#gujarati song
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બાળગીત – ચતુર કાગડાની વાર્તા (BaaLgeet – chatur kaagaDaa-nee vaartaa) …. Live ….
ઊંડું પાણી કુંજનું | oonDu(n) paaNee kunjnu(n)
ઊપર લેવા કાજ | oopar levaa kaaj
કંકર નાખી કાગડે | kankar naakhee kaagaDe
પાણી પીધું આજ | paaNee peedhu(n) aaj
ધીરજ ને ચતુરાઈથી | dheeraj ne chaturaaee-thee
કામ કઠણ જે હોય | kaam kathhaN je hoy
જલ્દી પાર મૂકાય છે | jaldee paar mukaay chhe
ભલે કરે સહુ જોઈ | bhale kare sahu joee
This is the Gujarati Rhyme on the story of the clever thirsty crow who drops pebbles in the partly filled pot / pitcher of water to raise the water level and quench his thirst.This eight line song also describes the importance of patience and cleverness. The last four lines of the song say that a difficult work can be accomplished promptly with the help of patience and cleverness. This fact is there to be applied in life and realized for each and every person !!!I have learned this song from my mother. I never got to learn Gujarati as a subject in school or college. I am self-taught and home-taught as far as Gujarati is concerned :) :) It has been a wonderful experience indeed !!
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Padoshino Dakho | Gujarati Comedy | Gujarati New Comedy Video | 2021
Padoshino Dakho | Gujarati Comedy | Gujarati New Comedy Video | 2021
Title: Padoshino Dakho
Child Artist : Sanju Charoliya, Khushi Charoliya, Sejal Charoliya, Rohan Charoliya
Label : StudioShreeMeldikrupa
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#2017#2018#ahir#dayro#dj latest gujarati song#geeta#geeta rabri new song#gujarati#gujarati live program2018#gujarati song#Hindi song#jokesh#kinjal dave new song#mayabhai#new dj mix#new gujarati song#new gujrati#new video#program#rabari
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"ખૂટે ભલે રાતો પણ, વાતો આ ખૂટે નહીં.
વાતો એવી તારી-મારી, ચાલતી રહે આ રાત,
ચાલતી રહે સદા, મીઠી-મીઠી વાતો વળી...
ચાંદ ને કહો આજે આથમે નહીં."
Song: Chaand Ne Kaho (2019)
Movie: Chal Jeevi Laiye
Translation: Even if the talks are not enough, the nights should be. Our talks are such. This night should go on, go on forever which has such sweet talks. Tell the moon to not set today.
#moon aesthetic#desi tag#desi tumblr#desiblr#gujarati#aeathetic#moon pictures#photography#my photos#my love#gujju#music#songs#moon songs#ahmedabad#amdavadi#noob photography
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cannot believe i am actually saying this but i am listening to Gujju Pataka for the first time and 1. it is a vibe but more importantly 2. Kartik's weird ass dance moves are working here. so much better than whatever tf they had him doing in Character Dheela 2.0 i think my eyes have been cleansed
#film: satyaprem ki katha#satyaprem ki katha#kartik aaryan#kiara advani#bollywood#local gay watches Bollywood.txt#am i an eligible Gujarati bachelor? no. can you get me to have this on loop for half an hour? maybe#Kartik said on Twitter that this is his favorite song from the film and i can see why. honestly this must have been a f*cking blast#to actually film on set there's too much hype sksksksk#Sun Sajni is good too ig it's just that Gujju Pataka hits the ADHD part of my brain
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I'll start with Hindi music and always end up with Gujarati songs
#NOT GARBA ONES OK the songs#the Gujarati industry has such beautiful songs i love them more then hindi ones
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Are you all finding the tham ne thikana of the naviyaa ?!!!!!
#Gotilo#Never thought of listening to a Gujarati sea shanty#Or the other one the kashmiri wedding song#Coke studio
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Video
youtube
Garba | Dandiya Mashup | Navratri Special
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#pavanfilmslalitpancholi#sambandh garajna#Bevfa#love songs#status#gujarati#village people#acter#acting#instagram#twitter#facebook#youtube#social media
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Video
youtube
કાયમ અમારા સ્મરણમાં છો તમે | Composer-Singer Vanita Thakkar Live | Poet ...
Gujarati Gazal : કાયમ અમારા સ્મરણમાં છો તમે …. Live …. (Kaayam Amaaraa SamraN-Maa(n) Chho Tame ....)
Poet : Dr. Mukesh Joshi
Composer-Singer : Vanita Thakkar
This recording is derived from mobile recording of live performance. We regret not being able to give the best of audio quality. Listening on headphones would give better sound quality.
Omkaar Swar Vihar
#youtube#gujarati gazal#gujarati#vanita thakkar#omkaar swar vihar#my song#my composition#gujarati light music#original art#original music#hope you enjoy#share#like
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Hey Kem Chho London Music Album streaming now! Film releasing on 2nd Sept 22! @heykemchholondon @leena_real @manasshah111 @mitragadhvi @alpanabuch19 @desaianang @prabhuleena @muni.jha @manaschaturvedi @manas.shikhar.official @uroovaak @aseemarrora @gurleenarora17 @sarita_y_ @mannysamra_mua @kaushik_srivastava @himanshu_vadhera @ufomoviez @promobox.studios @mehulgadani @akki_tsd @manascine @milindmatkar @nautankideep @bhoomitrivediofficial @miirandeshah @palakmuchhal3 @ssunnysuraani #HKCL #HeyKemChhoLondon #Gujarat #Gujarati #GujaratiFilm #GujaratiMusic #GujaratiMusic #Gujju #Ahmedabad #Surat #Rajkot #Vadodara #GujjuRocks #KumkumBhagya #ChhelloDivas #ShuThayu #Anupama #Kutch #musicalbum #songs https://www.instagram.com/p/Chgv0PVqkOZ/?igshid=NGJjMDIxMWI=
#hkcl#heykemchholondon#gujarat#gujarati#gujaratifilm#gujaratimusic#gujju#ahmedabad#surat#rajkot#vadodara#gujjurocks#kumkumbhagya#chhellodivas#shuthayu#anupama#kutch#musicalbum#songs
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VIDEO: बच्चे ने गाने पर किया कमाल का गरबा, डांस देखकर महारथियों को भी होने लगेगी जलन!
VIDEO: बच्चे ने गाने पर किया कमाल का गरबा, डांस देखकर महारथियों को भी होने लगेगी जलन!
गुजराती लोक नृत्य गरबा (Garba) काफी फेमस है. जब से फिल्मों और टीवी सीरियल्स में इसे दिखाया गया है, तब से अन्य राज्यों के लोग भी ये डांस फॉर्म सीखने लगे हैं. अगर आपने कभी फेमस कॉमेडी शो ‘तारक मेहता का उल्टा चश्मा’ देखा होगा तो जानते होंगे कि उसमें ‘दया बेन’ (Daya Ben) को ‘गरबा क्वीन’ कहा जाता है. मगर आज जाकर हमें ‘गरबा किंग’ मिल चुका है जो डांस करने में दया बेन की ही तरह कमाल का है. इन दिनों सोशल…
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#ajab gajab news#ajeebogareeb khabar#amazing news#boy dancing on gujarati song#boy doing garba#garba dance kid viral video#hatke khabar#hatke news#khabren zara hatke#kid dancing on gujarati song#kid doing garba#kid garba viral video#omg khabar#omg news#small kid dancing on gujarati song#trending news#Viral News#weird news#world news
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So hi hello wassup
My name is Dhun Shah.
I’m currently in grade 10th (Boards wala year bhai yaad mat dilaao)
I turned 15 on 19 March. It wasn’t as great as it was supposed to be. My boyfriend(now ex) forgot my birthday. Also do tell me agar aapko jaan’na ho abt him.
My favourites-
Colour- black (basic ik)🖤
Movie- Jab We Met (ik it’s very common and stereotypical but puhlease), Harry Potter series, Shershah. That’s a lot now that I think of it but I haven’t written the half of it…….
Song- Ishq (Faheem Abdullah, Rauhan Malik) I also like Vhalam Aavo ne (it’s a Gujarati song Btw)
Sport- considering that I’m a handball player I’m devoted to it. But I also like Formula 1
F1 team- FORZA FERRARI SIEMPRE❤️
Food- pasta and pani puri hehe
OH ALSO my Instagram- dh19shah hehe
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so for me, desi light academia is:
- reading desi literature (obviously)
- watching Satyajeet Ray films, and other acclaimed movies of the olden times, regardless of languages
- learning desi languages! tamil and urdu and sanskrit and gujarati and bengali and everything! reading poems and books in these languages!
- celebration of festivals <3, singing and dancing to folk songs, bhajans, sufi songs, gospels, keeping fasts for ramzan or shraavan, wearing traditional clothes with traditional ornaments. kajal!!!
- cooking desi dishes! dal makhani, and rasam saadam and bisi bela baath and naan and dal baati and everything!
- casually wearing traditional clothes! there should be no special occasion for wearing an anarkali!
- self care? indulging in applying multani mitti masks, and gulab jal for toner, and all the hairmasks your grandmother might make at home
- lighting candles? how about diya for a change!
- journaling in your mother tongue instead of english. it can be another desi language as well!
- if you're religious, read religious texts. explore indus valley civilisation and the cholas and cheras and philosophies of the old
- about mindfulness, isn't rangoli and mehendi almost therepy?
celebrate your culture and go ahead in your academic life as well!
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Gulf migration is not just a major phenomenon in Kerala; north Indian states also see massive migration to the Gulf. Uttar Pradesh and Bihar accounted for the biggest share (30% and 15%) of all Indian workers migrating to GCC1 countries in 2016-17 (Khan 2023)—a trend which continues today. Remittances from the Gulf have brought about significant growth in Bihar’s economy (Khan 2023)—as part of a migrant’s family, I have observed a tangible shift in the quality of life, education, houses, and so on, in Siwan. In Bihar, three districts—Siwan, Gopalganj, and Chapra—send the majority of Gulf migrants from the state, mostly for manual labor (Khan 2023). Bihar also sees internal migration of daily wagers to Delhi, Bombay, and other parts of India. Gulf migration from India’s northern regions, like elsewhere in India, began after the oil boom in the 1970s. Before this time, migration was limited to a few places such as Assam, Calcutta, Bokaro, and Barauni—my own grandfather worked in the Bokaro steel factory.
Despite the role of Gulf migration and internal migration in north Indian regions, we see a representational void in popular culture. Bollywood films on migration largely use rural settings, focussing on people who work in the USA, Europe, or Canada. The narratives centre these migrants’ love for the land and use dialogue such as ‘mitti ki khusbu‘ (fragrance of homeland). Few Bollywood films, like Dor and Silvat, portray internal migration and Gulf migration. While Bollywood films frequently centre diasporic experiences such as Gujaratis in the USA and Punjabis in Canada, they fail in portraying Bihari migrants, be they indentured labourers in the diaspora, daily wagers in Bengal, or Gulf migrants. The regional Bhojpuri film industry fares no better in this regard. ‘A good chunk of the budget is spent on songs since Bhojpuri songs have an even larger viewership that goes beyond the Bhojpuri-speaking public’, notes Ahmed (2022), marking a context where there is little purchase for Gulf migration to be used as a reference to narrate human stories of longing, sacrifice, and family.
One reason for this biased representation of migration is that we see ‘migration’ as a monolith. In academic discourse, too, migration is often depicted as a commonplace phenomenon, but I believe it is crucial to make nuanced distinctions in the usage of the terms ‘migration’ and ‘migrant’. The term ‘migration’ is a broad umbrella term that may oversimplify the diverse experiences within this category. My specific concern is about Gulf migrants, as their migration often occurs under challenging circumstances. For individuals from my region, heading to the Gulf is typically a last resort. This kind of migration leads to many difficulties, especially when it distances migrants from their family for much of their lifetime. The term ‘migration’, therefore, inadequately captures the profound differences between, for instance, migrating to the USA for educational purposes and migrating to the Gulf for labour jobs. Bihar has a rich history of migration, dating back to the era of indentured labor known as girmitiya. Following the abolition of slavery in 1883, colonial powers engaged in the recruitment of laborers for their other colonies through agreements (Jha 2019). Girmitiya distinguishes itself from the migration. People who are going to the Arabian Gulf as blue-collar labourers are also called ‘Gulf migrants’—a term that erases how their conditions are very close to slavery. This is why, as a son who rarely saw his father, I prefer to call myself a ‘victim of migration’ rather than just a ‘part of migration’. It is this sense of victimhood and lack of control over one’s life that I saw missing in Bollywood and Bhojpuri cinema.
— Watching 'Malabari Films' in Bihar: Gulf Migration and Transregional Connections
#bhojpuri indentured history#malayalam cinema#bihari labour migration#gulf migrant labour#malayali labour migration#bollywood cinema#bhojpuri cinema
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Not to toot my own horn but guys Gujarati Ghazals are on another level
In a quiet balcony, (she was) waiting for someone,
I saw the queen of beauty
I saw a princess
The mehndi on her hands was blossoming
The Kohl in her eyes was blossoming
Like a small garden, developing with a beautiful weather
Her smile held a hundred songs
Even her silence was music
She had affection for even shadows
Her love; bound to (sound of) footsteps
She decorated a palace of dreams
With the asopalav (leaves) of her memories
With her downturned gaze, she had made time stop to her will
She bounced like waves
And twirled like wind
If someone came to her smiling, she blushed, lovely
Youth had blessed her
There were no pains for her
Nature itself was desperate to be loved by her
After long years, I'm seeing the same balcony again,
The same one
There's no music nor melody here
No love bound to (sound of) footsteps
There is no palace of dreams here
And no dance of love
It feels too lonely,
It feels too melancholy
She was not my lover, nor my bride
I had only seen her waiting at her balcony
Who she was, what was her name—
Even these are not things I know of
Even then, my heart feels melancholy
It feels lonely.
Shaant Zarukhe (at the quiet balcony) by Saif Palanpuri
[My translation is really rough but it's close enough]
#desiblr#suffer ye suhana nahi#desi tumblr#Gujarati#Gujarati poem#Gujarati ghazal#ghazals#manhar udhas#pankaj udhas#Spotify
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hiya! 🧡 could i please get some help in finding some fc's of color who have resources playing a vampire? (who aren't from interview with the vampire, bc its gonna be an iwtc-centered oc) if not, just fc's you think would be great vampires! a woc is who i'm leaning towards, but im down for anyone of any age! thank you so much 🫶🏼
Angela Bassett (Vampire in Brooklyn) African-American.
Jacob Batalon (Reginald the Vampire) Filipino.
Kim Ji Woong (The Blood) Korean.
Michael Malarkey (The Vampire Diaries) part Palestinian.
Sisi Stringer (Vampire Academy) African Australian.
Rutina Wesley (True Blood) African-American.
Ami Tomite (Tokyo Vampire Hotel) Japanese.
Natasha Liu Bordizzo (Day Shift) Chinese / White.
and then:
Shohreh Aghdashloo (1952) Iranian.
D. B. Woodside (1969) African-American.
Gina Torres (1969) Afro-Cuban.
Hu Bing (1971) Korean.
Mahershala Ali (1974) African-American.
Daniel Wu (1974) Hongkonger.
Florence Kasumba (1976) Ugandan.
Omar Sy (1978) Mauritanian / Fula Senegalese.
Nonso Anozie (1979) Nigeiran - isn't a vampire in this but has the vibe in Dracula.
Maggie Q (1979) Vietnamese / White.
T'Nia Miller (1980) Afro Jamaican - is a lesbian.
Angelica Ross (1980) African-American - is trans.
Rami Malek (1981) Egyptian 12.5% Greek.
Fawad Khan (1981) Pashtun and Punjabi Pakistani.
Miyavi (1981) Japanese / Korean.
Riz Ahmed (1982) Pakistani.
Mahesh Jadu (1982) Bihari, Gorakhpuri and Kashmiri Indo-Mauritian.
Dichen Lachman (1982) Tibetan / German.
Kim Jae Wook (1983) Korean.
Cara Gee (1983) Ojibwe.
Florence Faivre (1983) Thai / French.
Nathalie Kelley (1985) Argentinian, Peruvian [Quechua, possibly other].
Amar Chadha-Patel (1986) Punjabi and Gujarati Indian.
Da'Vine Joy Randolph (1986) African-American.
Jodie Turner-Smith (1986) Afro Jamaican.
Michaela Coel (1987) Ghanaian - is aromantic.
Lewis Tan (1987) Singaporean Chinese / White.
Desmond Chiam (1987) Chinese Singaporean.
Jim Sarbh (1987) Parsi Indian.
Anna Diop (1988) Senegalese.
Aiysha Hart (1988) Saudi Arabian / White.
Gregg Chillin (1988) Armenian and White.
Christina Chong (1989) Hongkonger / White.
Katy M. O'Brian (1989) African-American and White - is a lesbian.
Hannah John-Kamen (1989) Nigerian / Norwegian.
Steve Noh (1990) Korean.
Kim Yong Ji (1991) Korean.
Jennifer Cheon Garcia (1992) Korean / Mexican.
Jenny Zeng (1993) Chinese.
Song Kang (1994) Korean.
Jaz Sinclair (1994) African-American / White.
Ryan Destiny (1995) African-American.
Yumi Nu (1996) Japanese / White.
Wang Zi Yi (1996) Chinese.
Havana Rose Liu (1997) Chinese / White - is pansexual.
Lauren Tsai (1998) Taiwanese / White.
Here you go! Please let me know if you want something more specific.
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