Not to be That Guy but like.
Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.
Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s
Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?
Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]
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so i love the whole “not everyone who looks like a monster is a monster” thing that was introduced but
it makes me really (worried?) interested about what they’ll do about Tyson if we get season 2
are they going to make it more of a “Percy’s mad at Poseidon for having a kid with someone other than Sally” thing?
my biggest fear with their treatment of Tyson is that they’ll have him do something genuinely bad that’ll make Percy’s discomfort with him be justified, and with how the show is I’m really worried that they’ll take that route
it just wouldn’t make sense for Percy to give Medusa a chance but then feel uncomfortable with having a cyclops for a brother unless there was some other reason behind it
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Y'all do know you can't make Jason be NOT white without changing his whole character, right?
For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.
This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).
Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. Nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.
He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.
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A future fic carcass I'll write when I write (after I finish 9 ungoing fics)
King Viserys dies at the wedding celebration of his daughter, Crown Princess Rhaenyra Targaryen.
No one else does.
I am a firm believer Otto and Viserys are the rot on the face of the House of the Dragon and without these two everything would be fine-ish.
Unfortunately, we need Vissy T for his kids to be born, so Viserys dies soon after Aemond is conceived. Sorry, Daeron, not this time.
Joffrey doesn't die because he doesn't manage to provoke Criston before the king dies.
Rhaenyra overrules his father's decision and marries Harwin Strong.
Their son Jacaerys Targaryen is the heir to the throne, Lucerys Targaryen is the heir to Harrenhal.
Daemon marries Laena and lives at Dragonstone (Rhaenyra grants him that), their firstborn is the heir of Driftmark.
Laenor joins the Queensguard and is sent to Dragonstone to protect Prince Daemon (ha) and his future heirs.
Criston Cole becomes the Commander of City Watch while still retaining his white cloak (what? He did it in canon, can do it here).
Rhaenyra removes Tyland Lannister as the master of ships and appoints Corlys Velaryon (back).
When Baela and Rhaena are born, it is decided to betroth Prince Aegon and Lady Baela, making him future lord-consort of Driftmark (and successfully removing him out of succession of the iron throne).
When Jace is born, his and Helaena's betrothal is announced.
Baelon is born without an issue and the royal family meets at the celebration on Dragonstone, where Aemond claims Cannibal and loses an eye in the process.
(Kinslayer, everyone. It fits).
Afterwards Luke is sent as a ward to Harrenhal with his father. A huge ass scene ensures there Luke clings to Aemond and refuses to go.
Aegon makes a greasy comment and gets punched.
Both Aegon and Baela are sent as wards to Driftmark.
Lucerys still leaves.
Harrenhal doesn't burn bc even if Larys kills Harwin and Luke, there's still Lyonel and Joffrey in the equation. Lyonel keeps serving Queen Rhaenyra as her Hand.
Years later the royal family meets at the wedding celebration of Baela and Aegon, where Luke and Aemond behave very much like Rhaenyra and Daemon at Rhaenyra's not happened wedding.
Rhaenyra and Alicent clutch at their pearls, Rhaenyra suggests father died because of seeing something like that.
Daemon asks if she implies they killed Viserys, then asks where is Baelon.
Laena replies Baelon is playing knights with Joffrey.
Rhaenyra and Harwin Strong (no) have three more children, Aegon, Viserys and Visenya, all silver-haired like their mother (her uncle).
Laena is fine with it, they have a poly. Laena doesn't have more children because Baelon's birth was a ghasty one.
Baelon claims the Grey Ghost.
Otto is never called back to the capital because (suprise!) Rhaenyra didn't rush to kill her 3 y.o brother or the other one who was born after Viserys' death. Instead she marries Aegon off so he's no threat.
Aemond eventually joins the Queensguard and is appointed to the future lord of Harenhall.
Lucerys refuses to marry and appoints his brother Viserys as his heir, who marries Visenya. They have a very good life in Harrenhal.
The reason Luke skips over Joffrey is because Joffrey is always at the sea (with Baelon), and Aegon the Younger is bethrothed to Baela and Aegon the Elder' firstborn, Laena.
Everyone lives happily ever after, Otto gets to be the head of the house Hightower after he successfully plots against his own kin, since his blood is secured on the throne, if in unconventional for him way.
He once tried to manipulate Aegon, but was cut off sharply by Rhaenys and Corlys, who kind of adopted the boy as theirs.
Aegon enjoys wandering about Essos very much, he, of course, whores around, but he and Baela have an agreement. One of Baela's children is born from Alyn of Hull, but no one is any wiser, since everyone just thinks the child looks like her.
Jacaerys and Helaena have three kids, Jaehaerys and Jaehaera and then Maelor.
Jaehaera is oldest and so is the heir.
Oh, and Rhaena is happily married to Corwyn Cobray. They have a daughter, Rhaenys.
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idk how to phrase this but like. people retroactively calling Fleabag a privileged, dissociative portrayal of feminism which is Bad, Actually, are lowkey deranged to me because, yeah, Fleabag IS about the expierience of womanhood. but like. through the lens of ONE woman? like, nowhere in the show is it ever implied that fleabag's expieriences are supposed to be universal, relateable core pillars to womanhood?
its almost like half of the population of the world is female and I think it's kind of weird that all stories about women always have to be feminist and activist, and can not just be an exploration of an imperfect woman, they have to be correct about *all* of womanhood?
i also think that the people saying this don't really understand the character of fleabag and i do think that the show is feminist in many ways, but even when no person working on this show would have had any intention of making this a "feminist story", i think that would have been their right to do that?
breaking bad, fight club, american psycho, lolita, etc. all tell the stories of white men who are objectively horrible people. and these stories still treat these characters with a level of empathy and understanding of how they got there and why they are like that. the stories don't excuse their behavior because of that, they are simply a fictional analysis of a person who is not virtuous or good in a lot of ways.
but women, people of color, disabled people, and other minorities are never given the same right to just tell a story about a character, the character has to be virtuous, a good role model, a representation of their whole group, likeable, flawed only in an "unproblematic" way, never make a bad decision, and its insanely limiting in what stories can be told by writers, when they want the approval of the general audience
and i so genuinely want more fleabag women, who may interact with feminism, but who are actual human beings in a real world, who have real flaws and who can be selfish and cruel, but who are still treated with empathy by the story
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