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morievna · 5 years

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Ni-Ti loop curse - Ugetsu’s arc and predictions

I noticed that most of fandom thinks that after chapters 27-28 Ugetsu’s story is finished. It surprised me a little since I have different opinion that in fact he will definitely play role in upcoming final arc and that him getting happy ending is still possible.

Whole Given basically

Spoilers for manga below.

1. Ugetsu compared to rest of characters

Since Ugetsu was introduced I was clearly intrigued by him, but no means I expected him grow to be my favorite character. I was rather surprised that instead of presenting him in a bad-ex trope way he got full-fleshed and nuanced. I like how he is one of mysteries of the story – at first we know that he is responsible for Akihiko views of love as painful thing and we got tidbits of theirs domestic life where they seems to be intimate but we get vibe that there is something wrong. Then we got chapter 17 and we know what went wrong and it is heartbreaking. I think it interesting choice that we simultaneously got both Akihiko and Ugetsu perspective on it and we get why it went that way. Natsuki-sensei not only spent lot of time fleshing out story from his perspective to sympathize with him and clearly puts a lot of effort in showing all emotions on his face. Compared to other supporting characters he got the most of time in manga and we get him to know relatively very well – from little information about childhood, his motivation and so on. Besides, what also distinguish him from them the most is the way he impact main storyline – he is important both to Akihiko’s as well as Mafuyu’s story, while rest orbits primarily around one character.

But what I found truly fascinating is how he is foil and contrast with rest of characters, because he is such extremum when it comes to music and relationships.

Uenoyama – he is called prodigy too; before meeting Mafuyu his life was centered only on music but it didn’t go well for him

Haruki - totally opposite in almost everything from acting towards others, living space, views on music to relationship with Akihiko

Mafuyu – another prodigy who express feelings via music, but who wants to cultivate bonds with others

Yuki – both are dedicated to music at cost of their wellbeing and relationship

Akihiko – since he and Ugetsu are paralleled a lot with Yuuki-Mafuyu I will use Hiiragi’s quote “together, they filled in each other’s missing pieces” – in terms of character qualities and simple things as providing home and support, whose they respectively needed.

By all this I wanted to show you how his story entwines with rest of characters, so cutting him from main plot would be for me at least weird.

2. Ni-Ti loop and CAC song

To be honest I was worried that we may get negative character arc to contrast him with Mafuyu. But after rereading whole story I have more hope about this. So let’s start what is core of positive/negative character arc

“The Central Problem: This is the damaging belief your character must face to complete their arc. They may believe they’re weak or inferior to others, or they may refuse to trust anyone but themselves. This inner struggle will be confronted at the Climax and their ability to overcome it will determine if they succeed or fail in the conflict of your story.”

https://thenovelsmithy.com/positive-negative-character-arcs/

Applying it to Ugetsu he believes that being isolated from others is only way to be dedicated to music, thus pushing away others and acting inconsiderate to them.

It reminds me also of Ni-Ti loop:

“Instead of a healthy balance of introverted and extroverted functions, the INFJ becomes stuck in their introverted processes, keeping them trapped within their own mind in a seemingly endless loop of thought.

As our introverted iNtuition (Ni) ponders theories, concepts and possibilities, it feeds these ideas to our Ti which seeks facts and logic to back up and solidify these thoughts. As it obtains this information, it feeds it back to our Ni which creates even more theories and concepts.

Each time this loop goes full circle, the thoughts become more and more radical and outlandish, pushing us further from reality and deeper into our minds.”

http://www.jennifersoldner.com/2016/02/ni-ti-loop.html

So we get Ugetsu thinking about how they chasing each other and neglecting music, then instead of talking to Akihiko about his insecurities he decided to push him away since prior to their meeting he was alone and fine this way. When declaring breakup didn’t work, he fallen further in this way of thinking and tried to discourage Akihiko by sleeping with other men. However, logic doesn’t apply well to love, so he is conflicted about his feelings constantly. So there is cycle in their relationship of pulling and pushing away resulting only in more pain and violence.

But even after Akihiko leaves him after their argument, it got even worse – he got more isolated from rest of world and depressed. His solution didn’t work at all.

During CAC we can observe that he starts to understand this. He seems to be stunned that not only Mafuyu can perform music on his level and be connected to others and Akihiko’s skill in drums got so much better thanks to Haruki’s influence.

Theoretically this could be end with him failing to change but…

CAC song is about ending and begging. It conveys that positive change is possible. I like how Mafuyu is not only referencing his experience about trauma and healing, but want to help others persons in his life and reassure them that everything will be alright. And there is this frame:

Of course it has double meaning – Mafuyu want to resonate feelings via music like Ugetsu as well as to resonate meaning of song to him.

So concluding – with the both facts that Ugetsu does no longer believe in his previous standpoint and we have positive message of the song, we can discard option that his story ends here. But what comes next?

3. 3-act structure and what it means for the story

Quoting Wikipedia:

“The three-act structure is a model used in narrative fiction that divides a story into three parts, often called the Setup, the Confrontation and the Resolution.”

For Given as whole it would look like that (image from wikipedia, little changed by me):

3-act structure is one of most common used in stories. I think it can be applied to Given too, because of the way stakes are gradually rising and evolution of Mafuyu’s songs (first one about his trauma and past love, second about positive change and final will be most likely about his feelings for Uenoyama – well technically second one mentions it too, but I think it will be explored more). For now I rather want to use that structure as tool to predict what can happen. Let’s look again at what Wikipedia says about final act:

“The third act features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered, leaving the protagonist and other characters with a new sense of who they really are.”

How to grow more tension?

For me the most interesting it would be instead of *insert some cliché drama* getting all main four character confronted with someone who foils all of them on both music and personal level. It would cause to challenge their perspectives, disrupt the routine and reevaluate their standpoints. In the end it would be resulting in character grow for all of them.

In less vague terms my theory is that Ugetsu will perform together with Given on debut in festival. To break Ni-Ti loop the best is interacting with people and outside world. To step out of comfort zone and leave basement.

I envision this scenario roughly like that:

Since it is very likely that Mafuyu will write new song (probably together with Uenoyama)

Then he would consult it with Ugetsu

Mafuyu would be concerned about the other wellbeing hence trying to help him the same way it worked for him in begging of the story

Tensions during rehearsals – mainly due to Ugetsu being critical of their skills at music

After some time Ugetsu will start open towards rest of group and genuine wanting to help them performing at their the best – even if it would took some sacrifice from him (like resignation from violin competition or concert)

Thus resulting in final reconciliation with Akihiko (not necessary in romantic sense, more like healing each other wounds they caused before)

Climax at debut

Of course, maybe I went too far with this theory, but it would wrap up things nicely in my opinion. This was written emphasizing Ugetsu’s story, maybe I will expand it in relation to rest characters another time.

Finally I want to point out certain issues that would tie into this from recent chapter:

1. Mafuyu’s hesitation about debut - his fear of taking music seriously is rooted in Yuuki’s death and Ugetsu’s story as well. As chapter 18 showed he want to learn from their mistakes and I think he is afraid of losing himself too much in music and breaking up with Uenoyama in result. In order to move forward he has to make peace with music in some sense like discussing his insecurities with certain some who embodies music basically XD

2. Akihiko pursuing both violin and drums – these two instruments are so loaded with double meaning (drums – fun, escaping pain and violin – passion and lost dreams). But regardless if Akihiko has to choose one of them or not – pursing violin corresponds to confronting why he given up on violinist career earlier and by this confronting Ugetsu

Bonus:

Doesn’t sound it like foreshadowing?

So this is all for today. I don’t remember writing this much since my thesis – I hope it is coherent and that there is not that many errors XD If there is something unclear – feel free to ask.

#given #given meta #given spoilers #murata ugetsu #kaji akihiko #satou mafuyu #given manga

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