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#he has a gun in the childhood bedroom he hasn't lived in since before his father died
clotpolesonly · 4 months
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Declan and his guns
Dream Thieves ch 2 // Dream Thieves ch 22 // Call Down The Hawk ch 38 // Mister Impossible ch 37 // Greywaren ch 25
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annie-blackhill · 3 years
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Aight, I know that I've been away for awhile but now I'm back and I have ideas babes!
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Warnings:
Depression
Anxiety
Past panic attacks
Mentions of past domestic violence
Abusive childhood
Post traumatic events unconscious coping mechanisms
Unconscious flinching out of instinct
Sudden panic when hearing fighting between a man and a woman screaming very near
Loss of breath
Domestic violence
Blood
Panic attack
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Dazai Osamu
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________________
Safe and Sound
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Dazai and (Y/N) have been in a relationship for two years now. They're so in love with each other that everyone at the ADA are questioning the fact as to why they weren't married yet.
Dazai really loves (Y/N) and she loves him just as much back. They both really love each other and they both understand each other the most too.
But there were still some things that Dazai didn't know.
The main reason why (Y/N) and Dazai weren't married yet was because Dazai wanted to get her parents' blessings first. He was so excited to get their blessings, to meet the people who brought his perfectly imperfect lover into this cruel, tainted world.
He was eternally grateful to them for bringing her into this world, although the cruel world had tainted her and made her the broken person she is now, he still loves her for her. She's the only reason he has to live now. And he loves her for that.
Whenever Dazai asked (Y/N) about her family, she would tell him stories about when she was a child and how her dad would bring them to the beach every weekend because they lived near to the beach or when they went back to school shopping together.
But that was it. Her dad never really appeared in her other stories much. He would pop in at some point of the tale and then disappear. Her mum, was mostly the one to witness her achievements.
But (Y/N) has never described her parents' proud expressions whenever she achieved something.
At times, when Dazai did pry lightly, she would turn the story somewhere else, mostly to her friends.
He knew that she didn't really have a good primary school life, seeing as she's told him before that she's been bullied at that time. She's described them as the loneliest years of her life and how much she's hated herself those times.
Whenever (Y/N) talked about friends, it would be about her friends from her high school life. Her high school was much more on the better side.
She had been a prefect in her high school years, since her first year to her last year.
The only bad memories she had was when she realized that being in the first class and being the top of the class meant the other students would sabotage her and the two times in her senior years where she had to fight back as self-defense when she tried to break up a fight and they started to hit her too.
Dazai wasn't daft. Of course, he picked up on all the signs she showed that she wasn't really fond of her parents.
At first, he thought that it was just because of a small fight they had. But two years have passed in their relationship and (Y/N) hasn't cracked even the least to tell him why her childhood stories are only until a certain age or why she's never told him how proud her parents were of her.
Dazai was worried. In the end, he decided that maybe her parents just have a slightly tight relationship with each other.
Dazai decided to not ask. He let it slide and slip past them. He never touched the subject of her parents for the half of the second year of their relationship.
As the other half year of their relationship rolled in, Dazai and (Y/N) had saved enough money to buy a cozy little apartment near the ADA and move out of the ADA's hostel.
The day they were moving in, the couple were greeted by the middle aged woman who lived next door with her husband and 4 year old daughter.
She had been a very sweet auntie that welcome the sweet couple to the apartment complex with open arms and a sweet smile.
More than once had she cooked good food for the duo since they always returned late from work.
"You two kinda remind me of how my husband and I used to be when we were younger and so in love," the auntie would say to the duo all the time.
The little 4 year old would also come by and play around with the loving couple whenever they were on leave.
Auntie would always try persuade her daughter from "disturbing the lovely young couple" as she would always say to her daughter.
"It's alright, auntie! I love kids! (N/N)-chan and I are planning to have a few little munchkins like this when we're married too!" Dazai would assure her, while playing with the little girl.
But there was always something about how (Y/N) would send the auntie knowing looks as though she knew something that he didn't all the time, so he decided to pay more attention too.
When Dazai did start to notice more, he noticed the dark bags under the auntie's eyes and he noticed how tired she always was.
The more he noticed the more concerning she looked to him day by day.
"Auntie, would you like to join us for tea, today? Osamu and I wanted to play with that sweet little angel," (Y/N) invited the auntie.
"WHO'S THAT AT THE DOOR???!!!" the booming voice of the male from inside the auntie's house shook (Y/N) to the core and it ignited old memories that she didn't have to remember.
"Auntie, you really should come. Osamu insists! You know how he gets when he doesn't get what he wants! He'll be whining all day long like a little baby!" (Y/N) tried to convince the auntie discreetly.
"I ASKED 'WHO'S THAT AT THE DOOR'! ANSWER ME YOU USELESS WOMAN!!!" the man shouted from the bedroom again.
(Y/N) flinched. She was regretting sending Dazai to the store now. They had been running low on groceries and she had sent Dazai to the store, as she would say "please contribute you're lazy arse to do something in this household, my love" and he had carried his lazy arse to the store near the apartment complex.
After Dazai had left was when she started to hear the shouts and yells from the next door auntie's house.
Even as the bad memories plunged her being, she had forced herself to go and at least try to save the auntie before anything bad happened to either her or her daughter.
But even then, if you looked closely at (Y/N) you could see that she was trembling badly and that she could barely stand on her two feet.
"Auntie, come on please!" (Y/N) begged in a mutter exclamation.
"I'm sorry," the auntie murmured before closing the door on her with an apologetic smile.
"Auntie, no!" (Y/N) exclaimed.
And that was when she heard the terrible screams and the yell. The cries of the little 4 year old teared her soul apart into the smallest of pieces.
"NO, NO, NO!!!!" (Y/N) yelled as her mind turned blank and the memories flooded her brain.
Her mind turned so blank that she forgot that she was slamming her fists onto the door and that she had an ability.
The memories of how her father would come home drunk and lay on the sofa. Of how her mother had found out that he was having an affair. Of how, he would beat the living daylights out of her mother.
(Y/N) never told Dazai any of that. She felt ashamed to tell him that her childhood was the most terrible thing to ever happen to her.
A blood curdling screamed pierced the air along with a loud cry and that was enough for (Y/N) to snap out of her traumas and remember that there were lives on the stake right now.
She finally regained her senses fully and remembered that she has an ability.
Using her elemental abilities, she bent the wooden front door so much that it broke it half and broke off of it's hinges. The lower half flew to the side of the corridor almost hitting her while the other half flew into the house and hit the middle aged aggressive man that was about to beat his wife over the head with a glass flower vase.
The auntie stood in shock as the younger woman ran to her and hugged her.
"Auntie! Are you alright?! Are you bleeding anywhere?! Do you have any fatal injuries?!" (Y/N) questioned quickly as she held the shorter's woman's face in her hands and looked her over, making sure that she wasn bleeding anywhere majorly.
"Why you little freak show! You must one of those freak shows that are born with those little abilities! How dare you interfere with someone else's family problems?! Youngsters these days don't know how to respect their elders! Let me teach you then!" the man yelled at (Y/N) as she stood in front of the trembling woman, making sure that the older woman was perfectly hidden behind her.
(Y/N) slipped a hand into the back pocket of her jeans. She clutched the holster of her gun.
"Step away, right now before I seriously hurt you," (Y/N) warned as she held her left hand out to stop him from coming any nearer to them.
The man took off his belt and folded it into two, straightening it out with a snap, which caused both women to flinch as more dark memories flooded into (Y/N)'s mind.
"I said STOP RIGHT THERE!" (Y/N) warned yet again. It was against the law for her to shoot him and she couldn't even use her abilities against him as he was a normal civilian.
She was trying her best to not hurt anyone here and let the civilian authorities handle the ruthless man.
The moment the man raised his arm was the same time (Y/N) slipped her gun out of her back pocket and shot his arm.
The man let out a cry of pain and fell back from the sudden pain. He looked at the younger woman, wide eyed as she held the gun tight and pointed the barrel to his forehead.
"Armed Detective Agency member, (L/N) (Y/N)," (Y/N) announced as she showed him her ADA card.
The man backed away more at that. His eyes wide as he realized that she was a member of the authorities.
"(Y/N)?!" Dazai shouted as he entered only to see the bloodied situation of the man and the two trembling women.
"Where's the child?!" Dazai asked immediately.
"Sh-she's in her room," the auntie answered meekly.
Dazai nodded. He looked down at the man, disgust, venom and a desire to kill clear on his face.
The man even then, still tried to gain Dazai's pity as Dazai was a fellow man too.
"S-sir! All I was trying to do was educate my wife to be more better and obedient! I wasn't trying to do anything other than that! I swear!" the man said.
That only made Dazai even more disgusted as he spat on the man's face in disgust. He stomped his foot harshly on the man's hand that was holding the belt.
"You disgust me you old fool! You're an utter disgrace of a human being! I'm disgusted to see people like you are still alive! Terrorizing women's lives! Making them only feel like obedient dolls that should only do whatever you say!
I'd rather kill you then let you go to jail and then get back out after a few months! People like you shouldn't exist at all in the first place!
Your wife is supposed to be your life partner! Not some maid or toy that would do everything you say! You're supposed to live life and do everything together!
I can't believe you even had a child with her only to state your dominance over her and make her unable to run away from you!
You disgust me!" Dazai yelled at the man as he twisted his foot on the man's hand more and stomped it over and over and over again, intent on breaking it.
(Y/N) shielded the auntie's sight form her lover's rage as he broke the man's hand and rendered it completely shattered under his shoe.
"Osamu..." (Y/N) called out for him.
Dazai raised his head to look at his lover, tears streaming from his eyes from utter pure white hot rage.
"Are you alright? Are the two of you alright? Is that little angel injured?" Dazai's voice turned so soft that (Y/N)'s heart broke at the mere sound of it. He sounded as scared as she was feeling.
Dazai went over to the two women and squeezed them into a light hug, he buried his face into the crook of (Y/N)'s neck. (Y/N) hugged his waist, her arm practically limp, but her hand still clutching the gun tight just in case the man tried anything, her ear was placed against his frantically beating heart.
The older woman had wrapped her arm over his back and was hugging him tight, scared out of her life and grateful for the presence of the two youngsters at the moment.
"Osamu... We need to call the police and the ADA, specifically Kunikida-san. We need to explain a hell load to them all," (Y/N) murmured lightly to the shaken man.
Dazai nodded lightly at her statement before pressing a light kiss to the crook of her neck and removing himself from the hold of the two women.
"Auntie, do get your little girl and wait outside of the house. (Y/N) and I will call the police and our co-worker to handle the mess here," Dazai informed the older woman.
She merely nodded, not trusting her voice to be strong enough to answer him as she went to the little girl's bedroom to get her out of the house.
Once the child and woman were safely out of the house, Dazai dialed Kunikida while (Y/N) dialed the police station.
Both at had arrived at the house. The man was brought away on a stretcher by the paramedics as (Y/N) was explaining to the police as to why she had used her gun.
Kunikida and Dazai, both standing on either side of her, trying to justify the reason as to why she did so and the police accepted the reasons in the end.
Dazai said his end of the story and then they moved on to ask the wife and the child about their ends of the story.
"(Y/N), you know you shouldn't have used your gun. I'll have to confiscate it for now. You'll only be allowed to use it on missions. I'm sorry but those are the rules that you need to follow after that little act of 'misusage' as the police says," Kunikida sighed as he took the gun lightly from her slightly slackened grasp on it now.
"I'm sorry, I didn't mean to. I was scared and he raised the belt above me, ready to hit at any moment---" her voice cracked and she couldn't continue the sentence anymore.
Kunikida held her hand softly as Dazai brought (Y/N) into a soft side hug, holding her softly and rubbing her shoulders.
"I know and that's why I'm the one that's supposed to be saying sorry for taking away your gun, (Y/N)," Kunikida said.
"Hey, hey. It's alright, the both of you. I'll pull some strings here and there and make sure, (Y/N) gets her gun back, alright? Easy peasy!" Dazai lightened the mood up a little.
"Sigh, thank you, Dazai. For making this easier for all of us," Kunikida said before excusing himself, saying that he needs to fill out a few more forms at the police station and make sure that neither Dazai or (Y/N) get accused for anything that they didn't do.
Dazai proceeded to lead (Y/N) back to their little home as the auntie and her daughter were led to the second ambulance by the new paramedics.
(Y/N) leaned into Dazai as she curled up onto him. He held her close and tight, knowing full well that she was shaken up from the encounter.
"Osamu... Remember how you always asked for the truth about my childhood... What you witnessed today that was happening to that auntie and her daughter? That's the real truth to my childhood.
But no one saved us. And as I grew and my dad lived his other life with his little affair, he would come and go to let off steam on my mother and my mother started to blame me for how miserable our lives were.
That's why I never had a past occupation like everyone else. I had been working with the ADA ever since I was 18 and I ran away from her.
The president helped me. He helped my mother by providing her safety and a new home.
My father is still out there, somewhere with that other woman.
And I... I've never seen my mother since the day I ran away. She must be happier now," (Y/N) said, tears streaming down her cheeks.
Dazai hugged her closer and kissed her forehead.
"It's alright, love. You have me and the other ADA members for you as well now. Hell, even the Port Mafia is with you right now after how much you helped them out when we were all having trouble with The Guild and Fyodor. You have all of us here for you.
Most importantly, my love, you have me. I won't let anyone so much as hurt you even a little bit and go off the hook.
I swear," Dazai murmured softly into her ear and she snuggled closer to him, their feets touching and their hands interwined with each other's.
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"Port Mafia strikes again as a man who was arrested yesterday due to commiting domestic violence was murdered by them brutally in his own jail cell much to the surprise of all the police officers present.
Police officers were considering requesting the Armed Detective Agency to further an investigation at first, but has now decided against it as the chief of the police station has deemed it as a waste since the man was a criminal," the news reporter announced on the morning news as (Y/N) sipped her (bitter/sweet/neutral) (coffee/tea) and Dazai adorable chewed his crab sandwich.
"Who did you ask to do it?" (Y/N) asked immediately as soon as Dazai swallowed.
"Chuuya was more than willing after I told him the story. I didn't even have to tell him which police station and cell that scum was in, he ran off and figured it all out himself and finished the job," Dazai answered before continuing to adorably eat his crab sandwich.
"That scum deserved it," (Y/N) agreed as she continue sipping her (coffee/tea).
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Awareness Note:
Stop domestic violence. The pain lingers on even after the relationship has ended. No one should have to be bounded to a spouse that only views them as an object and an inferior instead of a human being and an equal. No one has to go through physical and mental pain with a monster that prefers to take control of everything. No one has to go through such pain.
Marriage isn't pain! Marriage is a bond of two people who love each other!
If it hurts both physically and mentally, then it's not love.
Know the difference.
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“To find a way to cope”
Summary: Morgan finds Spencer's notebooks filled with partly disturbing drawings and poems and learns once again how much of what Spencer feels he doesn't know how to express and how much happened in his childhood he never talks about.
AU: [This is an AU in which Morgan and Reid share a house (as friends). The parts can be read independently.]
Warnings: Past Sexual Abuse
Relevant Tags: Autistic Spencer Reid, Suicidal Thoughts
Word Count: 4626
First Chapter:
Notes: Since this series is the follow up serious to another one of mine "Green" (I will link it in the endnote) there can be some confusion if you haven't read it. But here is a short summary of it so you don't have to read it all and can still 'enjoy' this:
In the story "Green" Spencer gets together with Lola who abuses him following up this abuse he stays with Morgan who helps him recover as much as that is possible. Spencer doesn't want to go back to his apartment so Morgan decides that it is time for a change, they move in together in one of the houses Morgan renovated ones.
They each have their own privacy, their own floors including bathrooms and bedrooms and each of them has their own office but its not a secret to anyone that they also don't have much privacy because at some part after living together for so many years the embarrassment or shame for many things just faded.
However when Morgan picks up a box of books in the basement while looking for his old baseball equipment he feels bad when he looks inside of them.
They are notebooks, written in with black ink and he can tell that it's Spencer handwriting. There is a date on the corner, the note book is hardly a month old. He puts it away and grabs one from further down, revealing another date from eight years ago and he opens up a random page and starts reading.
"And if you look at me
Look at me for another moment
See me
If you really see me
Can you look at me the same again."
It's seems to be an attempt of poetry and Morgan opens another page finding a scetch of a person. Also in blank ink. Their hands scratching at their eyes, looking like they are screaming.
He reads another poem.
"Can you hear me screaming?
Did you hear me screaming for you? You hands burning my skin,you hands burning my innocence.
Can you hear me screaming?
In the latest night, can you hear me screaming?
Did you hear him burning my skin, his hands burning my innocence."
Morgan can feel an unsettling feeling spread through his body, these are too old to be from the time with Lola, judging by the date he must have been in his early twenties.
He looks into another notebook finding a lot of sketches and a few of them look similar to people Morgan had seen before, he figures they are unsubs and then he opens another scatch and it looks like a women, warning a gun holster and having a glass in her hand, her hair shoulder long and judging by the date this is Elle.
Morgan picks up another one, it is dated for approximately a year ago. The drawing shows their house but the windows are barricaded with wood and nails, only a light shining out of Morgan's room and a kitten is sitting in front of their doorstep, skinny and looking up to the doorbell handing in front of the door that is also barricaded.
The next one is a drawing from their kitchen and it shows Morgan, at least he thinks so, sitting at the table with his hand on his head the other around a coffee cup and on the kitchen counter are files stacked and the kitchen table is filled with overflowing cups.
There is a third, showing their bathroom and there is a liquid on the floor,again every drawing is held black ink but he guesses its blood and a handprint on the mirror and in front of the puddle and then there is a hand sticking out from behind the curtain from which the liquid drops down.
The fourth is what makes Morgan want take the notebook with him, it's a man standing in the door and by the tattoos he can make out that it is supposed to be him but he is wearing a mask and he is holding Spencer's stuff animal in his hand while wearing only Jean's and boots no shirt. Morgan can make out that this is supposed to be Spencer's room.
The worst he finds in that notebook is one of a women, sitting on a chair, her head leaned back and her arms sliced open, blood dripping down on the floor and by the necklace, the gun at her hip and the long slightly curly hair Morgan dares to assume that this is supposed to be JJ.
He puts the notebook aside and pulls out one from the time when he started at the BAU and the first drawing is of a little boy with glasses standing in the bullpen that is crowded with files. The second is a room filled with bees at the wall and an empty chair in the middle.
Morgan knew Spencer can draw he didn't know how well he does.
There are a few sketches of Morgan and Gideon and a lot of JJ. And many butterflies and with the ripped out pages in between he guessed that he draw them for her.
He quickly puts everything away when he hears Spencer walking down the stairs but goes back down to grab the one with the poem about the 'burning hands' the one with the sketch from Elle and the one with the drawings from the house and the women on the chair and for weeks he hides them in his office and eventually started profiling a few of them but quickly stopped that, feeling uncomfortable.
"What are you drawing?" He asks stepping into Spencer's office and the man shuts the notebook again.
"I don't draw."
"You don't?"
"No, I haven't in years."
"You haven't?"
"No, I am horrible at that." Morgan steps closer and it fits what he had found downstairs. The little pencil case open, only black pens inside and a pencil with a rubber. "What did you want?"
"Nothing just wanted to check in on you." Looking over he sees another stack of papers, and in a box next to his desk watercolours. "Its getting pretty stuffed in here."
"I like it. And I would like for you to leave now."
"I will." Apologetic Morgan takes his hands up and leaves the room.
There is a high chance that Spencer knows himself that his drawings are concerning and that that is the reason he is so defensive over people knowing he draws.
He keeps his findings a secret for a few more days until he gets to concerned and tries again talking to him about it but the moment he takes the word drawings in his mouth Spencer denies having drawn in the last years and accuses him of having sniffed around his office for things he draw as a teenager.
So he takes the notebooks and in a quiet moment walks up to Hotch's office who is similar concerned by them. For him the worst is one of Spencer himself, someone pressing a hand over his mouth and him into a pillow next to a poem about the lyrical I suffocating.
"There are more that hint at sexual abuse."
"He has a history we know that."
"Some are older than what happened with Lola."
"Did you try talking to him about these?"
"He claims he hasn't drawn in years." Hotch looks further through it finding more and more thinks he finds concerning.
"There are quite a lot of you."
"That's why I am here. I was hoping he maybe would rather talk to you about it. I can't explain why the drawings are portraying me like that." Hotch looks down on the page of a drawing of Morgan laying on the couch, the TV running but he is sleeping. On the table a ashtray with smoke coming from it on the floor next to the couch, multiple books that block his way and lianas hanging from the ceiling one close to curling itself completely around his neck.
"You have a theory?"
"My first guess was that something in the house made him feel captured, or even me but I am not sure."
"I would actually say that it's the opposite. That he feels like he captures you."
"Me?"
"This doesn't look like he is the one captured." He points at another painting showing Morgan standing in the kitchen, one half of his body having spiders all over it his other side being completely normal beside the fingers that in the end turn into bees and more bees flying away from it. "Are you okay?"
"You see this drawings and you ask if I am okay?"
"Besides that these drawing are definitely not something that leave you unaffected there are a few that a showing you in a vulnerable state he probably saw this before drawing it in his own interpretation."
"I am fine, I don't know why he draws me like that."
"Alright I will talk to him about it." Morgan initially wanted to go to JJ with this but she really doesn't need to see the drawings of herself being death by suicide. There is the one on the chair but also one hanging out of a tree with wings on her back.
For Hotch the most disturbing once are the two from a child, being beaten and in the other drawing having wings sitting on top of a clip, stars around them.
Morgan brings him the other notebooks too and in the earlier once its clear that he draws what he sees on cases and around himself. The poems not so much.
But the younger the note books the more it concerns his friends and random children.
Hotch doesn't find many of himself, but there is a notebook around the time Emily died that breaks his heart and when she came back the drawings change to something with more anger and eventually one that shows Spencer and him sitting in his office, Spencer looking at Hotch, Hotch doing the same but behind Hotch stands Emily or JJ he can't tell having a hand on his shoulder and covering his mouth while Spencer has a ghost behind him, covering his eyes.
He thinks long about if he wants to talk to him about the notebooks because Spencer seems to use this to cope and that is a good thing no matter how violent they look but on the other hand it seems like something is really bothering him so after weeks of debating he hands Morgan the box back saying that it feels wrong for him to interfere and Morgan first gets angry but then agrees that it is better if he first talks to him and then can offers Spencer to talk to Hotch if he rather wants that.
So eventually Morgan breaks the ice at a dinner picking up the box and placing it on the table. "You know what this is?"
"A box"
"You know what's in it?" He asks and Spencer nods with worry in his eyes. "I found it in the basement while cleaning it out."
"Did you-" Nervous he bites on the inside of his lip.
"I did"
"They are mine" He tells him, the fear clearly audible in his voice.
"I know, I am just a little bit worried about you, there is some pretty dark stuff in there."
"You weren't supposed to see."
"But I did and I just want to make sure that everything is alright."
"Yes they are just drawings."
"They are not just drawings."
"And poems."
"Not what I mean kid" Morgan grabs the notebook on top and sits down in front of him opening the page with the drawing of their house. "Is this our house?"
"Yes"
"Can you tell me why you draw this?" Spencer shrugs ones, tears in his eyes. "These are yours and I am not judging you or am mad I just think that some of these, because this notebook was finished a few weeks ago, need talking about. And I am just trying to help you."
"I don't know why I draw this."
"What about the cat? Is that Garfield?" Garfield is an old cat they adapted years ago and died.
"Yes"
"You still miss him?"
"Sometimes I wish he comes home again but then nothing is open here anymore."
"Garfield is dead and even if he wasn't dead when we got the call he would be by now." Morgan tells him in a gentle voice. "So this is about Garfield not coming back in,not you feeling captured in here?"
A nod.
"See that's why I think talking about this is good because I completely miss interpreted this."
"Did you see all of them?"
"Yes"
"All of them?"
"Yeah, I looked through them." He nods and then a tears rolls down his face. "Come on we go over to the couch for this, we cuddle up with your stuff lion and we talk about these, you can lean against me no need to look me in the eyes or for me to see your face." Morgan over the years found out that that is what makes him feel the most comfortable while talking. Either on car rides when Morgan can't tear his eyes from the road or while walking somewhere or placed so that Morgan isn't looking into his face.
Spencer ignores the offer to get his stuff animal from upstairs but he takes the thick blanket while Morgan pulls out the cautions from underneath making the couch bigger and then leans against him and Morgan opens the next page.
It's the drawing from Morgan in the kitchen, the files everywhere and the cups on the table. "What's with the Cubs?"
"I don't remember."
"Mr I have an eidetic memory that's very hard to believe."
"Sometimes everything gets dirty in our kitchen."
"And that bothers you?"
"I try cleaning it but it seems like it doesn't get better even when everything is properly stored."
"And the files?"
"It always happens when we have many cases after another and then it isn't fun coming home anymore."
"Because its dirty?"
"Because it's all tight" He tries to explain how the house feels to him. "We can't move in here."
"Is that the same thing you wanted to express with this?" Morgan asks opening the page of him laying on the couch with the lianas from the ceiling.
"Yes and- and that I- that I take your energy away."
"Okay one point after the other, what is it with the house being to tight? We have a lot of space and a lot of garden and everything, what makes it tight?"
"I don't know sometimes it just is." He tells him moving his head back on Morgan's arm shutting his eyes for a moment and then breathing in deeply.
"We don't have to do this all now if its to much for you" He tells him worried about how this affects Reid. "You just explain it the best way you think I will see about the rest."
"You won't get me."
"I do, it's tight in here sometimes, like you can't move."
"Yes"
"And cleaning doesn't help"
"Yes"
"See not that bad"
"It makes me feel bad." He continues and then hits his thigh ones. "Like I need to run."
"Like you need to run?"
"Yes. Like I have to move. Like my legs haven't moved enough."
"Because it's to tight in here?"
"Yes."
"What about you taking my energy away? What do you mean by that?" Spencer turns his head away not looking at the page but then eventually speaks.
"I am really not an easy friend."
"For me you are."
"No I am not."
"You are not taking my energy away."
"You could do a lot more thinks if it wasn't for me." Spencer justifies his statement.
"Like what?" But he just shakes his head still facing away from him and Morgan tries encouraging him to talk to Hotch but Spencer denies the offer so Morgan moves his hand down around his waist and pulls him closer again. "C'mon you did so good with the first drawings and we won't have to talk about this one any more we can just move on to another.”
Rest on Ao3 (I can’t post more words in here I’m sorry):
23 notes · View notes