#i hipe these people all kill themselves btw. | Explore Tumblr Posts and Blogs

rainhalydia · 4 years

Note

I wasn't in fandom at the time, so I'm curious about how you felt, as a Throbb shipper, about GRRM confirming Robb didn't love Theon as much as he loved Jon? And how did Throbb shippers in general feel about it?

Well, I can’t say how Throbb shippers in general felt. Not that happy, I’d guess? I can tell how I felt and still feel about it, though I didn’t see that interview until long after the fact so I didn’t catch any drama anyway. To sum it up: I don’t care.

A much longer, rambling word-vomit under the cut:

I think I summed up my feelings very exactly, but I kept thinking a lot about this ask and having lots of opinions, so here we go. I’ll preface this long-ass rant by saying I have no professional training in literary analysis. I just read a lot, overthink everything and had two classes in college about literature.

First of all, this tendency to give great weight - i.e., to care at all - about what writers have to say about their own work is completely foreign to me. I mean it literally - the main framework of literary analysis I’ve encountered throughtout my education was basically centered around the text, and I very much adopt it without even giving it conscious thought. I don’t seek out interviews, addendums, essays, anything at all. Sometimes I read it if they fall on my lap. Such was the case with this interview.

It’s not that writers don’t have things to say, or that those things are not interesting or valuable or sometimes shed a new light on their work. It’s that at the end of the day they’re not important! Only canon is canon. I don’t mean to sound snob or pedantic, like the books are law or something. And any canon has a number of valid interpretations (within limits), they’re not absolute, they allow some wiggle room. But any text needs by definition to stand on its own without writers poking their heads inside the room to say how we should interpret it. If we need imput from the writers to do it, then the text is already bad, it failed, sorry. Interpretation is the reader’s job. In fact, it’s the reader’s prerrogative.

Much of this hipe around authors, I believe, has to do with the rise of social media and how close to the public writers suddenly were. And I feel that applies especially for authors like Martin, who are very talented and have created a very rich world that has become really popular. And ASOIAF is still ongoing. It’s natural that everyone wants to pick at his brain and know where the story is going!

And here I make my second very unpopular point: authors are not specialists in their own work.

He knows more than anyone about it, certainly, and currently Martin is probably the only person who knows how things will end (though we have plenty of bare bones the show left), but he is, as he has admited himself, a gardener. The story was bound to get away from him, given his own writting style. The group of people who will be specialists on his work don’t include him, and they don’t even exist yet. They will only emerge when he’s stopped writing (so probably after his death) and his work has ended (if it was finished or not). Then people can read every single thing he has ever written, which is much more than ASOIAF, and analyse it to death, pick it apart from every single angle, the ones Martin intended to be there and the ones he didn’t.

Again, I don’t mean to come across as snobbish and say Martin does not know his own work, characters, creation, etc. He does! But no writer can leave all their biases behind when they start writing, so these books are not neutral to begin with. Add to it the lots and lots of variables readers will bring when they interpret the text, and any book is always going to be more than the author intends by default.

If my argument seems absurd, let me point out that it has already happened to a certain degree: my own interpretation from reading ASOIAF is that it is full of anti-war, anti-violence messages, and yet from it has sprung an adaptation that, in my own interpretation, glorifies war and violence to a ridiculous degree. I’m not alone in these opinions, btw. They’re pretty common in fandom spaces, so I’m sure I didn’t pull them out of thin air. We can argue until we’re blue in the face that the Ds can’t read anything for shit, they certainly don’t do themselves any favors, but you know, they interpreted the books well enough to correctly guess who was Jon’s mother and get permission to adapt it in the first place. I’ve since seen people (I’m not naming names, anyone still reading will just have to take my word for it, but I swear they do exist) defend that the show is a faithful adaptation of the books and that the glorification of war was there too, and others say that the show didn’t actually glorify war, it had an anti-war message! Who is wrong? Well, I don’t know. As I said, the GRRM’s specialists are yet to come, and I’m certainly not one of them. What I believe, however, is that all of us brought our own biases to the same text, interpreted it according to them, and came to different, often conflicting conclusions.

See also what GRRM said about the partnership between Jaehaerys and Alysanne and what most people made of their relationship from Fire and Blood. See the sept sex/rape scene controversy. See the Dany/Drogo controversy.

Do you get why I put little weight in Martin’s interviews to form my opinion? So given that and my own background, I’ll chose my own interpretation of the text rather than Martin’s apocrypha.

What does the book canon, and the book canon alone, say about Robb’s feelings for Theon? Well, unless new material is released, we’ll just never know for sure, because Robb isn’t a pov character. We do have Theon’s side of things - he has a certain affection for Robb, he’s more of a brother than his own brothers, he wishes he had died with him or at least that he had been there at the moment of Robb’s death, depending on how sincere he feels like being. We also know a little bit of what other characters thought of their relationship. Bran says Robb admired Theon and enjoyed his company, and it’s implied that he finds this baffling. He’s also jealous that Robb spends more time with Theon and other adults doing adult things than with his brothers. And though I’ve talked at lenght about interpretation and wiggle room to understand things, it’s also pretty evident that Robb is down to hear Theon talk about his sexual conquests in some detail as long as his brothers aren’t around.

Of course, Bran is a child and much as he loves Robb, their time together is cut short and Robb is not his main concern anyway. We get most material about Robb and Theon’s relationship from Cat’s pov. There’s a lot we can analyse and Damien had already done a great not-meta about it, but sadly he’s since deleted, thank you to the demons who got on his case, but for me the most damning piece of evidence that Robb feels very strongly for Theon is this:

“Robb will avenge his brothers. Ice can kill as dead as fire. Ice was Ned’s greatsword. Valyrian steel, marked with the ripples of a thousand foldings, so sharp I feared to touch it. Robb’s blade is dull as a cudgel compared to Ice. It will not be easy for him to get Theon’s head off, I fear. The Starks do not use headsmen. Ned always said that the man who passes the sentence should swing the blade, though he never took any joy in the duty.”

So to unpack what is going on: nearly drowing in grief, Cat rambles to Brienne about lots of things, including Theon’s impending death sentence. By Northern dumb tradition, Robb must be the one to behead Theon, his former best friend turned enemy, turned betrayer, turned brother-killer. And she says that it won’t be easy for him to do it.

Now, it can be argued that this is partly because of the sword. They’ve lost their sharp valyrian steel and Robb uses an inferior blade, not as sharp. I reject this interpretation as the only explanation (and here comes my own biases) because she mentions the headsman right after. A headsman might be more experienced, but it’s not like he’d have valyrian steel to do it either. Rather, I think she’s talking about how being able to pass Theon off to be killed by a headsman would be easier on Robb psychologically, but it’s not really an option, so Robb will have to suffer.

At this point, to Robb’s knowledge, Theon has: 1) betrayed his trust and used the ruse of negociations with Balon to escape; 2) attacked the northern shore and enslaved his people; 3) attacked and took control of his home; 4) made his brothers hostages; 5) killed his brothers; 6) denied his brothers the right to be buried in a decent way; and finally, 7) burned their bodies and exposed them for all of the North to see.

And after all this, having to be the one to kill Theon will make him suffer.

We know one of the moments Robb gets the angriest in the books is when Bran is threatened by the wildlings. He is the acting Lord and keeping his little brothers safe is his responsability. He nearly bites Theon’s head off when Theon saves Bran in a risky way and we know that was uncharacteristic because Theon is still sulking about that a whole year later. So his siblings are dear to him, but even after Theon does everything from steps 1 to 4, he’s still sure they’re not in danger and that Theon won’t do anything to them. That’s how much he trusts Theon. It takes literal murder to make him change his mind.

But then he does change his mind. He believes Theon did those awful, awful things to his brothers. After that knowledge has had time to settle in, after he believes the worst of Theon, he has this amazing convo with Cat that I’ll quote whole because it’s amazing:

“Enough.” For just an instant Robb sounded more like Brandon than his father. “No man calls my lady of Winterfell a traitor in my hearing, Lord Rickard.” When he turned to Catelyn, his voice softened. “If I could wish the Kingslayer back in chains I would. You freed him without my knowledge or consent … but what you did, I know you did for love. For Arya and Sansa, and out of grief for Bran and Rickon. Love’s not always wise, I’ve learned. It can lead us to great folly, but we follow our hearts … wherever they take us. Don’t we, Mother?”

Is that what I did? “If my heart led me into folly, I would gladly make whatever amends I can to Lord Karstark and yourself.”

Lord Rickard’s face was implacable. “Will your amends warm Torrhen and Eddard in the cold graves where the Kingslayer laid them?” He shouldered between the Greatjon and Maege Mormont and left the hall.

Robb made no move to detain him. “Forgive him, Mother.”

“If you will forgive me.”

“I have. I know what it is to love so greatly you can think of nothing else.”

Catelyn bowed her head. “Thank you.” I have not lost this child, at least.

So we know that what is going on here is that Robb is buttering Cat up before breaking the news of his marriage to Jeyne to her. One of the possible interpretations supported by the text is that Jeyne is in love with Robb and Robb is not in love with her. It’s a common reading that he married her out of honor and to avoid a possible Jon Snow situation. During their marriage, he seems to grow fond of her - Cat notices he likes her company better, and her brother’s, and that he laughs when he is with the Westerlings - but he also keeps some distance. She’s afraid of Grey Wind, which pretty much means being afraid of a part of him. In turn, he’s attentive, courteous, and a bit touched and annoyed at her public displays of affection.

Then there is this gem:

“His heir failed him.” Robb ran a hand over the rough weathered stone. “I had hoped to leave Jeyne with child … we tried often enough, but I’m not certain…”

And this is more Damien’s not-meta than my own, but once you see it, you can’t ever unsee it. Compare the bolded parts in that quote in the first Cat-Robb convo to the part bolded in the second one, put them side to side and tell me you can’t see the difference. In the first one, Robb basically spells it out that he’s made a mistake out of love, that love turned him into a fool, but it was stronger than him. At that point of the narrative, Robb’s biggest mistake (and notably it was HIS mistale, it was not a case of the narrative screwing him over) was to free Theon. A mistake that caused him to lose his brothers, castle and a significant chunk of political standing. The consequences of marrying Jeyne, which is pretty much only to lose the Freys, don’t even compare - especially because the Stark faction believes they can win their support back.

And this love that made him act like a fool is further described in the second bolded part of that quote. He loved so greatly that he could think of nothing else. That is some passion there, folks. Even considering that he’s trying to get Cat on his side, it strikes me as so sincere and heartfelt. And again, maybe it’s my own biases showing, but that sounds like an all-consuming love, the kind of love that doesn’t go away easily. I don’t see that same depth of emotion on the second bolded quote… they tried often enough. Does it add up with the first part? I don’t think so.

My conclusion, and forgive me if the shipper gogles come in, is that the love that hurt him, that consumed him, is the love he had for Theon. Not for his wife. But it was in the past, one might say. His marriage was just beginning, he and Jeyne grow closer, etc. I’ll quote two more bits:

“I cannot speak to that. There is much confusion in any war. Many false reports. All I can tell you is that my nephews claim it was this bastard son of Bolton’s who saved the women of Winterfell, and the little ones. They are safe at the Dreadfort now, all those who remain.”

“Theon,” Robb said suddenly. “What happened to Theon Greyjoy? Was he slain?”

Here we are nearing the Red Wedding. Some Freys come to pretend to make peace and pressure for a wedding to Edmure and they bring news of the battle of Winterfell. Professional writers don’t often abuse the “suddenly” like us poor fic writers, so when he says it was sudden, i believe it was sudden. I believe it came out of nowhere, in fact, and that Robb was the only one in that room considering Theon’s fate.

Roose Bolton removed a ragged strip of leather from the pouch at his belt. “My son sent this with his letter.”

Ser Wendel turned his fat face away. Robin Flint and Smalljon Umber exchanged a look, and the Greatjon snorted like a bull. “Is that … skin?” said Robb.

“The skin from the little finger of Theon Greyjoy’s left hand. My son is cruel, I confess it. And yet … what is a little skin, against the lives of two young princes? You were their mother, my lady. May I offer you this … small token of revenge?“

Part of Catelyn wanted to clutch the grisly trophy to her heart, but she made herself resist. “Put it away. Please.”

“Flaying Theon will not bring my brothers back,” Robb said. “I want his head, not his skin.”

Aside from Catelyn, who is torn, and maybe the Greatjon (I don’t know what snorting like a bull is supposed to convey), no one in that room approves of torturing Theon, they’re all rightly creeped out. But no one would blink an eye if Robb had ordered Theon flayed alive. Instead, he commands the torture to stop. Of course it’s the only decent thing to do, but let’s all appreciate how the character who is always arguing for peace, end of conflict and letting things go for the sake of the living and what can still be saved instead of more violence, is tempted by it. Robb is the only one who shares the full extent of Cat’s grief here, but he’s also the only one to try and stop the senseless punishment.

I joke all the time about how Throbb is canon, and it’s mostly jokes. They are not canon in the sense that Cat and Ned are canon, and I don’t think we’ll have any more facts added to their story together, there probably won’t be any flashbacks that hint at a romantic relationship between them. But looking at the text alone, what we have of it as of now, it’s possible to support a canonical reading for this ship. This interpretation is there in the text if you want to see it. In fact, some things make more sense if Robb was in love with Theon.

And you know, having a ship be supported by canon is not actually a condition that needs to be met to ship anything. It’s just something I particularly need to get into it. But even if you read Theon and Robb as just friends, it’s a reach to say that Robb didn’t love Theon.

Of course, we have Robb demonstrating affection towards Jon in the books too. He is Robb’s chosen heir, to Cat’s despair. Despite all the negative propaganda bastards get and the fact that the mother he so respected and loved disliked and distrusted Jon, Robb considers him a full brother, to compare to Sansa’s constant “half-brother” from the beginning of her journey. They’re seen having a good time together (they have a horse race in their very first appearance in the books, and Mance recalls them getting into trouble together as children), so they enjoy each other’s company.

Yet there’s also an undercurrent of sibling rivalry between them, seen from Jon’s pov. We have this bit with Benjen:

Benjen gave Jon a careful, measuring look. “You don’t miss much, do you, Jon? We could use a man like you on the Wall.”

Jon swelled with pride. “Robb is a stronger lance than I am, but I’m the better sword, and Hullen says I sit a horse as well as anyone in the castle.”

This is hilarious to me. My uncle paid me a compliment for being perceptive, a skill not at all related to martial skills! Time to compare my martial skills to my brother’s, even though we’re both 14 and there’s lots of more tried warriors in the world and we haven’t even had our last growh spurt! This is sure to impress a seasoned ranger!

Of course we know Jon’s rivalry towards Robb comes from his bastard status, but it’s interesting to me that it’s something that centers around Robb alone; he doesn’t compare himself to Bran or Rickon as far as I remember. That can be explained by their very similar ages and growing up together, I think. Jon has the advantage of being older than his other true born brothers.

Jon also says this:

Bastard children were born from lust and lies, men said; their nature was wanton and treacherous. Once Jon had meant to prove them wrong, to show his lord father that he could be as good and true a son as Robb. I made a botch of that. Robb had become a hero king; if Jon was remembered at all, it would be as a turncloak, an oathbreaker, and a murderer. He was glad that Lord Eddard was not alive to see his shame.

To Jon - and to the other Stark children - Robb is often the model to be emmulated. I won’t dig up all the times they hold him up as the ideal of bravery. Jon’s feelings are not unique in this sense, though they are when it comes to the rivalry. They all admire Robb. From Robb’s side, I don’t remember hints of him admiring Jon or any of his siblings. He certainly loves them, likes them, and enjoys spending time with Jon at the very least.

But Theon is the one Robb admires in text. Bran says it, and Theon too:

“There is nothing small about the letter I bear,” Theon said, “and the offer he makes is one I suggested to him.”

“This wolf king heeds your counsel, does he?” The notion seemed to amuse Lord Balon.

“He heeds me, yes. I’ve hunted with him, trained with him, shared meat and mead with him, warred at his side. I have earned his trust. He looks on me as an older brother, he—”

Readers often dismiss this as Theon’s garden variety empty bragging. To be fair, Theon very much distorts reality in his head to fit his own idea of how things should be, but this is one of the few times when he’s not doing that. He’s genuinely proud that Robb thinks so well of him. And since he’s so sensitive about what people think of him and people not giving him the credit he thinks he deserves, I’m ready to believe his account of facts this one time.

What I get from canon, regarding who Robb loves the most out of Jon and Theon, is that he loves them differently. He might even love Jon more by ASOS; it’s a wonder that we have hints that he still cares about Theon at all by the end, after the murders of who we know are the miller boys, but who Robb thinks are Bran and Rickon.

He had different relationships with them. Even if you reject the reading of Throbb as romantic, friends and siblings are not interchangable, even if you’re out there calling close friends brothers or if your brother is your best friend. It’s different sorts of affection. At the beginning of the series, Robb and Theon seemed closer to me than Robb and Jon - let’s not forget that Jon’s favorite is Arya, and the biggest family drama at that time has to do with Jon and Cat. They grow even closer as they go to war together, and then they’re pushed apart by circumstances and by Theon’s actions.

But okay, this is not long enough yet, so let’s say that this is an invalid framework of analysis and Martin’s word of god has as much weight as canon, and that in fact, we’re 100% certain that Robb loved Jon more than Theon.

Why does it even need to be a competition? No one holds it against Ygritte that Jon loves Arya more. Asha has a steady boyfriend that she’d gladly marry, and still she takes risk after risk for Theon. Ned was probably the greatest love of Cat’s life, but her interactions with her brother and uncle are still emotional and moving in great part because of the depth of her love for them.

Robb loving Jon more doesn’t take anything away from Theon. He doesn’t love Theon less because he loves Jon more, love is not a finite resource. And Robb loved Theon plenty, be it in a familial, friends or romantic way. If it diminished, that was a result of Theon’s choices alone.

#Anonymous #throbb #long post #and i mean long

39 notes · View notes