. okay this is every mainline game ive played (excluding sequels with the same characters) except skyward sword because i forgot about it at first and now im tired. here
oot/mm
Basically the entirety of oot is a super-intense wartime coming-of-age story, dealing specifically with the trauma of losing one’s childhood to war/being a child in wartime. Any coming-of-age can be easily analyzed through a trans lens imo, but oot lends itself particularly well to this reading.
For the first nine years of his life, link is told that he is a kokiri. He spends all of his childhood trying desperately to fit in with the kokiri, even though he and the kokiri he grows up with can tell that he is out of place somehow. When he leaves the forest and grows up, it clicks into place that he was never kokiri. And it HURTS. He was lied to. But he suddenly finds himself BELONGING for the first time, among hylians. One of the most impactful npcs in the series is, imo, malon, who link bonds with, feels connected to, and who GROWS UP just like him. She is a representation of everything link gains by leaving the forest. The chance to grow up, and the chance to be among people like himself and understand for the first time who he truly is.
I don’t think i have to explain the subtext i'm getting at here. Replace kokiri with gender-at-birth and you have yourself a trans story.
There are also, of course, points to be made about link’s lack of bodily autonomy throughout the story and his reclamation of it in mm. Link is, in the eyes of basically every adult in oot, a pawn to be used to win a war. He is something to be molded into the shape THEY need him to be. This is a common conflict in loz--the hero NEEDS to be the hero, and so he is given no room to define himself otherwise.
Again. Do i have to explain the trans reading of this?? Adults who feel entitled to you for whatever reason refusing to let you define yourself in a way that doesn’t appeal to them, and viewing you as an object to be shaped into THEIR perfect image. Classic trans kid experience.
Zelda i think is even more obvious because she literally physically transes her gender in the game. For no reason. A female ninja would have been fine. Female ninjas exist in this world. Impa is the obvious example. Zelda became a boy because he wanted to be a boy. This is factual, canonical story. I dont even NEED to go on but i WILL because i can.
The subtextual reading of trans zelda is even more fun imo. This is a kid who grew up functionally powerless. She KNEW ganon was going to destroy hyrule but she could not make adults hear her, and when things went wrong it was her fault. Sheik is, in many ways, a rejection of zelda. She does away with the ancestral name denoting wisdom because she was not wise enough to save her kingdom from ruin. he chooses sheik instead, a name derived from the historic guardians of hylia, and by extension hyrule. he reclaims the power he lost by, again, defining himself where he was never allowed to before.
Personally i consider oot zel to be nonbinary and use she/he and the names sheik and zelda interchangeably. I really love the idea of a kid who grew up with so little control over anything in her life taking it all back and then deliberately fucking with some established rules anyway, just as a little show of power now that he has it. It’s what she deserves.
Alttp
A LOT of my reading in this is totally rooted in subtext/analysis rather than actual canon material. If you haven’t read my analysis of alttp in my analysis doc i suggest you do bc some of that context may be needed to explain what i say here, since alttp is an older game so there’s much less actual canon characterization to go off of.
There is a moment in this game, once you have gone through several dungeons and claimed the master sword and fought the secondary antagonist twice, where link is transported into the dark world. A mirror dimension in which his human form is distorted into a form that “reflects his inner self.” He looks into the mirror and he does not recognize the person looking back at him.
The form he takes is a rabbit, which is, in my opinion, a reflection of his inner fear and the fact that he doesn’t want to be a hero. This link is a young boy who basically loses the only family he has and is then instantly thrown into the midst of a conflict he doesn’t fully understand.
There are two points to be drawn from this. The first is the distorted self-image revealed in the dark world, which. The connection to transgenderism should probably be obvious from here. I’d say looking in the mirror and not quite recognizing yourself is a near-universal trans experience.
The second is that, although this game is much less obvious about it, this link is in a very similar situation to oot link, in that he has been thrown into a conflict he doesn't understand and doesn’t really have any stake in, in order to be used as a pawn to win a war. (worth noting that if we follow the timeline, oot link has to DIE for this game to happen. They never fucking learn ig) so we have a repeat of the same situation in which link’s autonomy is taken from him by adults who want him to be a hero. Ive already explained the trans reading of this. You get the idea
Im skipping zelda in this one because it came out in 1991 so zelda is barely a character. Shes trans because i say so. Next
Tp
Twilight princess did not do very well on a multitude of things. We all know how i feel. HOWEVER. There is something to be said for the fact that when link approaches people in wolf form they recoil in fear and disgust. And he canonically doesn’t expect this. It disturbs him. He KNOWS these people. He’s still the same person inside. Nothing has changed for him except the way he looks. But now no one will so much as look at him.
To be quite honest. The wolf form was a bit of a thematic L in my opinion. I don’t think it had much narrative purpose and my best guess is that it was there to give tp a “brand-new fun gameplay” draw. But the fact that everyone is TERRIFIED of you was a good choice imo. I wish it had been followed through on thematically but I digress. There is transgenderism here. When you go back to your hometown and nothing has changed, as far as you’re concerned, but people avoid your eyes now. You haven’t changed, not really. You just look a little different. But the people either hate you or don’t recognize you now, and in some ways you’re glad, but in other ways you feel… alien.
Zelda also isn’t a real character in this game but it doesn’t get an excuse because it came out in fucking 2006. We knew women were people by then guys come on. Anyways shes also trans because i say so. I dont feel like thinking about twilight princess any longer lol sorry
Ww
Im going to start with zelda/tetra here because i have a lot more to say about her lmao
Tetra is a wild, loud, stubborn, angry pirate. She is the exact opposite of what your average hylian might imagine a goddess-blood princess to be. She’s rude, she’s volatile, she looks out for herself and no one else. This is an image she has curated. But she is also kind. She lets link on her ship when he begs her to help him save his sister. she slips him a good-luck charm before he storms the fortress. She takes aryll home and never asks for payment. She is a pirate, but she does these things that seem so strangely… at odds with herself. I think a lot of her tough exterior is a curated image, for the benefit of her crew, yes, but also herself. If she is stubborn and loud and angry and unlikable then she is less likely to get hurt.
Tetra learns who she is, and she is suddenly a new person, a different person. She’s zelda. And she’s so CONFUSED. She tries her hand at being a princess. She sits and waits patiently for her hero to come back to her. But in the end, she can’t even do THAT right. Things go wrong again, all because of her.
During the final battle of this game, zelda fights alongside you with the bow of light. I believe this was one of the first games in which she does this.
This is a nonbinary narrative. Tetra tries so hard to fit into one box or the other, princess or pirate, but can never quite master either. During the final confrontation, though, she finds a happy medium. She is kind, wise zelda, in her regalia with her hair untied, but she is also stubborn, angry tetra drawing her bow to fight alongside link. She will not be defined.
she/they tetra ftw lol. anyways
Wind waker link honestly has much less textual evidence for me than like. Any other link because imo wind waker is almost completely a clear-cut coming-of-age. It’s very easy to read (almost) any coming-of-age as a trans narrative but much less easy to actually explain that read.
My stance kind of boils down to this: link has a clear-cut arc of growth in this story from a weak, inexperienced kid into a soldier who is capable of taking on ganon. This arc is kickstarted by him leaving home and no longer being confined by the limited perspectives of the people he grew up around. Unlike other links, this one doesn’t have too much pressure on him to be a hero. In fact, I would consider his growth into a hero to be framed very positively in this game as it gives him the agency he lacked at the beginning. This is an interesting departure from most other games in which link lacks a lot of agency.
Basically, i think that while most other games can be read as kind of… tragic trans stories, about the struggles of not being allowed to define yourself, etc, wind waker link is the story of a kid who is finally GETTING to define himself. It’s more similar to Majora's mask in that way, in that this kid has already HAD the chapter where he’s confined to other people’s expectations and is now beginning to break out of it and reclaim his own identity.
Botw
Jesus. God almighty. Okay
Like. not to keep beating a dead horse but this link is the most obviously negatively affected by the expectations and perceptions of those around him. He explicitly goes mute BECAUSE he knows people expect him to be a hero above all else, and it will be easier to conform to that expectation if he keeps quiet. This poor boy is so terrified to be imperfect, to be something that hyrule might not like, that he SHUTS DOWN. he is essentially nothing BUT what hyrule wanted him to be, because he never allowed himself to be anything else.
I have already explained the trans read of this. Reread ocarina of time’s segment. Holy SHIT. he is so transgender. Also he’s 5’2 and has shoulder-length hair come on
Side note but i think botw is cool because it explores BOTH facets of the usual loz narrative (lack of agency/reclamation of agency) within the same game, while most other games go for one or the other. When link loses his memories he is FORCED to define himself, as he has nothing to go on anymore, which is a reclamation of the agency he had lost pre-calamity. Essentially pre-calamity is the oot segment and post-calamity is the mm segment of the narrative. It’s cool. Anyways
Zelda. GOD.
She is not the daughter her father wanted. She knows this. She tries SO HARD for SO LONG to be the daughter her father wanted. But she can’t. She will never be good enough in his eyes. Eventually she gives up on doing exactly what he wants. She hopes she can win his approval in other ways, with things she is good at. Things she CAN do right. But it’s never enough for him because all he sees is the daughter he wanted. The daughter she should have been. He doesn’t care that she can’t. He only cares that she Is Not. she knows she will never win his approval but she keeps trying anyway.
Do i really need to explain this. Babygirl you are so trans gender
#if this doesnt auto-compress i am so sorry. this was 5 pages in google docs btw i am insane#zelda analysis#asks#THE FORMATTING. SHIT#i swear this was originally readable guys idk why the formatting is fucked
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