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#he's so out of character here forgive me
nomazee · 27 days
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enough to make me cry
blade is your only roommate, your only friend, and your only way home from this terrible party you found yourself in.
blade x gn reader — 3.3k — college & roommates au!, very americanized college experiences, frat parties, mentions of drinking & vomiting, could be read as platonic but there are definitely romantic undertones, feelings of inadequacy/being out of place, hurt/comfort, social anxiety, blade is probably ooc i'm gonna be so honest, mild kafka & reader friendship, erggg im probably missing something
notes: no i have to be so honest blade is probably completely out of character i have not played a single side quest with him in it but i just think he has reluctant roommate-to-best friend potential and i wanted to pour that into a fic,,, this is mostly unintelligible but i did proofread! love you all
—°+..。*゚。*゚+.*.。.—
A warm hand rests on your shoulder, and the first thing that you think is Blade’s hands are supposed to be cold.
It’s really pathetic. You’re somewhere in a stupid frat house, the thrumming of music around you. There’s the flashing colors and sounds of Mario Kart on the TV, the smell of puke (probably yours) and corona lite, and a hand on your shoulders that you’ve discerned is not your roommate, Blade’s. 
Looking to the side, you follow the hand (painted, manicured nails, definitely still not Blade’s), and it leads up to an arm up to a shoulder up to a face, and—oh. 
“You’re—” you pause, getting your words in order before you puke them up, “you’re Blade’s pretty lady friend?” It’s supposed to come out as a statement, but leans more to a question. She looks down, a bit of a teasing grin on her face, but her eyes are a little soft so you trust her. 
“Is that what he calls me?” she jokes.
“No, I’m— I came up with that.” If you had any dignity left in you, you’d be embarrassed to admit that to her. Unfortunately, you’re pretty sure that Kafka (the pretty lady friend in question) just held your hair back and wiped your face as you puked into a frat-house toilet, flushing your dignity away with your dinner. Your eyes burn with tears and mortification, and you pray that only Kafka saw your embarrassing mishaps.
“I called him to pick you up,” she tells you, already looking away from you and scanning the room as if looking for something, or someone. “I would take you home myself, but I’ve got some things to take care of. And I’m assuming you didn't bring your keys with you?” 
A quick pat-down of your pockets confirms that, yes, you somehow managed to leave your keys at home, the one personal necessity that you were supposed to bring besides your phone. Which, thankfully, you do at least have.
“Umm, the…” you mutter, tongue tangling uselessly as you try to find a way out of here without facing the impending doom of Blade’s aggravated scolding and his I told you so’s. 
A week ago, you went to him with an invite to this frat party and begged him to come with you, saying something like You don’t go out much, this is your chance! He’d adamantly refused, calling it a bad idea and rolling his eyes whenever you brought it up. But you were stubborn, and you wanted to have a fun college experience, so you forced him to drive you to the party with the promise of paying for his next gas payment and getting your own ride back home at the end of the night. 
“I can go,” you finally tell Kafka, mind stringing along memories and thoughts and alarm bells of get your ass home before you have to sit in an awful car ride with Blade, “It’s, like, a fifteen minute walk, don’t call him.” 
“It’s a little too late for that, kid,” Kafka drawls, amusement in her words. She’s smiling down at you, and you’re reminded of how small you feel. “He’s already on the way.” 
“No!” you protest, a little too loudly, but not loud enough to be heard over the thumping of music and bodies and voices. “It’s— Kafka, please, just tell him to turn around, I really don’t want him to deal with me today.” 
If you knew her even less, you’d misinterpret the twitch in her expression as concern—but you’re not too dumb, so you read it as amusement. “Trust me, he’s not going to have a problem with that. You’ll be fine.” 
Whatever that means. Kafka’s too cryptic for your liking, but you won’t complain. She wiped up your vomit from the dirty bathroom tiles and stayed with you to make sure you didn't get trampled, and she didn't complain about any of that. In a week, when you have enough strength to face her again, you’ll treat her to a good, expensive, flaky pastry. She seems like the kind of person who would love those. 
Her phone buzzes with a text notification, and she clicks her tongue, standing up and pulling you with her. Her hand is still warm, seeping through the sleeve of your shirt as she takes you by the forearm, gentle but guiding. Your stomach churns at the thought of seeing Blade, the thought of him seeing you like this. Freshly-puked-out with a nasty stomachache all because of a party that he told you not to go to. 
You hold back your protests as Kafka leads you through the still-crowded frat house. What time is it? Has nobody gotten bored yet, seriously? At least you didn't kill the mood by running to the bathroom and weeping into the toilet. It seems like nobody noticed, except for Kafka, and you don’t know if that should make you feel comforted or just more upset. 
The cool air of the night hits you as you step through the front door, eyes tracking your feet as you walk down the concrete steps. You see the silhouette of Blade’s ugly blue car in your peripheral vision, but you don’t want to look up in fear of seeing the disappointment on his face so soon. He’s going to rip you a new one, and then call you a slob and kick you out of the apartment and say I can’t have a party fiend living with me even though this was your first party ever, honest. 
You barely register that you’ve reached the passenger side of Blade’s car, only coming back to awareness when Kafka opens the door for you and starts nudging you into the seat. A really pathetic part of you wants to grab onto her arm and cry hard enough that she just relents and lets you walk home, but you’re already half into the passenger seat, looking everywhere but Blade. 
“Take care of them, won’t you, Bladie?” Kafka commands lightly, her hand leaving your arm as you get situated and buckled up in the car. Blade lets out a little huff in response and your stomach sinks. He’s already annoyed. 
The car ride to your apartment is only five minutes at this time of night. You just have to survive five minutes in silence and pray that he doesn’t tear into you and scold you like a disappointed parent. A glance at the clock on the car’s console confirms that it’s half past midnight. What the fuck. What were you even doing at the party for that long, besides vomiting and crying? 
The car rumbles, exhaust sputtering a little bit as Blade pulls out from the side of the street and drives slowly, carefully, as if not to rattle you, and you really just want him to speed up and throttle the car around so you feel more guilty about waking him up in the middle of the night to come pick you up. Blade goes to bed at eleven, the latest. You can’t imagine why Kafka thought it would be a good idea to call him, of all people, but then you remember that you kind of don’t have any other friends on campus. Your chest tightens at the thought. 
Blade makes some kind of sniffling noise, his way of trying to initiate some kind of conversation. There’s not even any music playing, because he always drives in dead silence because he’s abnormal, and on any other day you’d tease him about it like you always do. You see him turn his head to you in the corner of your eye, but you refuse to acknowledge him. You wish he’d just start scolding you, yelling at you or something. 
Tears prickle behind your eyes, painfully so, but your hands tighten around each other in your lap as you will yourself to not cry like a baby in front of your roommate. He lets out another sigh, but it doesn’t sound angry, just tired, and somehow that makes you feel worse. 
“What were you guys even drinking?” is his question of voice, and it’s the one question you didn't want him to ask, and you can’t help it when the tears spill over and you bring your hand up to wipe them away frantically, hiccuping a little bit as your gut churns. 
“What—” Blade stutters, and he never stutters, and you see him whip his head around to look at you, crying into your hands over a simple question, and you just want to leave the car and walk home like you told Kafka you would do. He pulls over to the side of some residential street. There’s a dog barking in a yard and wind chimes clinking together, and you think of your handmade bottle cap wind chime hung in the balcony of yours and Blade’s apartment, and it just makes you cry more. 
The car comes to a full stop. Blade puts it in park and turns completely to you. You spare a quick glance at him through the gaps between your fingers, and there’s something like worry on his face, which you’ve never seen before. His face is pinched, lips parted as if wanting to say something, but he can’t. He’s waiting for you. 
“I didn't drink anything, Blade,” you sob, feeling miserable at the state of yourself, at how you went to a frat party with nobody you knew and just walked around like a lost child, too scared to drink or talk to anyone, too anxious to say a word. “Not even a shot, or a sip, nothing from the fridge. It was so stupid, you were right, okay? It was a stupid idea, and I shouldn’t have gone.” Your breath catches in your throat, and the car is dead quiet as Blade lets your words sink in. 
You try not to make so much noise when you cry, but you’re sniveling and wiping your face and wishing that he would just stop looking at you like that. You can still see the ruby-red of his eyes even when you can’t bear to look up at him, and it makes you so viscerally upset. 
Blade is beautiful, really, and it makes you so upset that he looks better than you right now despite him being dragged right out of bed by Kafka’s phone call with a request to pick you up just minutes ago. You, who spent hours selecting an outfit, just to feel inadequate and wholly ugly the minute you walked through the door. It felt like you were back in middle school, spending hours with your parents picking out an outfit to a school dance, looking through ties and pants and shoes, just to show up and feel both overdressed and underdressed, feel like a fool, feel like you just can’t look the way everyone else does. Like something is always a little wrong. 
“Kafka said that you got sick. You didn't drink anything? You’re sure?” 
��No,”  you confirm pitifully, wanting him to just drop the topic and drive the rest of the way home and never talk about this again. “I was just anxious, and I puked like an idiot. Kafka helped me, she was the only one that I knew at the party. I don’t know. I don’t remember anymore. I was just anxious.” 
He says your name, not unkindly, but with a prying tone that just makes a fresh wave of tears stream down your face in rivulets. “Why would you go if you didn't know anyone?” 
“I don't know!” you shout, heated with embarrassment. You’re acting like a child, throwing a tantrum and crying and shouting in Blade’s car. The seatbelt is too tight on you. You fiddle with it, pulling it from the juncture of your neck and shoulder and loosening it, scratching your bitten nails against the scratchy cloth and looking out of the car window so that you can avoid Blade’s awful, terrible, intrusive gaze. 
“I just wanted to be normal, or something. I don’t know anybody from any of my classes. I don’t talk to anyone from my major. And then I got the invite for the party somehow and I just thought it would be fun. I don’t know, Blade, I know I should’ve listened to you, I’m sorry.” 
“Stop,” he says firmly, fully turned to you now, as if he wants you to look back at him, to listen to whatever he’s going to say, and that’s the one thing you don’t want to do. You hate that he’s being kind. You wish he’d be sarcastic and mean and cruel, bite into you and feed off your self-pity. But he’s being nice, nice in the same way that he’s nice when he buys the right brand of milk for you (because the others make you sick, and the taste is different), or when he drives you places in his car when it’s raining so that you don’t have to take the buses everywhere, or when he comes home with your ridiculous coffee order that costs a hellacious amount of money with all of your substitutions and additions and flavorings. 
“There’s nothing to be sorry about,” he says resolutely, leaving no room for argument, “Just— I didn't know you were feeling like that. I would’ve gone with you if you told me you needed someone. I assumed you were going with a friend.” 
You don’t respond with I don’t have any friends, because you’re pretty sure that’s clear enough by now, and you don’t want to confirm what’s already been confirmed a million times over just from the way you act. The way you cling to yours and Blade’s apartment, the way you never spend a second longer than you need to in any of your classes, the way that sometimes, when Blade goes out for class or work, you sit on the couch in silence with your laptop out, doing your work for the week and checking the clock and taking naps so that you don’t have to feel so alone for so long. 
“You didn't want to go,” you say instead, “I wasn’t going to make you just because I’m— I don’t know.” 
“I would’ve gone for you,” he tells you, really tells you, with a force in his words, like he wants to drive the point into you with a stake, driven right through your heart. “I would do a lot of things if you asked. You just need to ask.” 
You don’t— you really don’t want to think about what that means. What he means. You rip your eyes away from the car window and turn to face him. He’s not too close. You almost wish he could be closer, but you would suffocate under the pressure in your stomach and behind your eyes. 
He shouldn’t say things like that, things like You just need to ask, because you’d ask for a lot if given the chance. You’d ask for him to come to parties with you, stay by your side, let you put a hand on his shoulder and guide him around another disgusting frat house as if you know what you’re doing. You’d ask him to sleep in the same bed as you some nights, just a foot away from each other, backs turned to each other but still close enough that you can feel the unnatural coldness that radiates off of Blade. 
You’d ask him to introduce you to Kafka and that other girl they hang out with, to say something stupid and funny like This is my abhorrent roommate, be nice to them, and that way you’d have more contacts in your phone that aren't just Blade and your parents and two old high school friends who you haven’t spoken to in a year. You’d ask him to be a lot more than just a plus-one to a party full of people you’ve never met. 
“I just want to go home,” you breathe out, a guilty confession burning your gums and leaving a sour taste in your mouth. “I’m sorry.” 
“Stop saying sorry,” he asserts for the second time tonight, making your lungs squeeze as you puff out a tired exhale. Blade turns back in his seat, taking the car out of park and heading back onto the road—driving slowly, yet again, avoiding cracks and potholes in the road. “You need to eat something. You’ll wake up with a hellish headache if you go to bed dehydrated.” 
“I don’t think that’s true.” 
“I said it, so it’s true,” he says petulantly, turning the car down into a road that’s definitely not in the direction of your apartment building. To your hidden delight, the glowing sign of a twenty-four-seven ice cream store comes into view, and you sit up just a little bit. Blade slows the car as he turns into the drive-thru, glancing at you with an eyebrow half-raised. 
“What do you want? I’ll order for you.” 
“I don’t have my wallet,” you admit, just a little bit embarrassed. “I didn't even bring my keys with me. Do you think they take Apple Pay?” 
A breathy laugh escapes him, and you catch sight of a dimple pressed into his cheek, and you want to press your thumb into it and look at his smile, just for a little longer. “Don’t be dumb. I’m paying,” he tells you, the same way he has every time he pays for your cafe drink, or when he comes home from work with your favorite, and says You’re broke enough without having to pay for these drinks, don’t pay me back in that snippy way he shows his care. 
You ask for a medium vanilla milkshake, with sprinkles, and he gets you a large instead, which you’re more than grateful for. He refuses to let you look at the receipt for the total cost, and hands you the milkshake with a comical severity that you often see in him. The sweet drink washes away any bitter taste left in your mouth, and you feel a little better, a little nicer in your haphazard party outfit and under Blade’s fleeting gaze. 
A deep sigh escapes you, one of relief, when the car finally parks at your apartment building. Blade puts a cold hand between your shoulder blades, unobtrusive and leading, and it’s a comforting contrast from the heat lingering on your skin from the party and the closed car. It feels right, more in-place than Kafka’s warm hands were when she wiped your face and kept you steady, though she was just as gentle. 
Blade all but tosses you onto the couch, claiming that it’s much too late for a shower and he’d rather not deal with you collapsing from exhaustion in the tub. You relent easily, the exhaustion of the night hitting you and soaking into your limbs. 
“I’ll let you sleep on the couch,” he says, and it’s a good and kind thing, because he knows that sometimes you hate your bedroom because it’s just too empty, and the constant sound filtering into the living room puts you at ease. He never lets you sleep on the couch, because it’s bad for your back, and he jokes about you developing adult onset scoliosis with the awful way you sleep. Letting you do it, just this once, is another one of his small mercies. 
The TV is on, humming at a low volume, and your legs are thrown across Blade’s lap. You’re shocked that he’s willing to fall asleep with you like this, but he’s kind, sarcastic and biting but kind all the same, as much as he loathes to admit it. It’s not too lonely, you decide, hearing the bottle cap wind chimes on your balcony clink together in dissonant harmonies. 
(There’s a missing text from a new contact on your phone when you wake up, coming from pretty lady friend, extending an invite to brunch in two days, and you kick your legs on the couch in giddy excitement, thinking about how you’ll rope Blade into coming with you, too.)
—°+..。*゚。*゚+.*.。.—
taglist: @tragedy-of-commons
(pssst!!! send me a msg or fill out the form in my navi to be added to the taglist!!!)
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spacedlexi · 2 months
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Hi Lexi
What do you think of partially blinded Vi? You never seem to draw her that way, and I kind of just wanted to know what do you think of it as a certified Vi lover.
I personally think that while something like this can be "cool" (as in, being beneficial to the character design), it's handled quite poor for Vi and it just looks a bit... ungrateful. Simply doesn't look good, doesn't fit her personality or character (am I missing something?) and it doesn't seem to fit or suit her...unlike Kenny's iconic eyepatch. To me, it has become a pivotal thing in his design to a degree in which Kenny with both eyes seems a bit odd looking. I see it as a symbol which stands for Ken being a martyr and all he's lost and sacrificed. He is all about family and helping those he loved, his loved ones truly were the "apple of his eye". It all makes sense, doesn't it?
But for Vi, it's excatly the opposite. I'm just so sorry to see her like this. 😭😭😭 I don't think it makes sense in any way. Louis losing his tongue because he's so talkative and "won't shut up" does kind of make sense, but I cant help but see Violet losing sight as kind of lazy writing. "We need something bad happening to her!!! suffer the children!!!'- the writers exclaimed.
i think vi losing her eyesight is incredibly impactful on her character and i honestly dont understand why some people say its lazy writing. especially since it was foreshadowed multiple times. vi losing her eyesight i think is even more impactful on her character than louis losing his tongue because at least louis still has his music to express himself and uplift spirits through (and its not like he cant communicate At All. his note still makes clem laugh). the reason i dont draw blind vi very often is because of how sad it is to me. for multiple reasons
violets whole thing is wanting to be able to protect the people she cares about, and feels immense grief and guilt about the times she feels shes failed them (thinks if she had been there with the twins that day that she couldve done something to save them. feels she failed everyone taken by the raiders. is scared of failing clem too "if something happened to you because of me? i cant lose you too. i wont". its why she cant leave minnie after shooting her. and a kidnapped vi attacks clem because she doesnt want anyone else to get hurt. hell it even ties back to her grandma and feeling guilty about not doing anything for her)
so for her to lose her eyesight? she took pride in her ability to fight and now she cant do that anymore. cant protect the people she loves. and as someone who started the season as an isolated loner, it forces her to rely on those around her for help, stripping her of her independence (and her independence is what allowed her to stand up against the group for clem when it came to the marlon situation in ep2). a blinded vi is forced into accepting community, whereas a saved violet accepts it on her own. her and clem turn ericsons into the home violet could never see it as
the other reason blind vi makes me so sad is that it is Directly a result of clems actions. kidnapped vi had nothing and wanted nothing to do with the bomb, and yet shes the ONLY ONE who gets hurt by it. clem choosing to let vi be taken means clem both breaks her heart, and then burns out her eyes. louis and his tongue is between him and lilly and was a choice THEY each made outside of clems direct influence (even if it was clem who inspired him to speak up, it is ultimately his choice to keep talking, and lilly hurts him for it. its sad he gets punished for a character moment, but clem had no direct hand in him losing his tongue. its why hes not angry to see her in the cell. he doesnt blame clem for what happened), but the way vi is feeling in that cell is DIRECTLY due to clems actions. vi feels like clem abandoned her after she had put herself on the line for her multiple times. she always had clems back but clem didnt have hers. clem is the one who planted the bomb and vi gets caught in the blast. clem hurts her emotionally And physically. and vi apologizes for getting upset (she tries to apologize on the beach too before theyre forced out in the cart, so she felt wrong for those actions immediately even tho they were understandable. lilly and minnie used her moment of weakness to get in her head. she just wanted everyone to be safe)
kidnapped blinded vi is just so incredibly sad to me, especially when you compare her to a fully realized violet. a violet who has come into herself, has confidence, has opened up, has stopped pushing people away out of fear and lets herself love again. shes a leader. a fighter. a protector. and those are all things a blinded violet loses
neither vi losing her eyes or louis losing his tongue is supposed to add anything to their characters. its about what theyve lost. both of them have important parts of their identity stripped away from them after being taken by the delta. its supposed to be sad. heartbreaking. regrettable. unfortunate. they have not gained anything by their time at the delta, only lost important parts of themselves to it
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mcwebby · 2 years
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mods are asleep! post archivist tim and girlfriend sasha!
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mmm essay about sally and kid gort in the tags (cw for child abuse, mentions of suicide, animal cruelty and a murder attempt. i always hope i don’t have to say this but just in case: i don’t excuse or condone any of her or gort’s behaviour at all.) this is literally not even touching upon everything i have to say because i hit the fucking tag limit lmao. NOBODY READ IT’S BAD BRAINSTORMING I JUST NEEDED TO GET IT OUT SOMEHOW
#thinkin too much about gortie side characters again.#sally this time and why she specifically talks about him the way she does#like dravo is obviously still shitty but to me he was. ‘just ‘neglectful#while sally actively hated and even felt terrorised by her own child#like. it’s not like i don’t understand her at all.#imagine you and your love don’t have much besides each other and your shop and you get pregnant and ready to raise a child#only for it to not be a child he didn’t and doesn’t cry ever and he learns everything so much sooner than most but then he never calls you#his parents and it’s not just a petty thing kids do sometimes you feel that he doesn’t see you as family and the worst part is that you#agree deep down#and as he gets older he doesn’t have any friends and actively rejects the notion of the entire concept#but then as time passes you hear about how he has entire groups of children following him and then several of them commit suicide#and that thing coming to sit with you and dravo at the dinner table says that he did what you did last week when the axe to chop wood broke#and you discarded it and got a new one#and he has these habits of ripping out flowers and making sure that they don’t regrow#and then you hear rumours about a friend’s daughter’s cat disappearing and think nothing of it#until you visit his tree house a month later and find a declawed cat and birds with clipped wings and crushed bugs that he keeps fondly#and then you see him with other children and they don’t know and his face is different and body language is entirely different#and were it not for the fact that you know better you would never see anything but a normal child#and you know that you are one who painstakingly brought this thing that should not be into the world and so you decide to end it all one da#and go to him as he’s asleep with the knife shaking in your hand#but he cries when you’re above him! screams at the top of his lungs!#so you beg for forgiveness even though you don’t deserve it through tears but as soon as the knife is put away you see the act drop and fee#his clever fingers having twisted your brain inside and out and you know that you can do nothing#and so the opportunity arises to at least remove him out of your life if not everyone’s lives and you take it immediately.#but you heard him talk. how he will close his fist around the world one day. and you know that it is not a matter of if but when.#like. imagine that. jesus dude.#like i hc her as someone that is messy and does not know a lot about life and she certainly wouldn’t have been a good mother but the love#or at least desire to love is there somewhere. and believing that having a child is really the only somewhat meaningful thing she can do#with her life. she’s not some hero or rich or anything of note. so there’s a lot obligation and not genuine desire for family here.#but she never really got the chance to be an actual mother in the first place so. who knows what that might have looked like
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illiana-mystery · 9 months
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John Petty, Out of the Furnace (2013)
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b0nelessdoodles · 1 year
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more unfinished cookie drawings from the year this time featuring odyssey squad and drama and also romance ‘cause i cannot be stopped
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gayemoji · 4 months
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this week on I DONT THINK HE WOULD FUCKING DO THAT: house ramming a car into cuddys house while she has guests
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owlf45 · 3 months
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Sorry for being shippy but… does dabi like, like-like hawks in imaginary? Or is it a “i pity you moderately good looking bird” situation?
ill be fr, i've never gotten to the part in the anime/manga where dabi and hawks interact. i might joke around with them and if i ever catch up on the series, we'll see how it goes from there
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arsene-fixates · 2 months
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ueeugghh I love informant sooo much
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perenlop · 1 year
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seen both episodes of horizons now and holy fuck
#i was so used to being bored w jn tbh but this series already has me really hooked???#liko is a really well realized character and no scene feels wasted everything feels carefully set up#the tone is also so good like liko and am’s silent conversation when he finds her hiding on the ship???????#it was SO good and i like what theyre setting up with the new pokemon and i love the airship setting#i was nervous when eve told me it was another ‘’travel the world hub’’ deal but unlike jn#theres like an even spread of pokemon from other regions#and not only that but pokemon that havent gotten too much love in general like alolan muk snorunt and carkoal#speaking of which THIS WAS CARKOALS FIRST APPEARANCE???#its also still being good w all of the starters too like so far fuecoco’s been the latest to show up#and it still has adequate screentime and personality to it#literally the only thing im hmmm abt is more charizard favoritism but like. i can forgive it with how even everything is#and i love that pikachu is their boss AND IT HAS VOLT TACKLE. BABYGIRL I MISSED YOU#what i was also worried abt was that theyd try to make it as close to ash and pikachus journey as possible#like same dynamic same setup same pikachu character (not really but same personality)#but no!! its all totally shaken up and the stuff that DOES evoke the original is still clever#and stands on its own!! like oh my god i cannot say enough how pleasantly surprised i am with horizons#i wasn’t pessimistic but i was like ‘’ill like it bc its pokemon regardless but wont be going crazy over it’’#but im like. SO anxious for the next episode now bc SPRIG :(#but like oh my god it all stands out. the character design the characters themselves the pokemon the animation the artstyle the music#the story the tone the setup like EVERYTHING is so good here#echoed voice
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gamingdotcom · 7 months
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maybe there are more options when you romance him but theres so much i have to say to wyll that the game does not even give me the option to say like im mad on his behalf
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Actual photo of me whenever I try to think of a Bill Redemption Arc that I could write without making it the angstiest plotline ever known to man
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just finished s6 of elementary (finished s5 on sunday. lol) and i’m trying to get my friends to watch it also so unfortunately i can’t drown them in my spoilery rantings so instead everything is going in the tags here so uh. abandon all hope ye who enter these tags, spoilers abound
#im gonna pad these tags a bit actually#so the spoilers go behind a 'read more' or whatever#youre welcome <3#have i mentioned you should watch this show#anyways we're probably safe now su#HOOOOOOOOOLY SHIIIIIIT#that is not at ALL where i expected that to go#gregson was really warming up to me this season. he had never really stood out as a characted before but i think he really shown in s5&6#but man. that finale. honestly idk if i can forgive his character for that. i know he was just trying to protect his daughter but she had to#take responsibility for killing michael because it was not fair for joan to take the fall for that even unintentionally. im definitely gonna#miss him tho. and marcus too. i mean i knew his presence was coming to an end anyways with the marshalls but this finale has really dissolve#d the core cast here. now its jsut sherlock and joan. back in london too; thats quite the move#and in the last season. i guess the total shift is setting and cast didnt do well with ratings? or maybe it was always going to end at 221b#idk. but i think my favorite part of this season was sherlock completely devoting himself to the idea of joan getting a kid#personally idk how i feel about the narrative making her a mother in the end. i could say it has come problematic implications about women's#roles but honestly within the context on the narrative? i dont think thats entirely true. anyways i jsut thought it was super cure how much#sherlock just wanted joan to be happy and fulfilled. 'i would make adjustments for you watson always.' 'we're two people who love each other#they way he develops through her. the way he learns how to love and be loved. the way he becomes kinder and he lets down his walls to laugh#with her and smile with her. the way that they understand each other in ways nobody else ever has. it makes me som emotinal#HE NAMED A BEE AFTER HER#im never going to get over that#anyways 'uncle detective' is maybe the cutest thing ever. he cleaned up his murder dollhouse for a kid she didnt even have yet :)#ok i think im done. for now. its 1am and i have class at 8:30 so uh i guess  i'll just die about it but oh well. i was gonna watch one more#and then i realized the one after that one was the season finale so you see how i did what i had to#anyways. good night#:')#will tags this far in even get registered? oh well#elementary#cbs elementary#please someone talk to me about them
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the-cryptographer · 2 years
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Kinda a vent post but- someone just left a comment on a fic of mine calling me an Anders hater, lol.
I know I’m not the easiest on Anders regarding his lateral aggressions, talking over other marginalised folks, his extremely Christian/Andrastian martyr complex, lack of respect for others’ boundaries, and other generalised personality defects, but I feel like I’ve always been pretty clear that I fully respect and support his work with Justice, in the clinic and the mage underground, including and exceeding his spot of anti-Chanty iconoclasm.
Also, like, lmao, how much do I have to conspire to get Fenris and Merrill to suck his dick before it becomes obvious I am really unnaturally fond of this character and want to see him happy and supported?
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dreamchasernina · 2 months
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So I had to stop on episode 6. Gonna continue watching tonight. I just have one thing to say so far. People think a good adaptation is the one that follows the story of the original. It’s not. It’s the characters. The characters are the ones that made the original so good. And none of them are as fleshed out here. You cannot seriously tell me the katara you see in the original is the one you see in the live action.
The writers decided to take the struggle and the growth of the characters away. I’m on episode 6. So far, Aang had everything come so easy to him, he didn’t struggle at all. Kyoshi fought for him at Kyoshi island. He enters the spirit world so easily, he finds Roku so freaking fast, he immediately knows Hei Bai is the spirit of the forest, out of nowhere. He learns absolutely nothing through those 6 episode. I could talk for hours about how that scene with Gyatso was a cop out. Why should their main character suffer right? He shouldn’t. So they just make up a scene where Aang meets Gyatso and he just outright tells him there’s nothing he could have done so he shouldn’t feel guilty.
The OG never had that scene. Because the OG knew the audience was smart enough to realize it themselves. There was nothing Aang could have done if he hadn’t run away, he would have died. But Aang needs to realize this himself, he needs to confront his feelings, learn from his mistakes, forgive himself and move on. But these days, writers don’t want their characters going through a journey, nope, the characters are just perfect, from the beginning to end.
Same said for Zuko. The writers apparently decided to make him softer, have higher morals, not as angry or determined, because that would make Zuko complex and interesting. He was good at heart in the OG show too, but he was spoiled and angry and violent. He’s none of that here, he’s gentle and respectful to everyone and just wants to capture the avatar, but not too much though. Zuko doesn’t even give everything he has to capture Aang, he doesn’t hire pirates, he doesn’t hire June himself (Iroh has to convince him to do it), he doesn’t follow Aang into the fire nation, you don’t feel his desperation, his determination, just how much he wants to go home. How could his journey feel interesting when we don’t see the dramatic shift in his character? The most interesting character in the show is not as ineteresting when he doesn’t go from a spoiled angry hurt teenager to an honorable smart and compassionate young man.
Yes, the story is fine, the visuals are nice, but it’s all very surface level. Everything is just flat.
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An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)
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Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".
(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)
He always had eyes all around him not just because of a stylistic choice.
Sir Pentious always felt like he was watched, and had to watch out for any danger.
"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"
Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.
To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.
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So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.
But, if we have to be frank here, his biggest source of insecurities... is himself.
He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.
Heck, even the mark on his hood kinda resembles one eye.
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Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.
They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.
And it's all him.
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Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.
This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.
But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.
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He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.
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Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.
And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.
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Speaking of love, let's talk about that!
No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.
And look: the mark on his hood is now heart shaped!
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Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?
Simple: love. Love defeated his insecurities and self hatred. He died for love.
He died protecting his friends, his new family, his new home.
He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.
The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!
He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.
His only thought up until his demise was: "I'll go down protecting them".
And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!
He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).
And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?
And of course, as the Bible itself says:
"Greater love has no one than this: to lay down one’s life for one’s friends."
(John 15:13)
And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.
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