TwoSetViolin:
Go on tour
Invite one of the top violinists in the world to make a surprise appearance on stage (she says yes???!?!??)
Play Paganini 24 (widely considered one of the most difficult pieces ever written for the solo violin) together
WHILE HULA-HOOPING
PROFIT = the crowd goes insane
On Stage:
The Audience:
Honestly I can't emphasize enough how delightful it is to hear a crowd scream and gasp during an insane classical violin solo. Like you rightfully need to be so composed and respectful during a classical concert, especially if it's one of the all-time greats like Hilary, but in a TwoSet concert everyone gets permission to Unleash The Beast and fucking scream because HOW THE FUCK DOES SHE SOUND THAT GOOD WHILE HULA HOOPING?!?!?
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Two wildly different Fandoms but same vibe:
(Good Omens gif found on @armageddidnt )
(Hilary Hahn gif is a clip from a TwoSet Video)
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Christian Carey's year in review
2023 was pretty much an awful year for our world —climate disaster moves ever more quickly, violence abounds and US politics are a disaster. I would not write a thank you card to the universe for many of my own experiences during the year either. However, I am grateful for the extraordinary music I participated in, heard and wrote about: it was a great solace. A few highlights are below:
I composed three new pieces: Solemn Tollings, for microtonal trumpet and trombone, Just Like You for singing violist, and Cracking Linear Elamite for solo guitar. The latter premiered in December at Loft 393 in Tribeca, played by Dan Lippel.
In addition to editing Sequenza 21 and contributing to Dusted, I authored several reviews and a research article for the British journal Tempo. The article was on my research in narratology as a feature of Elliott Carter’s music, which I have been exploring and publishing on since writing my Ph.D. dissertation. It was great for this particular research, of character-types and interactions in the Fifth String Quartet, to finally see the light of day.
After a half-century of banged up and often unreliable used pianos, my wife Kay got me a new Baldwin grand piano for my 50th birthday. Since it has arrived, I have practically lived in it.
Post-pandemic and post-cancer, I began to dip my toe into attending live events. I went to the Tanglewood Festival of Contemporary Music, which was a mixed bag. As compensation, the Boston Symphony performances that weekend were excellent. I attended a great concert at the New York Philharmonic in November and another in December. For many years, Kay and I have made a holiday tradition of seeing the Tallis Scholars at St. Mary the Virgin Church in midtown. It was wonderful to return there. The Tallis Scholars’ performance was splendid, featuring a mass by Clemens non Papa.
After the Tallis concert, Kay was in Nashville, where her parents live, for two weeks, spending time with her brother Tom and sister-in-law Aymara, who were visiting from Qatar (Tom teaches at the Carnegie Mellon University campus there and Aymara is a yoga instructor), and celebrating Christmas with her parents. Here in New Jersey, it was just me and the felines, who were (mostly) well-behaved. To keep the holiday blues at bay, I went all out, decorating a natural tree and the house. I played every carol in the hymnal, and enjoyed old holiday standbys: Oscar Peterson, Dave Brubeck, and Mel Torme’s Christmas albums.
There was much excellent recorded music released this year, and I will not attempt to document it all. Here are twelve records, in no particular order, that I expect will stay with me and be played often in coming years.
2023 Favorite Recordings
Yo La Tengo — This Stupid World (Matador)
Hilary Hahn — Eugène Ysaÿe’s Six Sonatas for Violin Solo, op. 27 (DG)
Morton Feldman — Violin and String Quartet (Another Timbre)
Natural Information Society — Since Time is Gravity (Eremite)
Leah Bertucci — Of Shadow and Substance (Self— released)
Juliet Fraser — What of Words and What of Song (Neos)
Laura Strickling and Daniel Schlosberg — 40@40 (Bright Shiny Things)
Emily Hindricks, WDR Sinfonieorchester Köln, and Cristian Macelaru perform Liza Lim — Annunciation Triptych (Kairos)
Bozzini Quartet and Konus Quartett play Jürg Frey — Continuité, fragilité, résonance (elsewhere)
Matana Roberts — Coin Coin Chapter Five (Constellation)
Chris Forsyth — Solar Motel (self— released)
John Luther Adams — Darkness and Scattered Light (Cold Blue)
Christian Carey
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Hilary Hahn and Fiona Apple in 2017, via Zelda Hallman
if any of you haven’t heard Hilary play yet, you need to fix that!
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