Tumgik
#hip-hop culture
bulletines-news · 1 month
Text
J. Cole Reflects on Regret: A Deep Dive into the Kendrick Lamar Diss
Introduction J. Cole – In the ever-evolving landscape of hip-hop, where lyrical battles and artistic rivalries are as common as the beats themselves, J. Cole’s recent admission of regret has sent shockwaves through the rap community. The acclaimed artist, known for his introspective lyrics and thought-provoking storytelling, opened up about a specific track on his latest album, “Might Delete…
Tumblr media
View On WordPress
4 notes · View notes
rabaloch786 · 17 days
Text
The 15 Best Lines from Kendrick Lamar’s ‘6:16 in LA’
They say styles make fights.
What we’re seeing here are two rappers standing on top of the game at different sides of the spectrum. There’s Drake, the hitmaking machine who’s never backed down from a challenge. Then there’s Kendrick, the more complicated lyricist who’s managed to collect plaques without chasing commercial appeal, but someone who hasn’t been battle-tested like the person he’s currently in the ring with. This doesn’t mean Kung Fu Kenny isn’t familiar with the “Secretz of War“; he’s a student of the game, after all.
On “Taylor Made Freestyle” — the diss track Drake was forced to take down — Drake goes on a rant at the end, telling Kendrick he hopes he’s in the lab cooking up quintuple entendres. That’s just what Kendrick did on this latest diss track “6:16 in LA.” If you let the chatter online tell it, the title is a play on numerous things. One is an obvious play on Drake’s timestamp series. Another is a nod to Ice-T’s “6 ‘N the Mornin’.” But once you get into numerology games, you slowly start to resemble that Always Sunny meme with Charlie losing it in front of an evidence board trying to tie everything together.
Tumblr media Tumblr media
Full video
4 notes · View notes
Text
Tumblr media Tumblr media Tumblr media
COME AND GET SOME OF THESE FINE MALT LYRICS -- THE FINEST IN ALL THE LAND.
PIC INFO: Spotlight on a record advertisement for “Fine Malt Lyrics,” the 1992 debut album by American hip-hop group HOUSE OF PAIN. Tommy Boy Records. Produced by DJ Muggs, DJ Lethal and Ralph M, the Funky Mexican, for Soul Assassins.
MINI-OVERVIEW: ""We're animals trying to be men," laughs Everlast, lead rapper of the Irish-American rap act HOUSE OF PAIN. Explaining the inspiration for the group's name, he describes the movie "The Island of Dr. Moreau," "It's about a scientist who tries to turn animals into men, and the place where he took them to punish them was the House of Pain."
Danny Boy and DJ Lethal round out the trio that produced the gold smash single "Jump Around," and a debut album filled with dense, diverse samples and a rap style that recalls the kind of shit-kicking you hear at a party or on a basketball court. "If you get on the basketball court, talking shit is half the game," Everlast says. "I look at the lyrics like a basketball, like I'm bouncing them off the beat.""
-- TOMMY BOY RECORDS, c. 1992
Source: www.hiphopnostalgia.com/2022/07/house-of-pain-fine-malt-lyrics-30th.html.
🇺🇸🎊🍻🍀🌈😋🍀🍺🎉🇮🇪
3 notes · View notes
stoneyocean · 8 months
Text
Natural version of you
What About Yours Stoney Ocean vs. The Princess Join the wave 🌊 🌊 StoneyOcean.com/shop FB_YT_IG_IT_SPOT
Tumblr media
View On WordPress
2 notes · View notes
jamesjonesohio · 11 months
Text
Black America We Have A Significant Culture Problem: Essence Festival 2023
I am old enough to remember when Essence covered the diverse nature and multiple issues of Black women living in a white man’s world. Essence went further in their coverage of Black women than merely printing beautiful pictures of them; there was no beauty of the week centerfold within the pages of Essence. I recall the presentation and discussion of substantive issues impacting Black America and…
Tumblr media
View On WordPress
2 notes · View notes
culturehaze1 · 1 year
Text
Tumblr media
Hip-Hop culture
Culture Haze provides regular news and updates about famous rap artists. It gives all the updates on Live shows in detail. Culture Haze promotes modern pop culture by providing regular updates on rappers, global hip-hop music, the latest songs, Punjabi new rap songs, and freestyle rap. The Bronx in New York City, according to Culture Haze, is a Godly area where hip-hop has emerged, with a strong rap music heritage. Culture Haze wants to offer worldwide artists respect, so hip-hop culture does not become extinct.
Stay tuned for more updates. For more information about Culture Haze, visit https://culturehaze.com/
2 notes · View notes
bourbontrend · 2 months
Link
Discover how limited-release bourbon and hip-hop culture blend to create an intoxicating mix 🥃🎤. Dive into the story of Knob Creek's groundbreaking collaboration with LL Cool J, and see how this partnership is stirring up both industries. It's not just about the spirits; it's about the power of collaboration and the impact on hip-hop culture. Join us in toasting to innovative alliances. #HipHopMeetsBourbon #LimitedReleaseBourbon
0 notes
primitiveprimelab · 2 months
Text
On Drake, Pop Music, & Hip-Hop Culture
Tumblr media
ALL SKUS ON ME by Azrael Encarnaión
“Is Drake Hip-Hop?” Yasiin Bey, (a.k.a. Mos Def) was asked in an interview with The Cutting Room. His answer, in a pure what-memes-are-made-of moment, is that Drake is Pop and akin to “shopping with an edge.” This is in reference to the generally likeable sensibilities in Champagne Papi’s music; sensibilities that lend themselves to such commercial experiences as shopping at a Target store.
Since then, various voices have chimed in, from radio personalities to Hip-Hop blogs, streamers, and podcasts. Hot takes ranging from casually entertained to flat out rap beef instigation. Even Drake himself jumped into the mix, offering his defense by way of a 1997 clip of Wu’s Method Man defining Hip-Hop. Meth’s definition, which mentions wordplay and rhyming does help Drake’s legitimacy; but a lot has changed since 1997. Does Hip-Hop even mean the same thing anymore? How has the relationship between Pop and Hip-Hop changed since Method Man’s statement? Is it possible that today, an artist like Drake, who makes Rap music, isn’t necessarily Hip-Hop?
[ Read full essay here ]
0 notes
trapangeles · 7 months
Text
A Historic Gathering: Tspokes and Friends Cypher Unites West Coast's Female Rap Powerhouses
youtube
In the world of West Coast hip-hop, there are moments that become etched in history, celebrated for their artistry, unity, and pure talent. Such moments aren't just ordinary; they are legendary, and the recent Tspokes and Friends Cypher is destined to be one of them.
Picture this: Tspokes, LA Wray, Key’ijah, and NIY Sims, four powerhouse female rap artists hailing from the vibrant hip-hop scene of the West Coast, coming together for an epic collaboration that set the music world ablaze. 🔥🔥🔥
A Uniting Force of Creativity
Tspokes, known for her lyrical prowess and signature style, brought together a group of friends, each a luminary in their own right. LA Wray, with her captivating flow and thought-provoking lyrics. Key’ijah, the wordsmith with a unique perspective. NIY Sims, the dynamic artist who never fails to deliver a memorable verse. Each of them is a star in their own universe, and together, they form a constellation of talent.
The Cypher: A Showcase of Excellence
The cypher, an essential element of hip-hop culture, is a platform where artists come together to show their lyrical skills, creativity, and passion. In this Tspokes and Friends Cypher, these remarkable female artists did just that and more. Their verses were not mere words; they were stories, experiences, and aspirations, all intertwined in the fabric of their music.
Their collaboration wasn't just an assortment of verses; it was a conversation, a dialogue, an exchange of ideas, and a celebration of life on the West Coast. In each rhyme, they painted pictures of the streets, the people, and the dreams that breathe life into this genre of music.
Unforgettable Vibes
The essence of this cypher can be encapsulated in one word: unforgettable. As they traded verses, the energy in the room crackled with creativity. The beats provided the canvas, and these artists painted vivid portraits of their world. The vibe was electric, and anyone who witnessed it felt the raw intensity of West Coast hip-hop at its finest.
The Legacy Continues
In a genre known for its rich history and legacy, the Tspokes and Friends Cypher adds another chapter. It's a reminder that hip-hop isn't just music; it's a cultural force that brings communities together, celebrates diversity, and creates legends. This cypher wasn't just a gathering of friends; it was a declaration that West Coast hip-hop is very much alive and thriving, led by these incredible female artists.
As we look ahead, the impact of this collaboration resonates beyond the lyrics and beats. It's a testament to the enduring power of hip-hop, a genre that continues to shape culture, drive change, and provide a stage for artists to tell their stories. The Tspokes and Friends Cypher is not just a moment in time; it's part of a legacy that keeps evolving, keeps growing, and keeps inspiring. 🔥🔥🔥
For those fortunate enough to witness this epic union, they'll carry the unforgettable vibes with them, a reminder that when the West Coast's female rap powerhouses come together, magic happens.
Have you been spending all your money and time on making music and shooting videos, but still not getting any exposure? Tired of just spinning your wheels? You know to get exposure you need to get featured on blogs, radio stations, playlist, and get your music e-mail blasted out to the masses. Need help getting all that done? Then check out the Package we’ve made available for you below!
Like & Listen To Our Spotify Playlist
trapLAXradio On The Air Now!
The Latest Music, Videos, News, Entertainment……
0 notes
crocsandbitches · 14 days
Text
Not to get overly sentimental but rap beef is honestly such a creative form of expression. Like we’re going to hold off on kicking the shit out of each other and calling up shooters to make clever rhymes about each other and get the common man saying words like ‘double entendre.’
Here’s a couple of suggestions of other diss tracks to listen to if you’ve found you’ve liked bitchy poetry:
Ether - Nas (2001) - diss track vs Jay Z & widely considered to be one of the best diss tracks ever released. It’s a response to Jay Z’s diss ‘Takeover’ which at the time of its release left people thinking Nas’ career was over and then Nas uno reversed that shit with Ether and it’s still considered to be a miracle that Jay Z managed to maintain his fame.
Hit ‘em up - 2Pac (1996) -diss track vs Biggie & Bad Boy records. Part of the East Coast / West Coast beef. 2Pac was shot 5 times and survived and Biggie released a song called ‘Who Shot Ya.’ Hit em up is Pac’s response and it’s iconic. Plus the tune is groovy as shit.
Real Muthaphuckkin’ G’s - Eazy E (1993) - Dr Dre left his group NWA over a dispute about contracts/pay. He later released a song called ‘Fuck with Dre Day’ where he had a go at Eazy E (the lead rapper of NWA). Eazy released this in response and it’s another groovy, west coast banger.
Story of Adidon- Pusha T (2018) - Pusha T walked so Kendrick Lamar could run. Need I say more.
No Vaseline - Ice Cube (1991) - vs remaining members of NWA. Cube was the first to leave NWA over contracts/pay disputes. The remaining members released an album, with subtle disses against him. Ice Cube, as Ice Cube does, got pissed.
Life’s on the Line - 50 Cent (2003) - adding this because 50 Cent hates as easily as he breathes and it’s something to marvel at. His beef with Ja Rule started in ‘99 when Ja Rule was robbed by 50’s people and then one thing lead to another and 50 was stabbed and then he was shot 9 times. ‘Time is the best medicine-‘ no. no it’s not. If anything 50 gets angrier through the years. 19 years later 50 bought 200 tickets to Ja Rule’s concert so the front rows were completely empty.
1K notes · View notes
paymetea · 29 days
Text
Tumblr media
Whitney Houston 𓆩♡𓆪
1K notes · View notes
strazcenter · 2 years
Text
Hip-Hop’s Influence Spreads Far and Wide
Hip-Hop’s Influence Spreads Far and Wide #fromtheblog
Hip-hop, the “fad” that parents, teachers, government officials and close-minded rockers couldn’t wish away fast enough 40 years ago, now has its own government-sanctioned month. (Pictured above) A dramatic reenactment of the public hearing a hip-hop song for the first time. Last year, Congress designated November as National Hip-Hop History Month, a sign not only of hip-hop’s significance but…
Tumblr media
View On WordPress
0 notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
FOR HARDCORE HOUSE OF PAIN FANS ONLY -- "PUT ON YOUR SHITKICKERS AND KICK SOME SHIT!"
NOTE: True story, I'll never forget running into a pair of these out in the wild many years ago at a Downtown L.A. urban wear/style/fashion boutique, but, alas, they weren't in my size. DAMN!! Talk about the best AND worst luck ever!
PIC(S) INFO: Mega-spotlight on the super-hip and awesome HOUSE OF PAIN-edition Adidas Campus 80s, released exclusively on Saint Paddy's Day in 2009.
OVERVIEW: "The Campus 80’s were released in the early 1970’s, however its roots were founded in 1980’s hip-hop and popularised by the BEASTIE BOYS in the 1990’s. The Campus 80’s are a tangible time capsule representing the rap and the B-Boy culture of that era.
These Campus 80’s are named after the American hip-hop group HOUSE OF PAIN and were released March 17th 2009. The Green, White and Orange colour way is inspired by the band’s Irish heritage and also coincides with St Patricks Day. The group’s iconic white outlined crest is embroidered on the tongue and centred is a Three-Leaf Clover. "Fine Malt Lyrics" another name for their debut album ‘is stitched in gold thread across the upper side and can also be found at the bottom of the crest in green stitching. The deep vintage green suede upper and white sole completes this classic look.
The alternating Green insole on the left foot, and Orange on the right is consistent with the Irish flag colours. Adidas brought the shoe to life for hardcore HOUSE OF PAIN fans but can also be enjoyed by those who would purchase these Gazelles for the love of colours and design. Generally the Campus 80’s tend to be quite clean in design yet the silhouette has been released in a variety of colours in varying styles and prints ensuring relevance yet keeping within its prototypal components."
-- FRIXSHUN (sneakers, trainers, kicks aficionados), written by Natiki Collins
Sources: Flickr, Pinterest, https://frixshun.com/adidas-campus-80s-house-of-pain, etc...
6 notes · View notes
stoneyocean · 8 months
Text
Spotify
Spotify Music
https://open.spotify.com/embed?uri=spotify%3Aartist%3A0CP5FeUWjRo1GRb1BYxdwk You should come out to one of my shows and check out my performance. Join the wave 🌊 🌊 StoneyOcean.com/shop and add a subscription to listen to new unreleased music. Get your # to bring out Stoney Ocean to your city. FB_YT_IG_IT_SPOT
Tumblr media
View On WordPress
4 notes · View notes
Text
Tumblr media
Today in Hip Hop History:
Nas released his debut album Illmatic April 19, 1994
526 notes · View notes
nansheonearth · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
darkest.hue: Trigger warning: mentions of extreme violence against women and girls
Part 1/3 (more content to come on this matter)
Note: Although it should go without saying, here are some obvious truths: hip-hop the genre is not innately violent and misogynistic and neither are Black man. Also, hip-hop is not the only genre with abusive men, and the music industry is not the only industry in entertainment with abusive men.
For years now, Black women have been calling for hip- hop to have its "Me Too" reckoning (see recommended readings). Calls have recently reignited following singer Cassie's civil lawsuit against ex-boyfriend Diddy, where she alleges years of r*pe, domestic violence, and sex tr*fficking.
Many were rightfully stunned, horrified, and heartbroken by Cassie's vulnerable account, with many demanding the entire industry be finally held accountable for its pattern of violence against women. But is any of this really that surprising when we consider the way mainstream hip-hop talks about women, particularly Black women? Is it all that surprising when we consider the toxic loyalty and blind allegiance male rappers have to each other? Or the wealth of resources these men have at their disposal to control and harm women all the while flying under the radar? Or the world's disregard for the safety and protection of their Black women/girl victims?
Let's discuss.
Recommended readings for further investigation:
Ms.Magazine: "Black Women, Hip-Hop and #MeToo: 'On the Record' Spotlights Music Industry" by Janell Hobson
Buzzfeed News: "Will Time Ever Be Up For Abusive Men In Hip-Hop?" by Sylvia Obell "Confessions of Video Vixen" by Karrine Steffans
Vox: "Megan Thee Stallion, Me Too, and hip-hop's cycle of misogynoir" by Fabiola Cineas
1K notes · View notes