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doctortreklock · 5 years

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Hands Made of Moonlight and Wind - August 7, 2019

Part of my Resolution19. Read it on AO3.

Prompt: Hamburrglar (from ImprobableDreams900)

Fandom: Hamilton

Title: "It is impossible - no matter how blessed you are by luck, or the government, or some remote invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad." Welcome to Night Vale, Ep. 21

Words: 1098

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"That's never going to work, Alex."

"Of course it is!" Alex gestured emphatically at the hand-drawn map in front of them. He leaned forward with the gesture, his knee brushing against Aaron's. Then he hesitated. "Um, why wouldn't it work?"

Aaron sighed. "There's not enough of a window," he explained patiently. "To go from here" he pointed to one corner of the map "to here" he pointed to the other "and back in ten minutes without Seabury seeing us? Not going to happen."

"Aha!" Alex said with a flourish. "But you're not taking into account that I've assigned Lafayette, Laurens, and Mulligan to distract him!"

Aaron dropped his head into his hand. "You dragged the Three Musketeers into this?"

"Hey!" Alex protested. "The Revolutionary Set is worth four times what Jefferson and his cronies are."

Aaron took a deep breath and blew it out through his teeth. "Alexander," he said carefully, anger simmering beneath every syllable. "Let me remind you that we are both here, in the back of a van that smells like French fries that you borrowed from Mulligan's brother-in-law, well past midnight on a Tuesday, because you decided that Washington's wasn't going to make it unless we stole Royal Burger's special sauce recipe."

Alex just blinked at him. "Right. And?"

"And I still can't figure out why you dragged me into this!" Aaron exclaimed. "Especially if you were going to call in the Ghostbusters anyway."

Alex scoffed. "Right. Like why would I bring you in at all." He rolled his eyes and put the finishing touches on the timeline of the heist in his notebook.

"Exactly!" Aaron said, though he was less excited by Alex agreeing with him than he had anticipated.

"Take a look at that," Alex told him, handing over the notebook. "I think we have a wide enough gap here," he explained, pointing at one of the intervals. "Because Lafayette can talk the ears off a statue when he gets going, so there's no way Seabury's getting away from the three of them in under twelve minutes."

Aaron just stared at him incredulously, not even glancing down at the notebook Alex had shoved in his hands.

"Well, go on," Alex encouraged. "I don't think I shortchanged Phase B, but you'll have to look at it."

Aaron didn't move. Alex's gaze flitted back and forth between Aaron's still face and the notebook before he huffed. "Seriously, Aaron? What's wrong? Is it the timing on B? It might be the timing on B. I just don't think we can find a larger bouncy castle on such short notice."

He sounded legitimately concerned about the size of the bouncy castle, and that more than anything made Aaron ask the uncomfortable question looming in the room.

"Alex," Aaron started.

Alex stopped frowning at the map and focused his attention on Aaron. "Yes?"

"Why am I here?" he asked awkwardly. Aaron wasn't one for fishing for compliments - he knew all too well the sort of scraping-the-bottom-of-the-barrel answers it got you; if he never had to have someone stiltedly tell him that his eyes were a vaguely pleasant shade of brown again, it would be too soon - but he honestly didn't know of a better way to get a straight answer out of Alex Hamilton.

It took a moment for Alex to register exactly what he'd said. Then he did a dramatic double-take, as if to ensure Aaron really understood the absurdity of the question. "Why are you...?"

Aaron nodded.

"Seriously? We're stuck on this?" Alex seemed relieved. "I was worried you were being persnickety about the song choice again."

"Carol of the Bells is a fine holiday classic. If we're going to have carolers in the middle of August, I don't know why you want them to sing Santa Claus is Coming to Town. And that's beside the point!" Aaron took a breath. "The point is, the point I am trying to make, the point, Alex, is--" he hesitated "--why am I here? Why did you drag me into this when you know perfectly well that Laurens would be over the moon if you asked him to help you break into George LeRoi's place?" He couldn't help the slightly bitter tone that crept into the last sentence. He cleared his throat. "Anyway."

"Laurens?" Alex asked, disbelieving. "This is all about John? Really?" He gestured widely, as if to encompass all the ways in which he failed to comprehend Aaron's perfectly reasonable objection to being included in plotting where he was neither required nor wanted. "And Carol of the Bells would put people to sleep," he added. "We need a dance tune."

Aaron shook his head. "One. In no universe is Santa Claus is Coming to Town a dance tune," he said firmly. "Two. We don't actually need a dance tune. Three. No, this is not about Laurens. This is about you calling me up at half-past three in the morning yesterday and convincing me to help you with a plan that you didn't actually need me for."

Now Alex looked angry. "Let me address all the ways in which you are completely and utterly wrong, Aaron Burr." He brandished three fingers and counted off. "One. Santa Claus is Coming to Town has been recorded by over 200 different artists, including a capella and rock musicians. It's definitely a dance tune. Two," he continued quickly before Aaron could protest that a capella wasn't really 'dance tune' material. "A dance tune is definitely essential to keep the pacing right for Phase A, Section 2, Subpart ii. Three." Alex hesitated, then lowered his hands. "Three," he said, his eyes flitting back and forth between his hands and Aaron's face. "I wouldn't want to plan an elaborate, over-complicated heist with anyone else."

The admission hung in the air.

Aaron cleared his throat. "If we want a dance tune to keep the pacing, we could go with the Christmas Waltz," he offered.

The animation flooded back into Alex as if he'd never been still. "Yes! Perfect!" He started waving a finger in the air in time as if conducting an invisible orchestra. "Strong beat, can be sung by a choir..." He paused. "Is it too catchy?"

Aaron rolled his eyes. "You wanted a dance tune that wasn't catchy?"

Alex half-shrugged in acknowledgement and started annotating Phase A to account for the change in song.

"And Alex?" He looked up from the notebook and hummed inquisitively. "I wouldn't want to plan an elaborate, over-complicated heist with anyone else either," Aaron told him.

Alex wasn't quite able to bury his smile in his notebook.

#Resolution19 #Hamilton #Hamburr #aww #heist #christmas music #christmas music in August #hamburrglar #thanks for the pun dear XD #August titles are Night Vale quotes!#*jazz hands*#and this one's already over 1k!#i think they're getting longer as i go

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hamanuelton · 4 years

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my favorite parts of hamilton:

- “I imagine death so much it feels more like a memory.”

- every time Leslie Odom Jr. as aaron burr begins another part with “how did a bastard, orphan-“ or like in that same way ‘cause he doesn’t always start it that way but you know what I mean

- the way Leslie Odom Jr. as My Boi Burr™️ says “well, the world got around, they said, ‘this kid is insane, man!’”

- also when Leslie Odom Jr. as A. Burr says

“WHAT’S YOUR NAME, MAN?!”

- “our man saw his future drip-dripping down the drain, a pencil to his temple, connected it to his brain”

- “Alexander Hamilton. My name is Alexander Hamilton. And there’s a million things I haven’t done, but just you wait, just you wait...”

- background “just you wait, just you wait”’s as hammy’s putting on a new jacket and ensemble is praising nyc

- “and me? i’m the damn fool that shot him.”

- “Burr, sir” + the continuation of this all throughout

- “If you talk you’re gonna get shot” / FORESHADOWING WOOOEEEEWOOOOO

- “i’m John Laurens in the place to be”

- Lafayette’s fuckinf accent

- “BRRRAH! BRRAAAH! HERCULES MULLIGAN UP IN IT LOVIN IT”

- “if you stand for nothing, Burr, what’ll you fall for”

- “‘Onarchy?”

- hey, yo, i’m just like my country, i’m young, scrappy, and hungry—

- the way Odom Leslie Jr. as The Hamburrglar™️ says ‘shot’ and they all take a shot

- this ⤵️

- Hammy getting //flustered// about friendship

- WHEN ARE THESE COLONIES GONNA RISE UP

- Angelica’s face when Burr is tryna tell her bout herself and she shows him up and ships him out

- Act 1: 6. Farmer Refuted

- honorable mention: “my dog speaks more eloquently than thee!" "but strangely, your mange is the same." "is he in jersey?”

- King George pouting

- Jonathan Groff’s overarticulation of each syllable as King George is a work of art

- “♪ Da-da-da-dat-da-dat-da-da-da-dai-ah-da! ♪ Da-da-da-da-dai-ah-da! ♪

- “Everybody! —“

- “We keep meeting.”

- “i imagine death so much it feels more like a memory. when’s it gonna get me? in my sleep? seven feet ahead of me?”

- “See, I never thought I’d live past twenty.”

- “this is not a moment, it’s the movement”

- “I’m laughin’ in the face of casualties and sorrow, for the first time, I’m thinkin’ past tomorrow!”

- “dying is easy, young man, living is harder!”

- “i’m being honest. i’m working with a third of what our Congress promised.”

- “you need all the help you can get. i have some friends. Laurens, Mulligan, Marquis de Lafayette, okay, what else?” — “we’ll need some spies on the inside, some king’s men who might let some things slide.”

- “watch this obnoxious, arrogant, loudmouth bother be seated at the right hand of the father.”

- “Martha Washington named her feral tomcat after him” — “That’s true.”

- “Yo, if your marry a sister, you’re rich, son!” — “Is it a question of ‘if’, Burr, or which one?” and then the little ‘hey’ ‘hey’ thing they do gets me every time

- literally the use of yo throughout the production fucking gets me every single fucking time

- “i’m writin’ a letter nightly. now my life gets better, every letter that you write me. — THE PURE UNBRIDLED SENSE OF FORESHADOWING IN “laughin’ at my sister, cuz she wants to form a harem” — ft. “i’m just sayin’, if you really loved me, you would share him!”

- the irony in “Eliza, i don’t have a dollar to my name”, you’ll be on the $10 bill, my man

- top-notch brain

- Angelica TRIED TO TAKE A BITE OF ME

- the way Anthony Ramos as John Laurens says “alright, alright. that’s what i’m talkin’ about!” and also the face that he makes

- hunger-pang frame

- “You strike me as a woman who has never been satisfied.” — “I’m sure I don’t know what you mean. You forget yourself.” — “You’re like me. I’m never satisfied.” — “Is that right?” — “I have never been satisfied.” — “My name is Angelica Schuyler.” — “Alexander Hamilton.” — “Where’s your fam’ly from?” — “Unimportant. There’s a million things I haven’t done but just you wait, just you wait...”

- tbh the way ‘Schuyler’ is spelled is oddly satisfying to me

- honestly just the way LMM says Alexander Hamilton+/ my name is Alexander Hamilton, and there’s a million things i haven’t done, ‘just you wait, just you wait...’ throughout the production

- “i’m the oldest and the wittiest and the gossip in new york city is insidious”

- “You are the worst, Burr.”

- Act 1: 12. The Story of Tonight (Reprise)

- “love doesn’t discriminate, between the sinners and the saints, it takes and it takes and it takes”

- “love doesn’t discriminate, between the sinners and the saints, it takes and it takes and it takes and we keep living anyway. we rise and we fall and we break and we make our mistakes. and if there’s a reason i’m still alive when everyone who loves me has died—“

- “Chick-a-plao!”

- the way they say ‘raise a glass’ is both elegant and (appropriately) reverent

- “i go back to new york and my apprenticeship” — i shouted MY BOI HERCULES MULLIGAN UP IN IT LOVIN IT DID NOT JUST SAY THAT, IF HE ACTUALLY LEFT AND ISN’T JUST UNDERCOVER OR SOME SHIT IMMA WRITE LIN-MANUEL MIRANDA A STRONGLY WORDED LETTER

- the minute General Charles Les came into the picture i hated him so hard, even though his literal first word was ‘Whee!!!!’, though i can appreciate the sentiment and what LMM was tryna do there

- “Washington cannot be left to his devices indescisive, from crisis to crisis” — sweet baby jesus that alliteration, and jon rua totally pulled it off (i hate General Charles Lee not the person who played him, i can also appreciate the fact that as an actor it takes a lot of talent to be able to make you hate a character so easily, also shoutout to Jonathan Groff as King Georgey-Boy™️, Sydney James Harcourt as james reynolds, and the general way LMM somehow made me fed up/turn on Alexander with the whole scene with him and Maria Reynolds — and not only that but somehow redeemed himself to me which is easier said than done for characters and people alike.. i’ve been hurt too much to play like that.

- Act 1: 15. Ten Duel Commandments

- honorable mention: “if you don’t reach peace, that’s alright. time to get some pistols and a doctor on site. you pay him in advance, you treat him with civility. you have him turn around so he can have deniability.”

- Act 1: 17. That Would Be Enough

- honorable mention: the melody that LMM went with for that turn of phraseis a truly beautiful thing

- “Immigrants:” — “We get the job done.”

- THE FACT THAT MY MAIN MAN HERCULE MULLIGAN WAS ON THE INSIDE NOT ONLY DID I CALL IT BUT DAMN HE REALLY GOT THAT GOOD HOT TRIBUTE HE DESERVED

- “To my brother’s a revolutionary covenant! I’m runnin’ with the sons of liberty and I am lovin’ it! See, that’s what happens when you up against the ruffians. We’re in the shit now, somebody gotta shovel it! Hercules Mulligan, I need no introduction, when you knock me down I get the fuck back up again!”

- Act 1: 21. What Comes Next

- honorable mention: “i’m so blue” — the little squat that Groffsauce does as the light turns blue really got to me

- Act 1: 22. Dear Theodosia

- Leslie Odom Jr.’s voice is so ding dang delightfully airy

- honorable mention: “You have my eyes. You have your mother’s name. When you came into the world, you cried and it broke my heart.”

- Act 1: 23. Non-Stop

- as someone with siblings i can appreciate that they’re bickering like that’s just what they are

- “I was chosen for the constitutional convention! *squeal*”

- “Burr, we studied and we fought and we killed for the notion of a nation we now get to build. For once in your life, take a stand with pride. I don’t understand how you stand to the side.”

- Act 2: 1. What’d I Miss?

- honorable mention: “But the sun comes up and the world still spins.”

- Act 2: 2. Cabinet Battle #1

- honorable mention: “DOIN’ WHATEVER THE HELL IT IS YOU DO IN MONTICELLO!”

- tomorrow and tomorrow and tomorrow

- “Daddy, daddy, look.... My name is Philip. I am a poet. I wrote this poem just to show it. And I just turned nine. You can write rhymes but you can’t write mine.” - “What!” - “I practice French and play piano with my mother.” — “Uh-huh!” — “I have a sister but I want a little brother.” — “Okay!” — “My daddy’s trying to start America’s bank. Un deux trois quatre cinq!” — “Bravo!” — “Hey, our kid is pretty great.”

- as much as i hate Act 2: 4. Say No To This (because for some reason i though Alexander Hamilton was better than that) Jasmine Cephas Jones sings in it is like a hot knife through butter — namely; “My husband’s doin’ me wrong beatin’ me, cheatin’ me, mistreatin’ me...”... I guess maybe I understand it ‘cause damn Jasmine Cephas Jones is so ding dang pretty and ding dang talented and wow what a remarkable person

- the way that Lin says “And her body’s saying, ‘hell, yes’ is um.. 😓

- “You see, that was my wife you decided to” — “Fuuuu—“

- Act 2: 5. The Room Where It Happens

- honorable mention: “Bros.”

- “Talk less. Smile more.” LMM being a dramatic bastard

- Act 2: 6. Schuyler Defeated

- Act 2: 7. Cabinet Battle #2

- “revolution is messy but now is the time to stand."

- honorable mention: “Ooh!!”

- “We signed a treaty with a King whose head is now in a basket. Would you like to take it out and ask it? ‘Should we honor our treaty, King Louis’ head?’ ‘Uh... do whatever you want, I’m super dead.’”

- Thomas Jefferson all like “but sir do we not fight for freedom” MY BAD SIR YOU ARE A SLAVE-OWNER HOW ABOUT YOU NOT

- mentioning Lafayette because apparently LMM has no problem with breaking the fourth wall

- “Daddy’s calling.”

- “I’m in the cabinet. I am complicit in watching him grabbin’ at power and kiss it. If Washington isn’t gon’ listen to disciplined dissidents, this is the difference. This kid is out!”

- “Southern motherfuckin’ Democratic-Republicans!”

- “The emperor has no clothes.”

- “Sir, I don’t know what you heard but whatever it is Jefferson started it.” — “Thomas Jefferson resigned this morning.” — “You’re kidding.” — “I need a favor.” — “Whatever you say, sir, Jefferson will pay for his behavior.” — “I’ll use the press. I’ll write under a pseudonym, you’ll see what I can do to him—“ — “Yes! He resigned you can finally speak your mind!” — “Ha. Good luck defeating you, sir.” - “I’m sorry, what?”

- Act 2: 10. I Know Him

- “—Vice President.” — “— No more Mr. Nice President.”

- “Sit down, John, you fat motherf—“

- Act 2: 12. We Know

- honorable mention: “You see that was my wife you decided to—“ — “WHAT—“

- Act 2: 13. Hurricane

- Act 2: 14. The Reynolds Pamphlet

- honorable mention: *DEEP VOICE* “DAMN”

- Act 2: 15. Burn

- i’ll be the first to say i wasn’t a huge fan of Eliza at first aside from Phillipa Soo’s killer voice

- this gave me a lot of respect for her

- honorable mention: “You have married an Icarus. He has flown too close to the sun.”

- Act 2: 16. Blow Us All Away

- i would like to point out that tweet where someone @‘s LMM about not mentioning Philip’s hot and he responds “I’M FAIRLY F**CKING SURE I DID”, y’know ⤵️

- “The ladies say my brain’s not where the resemblance stops.”

- “God, you’re a fox.”

- Act 2: 17. Stay Alive (Reprise)

- The ‘I know, I know. Shh.’ and the full circle back to his mom teaching him french on the piano really got to me for the beautiful artistry in it but also damn them feels

- Act 2: 18. It’s Quiet Uptown

- “I spend hours in the garden. I walk alone to the store and it’s quiet uptown. I never liked the quiet before. I take the children to church on Sunday, a sign of the cross at the door, and I pray. That never used to happen before.”

- “Philip, you would like it uptown. It’s quiet uptown.”

- “You knock me out, I fall apart.”

- “Eliza, do you like it uptown? It’s quiet uptown.”

- “There are moments that the words don’t reach. There is suffering too terrible to name. You hold your child as tight as you can and push away the unimaginable. The moments when you’re in so deep it feels easier to just swim down.”

- “There are moments that the words don’t reach. There is a grace too powerful to name. We push away what we can never understand. We push away the unimaginable.”

- “Can you imagine?”

- Act 2: 19. The Election of 1800

- honorable mention: “And they say I’m a Francophile: at least they know I know where France is!”

- “You used to work on the same staff” — “Whaaaat.”

- “Honestly, it’s kind of draining.” — “Burr...” — “Sir!” — “Is there anything you wouldn’t do?” — “No. I’m chasing what I want. And you know what?” — “What?” — “I learned that from you.” / this moment made the blow that he voted for Jefferson like a damn hole in my chest and i actually really felt for Burr. i get Hammy’s reluctance, i think if anything he was hoping voting for Jefferson would give Burr the chance to have experience as VP and then the next election he might vote for him then depending

- Act 2: 20. Your Obedient Servant

- A. Burr

- A. Ham

- “I just need to write something down.” / really resonated as one of the last things they showed him doing before going off to the duel, his life really was writing and that was the perfect way to say that in a very subtle sort of way. i really appreciate it artistically, whether it was intentionally so or not.

- Act 2: 22. The World Was Wide Enough

- okay but first of all i would like to comment on the fact that Ariana DeBose PLAYS THE GODDAMN BULLET, I JUST

- THE FACT THAT THE BULLET HAS A PART

- “This man will not make an orphan of my daughter.” / this made me really sympathize with Burr, as well as when he tries to go towards Hamilton (at least in the play but I sincerely hope that was historically accurate) / but also that fact that Theodosia Burr was lost at sea at 29 makes me sad because Hamilton’s life was taken to give her one and then she just up and disappears in a freak accident

- Act 2: 23. Who Lives, Who Dies, Who Tells Your Story

- the orphanage got to me

- i loved that he (LMM) didn’t end it with himself or anything

- he let Phillipa Soo tear my heart out

- it killed me but i died quite happily

- and really what more could you ask for.

#okay so #i know thw subheaders are probably grossly uneven #but like #i had to space manually #and this already took a lot of time to do #so i couldn’t give two fucks #lin manuel miranda #hamilton #hamilton film #daveed diggs #jonathan groff #anthony ramos #christopher jackson #jasmine cephas jones #leslie odom jr #leslie odom junior #ariana debose #jon rua #hamilfilm #shit i lost steam to tag cast members #you know and if you don’t look it up so you do #that’s how you learn shit like that the bullet had its own fucking role #the orphanage part also hurt because i was disowned by my father and then disowned by my mother (again) and then my father just decided he #wanted back in on my life #my shit family life has cast me out of my family #i feel like an orphan except i can’t be adopted #even though i want more than anything to have parents or parental figures #sadly my dad just isn’t #he kind of ruined that for me when he screamed me into a panic attack that almost killed me and then left the front door open to tell me to #get out

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