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slifers-executive-writer · 5 years

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A Overall Discussion About Godzilla: King of the Monsters 2019.

It has been awhile since I wrote an original piece on my blog, and while I’ve stated this is mostly for my writing and anime fandom, I cannot help but include one of my other passions. That is of course the movies. One topic that has been going around the internet lately is the potential flop that is Godzilla:KOTM 2019. I will put it out there right now, that while this movie isn’t doing as good as I would like, I’m sure it will make its money back and I certainly don’t think it is a flop. But my main reason for writing this particular discussion is to clear the air about where this film stands. I’ve been hearing a lot of reviews both top critical and various Youtubers complain about this thing and my overall observation is a lot of them claim to ‘like’ Godzilla and yet clearly don’t understand a goddamn thing.

A very similar thing happened with Detective Pikachu. Both movies not scoring that great on Rotten Tomatoes and overall critic/Youtuber reception being very mixed, yet the general audience seemed to enjoy both summer blockbusters. Both films suffered from a lot of ‘reviewers’ not doing even the smallest amount of research on source material before opening their big angry mouths and complaining why certain characters or concepts weren’t included.

And example complaint on these films were:

Detective Pikachu: wHeRe Is TeAm RoCkeT?

Godzilla KOTM: wHy ArEn’T tHeRe OtHeR tOhO mOnStErS?

Yes these were real complaints.

Now in all honesty, I know neither of these movies are masterpieces as in terms of depth of plot or character arcs. If I had to choose one, I would definitely say it terms of the human elements, Detective Pikachu was a much better film. So I am fully aware that these flicks are complete nostalgia pandering hunks of cheese.

And yet I still found myself enjoying both films to the point where I clapped at the end. The same way almost everyone and their grandmother did for the Avengers. So what is it about this hot garbage making so many people flock to the theaters multiple times to see them?

It’s the simple fact that we have had these Japanese properties in our lives for several decades. Pokemon (1998) & Godzilla (1954). If anyone grew up on either of these or both (such as myself) then we know that as long as these Americanized films are a loads of fun, we can forgive the lazy messy plots. But perhaps that is why these movies aren’t what we all wish they could be...because they are created on American soil.

You see unfortunately, Hollywood has been in one of the most non-creative/reboot mayhem crisis I’ve ever witnessed. Big corporate studios have to pump out as many safe reboot/non original IPs as possible and it seems to have lost most it’s writing talent as well. If certain directors and producers aren’t behind a project, then the adapted movie (such those inspired by anime and other foreign film franchises) probably won’t have much substance. Not to mention Western filmmakers and our critics don’t seem to fully understand the culture shock of the growing popularity in these Japanese properties. Nor do they understand the appeal of these features, hence all the negative/angry reviews. We have seen this time and time again. And it is nothing new.

Now let’s get back to Godzilla: KOTM. It was a fun ride no doubt. The CGI was incredible, and with certain recent Marvel and DC films, this is a mark a lot of those films miss. So thank Godzilla that our beloved kaijus and other effects looked gorgeous. The cinematography for the monsters was also done very well. There are plenty of moments where we truly understand the grand size of these creatures. Overall the fights were awesome and mind numbing. And the music, oh my god the scoring was incredible. Done by Bear McCreary, who did the recent God of War installation did our Kaiju King a great service. Paying homage to classic Godzilla themes was the perfect icing on the cake. So what was the big complaint?

Lol These dumbasses. The people in any robot/kaiju/creature feature seem to be the hardest thing directors cannot figure out no matter how hard they try. But let us admit that we as viewers are pretty hypocritical in this argument. On one hand we ask for a shit ton of monster brawls and on the other hand, we complain their are too many explosions and that the effect wears off after a while. We want human stories and then we complain that they are in the movie at all. Godzilla KOTM by no means has a good human story. Some moments with the military and Ken Watanabe were fine, but the idiots in the images above this movie did not need...like at all. I especially hated the father and mother figures. Like yeah Eleven (Milly Bobby Brown), I would run the fuck away too. I’m not excusing the writers for the shitty human plot, I’m just explaining as to why we still suffer from this problem. However, if you are a fan of the Godzilla franchise, you know for a majority of the films, the human plot is not much better than what we see here. Maybe that was Michael Dougherty’s point. He claimed that this was the ultimate film for Godzilla fans and quite frankly, maybe he is right.

Aside from the very first film (Gojira 1954), the human elements of these films were always lack luster, silly, and even forced. Yet so many people are quick to judge our American filmmakers for ruining what ‘only the Japanese can do right’ and in all honesty I’ve never heard such a false statement. The image above is from one of my favorites, Godzilla 2000. Japan’s fuck you to the terrible 1998 film. But when watching this, did you really care about this guy, his daughter, and his dumbass girlfriend. Or the scientists and their anime-esque villain. The answer is probably no. In any of these kaiju films, very rarely do we ‘really’ care about the people. We just want to see the action. The plots are always, cliche, predictable, and stuffing in some bullshit environmental awareness message. Nukes are bad and people suck. But we love Godzilla (practically a walking nuke) anyway.

Godzilla KOTM, is the same shit we’ve seen before only with American styled editing and tropes. So lots of quick cuts and a focus on the family unit. But hey the special effects are so much better than anything we have seen previously. I don’t have to laugh when I see wires and crappy green screen, or using the same footage from a previous movie. Nope. All our favorite kaijus are in beautiful IMAX quality and are ready to wreck cities worldwide. This is the film fans asked for and we got it. Oh and before the next person complains that the Japanese can only do it better, here is what was done before this.

We got Evangelion Goji with AIDs and CG Tree Goji with Ramen Noddles Ghidorah. While Shin Godzilla was a masterpiece over seas, if you didn’t understand the political subtext, then this film was an angsty destructive ride by a guy who can’t even finish his own art thesis of an anime. (I totally don’t have mixed feelings over Evangelion lol). I didn’t hate Shin Godzilla. It had its moments, but I didn’t think it held the same power of the film it was trying to emulate. Not to mention the CGI and sound design at points were just dreadful. As for the Netflix anime Godzilla trilogy...just wow. Aside from loving the physical design of this new Goji and his new powers, this story was worse than awful, it was downright boring. Even hardcore Godzilla fans had a hard time defending this mess of bad CG. With a promise of multiple featured kaiju and Mecha Godzilla, we get a hunk of nano metal and the only other kaiju actually featured looking like a pack of Maruchan coming down to like ...basically have a staring contest with Godzilla and then evaporate. What a fight for the ages...

In conclusion, I’m not sure if and when either Japan or American will ever truly get it right. We may like certain aspects of one film but hate the rest of it and the cycle will continue on and on. But as far as KOTM goes, I’m happy it exists and hope it does well enough for Legendary to renew its licenses with Toho. I and many others just want Godzilla in the roster and to continue the legacy. Something for future generations of children and adults to enjoy the romping monsters and hear their iconic roars. We can’t let this current toxic and hating Internet culture bitch and complain about concepts and niche cultures it doesn’t fully understand. Like the anime community, the Godzilla fandom is a unique one and has a niche audience. But perhaps like what the Marvel movies have done for comic book fans, the exclusion will lessen over time and become more mainstream. But for now, Godzilla KOTM is meant for a particular group of people and it seems for that bunch, it has made them plenty happy. Myself included.

So what are your thoughts on this movie and others like?

Feel free to share your comments, reblogs, and however else you would like to respond down below.

#godzilla #godzilla king of the monsters #godzilla kotm 2019 #legendary pictures #detective pikachu #rant #discussion #movies #american film #japanese film #gojira #kaiju #kaiju flicks #fuck the critics

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