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#i guess if i get my comic a theme song i should actually post episodes of it huh
lunathrix · 2 years
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Your honor, the girls are fighting
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chocomd · 2 years
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For the fanfic writer ask game: 2, 34, and 73!
2. Where do you get your fic ideas?
Good question...from everywhere and everything? My first two ATLA fics, Midnight Meditations and The Waterbender's Heart, were missing scene fics inspired by the amazing fanart by PottyosPanna and my burning need for more Book 3 Kataang content. The idea for Lullaby for the Departed came out of a conversation with @itsmoonpeaches. Scars was written in response to an incredibly bad fandom take that Katara should have had scars from the episode where Aang accidentally burned her. This was also the fic where I hc that Aang's scar is also a dead nerve area, so I wrote Numb as a result. I've had the idea for Drag You Down since my early fandom days, when I tried to imagine what could break up a relationship like Kataang. The first few chapters were especially hard for me to write as a Kataang softie, so I wrote several fluffy Book 3 missing scenes during that time to get me through.
34. How much of your personal life/experience do you include in your fics?
Quite a bit, actually! I always aim to write in a way that is realistic and compelling, so I draw heavily on my life experiences and the experiences of others - like romantic entanglements, miscarriage, and injury. More recently, I’ve been incorporating personal life experience that is more specific to who I am - mainly, the way war has shaped the lives of people directly affected by the conflict, or in less direct ways such as through displacement, the necessity of assimilation, cultural disconnect, and the effects of war that echo down through generations. War has defined my own family history, which is something I took for granted because that history has always been there, but exploring that history through writing has helped me connect to that part my heritage. 
My Song-centric fic, To Owe an Ostrich Horse, is the best example of this - it is essentially a Chinese wartime story based on my own family and friends, their experiences, and my own exposure to Chinese wartime stories and movies. Drag You Down will also incorporate war-related themes, which I hope to weave into the narrative seamlessly so that it makes sense for Aang and Katara’s characters and the rest of the cast. I won’t get into it too much right now since I’ve only posted a few chapters so far, but I’d like to explore it with more depth than we saw in ATLA or the comics. Even with all that, the main focus of DYD will still be full of the break up/pining/angst etc that you love, so don’t worry about that part HAHAHA!
73. What do you tend to get complimented on the most about your writing?
The compliment I hear most is that my writing evokes strong emotions, and compliments like that evoke strong emotions in me 😭 The other one I hear a lot is “well-written”....which I’m not exactly sure how to take LOL. I guess it’s good that the person thinks I write well, but I don’t know if there’s anything else in there that they like 🤣 I don’t usually get attention for my writing style itself, probably because my style is kind of “invisible,” which is intentional. I focus on using just enough words (and no more words than necessary) and to use them in a way so that the reader experiences what the character is experiencing. This isn’t better or worse than other writing styles - it just happens to be my style.
Thanks for the ask (and putting up with my long answers)!
Fanfic writing asks
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michaels-blackhat · 3 years
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thoughts on evil Forrest 😈
We are going to start out by apologizing. This is very very late. I’m sure when you sent this ask, you meant it to be in the same joking tone that I approach all of my other propaganda posts. Sadly, this is actually going to be a deep dive into a few Evil Forrest related things, including the moment I feel they changed directions, the perfect wasted build-up, and the implications of the change/how it then negatively impacted the story. As I’m sure you already know, by being on my blog at all, I don’t think the story was good to begin with, so we are going to focus on the weird hoops they made themselves jump through to make that story still work. Additionally, I am only going to mention once, right now, how much of a waste it was to not have Forrest ‘fall for his mark’ and complete one of my absolute favorite tropes. Honestly, I think “because I want it” is a completely valid reason to like Evil Forrest. But, the question was “Thoughts on Evil Forrest” and these thoughts have been developing for over a year and a half. So, I apologize in advance.
The majority of this is under a cut, with highlights in the abstract. If no one wants to read this, I understand completely. Go ahead, skip it.
Note: it pains me greatly to not actually have full sources for this essay. Just know that in my heart I am using proper APA citations, I just absolutely do not feel like digging through tweets to find sources to properly cite.
Abstract:
Previous research indicates that Roswell New Mexico has a history of repeating excuses to explain mid-season changes to plots. This essay explores how those excuses are not only loads of crap, but how they hinder the show’s ability to tell a coherent story, misuse the multiple-plot structure to enhance the themes being explored, and lead to decisions that mean the show continuously goes over budget. This also means that characters are not used to their full potential and has led to what some fans consider to be “out of character” behaviors. While these behaviors are not universally agreed on, evidence can be shown that these behaviors directly contradict emotionally important character arc/plot points in the show.
The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitment because he did a piss poor job of making Alex not join.
The concept of Evil Forrest has been with the fandom as early as New York Comic Con (NYCC) in 2019, when it was revealed that Alex had a new “blue-haired love interest”. Speculation abounded within the fandom, with some people, including the author, going “yeah, he’s evil” while others rejoiced in the concept of Alex having a loving partner. Speculation increased as fans discussed Tyler Blackburn’s seeming disinterest in his new love interest, prompting some once again to scream “EVIL” at the top of their lungs to anyone who would listen. Very little was revealed, beyond the fact that the new character would show up somewhere around episode 3 of the second season.
Episode 2.04 aired with some commenting on how he barely interacted with Alex- prompting more evil speculation- and others excited to see the characters interact more. The character appears again in 2.06, where he invites Alex to dubious spoken word poetry (which Alex attends); 2.08, where they have a paintball date and go to The Wild Pony; 2.10, where the two are seen writing together briefly at the beginning of the episode; and 2.13, where Alex performs his song at open mic night, tells Forrest his relationship with the person in the song was long over, and they kiss. Forrest was not revealed to be evil during season 2.
Amidst the season airing, Word of God via Twitter post announced that yes, Forrest had originally been planned as a villain, though not the main villain, but it was changed as filming progressed.
The Word of God Twitter post revealed that Forrest had originally been planned as a villain, but they decided that they could not make their “blue-haired gay man” a villain. This mirrors a similar situation and excuse used the previous season, where the character of Jenna Cameron was originally planned to work with Jesse Manes against the aliens, before it was changed because they just “loved Riley [the actress] too much”. Both of these examples occurred while already filming and reflect on a larger problem with the show. Though not the topic of this essay, it is important to note that both characters are white, both in the show and by virtue of being played by white actors. The fact that they couldn’t be villains for one reason or another is not a courtesy extended to the male villains who are all the most visibly brown, and thus ‘other’, members of the cast.
This also highlights the fact that, via Twitter, it has been revealed two other times that occurrences that were reported in season 1 also occurred in season 2. During the airing of episode 1.02, it was revealed that the single best build-up of tension in the show- when Alex walks to the Airstream not saying a word to Michael after a dramatic declaration- happened because one actor was sick at the time and they had to go back and film the kisses later. At the point of airing for episode 2.08, it was revealed that one of the actors were sick and unable to film a kissing scene. Allegedly, this caused the writers to retool the entire scene and deviate from the plan to make that subplot about Coming Out. The execution of this subplot will be explored later in this essay.
The last occurrence revealed via Twitter also revealed larger issues within the show: lack of planning and poor budgeting. During the airing of season 1, Tyler Blackburn was needed for an extra episode beyond his contracted 10. A full explanation was never given, but speculation about poor planning and to fill in because Heather Hemmens had to miss one of her 10 episodes due to scheduling conflicts for another project. During the airing of season 2, yet another tweet came out saying they made a mistake and Tyler would once again be in an additional episode. No explanations beyond “a mistake” were given, though once again speculation occurred. It is the opinion of the author that this was due to changing plot points over halfway through writing, while episodes were already in production. It has been speculated by some that these changes occurred during the writing of 2.08, which was being finished/pre-production was occurring roughly around the time of NYCC 2019.
Previous Literature:
A brief look at different theories of plots and subplots
Many people have written on the subject of plotting, for novels and screen alike. The author is more familiar with film writing than tv, but a lot of the concepts carry over. Largely, the B- and C- (and D- and E-… etc) plots should reinforce the theme of the A-plot. This can be through the use of a negative example, where the antithesis of the theme is explored to reinforce the theme presented by the A plot, or through other examples of the theme, generally on a small scale.
A movie example of this would be Hidden Figures (2016), where the A-plot explores how race and gender impact the main character (Katherine Johnson) in her new job. The B-plots explore the other characters navigating the same concepts in different settings and ways- learning a new skill as to not become obsolete and breaking boundaries there (Dorothy Vaugn) and being the first black woman to complete a specific degree program and the fight it took to get there (Mary Jackson). A TV example that utilizes this concept of plot and theme is the 911 shows. Each of the rescues in a given episode will directly relate to the overall theme of the episode and the overall plot for the focus character. This example is extremely blunt. It does not use any tools to hide the connection, to the point you can often guess the outcome for that A-plot fairly quickly.
This is not the only way to explore themes within visual media. Moonlight (2016) looks at three timestamps in the life of Chiron. Each timestamp has a plot even if they feel more like individual scenes or moments rather than plots as some are more used to in films. Each time stamp deals with rejection, isolation, connection, and acceptance in different ways. So while there is no clear A-, B-, or C-Plot, each time stamp works as their own A-Plot to explore the themes in a variety of ways, particularly by starting out in a place of rejection and moving to acceptance or a place of connection to isolation.
Please note that there are many ways to write multiple plots, there are just two examples.
While there are flaws within season 1 of RNM, overall the themes stayed consistent throughout the season, mainly the theme of alienation. The theme threads through the Alien’s isolation/alienation from humanity which is particularly seen through Michael’s unwillingness to participate and Isobel’s over participation. There is Rosa’s isolation from others, how her friendship with “Isobel” ended up compounding her existing alienation from her support system due to her mental illness and coping mechanisms. We see how Max and Liz couldn’t make connections. This theme presented itself over and over in season 1. While this essay is not an exploration of the breakdown of themes in season 2, it should be noted that there were some threads that followed throughout the season. The theme of mothers/motherhood was woven throughout season 2, with some elements more effective than others. Please contact the author for additional thoughts on Helena Ortecho and revenge plots.
One of the largest problems within season 2 was the sheer number of plots jammed into the season. These plot threads often ended up hindering the effectiveness of the themes and made the coherence of the season suffer. Additionally, a lot of them were convoluted and difficult to follow.
Thesis:
Essentially, season 2 was a mess. To look at it holistically is almost an exercise in futility. Either you grow angry about the dropped plots and premises, you hand wave them off, or you fill them in for yourself. Instead, this essay proposes to look at individual elements to explain why Forrest should have stayed evil.
We first meet Forrest in 2.04 when he is introduced on the Long Family Farm, which we later learn was the location where our past alien protagonists had their final standoff. He’s introduced. He’s largely just there. The audience learns he has more of a history with Michael. In 2.06, we meet him again with his dog Buffy (note: poor Buffy has not been seen again and we miss a chunky queen). There’s mild flirting, Alex is invited to an open mic night, which he attends. For the purpose of this essay, the author’s thoughts on the poetry will not be expressed. Readers can take a guess.
It is after this point that the author speculates the Decision was made. This choice to make Forrest not evil- paired with the aforementioned ‘can’t kiss, someone’s sick’- impacted the plot. We have Alex have a scene with his father- which the author believes could have been pushed to a different episode- and then have Alex go on a date and then not kiss Forrest at the end of the night. Here, the audience sees Forrest hit Alex in the leg, allegedly not knowing he had lost his leg despite ‘looking him up’, which parallels the shot to the leg that happens to Charlie. Besides wasting this ABSOLUTELY TEXTBOOK SET UP WTF, it also takes Alex away from the main plot and then forces a new plot for him. Up to this point, Alex’s plot was discovering more about the crash and his family’s involvement. Turning Alex’s date from a setup for evil Forrest to a Coming Out story adds yet another plot thread to a packed season. It is also the author’s thought that this is where the convoluted kidnapping plot comes in. With Forrest already in 2.10 for a moment, a plot where Alex is evil has Forrest attack him for Deep Sky rather than Jesse abduct him for a piece of alien glass Alex was going to give him anyway and then for Flint to abduct Alex from Jesse. It’s messy. In a bad way. Evil Forrest would have been a cleaner set up: no taking back a piece of alien glass Alex gave to Michael in a touching moment. No double abduction. Instead, there is only Forrest, who Alex trusts, breaking that trust to take him as leverage over Michael.
Implications:
Now, Alex has two plots (Tripp & Coming Out). The Coming Out plot is largely ineffective, as they are only relevant to scenes with Forrest and have the undercurrent of there only being a certain acceptable way to be out. This could have been used for Alex to discover his comfort levels, mirroring Isobel’s self discovery, but there was not enough screen time for that. Additionally, Isobel’s coming out story was about her allowing herself the freedom to explore. Alex’s story was about the freedom to… act like this dude wanted him to. Alex’s internalized homophobia played out often in the series but it was also informed by the violence he experienced at Jesse’s hands and the literal hate crime he and his high school boyfriend experienced. With that in mind, the “kissing to piss off bigots” line comes off poorly. This is a character who experienced what a pissed off bigot could do- reluctance to kiss in public is not the same as not being out. There is more to be said on this topic, but as it is not actually the focus of the essay, it will be put on hold. To surmise: Alex’s coming out is attempted to be framed as being himself, but it is actually the conformity to someone else’s ideals. It does not work as an antithetical to Isobel’s story, as the framing indicates that the conformity/right was to be out contradicts Isobel’s theme.
Further Research:
MAKE FORREST EVIL YOU COWARDS
Author Acknowledgements:
The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitement because he did a piss poor job of making Alex not join.
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ralexsol · 3 years
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On the Subject of Underverse S2
You read that correctly: this is a post about one of the greatest shows ever created, the Undertale animated series Underverse, written/animated by @jakei95​. I have a lot of theories that I’ve been pulling together ever since I watched both Underverse and Xtale (the Underverse prequel series). Maybe one or two have no basis in anything, but for some reason they popped into my head and I’ll stick by them until they’re proven incorrect. I will discuss the possibility of a Geno/Ink fight, Fresh!Ink, XI (you’ll definitely want to read their section!), and the fates of many different characters. This is quite the long post, so buckle up for a long ride.
Let’s begin!
GENO/INK FIGHT:
I’m putting this theory first because it is the least important. At some point in time, I somehow got it into my head that there is supposedly going to be a fight between Geno and Ink. I have no idea where I heard about this, and when I searched for any specific videos or posts about the subject, I found nothing. But I personally think a fight scene between Geno and Ink would be pretty cool, so I’m adding this in here.
FRESK!INK’S EXISTANCE:
This is a more relevant theory. Ever since Jakei announced that Fresh!Ink would be a part of Underverse, I have wondered how he would be incorporated. I don’t know if she means for him to be in the future “Beach Episode” or something more serious. (Of course, I know almost nothing about this supposed “Beach Episode”, which is apparently when Epic!Sans will be showing up, so I really wouldn’t know.) But there is an important thing to remember: Ink and Fresh made a deal in the first season.
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Ever since I saw this Underverse - Xtra Scene 2, I have wondered what this “prize” could possibly be. What was Ink’s side of the deal? What did he promise Fresh? Hmm... maybe a new body to take over?
Ink’s body doesn’t have a SOUL- that’s basic “Undertale AU Knowledge 101″. What does this have to do in regards to Fresh? To my best knowledge, the actual parasitic creature True!Fresh feeds off the souls of other creatures to survive. In fact, his soul-feeding would kill his victims if he stayed long enough in one body, but he likes to play it safe and leave his victims alive in case he needs to use their body again. But he wouldn’t need to do this with Ink. Because of Ink’s SOULless nature, Fresh could theoretically feed off his body forever. Some might object that since Ink doesn’t have a SOUL, Fresh wouldn’t be able to feed off him. But then how does Fresh!Ink exist?
So, what was their deal? Fresh watches over the Xtale AU while Ink is gone, and after Cross and X!Chara are taken care of, Ink comes back and lets Fresh take over his body for a little while. There may be something else I’m missing, but the pieces seem to make sense.
XI’S PURPOSE:
For those of you who don’t know who XI is, I suggest you watch this video about Jakei’s Overwrite merch. This is when the character of XI was introduced to us, back on good ol’ April 1st, 2019. Haha, yes, the joke character of XI- funny April Fool’s Day video, a good laugh for everyone. Jakei has made a few comics about XI since then, but overall, XI hasn’t been involved in Xtale or Underverse so far. That has never sat right with me, and I’ve always thought there would be something more to him. I was proven absolutely correct when Xtale - The Movie came out. But before we discuss the little extra scene tagged onto the end of that video, I would like to point out some very interesting facts about XI.
On October 6th, 2019, Jakei posted a traditional speedart. Obviously, the art is gorgeous like always and every time I watch it I wonder if I will ever get to the level of skill she is at. But besides that, there is a very important aspect about this video. In the speedart, Jakei drew two pictures: one of X!Chara and X!Frisk fighting, and one of XI. In XI’s picture, they are depicted in full armor with a magical purple sword & shield.
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Hmmm... I wonder who this could possible resemble?
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Every time XI is shown, whether it be in comics or artwork, their bangs hang over their eyes. Their armor looks exactly like Kris’s from Deltarune. Heck, they both use a sword and a shield! What does this mean? XI is X!Kris. There is no way to deny this. This is why they are X!Chara’s and X!Frisk’s little sibling. I would also like to point out XI’s silver oval locket. I find it interesting how he has a different piece of jewelry from everyone else- all other important characters in Xtale have a matching golden heart locket. Does XI also have people he has given copies of this necklace to? Perhaps X!Susie and X!Ralsei, if they exist? But XI being X!Kris is only the beginning of this theory. Remember how I mentioned Xtale - The Movie earlier? Take a look at this picture.
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This is a five-second frame pegged at the very end of the video, after an entry written in wingdings by Mister XGaster himself. The message is as follows:
Entry Number Eleven: As clear as a reflection in a mirror, I have found the most perfect projection of forbidden visions. Get ready. Your time is coming.
Okay, just whoa. Not only is the entry #11, but the person standing there is XI. Oh, and let’s take a closer look at what they’re holding in their hand.
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I knew that silver locket was going to be important. There is no way that XI is not going to play a major part in either Underverse S2 or hmm... maybe a spin-off about the Xtale versions of Deltarune characters? To my knowledge, Jakei has not said anything about her plans after she finishes Underverse. She has her Metadora project, and I am aware that her husband @nyxtheshield​ is planning out his own Undertale series- someone will need to animate that, and I’m sure she would be able and willing to do the job. She has stated that there will be no seasons of Underverse after S2, and the finale will be 1.0. But that doesn’t mean she won’t make a new series. If she does, will it be about all the Deltarune characters? Will the other Xtale characters show up at certain points in it? Will XGaster play a large part in it? There is no way to know, as the idea of a new show is simply drawn from that there may not be enough time in S2 to fully expand what XI is.
In any case, XGaster states in the entry that “your time is coming”. This could either reference a new show or XI’s appearance in Underverse. I find it extremely interesting how XGaster words his message. “The most perfect projection of forbidden visions.” What does that mean exactly? XGaster has seen something in one of his many visions, obviously. The most perfect image of prohibited sights. XI is a person that stands for something that should not be allowed to exist. That makes sense- XGaster, a man, somehow got pregnant and birthed them, as shown in the Overwrite merch video. The “forbidden visions” might imply that he has seen something quite “cursed”, as us modern Internet-users would say. But then he tells this projection to get ready, because their time is coming. XGaster is telling XI to prepare themself. This just proves that XI and XGaster are tied together very closely, and that if XI does get their own series with X!Ralsei and X!Susie, XGaster will be involved.
Whew! That’s a lot of information to take in all at once. This was the big “theory” I wanted to discuss, so now we will move on to the different fates I believe may befall some of our beloved characters.
INK, FOR GOOD OR FOR WORSE?:
Ah, Ink. One of the true protagonists of Underverse. Remember: a protagonist is not necessarily a hero, just one of the leading characters. It has been seen that his story arc is the most important throughout the entire story. He is the one that inspired XGaster. He is the one that made XGaster’s plan succeed. And he very well might be the one to make it fail.
Wait, you’re asking me. I thought he was on XGaster’s side? What do you mean he will make it fail?
I didn’t want to address whether Ink was going to stick with XGaster or flip until a certain song was posted by Nyx two days ago on December 5th, “Soulless Heart”. If you haven’t listened to it yet, go ahead and click that link because the song is beautiful and absolutely necessary to continue on with this theory! The song is the Underverse 0.5 Ending Theme, and guess who it’s about? You guessed it, our good old buddy chum pal Ink. I’ve been listening to it on repeat since it came out, and it really is incredible. (Nyx, if you’re somehow reading this, I would like to personally congratulate you, because not only is the music amazing but mwah! Your voice is a joy, and I would not have any other singer do the vocals.) But the most important thing about the song is the lyrics. Here’s the first verse.
How long have I been longing
to be free and not broken
in this ocean of hollowness?
I don’t want to be forgotten.
Instantly, the lyrics hit you hard. This is about Ink, though, so you can’t expect anything less. Essentially, the song is about the emptiness that Ink feels without a SOUL. This goes along with one of his main aspects in Underverse. The only reason why he worked with XGaster to make sure XGaster’s game worked was so he could feel more emotions. As a chaotic neutral character, Ink literally only cares about himself and his personal goals. But what is interesting about this song is that he addresses the pain he has caused.
Sacrificial lambs
laid upon my path
now are broken worlds
killed by senseless wrath.
Ink knows that he has hurt people. I mean, in the present timeline when 0.5 is to be set, Ink’s actions just caused Error to literally “pull the plug” and destroy all the AUs. (Although, how many AUs were actually destroyed is impossible to determine, because there are still multiple Sanses that will be incorporated into S2 that were residing in their AUs at the time of their supposed destruction.) Ink knows that this is his fault. And now that XGaster has won, Ink will be receiving all those emotions he wanted! In the S2 teaser, which was released on the original Underverse 0.5 release date (the episode was unfortunately delayed due to issues with Nyx’s distributor, RouteNote), shows something very important.
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Look at those vials in his hand. Those aren’t just colored vials. Well, they are, but their colors are especially important. Look at their specific colors: orange, yellow, and amber. Previously, Ink’s vials have been seen as very straightforward: roy g biv, that sort of thing.
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You have one or maybe two variations, although in this picture there seems to be about four different aqua vials. But there certainly isn’t an amber vial. This goes to show that XGaster followed through on his promise, and Ink has a lot more variations in his color-coded emotion vials. The obvious conclusion from this is that he can feel a lot more things than he thought was possible- including guilt. With his newfound feelings, he could realize that what he did wasn’t just wrong, it was horrible. He might start to blame himself for getting all the AUs destroyed, which in turn might result in a betrayal of XGaster. With his emotions, he would become a real good person. But ultimately, without XGaster’s Overwrite abilities, Ink’s new emotions will fade and he will return to be the same old Ink as before. He will no longer understand why he sacrificed his emotions, and the cycle will start anew. Ink will never be truly happy, because being happy will always mean the suffering of others.
Or, Ink will stick with XGaster. It would be the same fate, after all; if the heroes defeat XGaster, Ink will still lose those emotions. This, though, might leave him feeling bitter and even more willing to do anything to get what he wants, which could potentially lead to him becoming a real villain. Perhaps XGaster isn’t the final boss of Underverse. Maybe the one to start everything will be the one to finish everything.
XGASTER AND UT!GASTER:
This wouldn’t be a real theory post without discussing our favorite fanfiction writer, would it? And yes, XGaster is literally a fanfiction writer. He has symptoms of OCD concerning the world-building of his universe and he just loves to add as much angst as humanly (or monsterly) possible. It just so happens that he lives in his own created universe, so his creations have the pleasurable chance at getting revenge.
Now, there are obviously two ways that Underverse can go: XGaster succeeds, or XGaster fails. This doesn’t necessarily mean that this will be the ending of S2. As I mentioned above, perhaps XGaster will be defeated at the end of 0.9 and 1.0 will be about everyone trying to stop Ink from taking the Overwrite SOUL for his own, I don’t know. In any case, I don’t really have anything to discuss about XGaster specifically, but I am pretty sure I know what his last scene will be if he happens to lose.
It is shown in the Underverse S2 Prologue - Owners that XGaster and UT!Gaster spent a lot of time together in the Void between the events of Xtale and Underverse. Not only do they hold an entire conversation together in Owners, but in Underverse 0.1 when Sans is hit in the head with a ball, he has a vision of the two of them standing together.
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In XGaster’s and UT!Gaster’s conversation in Owners, UT!Gaster tells XGaster that he will fail in his quest for perfection. XGaster brushes him off because he’s an egotistical prick, yadda yadda. But this conversation is important because I believe it will parallel the ending of XGaster’s quest. In the end, UT!Gaster will approach his old Void-buddy and tell him to just give up on his pointless venture. XGaster will turn to dust after saying something like, “I will never give up”, and then we have Ink going on a rampage. That’s pretty much all I have to say on them, but I thought it would be worth adding.
DREAM AND NIGHTMARE:
Lastly, we have the brothers. As with XGaster and UT!Gaster, I don’t have much to add with them. But I do believe they will both play a major role in S2. They will be the overseers of the battle to come. Out of all the characters in the Undertale fandom, they are the most omnipotent. They are the protectors of the Tree of Feelings, which is one of three trees to give the Multiverse life. In Underverse 0.4, when X!Chara accused Nightmare of “watching us all this time as if we were part of a show”, Nightmare responded by saying:
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Of course, Nightmare mostly means himself, Error, and Ink. Dream is much more active in helping people be happy, but that doesn’t mean he isn’t on the same god-tier level as his brother. Dream could sit back and watch the world tick, but he chooses not to because that goes against his morals.
In other words, Dream and Nightmare will probably affect the outcome of Underverse more than any other characters. They’re both pissed about what Error did: all those people that Dream cared about were murdered, and Nightmare can no longer generate negative feelings from innocents. They both have invested interest in this Multiverse war now, and their powers will certainly come to the forefront.
I believe that at the end of the story, the Multiverse will essentially go back to the exact way it was before Xtale was invented. XGaster will be dead, the Xtale characters will be put back in their AU, the other AUs will be restored, and at the end of it all, Dream and Nightmare will be once again pitted against one another. We may even see an alliance between them during Underverse S2 to stop XGaster, but afterwards, they will reestablish their rivalry. Unless the Omega Timeline comes into play, which it very well might, I don’t see the two brothers reconciling.
CONCLUSION:
Thank you everyone who took the agonizingly long time to read this! I hope this shed some light on certain characters (especially XI) and encourages to make some of your own theories. Stay safe and good night!
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gra-sonas · 4 years
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On the Season 2 finale of The CW series Roswell, New Mexico, while most of the attendees of CrashCon survived unscathed, many of the beloved characters were faced with choices in their own lives that forced them to make decisions that could set them on very different life paths in Season 3. How any of it will ultimately play out, only time will tell, but for now, there’s plenty of time to speculate while waiting for new episodes.
And in the meantime, we got on the phone to chat 1-on-1 with showrunner Carina Adly MacKenzie about tying up all of the family threads this season, shooting the last two episodes at a carnival, the scene that had to be cut, digging deeper into Max’s alien side, which character is most content with who they are, the importance of the abortion storyline in Season 2, how the plan for Season 3 will evolve, and what fans should make of that shocking final moment.
Collider: A lot of threads get tied up in this season finale, and you really pulled together a lot of the family storylines this season, from the Ortecho family, to the aliens and their family history, to Maria (Heather Hemmens) and her mother, to the Manes men, and even Cameron (Riley Voelkel) and Charlie (Jamie Clayton). Was that something that was always a really apparent theme for this season, or was that something that just happened, along the way?
CARINA ADLY MacKENZIE: That just happened. My only experience, other than working on Roswell, was working on The Originals, which was a show about family, so I think that my storytelling inclination is always in that direction. I also think that the age of the characters, when everybody’s coming into their 30s, that’s when you start to build your family, and you start to examine where you came from and decide where you want to go, as far as the people that you surround yourself with. And so, it just came about organically. I like telling family stories. I think that there’s a complicated nature to the people that you’re stuck with and who you were put here with, and figuring out how they fit in your life and whether they fit in your life is an ongoing process.
These last episodes have a lot going on, between a carnival, a fire, and all of these big things happening. What was it like to set these last two episodes in a carnival, and what were the biggest production challenges in pulling all of that off?
MacKENZIE: Well, I’m glad that we did it when we did it because I don’t think we’d be able to do it in a post-COVID world. Honestly, it was easier than I thought it was gonna be. We had a real carnival team come in and set up the carnival. The cotton candy truck was working and you could go get a fried Oreo in the middle of work. [Michael] Vlamis and I rode the rides, during a break. It was not as hard as it seems. We did have to cut one scene that we shot on the Ferris wheel because it turns out that it’s not that easy to shoot on a Ferris wheel in the daytime. I was like, “But I’ve got so many favorite shows that have Ferris wheel scenes,” and I realized that most of those are in the night because you don’t have to worry about these massive shadows getting cast over your actors, while you’re trying to shoot. But really, it was pretty seamless. Our crew worked really hard. Everyone was in really good spirits and really good moods. We shot all night, on weekends, trying to get that done, but everybody was very happy to be there. It was cool. It was fun. It was a little detour into childhood, riding the Sizzler.
Did you have to entirely cut that Ferris wheel scene that you mentioned, or did you just have to move it to a different setting?
MacKENZIE: No, we had to cut it entirely. After it was shot, we looked at it and it didn’t look like our show. It was a scene between Kyle (Michael Trevino) and Steph (Justina Adorno), so I was sad to see it on the cutting room floor, but it’s hard to strap a camera to a Ferris wheel and send it on its way.
Having CrashCon does pay homage to the original series and their UFO Convention. Was that something that you intentionally wanted to acknowledge?
MacKENZIE: Yeah. UFO Con is a huge part of the culture in the real Roswell, so we definitely wanted to get there, eventually. It was a fun journey, deciding how to tell that story. Comic Cons tend to be inside with a lot of people standing in lines, and they’re not that pretty. So, we wanted to figure out a way to tell the story of this convention, but make it look cool and make it pretty. The carnival idea came up, as a closing night carnival, and it was super fun to film. We had a couple of very, very long, very, very late, and very, very cold nights at the fair, but it was fun for the crew. I think everyone was in super good spirits, and it was a fun way to end our run for the season.
Just when Max (Nathan Parsons) really does have everything that he’s wanted, he seemed as though he was willing to risk it all, in order to keep pushing for answers about his alien side. Why did you want to dig deeper into that, and why is he willing to put everything else on the line, right now, in order to get those answers?
MacKENZIE: When we meet with Max in Season 1, he has very much rejected his alien side. He’s got this whole never be extraordinary rule in his life. Knowing Liz (Jeanine Mason), and being in a relationship with Liz and seeing how inquisitive she is and how much she strives to solve the mysteries of the universe, has really affected him. I also think that, for a long time, he was willing to settle for a life that he was only half living, and seeing Isobel (Lily Cowles), in particular, really come into her own this season, and learn about her background and who she is and who she wants to be, has really influenced him. He’s got a curiosity that he just can’t satiate. Ironically Liz does, too, but their interests are not aligning.
By the end of this season, who would you say is most content in knowing what they need to do next?
MacKENZIE: I think a person who is most content, at the end of the season, is Alex. Losing his father, his renewed relationship with his brother, and the ongoing coming out process that he’s been experiencing, has brought him to a place where he’s figured out a way to be who he is. I think that we’re gonna see him really blossom next season.
I love that you also were able to not only have him find his voice figuratively, but literally, as well, with the song that he sang (called “Would You Come Home”).
MacKENZIE: Thank you. I’m really proud of that song. I wrote it with Leslie Powell and Charlie Snyder, who are really phenomenal songwriters. I’ve been writing songs for a long time, and this is the first time anyone’s ever actually heard one. It was really cool to put ourselves into Alex’s shoes and to direct Tyler in the performance of that, when we were in the studio. I love the way that the montage came together, and I’m very proud of it. I’m really excited for it to be out there. We’re going to release it on all of the various platforms, and all of my royalties are gonna go to the Trevor Project. Hopefully, it’ll do some good for the character and some good for the world, ultimately.
I also have to commend you on the whole abortion storyline this season. Abortion is clearly a topic that TV shows tend to avoid, and when shows do take that risk, they also tend to never say the word. Do you think that this being a sci-fi show and the character being an alien helped, in being able to explore that, or do you think that you would have been able to do that anyway?
MacKENZIE: I think I would have been able to do it anyway. I actually think that it was really important to tell that story in a very human way. The big conflict that came up was the amount of blood that we saw in the episode. There was a suggestion from the network, at one point, where they said, “Can you make the blood iridescent? Can you make it look alien and put the same effect on it that you put on the pods and on the glass?” And I dug my heels in really hard and said, “No, it needs to look bloody. It needs to look ugly. It needs to look like an act of violence. Forcing a woman to essentially perform an un-medically supervised abortion is an act of violence.” And ultimately, I’m really grateful for the studio and the network’s support in that. It was important that it felt very much like a human moment because that’s how we told it. We wanted to say, “Okay, what does this really look like? What does it really feel like, to be a woman in a desperate situation without access to the care that she needs?” I’m very, very proud of that storyline. It was hard and it was scary, but I think that we told it with a lot of love. I was very, very proud of Lily and very proud of Nathan. It was tough, but it was definitely worth it.
I’m guessing that you had a plan for Season 3, before you knew how the world would be changing. Will you be able to hold onto what you wanted to do for the third season, or are you thinking about and re-evaluating everything that you had planned to do?
MacKENZIE: Well, interestingly enough, the writers’ room took a break before George Floyd’s death. When we took a break, we had sketched out an entire season that was built around racism in the police department in this small town. And so, we are looking at that story with new eyes. We’re still gonna tell the story, but the pressure is on, more than ever, to get it right because it feels like the world is tuned into that station right now. So, we’re re-evaluating that, on our storytelling side, and obviously, we are also paying a lot of attention to how things evolve, as far as how we can tell our stories safely. We have a lot of contingency plans for how to sketch out a romance, if characters can’t be touching and kissing, as much as normal. And if we can’t pack our diner and our bar set full of extras, how do we tell stories in those spaces? One of the things that I learned, working on The Originals, from Michael Narducci, who was the showrunner over there for awhile, was that no matter what happens on set, when you’re the showrunner, even if it’s not your fault, it is your problem, and that’s how we’re approaching storytelling. The virus is frustrating. It’s not our fault and it’s annoying to have to re-evaluate the way that we tell stories, but our cast and crew’s safety is really, really important. And so, we are trying to creatively write our way out of a difficult situation, as every writer in town is trying to do right now. As an industry, we’re just gonna have to have to evolve and our audience is gonna have to evolve a little bit. We’ll manage.
Obviously, the end of the finale has a shocking moment, in regard to the aliens. What should we make of that? Is that something that will also be a big part of the next season?
MacKENZIE: Yeah, we’ve got a new character, and he’s around for the long haul, Farmer Jones. He’s gonna have some answers, and he’s gonna really take what the characters think they know about where they came from, why they’re here, and who their families were, and challenge those ideas. Jones’ story of what happened in 1948 is very different from Nora and Louise’s take on the story. We dug into Michael and Isobel’s family in Season 2, and I think it’s time that we do a little exploring with Max and make up for all of that work that Nathan was not doing, at the beginning of Season 2, and put him to work twice in Season 3.
~ CoIIider
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dvoz-alternate · 4 years
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Idol Room Scenario
Request: can you do a mingi x reader when the reader is their senior in a gg (kinda like bp, twice, etc) and both groups go to idol room for an episode 🥺
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AN: I have actually really wanted to make something like this for the longest time and now I’m able to make it for you! I am pulling some of my ideas from a post I made earlier this year! Also the Queen of Hearts is my favorite card in the deck and the group is based on a straight royal flush sooo…. For the sake of the fic you are born just a few months before Seonghwa, so Jan-Mar.
Summary: Part of an all girl group you are the leader of Royals. Both groups have heard of each other and seen each others works/MVs/live streams/etc., but have never met in person and happen to be fans of each other. For the most part all they know are names and faces. Royals and Ateez are doing a collab on an album and their companies thought it would be a good way to introduce each group through the idol room.
Word count: ~1500
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The MC looked over towards ATEEZ’s leader, “So, it’s true that you are going to be working with the Royals on your upcoming album?” “It is true and we are really looking forward to doing this collab. There is going to be a lot of new concepts between our groups,” Hongjoong said leaning forward slightly on his stool. The other MC spoke up, “And neither group has met in person right?” The group of boys all shook their heads. “Perfect than this would be a perfect time for us to introduce the girl group Royals to the set!” the MC gestured off stage to where you and four other girls entered from. Mingi’s jaw dropped slightly seeing one of his favorite groups join them for the episode. Yunho noticed the look on Mingi’s face and casually raised a hand to close his mouth. His eyes instantly locking on your form.
Smiling you walked onto the set with two of your members in front of you and two behind you  lining up next to the MC who introduced your group. Glancing at the MCs and then to the boy group ATEEZ you sucked in a quick breath before quickly recovering your smile. Your members have teased you before about your attraction for the giant rapper, but now you were finally seeing him in person. Bowing you introduce your group flashing a stunning smile. You were partially dreading your personal introduction but you pushed on. “Hi I’m (Y/N), the leader of the Royals and the queen of hearts, and more specifically the queen of your heart,” you gave a wink and a finger heart to the camera and to the boys before immediately hiding behind your taller group members who chuckled at your embarrassment. Mingi and the rest of the group couldn’t help but remember their first person intros when they first started. 
Sitting in the stools the MCs turned to view both groups, “Alright, so what do you know about each other.” You shared a look with Hongjoong and he nodded at you to take the lead, “In all honesty the most we know of each other is each other’s name.” “And position within each group,” Hongjoong added. Feeling eyes on you, you slowly moved your attention from the MC to where you thought you were being stared at. Seeing the flame colored hair you tilted your head slightly giving him a warm smile. Facing flushing from being caught Mingi ducked his head running a hand through his hair. “Well how about this,” an MC said looking between the two groups, “let’s have each of you guess who is older before revealing how old you actually are.” The other MC spoke up, “Seonghwa why don’t you try guessing?” Standing the dark haired male in leather went to stand in front of your group. Taking a good look at all of your features he came to a conclusion, “I think based off the music videos we have watched that you’re all at least born in 1999.” Your group all glanced at you giggling. “Was I wrong?” Seonghwa asked turning to look at his guys for help even though they were just as clueless. “I mean you were mostly right,” you offered teasingly. “Wait what?!” several of the boys jumped from their seats staring at you. “Wait a minute… who’s the oldest?” you asked as you clasp your hands together pointer fingers scanning over the group. “I am. I was born on April 3, 1998,” Seonghwa said raising an eyebrow at you. Eyes widening your jaw dropped. “What, no! This should be illegal!” you and your group stared gobsmacked at the eight boys in front of you. “I’m just a few months older than you,” you gestured to Seonghwa. “What?! You look so young!” Mingi’s eyes were comically wide. Everyone started laughing at how much chaos had broken out over this topic. 
“Alright, alright. Between your groups, who holds the sex appeal,” the MC decided to move onto the next topic. Collabately from both ATEEZ and Royals everyone pointed at Wooyoung before they turned on you. “Wait no! No!” you quickly waved your hands around, “I’m definitely not the sexy one in the group. I’m just cute.” A choking noise came from Mingi and Jongho thumped him on the back. “Then what do you call this?” the MC pulled up your groups most recent music video which you covered your eyes with your hands. “I don’t know I just do that…” you called your words trailing off slightly embarrassed. Your crush however was watching the screen intently with cheeks slightly pink. “How and why are you the only one dancing in those heels?” Mingi asked prying his eyes away from the screen where you were dancing in ridiculously high heels. “Ah, I’m the shortest in the group so it was to help make me appear taller, and it fit the theme of the music video,” you shrug. “So you had to learn that entire choreography in those death traps?” Yunho asked. Nodding you explained, “Yeah it was definitely an experience. I learned the choreography beforehand and then had to relearn it in the heels.” “I can’t believe you actually did the splits like that though,” Wooyoung said as they watched the part where you go into the splits as you all point up and out in the opposite direction. “We have watched the reaction video of you on youtube when you saw you had to wear those heels, and it’s probably still one of the cutest things ever,” Mingi didn’t mean to call you cute out loud, but when he thought back to you staring wide eyed and mouth open like a fish he couldn’t help it. Cheeks burning from Mingi calling you cute you covered them with your hands. 
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Each group performed their preferred arrangement in front of each other along with random dance play. You couldn’t help but jump in and dance Mingi’s part when Wave was played. Both groups intermingling knowing the dance to each groups songs. 
“So we have one last thing to do before we end the show,” an MC said standing between each group. “Finally we will do a lyric battle between the groups, and to make it a little more even would one of you volunteer to join the Royals for the final game?” Sheepishly Mingi stepped forward rubbing the back of his neck. Your heart started racing as you held a hand out for him to join you. The rest of ATEEZ already knew about the giant’s crush on you so they decided to give him a hard time and something about “abandoning the group”. “I think we need to redo our opening,” Yeosang teased as they all recounted back to their time with Oneus. After they finished you wrapped your arms around Mingi, “You know if that’s the case then I might just have to keep him.” Mingi’s face darkened at your words with his blush now touching his ears while everyone “oohed”.
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Stepping off the stage together you and your group faced the boy group. “It was really nice being able to meet you all officially,” you told them your group bowing. “We look forward to spending the next few weeks working with you as well,” Hongjoong lead his group in reciprocating the courtesy. You and Mingi both seemed to have the same idea lingering behind the others as they started leaving. Brushing your hair behind your ear you looked up at the smiling giant. “I still can’t believe we actually get to work together,” Mingi said following behind you as you went to pick up your bag. “Likewise. You’re an extremely talented group of guys, and am a big fan of a certain rapper,” you turned to look at him as you adjusted you bag over your shoulder. The red haired rapper’s smile seemed to grow bigger for a brief moment before it disappeared, “Wait… do you mean Hongjoong?” Giving his shoulder a slight shove you laughed, “No, no. This rapper has red hair and a ridiculously deep voice,” you giggled as you watched his smile reappear and he rubbed the back of his neck. “Oh!” you started digging through your purse before tearing out a small piece of paper from a notebook and a pen. Mingi watched as you scribbled on the paper before you handed it to him. “Hopefully we can talk more than just during the project time period,” you told him tilting your head slightly. Mingi stared in shock at the small piece of paper. You had scrawled your number on it with a cute heart at the end. He also didn’t noticed that you had started to walk away before you called out to him. “Mingi! Come on! Our groups are going out for lunch!” Snapping out of his trance he pocketed the paper before running after you.
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quintessence-sentimentalist Takes on 30 Days of W.i.t.c.h.versary!: Week Three
Week Three already! Days 15 through 21 below the cut!
Day 15 Something that needs a quick fix
Ahaha, well, some 99.9% of things that need fixing with this series can’t be completed quickly, so let me just go with the simplest thing that comes to mind:
The uniform color errors.
In both the comic and cartoon, there are color swaps between the top and bottom, with Irma being the most frequent offender (frankly, I only remember Cornelia’s top being purple on the cover of one of the final Ludmoore arc issues, and maaaaaaaybe Hay Lin got a color swap once too, so basically it was all with Irma). I don’t know if it’s because she and Will might look a little similar in black-and-white or something and that’s why there was confusion over whose top is which color (although if that’s the case then why didn’t it happen to Will too?), but it just kept happening throughout the series. It’s even wrong on the official promo art/opening sequence end card for the animated series. 
So yeah. Easiest fix I can think of is to please check which color goes where before inking them in.
Day 16 Something that needs an overhaul
I’m just going to spin the wheel here...
Better executed romantic break-ups/avoidance of shitty break-ups altogether. Consistent lore. All the arcs New Power and beyond. New Power Matt. That one self-indulgent what-if I had about leaving Medina, McTiennan, and Sylla’s memories intact and they basically become the girls’ non-magical mentors and trusted adult figures who help them balance their lives between Guardianship and just being normal girls.
Uh... I can’t choose. 
I’ve talked at length about and reimagined a lot of these before (and will do so again, for sure), and those I haven’t people have discussed much more eloquently than I can. And I’m sure I’m still missing some, so I’m not going to get too deep into this and save that all for inevitable rambles later on.
Day 17 Something that needs to be revisited
The Astral Drops, hands down. Why bother sending them off to live new lives of their own, while pointedly leaving them with magical tattoos that will light up when Kandrakar must call on them, if you’re not going to loop back around to that? Honestly, this is something that should have slid back into the narrative in at least some way before things wrapped up.
Day 18 Something that needs more love from the fandom
It’s going to be too predictable if I start chanting “animated series Matt and Will/Matt” (but really, they do deserve all the love), so let’s go for a different angle this time.
Oh... well, I guess since I was already at it, maybe the animated series itself? 
Alright, look: I was a comics purist for a solid eight years. I watched the show in full and enjoyed particular (largely season 2) parts, but I still had the frequent complaint that it wasn’t a faithful adaptation and didn’t watch it again for years even when I regularly reread the comics. 
But then the English translations of the comic ended, and I was left without any real new material. A couple years later, I was about to go off to college and came across something that reminded me of the cartoon (more on that later on), and I figured what the hell.
It’s still not a perfect or even great adaptation of the comics, and sometimes I still struggle with getting through the first season, but going back to the animated series as a young adult - after years of distance from it and easing up on my rigid stance on comics-only - helped me gain a newfound appreciation for it. The animated series did some things I liked better than in the comics. It had a badass theme song. From a fan creator perspective, I found the cartoon universe a little bit more malleable and full of possibilities than with the comics, partially because it unexpectedly got cut short.
I’ll be the first to admit that I don’t necessarily have impeccable taste when it comes to media (I have a guilty pleasure for short-lived and long-forgotten early 00s sci-fi action shows. I unabashedly enjoyed the live-action Birds of Prey series, and that’s even more wildly inaccurate a comic adaptation than the W.i.t.c.h. cartoon). Still, I think about some other animated series that are based on beloved comics/manga but not direct adaptations, and some of those are considered just as good or even better than the originals (and potentially subsequent accurate adaptations). I feel like at the very least, the W.i.t.c.h. animated series could be a guilty pleasure, or even enjoyable AU adventures of the girls as they are in the comics. 
Day 19 Something small but unforgettable
Nothing was immediately coming to mind, but then it hit me. I love that the animated series changed the name of Will’s power to quintessence in the second season. 
In the comics, her powers were a bit of a nebulous space, while the others’ were clearly defined elements. I remember it being called “energy” or “absolute energy,” which... while not wrong, it’s just such a broad term, and frankly is missing some pizzazz to it. It wasn’t even a consistent name, since oftentimes Will just called out for the Heart, and then with New Power it became “the power to unite them” or something (uh... what?). I just think it’s weird to have one of your main characters without a clearly defined - or simply named - ability, unless it’s intentionally vague to allow for various deus ex machinas from the Heart, with Will serving solely as the conduit.
And that’s kind of what happened with the first season too, where Will was honestly only able to activate the Guardians and close portals and had no inherent offensive ability. So season 2 was great in the respect that they actually gave her a power, but then there was that name!
Seriously, quintessence. Even before you really know what it is, it’s a pretty kickass name, right?? It definitely has the mystical quality to it, and the fact that it literally translates as fifth essence/element makes it just too good. Guys, there’s a reason why it’s in my username.
(Well, that and the fact that seeing the word and its definition again after many years reminded me that I should rewatch the animated series, and that was what kicked off my spiral back into W.i.t.c.h. fandom. It did tie into the “sentimentalist” aspect in the end.)
Day 20 Something you’d always come back to
Hmm, I’m a little unclear on the prompt for this one, whether it means something I’ll reread/rewatch, or some idea from the series that just sticks with me. I’m going go with the first interpretation, which I guess also ties in with the second.
Hardly a surprise at this point, but I regularly rewatch the most pivotal episodes of the Shagon arc - those being L is for Loser, M is for Mercy, and S is for Self. I just love seeing Shagon in the forefront as a villain, and how Will knows how to deal with Nerissa in some respect at this point (staying suspicious - maybe a little bit too much - and learning to out-strategize the ex-Keeper), but goes absolutely ballistic and loses her calculating edge whenever she’s facing Shagon on his own. He knows exactly how to needle into her vulnerabilities, and the two of them engaging in emotional warfare is just so good. Watching these always gets me wondering how the fallout from this arc would have gone had we had more time and the series had a different tone (maybe more along the lines of Young Justice, to borrow a different Weisman show), because I’m firmly of the mind that Matt would have some lingering trauma from the experience (which he’s had to put aside to take on a new role and deal with everything else that came after he was freed) and I would have loved to see that play out.
As for the comics, though, I like to loop back around to the girls’ potential futures from issue 50. Their careers just fit them all so well, and the way their designs and friendship evolved into adulthood just felt right to me. They’re all grown up and more sophisticated now, but they don’t simply look like a slightly older version of their Guardian forms, and manage to maintain a semblance of their styles from their young teen days. And even though they’re no longer active Guardians and are busy with their own lives (sometimes in various other places), thus not being in each others’ back pockets anymore, you can tell their bond is holding just as firmly as it was forged back in the day. I vastly prefer this glimpse into the future over the one we’re shown in the post-New Power era, so I like to use it at least as a basis for when I imagine the girls post-Guardianship. 
Day 21 A memorable architectural design
I do love the design of Sheffield Institute. It’s just so elaborate and wildly different than what you’d normally see for a high school, at least from my view and experience. It certainly looks like a place with a rich history, and honestly I think it’s a great parallel to Kandrakar and the castles of Meridian and Arkhanta - not quite as regal or mystical, but still a structure with some elegance.
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eternityengine · 3 years
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okay so I wrote a “review” (really just my thoughts in a disorganized way) of Sonic Forces about a year and a half ago and never got around to posting it, but I still have it so I’m posting it now because I have opinions
Main Game
Green Hill. Again. Argh. I mean at least they tried to change it up a little by throwing sand over it but that didn't really make any sense. (sega plz)
Look, I like Chemical Plant alright (for some godforsaken reason), but it's already been in Gens and Mania. Just give us Mystic Cave Zone or Mushroom Zone or something! Hell, use both! We could have Mushroom Zone instead of Green Hill Zone!
I gotta say the goop waterfalls in Network Terminal are really flow-breaking, you just come to a dead stop if you touch them and have to stop half the time to avoid hitting them, and you can't reliably avoid them very well. You can't even boost through them!
Luminous Forest is pretty and all but uuuuuggghhhhh casino levels suck
Infinite is delightfully edgy and I thoroughly enjoyed him, but they didn't utilize him very well.
Infinite's battle themes reflect his boss battle quality!
First battle: total banger of a song, pretty good boss fight (runnin’ on a SNAKE)
Second battle: excellent song, decent boss fight (best use of his nightmare zone powers, at least in the first half)
Third battle: okay song, boring reskin of the Metal Sonic boss fight
Why did they not give us a Chaos boss fight :( lame
Also why did Infinite use Chaos 0 instead of literally any other version, all of which are stronger? Like, would Perfect Chaos use too much energy or something?? He made giant snake versions of himself just fine...
Actually, why couldn't those have been Chaos??
Metal Sonic fight was okay but way too similar to Silver's in Gens
Also why is Metal Sonic a copy?? Just use actual Metal, come on, Eggman
There was no resolution to Infinite's plot and I am disappoint
Why does Infinite just flip the Avatar around with the Phantom Ruby in Metropolis? I feel like he should be at least shooting cubes at you or something instead of just occasionally passing by to frick with your gravity in suspiciously convenient ways
If Sonic was tortured for six months why is there no indication of this? He doesn't look or act any different than usual. Even without being tortured (as in the JP script), he should at least have some ill effects from being imprisoned for half a year.
I'm okay with Knuckles being the commander of the Resistance but who thought it was a good idea to let him come up with strategies? He's mostly a traps and punching guy on that front. I realize Tails was gone and all but I feel like most of the other characters could have strategized better.
Classic Sonic does basically nothing of note and has the worst levels and gameplay. Why is he even here if they weren't going to use him properly?
Caveat: I'm mostly going off of other people's statements re: his gameplay, I suck at Classic games overall and would probably dislike his levels regardless
Why does destroying the Phantom Ruby send Classic back to his dimension? I wouldn't think the Ruby would need to actively hold him there...
First of all, I feel like Tails should have been able to fix Omega. Secondly, why did they leave him there for six months?? Thirdly, HOW DID HE GET FIXED????? (Loved that he was here, though.)
I want to see the fight between Silver and Infinite, it was probably super awesome
Okay, so I can kind of excuse the giant snake given the giant worms of Lost Hex, but why would it try to eat Sonic. He'd be a tiny snack. What does it even normally eat? Other giant snakes?? (Is it an illusion??)
Why are both of Classic Sonic's boss fights just bomb tennis
Why is the final boss called a Death Egg Robot? The only similarities are in the first form's head (when protracted) and its primary (shoulder) arms. The rest is tentacle snake nonsense. And the second form is a straight-up tentacle robot, and somewhat similar to the Nega-Wisp Armour. And it's not even on the Death Egg!
Final boss was really ominous though, I liked it. First, dramatic orchestral music. Then, it murders you repeatedly by barely telegraphing its attacks to a first-timer. (Stop killing the floor!!) Then you "beat" it and a chestburster tentacle robot explodes out and dumps you in null space. The actual tentacle bot fight was kind of a letdown though, it was basically just the Nega Wisp Armour from Colours instead of something new... (also I was bad at timing my laser dodges so some salt there)
How is Classic Sonic doing Homing Attacks in the Death Egg Robot's third phase? He literally can't do them yet, wtf. (I choose to believe Modern Sonic and/or the Avatar is throwing him at it :P)
The water slides in Aqua Road are neat and fun the first few times, but when you're trying to S-rank the level they are such a pain. The RNG with the Motobug bouncing is the woooooorst. (Getting unavoidably knocked into spike balls sucks.)
Also why were a) spike balls there to begin with, it's enough of a challenge not falling out, and b) the spike balls moving slower than everything else in the slides? And then slow you down to their speed if you hit them, so when your invincibility runs out you're still glued to them and die?
Avatar gameplay is really fun, but I'm not a fan of how many automatic grapple points there are. Just let me do it!! It's not hard!!!! (Plus some of them are really unnecessary)
No boss fight with fake Shadow either, but that's less disappointing than Chaos for whatever reason (maybe because he's around more?)
Gotta say though I liked a much larger portion of the music in this game than usual, it's really good
However, the music for Classic's Green Hill stage is screechy garbage.
A good chunk of the stuff conveyed with the overworld dialogue would have been better presented as actual cutscenes (esp. the ones that use sound effects :/)
There is literally an area called "City" are you freaking kidding me
Okay, so Eggman decides to drop the sun on the Resistance...but he's also there?? I assume he's like, just not included in the illusion and is just laughing at their stupid faces, but it would have been nice to have some indication of that.
Why even make Zavok copies?? He sucks and no one likes him. Also he's kind of part of a set, where are the other Zeti copies?
I realize this is a video game, but why does Infinite make such easily dodgeable cube obstacles/attacks? "Ah yes let me make some long rectangles with big gaps to go through at each end, this will never fail"
I would like to thank Sonic Team for not making Imperial Tower a timed mission, that shit was hard enough as it is
I would also like to thank Sonic Team for making Imperial Tower so easy to cheese with Hover Wispons
I really wish the Null Space level had more...Null Space. You're in it for like 30 seconds, and it's a waste of a really pretty level design. AND it's just a straight shot that's 80% Double Boost.
Why is Double Boost a thing? The Avatar is just some random civilian, they shouldn't have weird team-up super speed powers.
I love that basically all of Sonic's friends are here doing stuff again, it is glorious. (Even though they were kind of epic fails until the Avatar joined/they got Sonic back...)
However, it would have been nice to see them occasionally doing stuff in the levels (like beating up robots in the background or something), rather than just in cutscenes.
Classic Sonic doesn't get an Infinite fight. :(
Which is weird, since he's the only playable character with Phantom Ruby experience/story.
In Final Judgement, the radio chatter includes them going "so this is where Eggman built Infinite" and...there are several things wrong with that. First of all, "built"? He's organic, it would be better to say something like "created" - even putting aside that that would be more metaphorical, as Eggman didn't straight-up create Infinite the person, just his current identity (not that they have any reason to know that - but they have no reason to think he made him either). Secondly, how are they coming to this conclusion? There's no tubes or assembly machines around until the end tubes with Phantom Ruby prototypes(?) in them, and those are part of the reactor. Plus an early cutscene has Infinite in a tube in a completely different area, though it could have been contained in the same superstructure. I mean I guess you could argue that the level looks like a factory?? Thirdly, how can they even see inside? They're not there.
Episode Shadow
Why is this so goddamn short. Only three levels? Really??
Why is the last cutscene just the first one from the main game?? They should be explaining where tf Shadow's been during the main game! So lazy.
Aqua Road is like 80% waterslides whyyyyyy
Infinite is really bad at getting revenge, holy shit. He just...illusions him for a bit until he gets away?? With some cube attacks tbf but STILL...
Also this shit never comes up in the main game why exactly? (I know the answer is probably they came up with this later like FOOLS, but argh)
ALSO also why do Infinite's attacks not send Shadow into the nightmare realm like they do in the main game?
Why do they go to such lengths to hide Infinite's face if they just straight up show it in his comic??
Honestly the way Shadow treats Infinite in this feels kinda out of character. I feel like he wouldn't be quite that harsh. (Definitely in character if it was Boom!Shadow, though...)
I am disappointed that Shadow is just a Sonic reskin. Let me use Chaos Spear! >:(
Also disappointed that Shadow can only be played on Modern Sonic stages; why not also Tag stages??
Misc
Infinite's theme is hilariously edgy and I love it (could do without the rap tho)
Kinda disappointed that this game has no fancy CGI cutscenes. I always look forward to those...
I think they had way too much nostalgia-baiting in this game. Classic Sonic, four previous Sonic villains (mostly Chaos and Metal Sonic though), Death Egg Robots, Green Hill and Chemical Plant and Death Egg...it just smacks of desperation. Not sure if it's "Generations was popular let's do that again" or just general trying to get fans back, but it's silly. You expect this sort of thing for Generations bc it was an anniversary game, but this one decidedly isn't and it feels like they're grasping at straws trying to get/keep players.
Also this is a Modern Sonic game, why is 50% of the content not playing him. Why is Classic even heeeeeeere
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wbwest · 7 years
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New Post has been published on WilliamBruceWest.com
New Post has been published on http://www.williambrucewest.com/2017/06/16/west-week-ever-pop-culture-review-61617/
West Week Ever: Pop Culture In Review - 6/16/17
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  Hot on the heels of the poster reveal last Friday, we got a teaser trailer for Black Panther during the NBA Finals. And it did very little for me. Yeah, I know. Every other Black person I know is, as they say, “hype” for this movie, but I just have never cared about Black Panther as a character. And I know comic book movies require suspension of disbelief, but Michael B. Jordan plays a villain named KILLMONGER! That’s probably the comic bookiest name I’ve ever been forced to take seriously. It certainly looks colorful, and it’s gonna make all the monies, but I’m gonna need to see more before I get too excited.
Let’s talk about Black Panther for a minute, though, as I think people are conflating his comic book success with his appearances in all other media. At the moment, there are currently 3 Black Panther comics on the stands: 1) Black Panther, 2) World of Wakanda, and 3) Black Panther & The Crew. Also at this moment, the latter two have already been canceled. I’ve seen people online saying that Marvel should rethink their stance, considering all the views the trailer has racked up in its week online (22.6 million as I write this). I get what they’re trying to say, but it’s a faulty argument. Their assumption is that people are clamoring for all the Black Panther they can get, when it’s really just this one movie to which they’re looking forward.
When the Black Panther comic was relaunched last year, written by author Ta-Nehisi Coates, the first issue sold over 250,000 copies, which was a rare feat for 2016. Now, however, the book sells about 1/9 of that amount, and is still decreasing. Ya see, Coates was hot shit because of an article on reparations that he wrote for The Atlantic. Why someone thought that would translate into a successful stint writing comics is beyond me. Marvel struck while the iron was hot, though, and they were able to ride the Coates wave, but anyone who’s actually read the comic knows that he’s more about political drama than superhero action. People came to the table to see what he’d offer, but over time they’ve realized they’re not picking up what he’s putting down. Still, Marvel gave him yet another series, Black Panther & The Crew, which probably should’ve been called Black Panther and His Negrotastic Pals. I bought the first issue, but the book was canceled before I even had  the chance to read it, so womp womp. It could be argued that Coates wasn’t the right choice for the book, but I think a better explanation is that Marvel blew their wad too soon. They should’ve been launching these spinoffs in the wake of the trailer, not cancelling them. Still, the damage is already done, so it’s not like they can let them tread water until the movie is released. If anything, they’re gonna have to cancel and relaunch if they want to capitalize on movie buzz. The ship, however, has sailed for the books currently on the market because this trailer is not going to serve as the shot in the arm that some folks seem to believe it to be.
Fox has got the ball rolling on X-Men: Dark Phoenix, the follow-up to the disappointing X-Men: Apocalypse. It will be directed by Simon Kinberg, who has no directing experience by the way, and is slated to be released November 2nd, 2018. And the gang’s all here, with Fassbender, Lawrence, and McAvoy are all coming back. If you remember, they tried to act like they were on the fence about returning after Apocalypse, but I guess they love money too much. Meanwhile, they’re saying that Jessica Chastain is being pursued to play alien Shi’ar Empress Lilandra, who lets Xavier bone her every couple of years. Did I mention that Kinberg wrote X-Men: The Last Stand? Ya know, the LAST time they did the Dark Phoenix storyline?! THE ONE EVERYBODY HATED?! So they’re basically giving him do-over! Everything about this sounds terrible, but we’ll probably get another cool Quicksilver sequence out of it, this time set to La Bouche’s “Be My Lover” or some other disposable 90s pop song.
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Normally, I’m all about those stories where they “get the band back together”, so I was definitely surprised when this video hit the Internet this week. I miss the age of the $20 million comedy, where Hollywood was cranking these things out monthly in the mid ’00s. Dodgeball: A True Underdog Story was one of my favorites, so I had high hopes for this thing, whatever it was supposed to be. Still, 13 years have passed since the movie, and this “return to the well” felt just as stale as Zoolander 2. Its saving grace is the fact that it’s only 4 minutes long (which still, somehow, feel like an eternity). I don’t even know where to start with this thing. The unfunniness of Stiller? The weak delivery from Christine Taylor? Or the fact that I don’t have a clue as to what the Hell Omaze is? Apparently it raises money for non-profits, but it’s far from a household name. I don’t know if this is the bold step Omaze needed to take to make a name for themselves. “Hey, look – we’re making a mini sequel to a 13 year old movie that didn’t need a sequel!” This thing seems dead on arrival, and I’d love to somehow be able to track the success/failure of this marketing initiative. Ugh, so much potential, squandered.
Bachelor in Paradise had its production suspended this week after accounts of “misconduct” began to surface. According to varying reports, Corinne Olympios from the most recent season of The Bachelor was involved in some pretty “heavy petting”, as your grandma would call it, with DeMario Jackson from season 13 of The Bachelorette. From what I heard, they were both drunk and tried to have sex. DeMario, unfortunately, couldn’t…”ready his soldier for battle”, so he “went downtown” instead. Corinne’s friend, who’s a producer on the show, told her that it’d look bad for her to be getting serviced on camera like that. A lot of other contestants reportedly witnessed the event, and said that the two were even seen canoodling together later that night. Then, Corinne started saying that she couldn’t remember the events of the night, and that she had never given consent for what happened. So now both sides are lawyered up, blaming the other for character assassination and worse. Oh, by the way, if you’re not familiar with Bachelor In Paradise, it’s a spinoff where the contestants are encouraged to get drunk and try to fuck. So…mission accomplished?
The format of the show was just asking for a controversy like this, and I’m amazed that it took this long for something like this to hit the Bachelor franchise. I don’t know anything about DeMario, but the one season of The Bachelor that I watched featured Corinne as the villain of the season. She was constantly boasting of her sexual prowess, saying things like “My ‘vagine’ is platinum.” Her tactic to win the show was to throw herself at The Bachelor early and often. Now, some folks are gonna interpret this as me saying she “deserved” this. If this was sexual assault, nobody deserves something like that. All I’m saying is that she was strategic in using sex to get what she wanted, and quick to cower when it didn’t work out as planned. Bachelor Nick Viall rebuffed all of her advances last season, and she’d end up pouting in her room, or taking a nap during the rose ceremony. She was notoriously immature yet manipulative. Word on the street was that she was up for her own show, but this little episode might’ve jeopardized the chances of that.
The most interesting part of this whole thing is that THEY HAVE THE TAPE! LET’S GO TO THE DAMN TAPE! How damning is that tape that it hasn’t been released yet? The production is most likely over for good, as the contestants have been sent home. The future of the show is in jeopardy because of this ordeal as there doesn’t really seem to be any coming back from this. The reality show fuck house actually turned into a fuck house. I guess their plan worked a little too well. If the show does come back, this is a watershed moment for dating shows, as nothing will be the same after this. Remember how talk shows changed when the Jenny Jones Murder took place? After that, they all became more staged, and Jerry Springer thrived in its wake. Now you can’t trust anything you see during daytime, while a show like Donahue couldn’t exist in the current climate. They’re gonna have to treat future iterations of The Bachelor with kid gloves, which isn’t what people come to see. When folks watch these shows, they wanna see if the contestants are gonna hook up. Now, they realize that standards and practices won’t allow that to be shown, but they still wanna see as much as the network will allow them to see. All these years after Joe Millionaire aired on Fox, folks don’t remember it for its janky premise (poor guy pretends to be a millionaire in order to find love from a pool of gold diggers), but rather for the scene of “Joe” (Evan Marriott) and contestant Sarah Kozer in the woods with some intense slurping on the audio. Lewd, yes, but boundary-pushing for 2003 and everyone was talking about it. The goal of these shows is to produce something to dominate the conversation for a while and, in that case, this whole thing has been a success. Still, there are serious matters at hand that need to be addressed, as folks are losing jobs (DeMario got fired for the allegations), and could also end up in jail.
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After something like a year in teases, we finally have our release date for the DuckTales reboot: Aug 12th. The show will premiere on DisneyXD as an hour-long “mini movie”, and then be rebroadcast for the next 24 hours on the channel. Then,  the series will officially premiere on September 23rd, with 2 new episodes. As you saw above, we also got the new credit sequence and theme song. Some of the old fuddy duddies have taken issue with the remixed theme, but I love it. The most surprising thing to me is the new jacked Mrs. Beakley, but I figure there’ll be an in-series explanation for all that.
In the world of toys, Hasbro unveiled the full Netflix wave of Marvel Legends figures, and they look so great. In the beginning, I was scared these were gonna turn out to be exclusive to a particular retailer, but that doesn’t seem to be the case. We already knew about Daredevil, Jessica Jones, and Punisher, but the wave is rounded out by Elektra, as well as comic versions of Blade and Bullseye. As an added surprise, there’s a Build A Figure in the form of Man-Thing. That character means nothing to me, but I’ll be buying the whole wave, so someone give me a shout if you wanna buy Man-Thing off me. That’s right, I’m offering my Man-Thing in exchange for money. I think that might be illegal…
Song of the Week
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This week’s song is Morgan Wallen’s “The Way I Talk”, mainly because I completely identify with it. If you’ve ever spoken with me, the first question people tend to ask is “Where are you from? You sound SOUTHERN!” Also, I spent more time than I’d like to admit trying to figure out if that actually was a sample from Spacehog’s “In The Meantime” at the beginning (verdict: inconclusive).
Things You Might Have Missed This Week
CMT is seriously considering reviving Tim Allen’s canceled ABC sitcom, Last Man Standing. They already air the reruns, so it seems like a natural fit.
An Injustice 2 eSports tournament will air on TBS in October. We’re really trying to make “eSports” a thing, huh?
Unbreakable Kimmy Schmidt has been renewed for a 4th season at Netflix. One of these days I’ll finally finish seasons 2 and 3…
Aisha Tyler announced yesterday that she will be leaving The Talk at the end of the season, due to her current commitments on Criminal Minds, Whose Line Is It Anyway?, and Archer. Plus, she’ll be directing an upcoming film. Yeah, that’s probably enough jobs for one person.
Someone named Anthony Padilla is leaving something called Smosh. Apparently it’s a thing on the YouTubes. If you’ve got a tween, they can probably explain whatever this means.
In an update to something I mentioned last week, Sony has revised their plans to sell clean versions of their movies. Since it was found that the plan violated union contracts, now Sony will only offer clean versions of movies that have been approved by the director.
ABC has renewed “Toy Shark Tank”, AKA The Toy Box, for a second season.
I took a trip down memory lane to talk about the old Toy Biz Customer Service hotline.
In a baffling move, Amazon is buying Whole Foods Market for $13.7 billion. I haven’t been as confused about a business deal since K-Mart bought Sears.
When I first started West Week Ever, I came up with a No Death Policy. Even though I get kinda negative on here, I still want it to be a positive place. I have a bit of an odd history with death, as I became acquainted with it at an early age, so I like to stay away from all that. Plus, there’s that problem where if you mention one death, you’ve gotta mention ALL the deaths, and ain’t nobody got time for that – especially if that death didn’t really mean anything to me. Still, when I created this feature, I always knew there would be at least 2 important exceptions. I wasn’t looking forward to them, but given their age and health, I knew it would be something I’d have to tackle eventually. Sadly, one of those deaths occurred last Saturday.
When I was growing up, there were few things I looked forward to as much as the 1966 Batman series, weekday afternoons on Fox 5. While I’d gotten the Super Powers Batman and Batmobile toys when I was around 4, I really didn’t know anything about Batman until I was introduced to that show. Hell, I remember how I used to think Batman could fly. I mean, he had a cape! All people with capes fly, right? Anyway, like any kid, I was mesmerized by the POW! ZAP! BIFF! of the fight sequences. I was on the edge of my seat for the end of episode cliffhanger. I’d tie a sheet around my neck, and shadow box along with the Dynamic Duo as they fought King Tut’s goons. I also had a next door neighbor, Brian, who was a few years younger than me (he was 7 when I was 11, as I remember him thinking that was cool), and he worshipped the ground I walked on. He’d come over, and we’d be Batman and Robin, fighting invisible goons with gadgets I’d made from Construx and jump ropes. My concept of Batman was formed by Adam West and Burt Ward, walking up the side of buildings with their Bat Ropes.
As I grew up, I was introduced to other depictions of the Caped Crusader. I started reading comics in ’92, around the time that the classic Batman: The Animated Series debuted. Those versions of Batman were totally different than what I’d grown up knowing. The environment wasn’t as campy, the world was a darker place, and Batman wasn’t doing the Batusi. Over the years, I’ve had even more versions of Batman that I’ve compared to West’s rendition, but I’ve come to appreciate him even more. While the world around him was wacky, West’s Bruce Wayne/Batman was solid. He was smart, calculating, and always knew more than the folks around him. Can you imagine a “Tower of Babel” storyline (the classic JLA story where Batman takes down the rest of the Justice League using contingency plans he’d set up for all of them), starring West’s Batman? I can, and it would be AMAZING.
It seems life wasn’t too shabby for West offscreen, either. According to several stories, he was quite the hit with the ladies, and even had an 8-woman orgy with Riddler Frank Gorshin. ZOWIE! While he never really achieved mega success with anything else, he still established himself as a cult superstar, with his turn in Conan O’Brien’s failed pilot Lookwell, as well as his role as Mayor West on Family Guy, which introduced him to a new generation of fans. Other actors who portrayed Batman went on to other things. For Clooney, Kilmer, and Bale, the role is just another notch on the IMDB profile, but West WAS Batman. With the exception of probably Kevin Conroy, no one else has been so closely identified with the role as Adam West. At the end of the day, he’s the Batman that I always come back to, and the one to which I compare all newcomers. Adam West, born William West Anderson (hey, look at that!), was MY Batman and I think we were all lucky to have him. No, he didn’t have the West Week Ever. I don’t think that’s enough of an honor to indicate what he meant to me. So, with that in mind, Adam West is the inaugural inductee to the West Week Ever Hall of Fame. Farewell, old chum.
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Well, here goes nothing…. Tagged by: @biclexualwonders Thanks, bae! I never do these things lol I guess I should Rules: Answer the questions and tag any blogs you want to get to know better.
Nicknames: Rai is my hands down favorite. Only my family members and total strangers call me Rach which I don’t like but honestly you can’t tell your family anything....  
Star sign: Sagittarius 
Height: 5′ flat. A whole 60 inches
Time right now: 9:56am
Last thing you googled: how cartilage heals without blood flow
Favorite music artist: Oh poop.....this is moderately impossible due to music being so close to my current emotional state. At this moment.....I say Lily Allen 
Song stuck in my head: just reading this caused a flood of songs into my brain. So it’s a mash-up of RuPaul’s Drag Race theme song, Year 3000, I’ve got a pocketful of sunshine, and the riff-off from Pitch Perfect
Last movie I watched: Kronk’s New Groove 
Last show I watched:like....entirely? or just an episode of? Entirely would be Miss Fisher’s Murder Mysteries (WHICH OMG BLESS IS SO GOOD). episode wise is Futurama because that’s my bed time show
What I’m wearing right now: my classy receptionist wear so jeggings, toms, and a button up blouse all hidden under a northface because this office is freezing
When I created this blog: My lovely Triforce helped me create this back in college sooooooo 2012ish? 
The kind of stuff I post: a hot mess of random anime, cute animals, relatable comics, and the passionate political LET’S BE A DECENT HUMAN BEING KIDS! post. 
Do I get asks regularly: Nope. Hardly ever.  
Why did I choose my URL: I do actually have unicorns in all of my functional pockets 
Gender: Female
Hogwarts house: Hufflepuff
Pokémon team: Instinct! 
Favorite color: Orange 
Average hours of sleep: about 7 
Lucky number: 3 and 9
Favorite characters: like.....really? jesus christ ok..... let’s break it down! Books: Ron Weasley, Khaleesi, Arya, and Winnie the Pooh TV Shows/movies: Dot, Hugh, Cosima, Furiosa, Han Solo, Leia, JEDISTORMPILOT, Wash, Zoe, and Aurora Anime: let’s be real I have so many anime babies... top 3 are Kakashi, Yona, and King
Dream job: I would love to be a museum curator with a traveling equality feminist collection and use all the proceeds to set up proper help for anyone struggling due to their own gender or how they are perceived by others. The job that I am currently going for is a fertility specialist who integrates therapy, adoption agencies, and SAFE abortions. 
Number of blankets I sleep with: at least two 
@itsybittle @latemerarita @thefeloniouspear @commanderoftheship @theamazingladygeek
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swordsandrayguns · 7 years
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New Book...
Hey, you haven’t posted a blog in a long time!
Yeah, that’s totally the truth. I have been busy and stuff.
Too busy to write a blog? 
Kind of, yeah. I wrote a new book. I moved across state. Plus, I write almost every day for websites and stuff.
So how come you can’t come around to the blog until you have something to sell?
Ouch. That’s harsh. I mean, it is true, but harsh. To be honest, I think there are two reasons. First up, if I am going to write, I might as well write something more substantial than a blog.
You could write stuff for the blog like free short stories or post book previews.
Yeah. I guess. That brings me to the second reason, though. The same reason I am barely on Twitter or Facebook. I am sick of all the vitriol and hatred and misinformed people running around feeling so superior and smart. It is both sides, but it is sickening. So I’d rather stick my head in the sand of my own little fantasy worlds... or someone else’s. Now that I am finally settled after almost a year of moving (and my home office is still pretty much a desk surrounded by boxes, tubs and some sweet vintage Danish Modern furniture) I am unpacking all my sweet comics, magic books and pulp novels. 
Okay. Maybe that is acceptable. So, what is the new book?
Glad you asked. I think it is the first of a new science fiction series called Black Sky Rangers. Basically, I am writing a science fiction TV show but no one is actually producing my show. I am not letting this stop me from creating a series of novelizations based on the episodes. The first one, THE HEIST (it should be available July 1 on Amazon), is a single story because I see it as the two hour pilot episode. After that, most books will have two stories, or episodes... unless they are a two part episode. 
So that didn’t really explain what it is about....
Good point. Black Sky Rangers follows a small vessel called the APC Wyatt Earp as it patrols a far flung, but heavily colonized, area of space. As the Earp’s captain Matthew Johnson explains, they are “the sheriff, the ambulance, the mail and sometimes even the dog catcher.” 
So what sets it apart from other space westerns... it is fair to call it a space western?
Ummm, probably. Space western, space opera... I want to have an old, pulp sci-fi feeling to it without the vacuum tubes. Like when that stuff got big when I was a kid with Star Wars, Star Trek and Battlestar and Buck Rogers. I guess I thought more about that than what genre it should fit into but the spaceship is called the Alliance Patrol Cruiser Wyatt Earp, so I guess that space western is fair. Of course, their sister ship is the APC Elliot Ness!
And what sets it apart?
Well, I hope that readers really get attached to the crew of the Earp. The captain is driven by the recent and mysterious deaths of three crewmen, the grizzled old combat engineer is also the ship’s chaplain and so on. Like I said, in my head, this is a TV show (probably a ‘70s TV show) complete with an action montage opening sequence and theme song and everything. There is probably even a scene where they slide across the hood of their fighter craft like an old cop show. I can imagine tearing open cereal boxes to get to the Black Sky Rangers toy inside. That isn’t to say that it is a story for kids, though. I just am kind of trying to recapture that feeling from back in the late 1970s when I was a kid and sci-fi went mainstream.
So when does it come out?
Black Sky Rangers, The Heist comes out on July 1 on Amazon as an ebook for $1.99; search for The Heist by Michael Lauck. I am trying to keep the price low, like the paperbacks I used to love as a kid. Sadly, I am not sure that this will come out in paperback at this point, though. It is just too expensive. I am exploring audiobooks, but that would be a bit down the road, probably after a few Black Sky Ranger books are out. For now, $1.99 as a Kindle book. But you can read a Kindle book on about anything: PC, Mac, Android or iOS. 
Okay, what next? Back to the kung fu stories?
Umm, no. I have another book basically written that is completely different from everything else I have written so far. I am still grappling with it, though. Although I have had some feedback requesting more stories from the world of The Grand Tournament, I am just not there right now. Instead, I think my readers can look forward to more Black Sky Rangers and maybe that other book, let’s just call it Book X for now.
Will there be martial arts in The Heist?
Well, given what the Rangers do, it seems reasonable that they would have some hand to hand training so it might pop up in future episodes (I mean books) but not in The Heist. There may be a mention of martial arts, but that is about it.
What about in Book X?
Yeah, it definitely has a martial arts theme but it is set in a very different world than The Grand Tournament or Rise of the Mountain Tiger. And like I said, I am still wrestling with it. Now that The Heist is done, I have several more Black Sky Rangers stories bouncing around in my head. I wouldn’t be surprised if you see one or two more before I finish Book X or go back to the stories of the Hong Yue.
So you won’t say what it is about?
Nope. 
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