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#guessing he's smart because he's decent and goes Against The Norm
winter-tospring · 8 months
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My Journey to You - episode 1
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lyrainworld · 2 months
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Based of OG Ace Attorney cover, here's Leorio Paradinight crossover!
It was part of the HxH Game crossover event I 've decided to take part in.
If you want to learn more about this au, please click read more
About this au, some things are changed some stayed the same but just so you know, characters are kind of based on:
^Phoenix Wright - Leorio, aspiring defense lawyer, he wants to protect those whom people are averting their eyes from. He more or less willingly gets mentored by the stupidly smart brat Killlua who seems to know any law term and norm. They banter a lot but actually become decent friends.
^Maya Fey - Gon, a spiritualist of a world-renowed family Freecss with traditions. The rumors say they can contact the true spirit and connect with the netherworld. Has been saved by Leorio and Killua both, joins hands with them afterwards
^Edgewotrth - Kurapika, got mentored by the Zoldycks on how to become top prosecutor. He's utmost driven to not let any true criminal go unpunished. Gathers renown until the day he'll be able to catch Phantom Troupe and bring justice to the fallen, has a companionship with Killua bordering on sibiling bond
^Mia Fey and Franziska mix up - Killua, he has a pivotal role in leading Leorio's carier and actually becomes his mentor after triyng to cut off his ties to his inheritance as the Zoldyck heir, a true tycoon of the prosecution world. During trials if he decides to participate he takes on a role of a consultant.
As you can see, though Leorio is the titular attorney, Killua is the glue connecting everyone in here. But that just leaves all the more unresolved conflict because he hides the truth of his heritage. He found Leorio by chance and he got impressed by him after a second third take with the attitude he has, how it's not about money but bringing the truth to the table, pretty much opposite of the Zoldycks. I'm not good at writing but I'll try to say few things about their cases? It's more or less basing of "The Trilogy"but with the spin of HxH characters being themselves, it sure would reflect in the plot,
-A case about mysterious animal being spotted, the legendary Chimera Ant! Gon is a huge deal on this case because his spiritualist power call back to the wilderness and all the instinct one gets from it.A lot of logic/belief topic going on here and killugon spotlight
-A case of murder on the "Hunter X" movie plan, it's related to Gon because he was there to meet the main hero, Kite, his godfather. He gets roped into the investigation and is considered suspect for some time before
-Another case in which Gon is the main suspect. Since he's from family of spiritualists, vibing with the nature and otherworld. So when there's a case against him Killua is determined to find his innocence. Even if it means going against Kurapika. That's also the case that showcased Leorio and Kurapika's banter and whatnot so major old marriage leopika vibe
-There's a huge final case in which member of the PT's is murdered and who would have guessed, Kurapika is found bloodied on the crime scene. This is a very turnaround case because the one responsible for prosecuting it, is no one else but Killua after he disappeared (made a tactical retreat) from Leorio's side. Perhaps family pressure? Illumi blackmailing him? Being ashamed of 'tricking' Gon and Leorio and leaving Kurapika to deal with everything alone? All of the above, because now he stands against everyone he grew to be fond of. Eventually, the true killer gets found giving a chance to mend strained bonds, by joining hands in catching the real culprit all along that was hiding among the witnesses. The fake group member [wink] -Ps, Netero's just playing along for the trial's sake even if he's got the truth like way earlier, he's not naive, but likes seeing 'entertaining trial' as long as it's goes the right way eventually
-Leopika & killugon featured, all aged up, imagine lots and lots of banter and sexual tension in the court
That's it, thank you for reading my thoughts <3
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fictionadventurer · 3 years
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Thoughts on "the comedy genius of the first 100 episodes of the pbs' Arthur series"?
I really, truly believe that the early seasons of this children’s show can stand among the great sitcoms of American history. It pains me to see the Internet reduce it to stupid memes, because this show deserves to be recognized for its high-quality humor. It might be aimed at elementary-age children, but it’s full of jokes that would be funny enough for any adult sitcom. The jokes range from sharp to satirical to just plain silly, but they’re never anything that’s inappropriate for the children watching, which takes talent.
Some of my favorite categories of jokes include:
The one-liners. This show is intensely quotable, and to this day, my adult siblings and I will come up with quotes fitting to any given situation. D.W. is an excellent source of these, but the show’s humor, ranging from dry to sassy to just plain silly, provides quotations from all the characters that are useful for all sorts of situations.
The background jokes. The early seasons are filled with visual or audio gags that provide extra hilarity if you take notice of it. One of my favorites was the time that Arthur’s parents watched Extreme Knitting on television, showing two old ladies knitting massive scarves beneath a digital clock keeping time like it’s a sporting event. The other major example is “D.W. Gets Lost”, where the store’s overhead announcements are unfailingly hilarious. (”Books without vowels now half-price.” “Carbonated milk. It’s the drink that puts you to sleep, and burps you, too.” “Chocolate-covered cabbage. The dessert that makes you go, “Blech.”)
The parodies. The early-season writers were masters at writing parodies that were funny even if you didn’t know what they were parodying. One of the prime examples is “Buster Hits the Books”. As Buster tries to find a book he likes, he reads things that are parodies of everything from Charlie and the Chocolate Factory to Dr. Seuss, which capture the spirit of the story while making a segment where the jokes stand on their own. I had no clue what “The Jolly Jollisters” was a parody of (until about a year ago, when to my great delight, I stumbled upon “The Happy Hollisters”), but that didn’t stop the segment from being funny. The parodies here are funny without being mean-spirited; they poke fun without lazily relying on references. They have heart and intelligence like all good parodies should.
The adult jokes. Not the “we secretly put some innuendo in here” type of adult jokes. I’m talking the types of jokes that fit more adult concerns; they don’t take away from the humor for the kids, but add something extra for the grown-ups watching. One of my favorite examples is the family reunion episode, when all the adults are playing charades. The team fails to guess the clues Arthur’s pseudo-intellectual uncle gives, and he says, “It’s Over the Bridges of Medieval Paris.” “We said pick a popular book.” “Well, all my friends have read it.” 
That’s just jokes. What about stories? My favorite episodes to bring up when I say that Arthur can stand up against any sitcom are two Joe Fallon classics:
“D.W. Goes to Washington”: This episode is great gag after great gag. 
We start out with the hilarity of Arthur remembering all the terrible vacations that D.W. has chosen before, such as “Share a Sundae with Santa”, which turned out to be a guy who put a false-front igloo on his house, comes out in a half-torn-off fake beard and a tank top, and says, “Didn’t you bring a sundae? How can you share a sundae with Santa if you don’t bring a sundae to Santa?”
Then we get D.W. snarking at every single attraction in Washington D.C. (”Oh, look, another closed door. We could have stayed at home and locked each other out of the bathroom. It would have looked just like this.”)
And we finish off with gags coming from the Secret Service. (”Her name is D.W.” “That’s it? Initials? You didn’t give the kid a whole name?”).
Yes, it’s an implausible plot, but I maintain that any sitcom would kill to have jokes this sharp.
“The Rat Who Came to Dinner”: Mr. Ratburn is staying with Arthur’s family. (Oh, the horror!). The classic plot of “Oh, no, the teacher has a life outside of school” is full of hilarity.
We have one liners: “Is it true what Arthur says about you hating all children?” (Strong contender for my favorite line in the entire show).
We have silly imagine spots as Arthur considers what it’ll be like to have the teacher there: “Are you doing homework?” “I’m taking a bath!” “I’m sliding a waterproof pad under the door. Write the names of the continents in order of size.”
We have parodies, like when Arthur desperately turns to educational television: “Today, we watch grass grow, in real time.”
We have character moments: “I couldn’t help overhearing, because D.W. handed me this juice can and told me to listen.” (He says while holding out string-and-can phone.)
It doesn’t matter that this plot is based around an elementary student’s concerns. These jokes are just plain funny.
Like any show, there are weak episodes mixed in with the strong ones, but the early seasons have a relatively high level of quality. It gets a little rockier as the seasons go on, but I’ve long considered the 100th episode to be a decent dividing line between the good and bad eras of the show. The 100th episode two-parter (which is excellent) occurs in the middle of Season 7 (aired in 2002).  Some terrible episodes occur early in that season, and a few classics air after that. Once Season 8 hits, though, there’s a painfully obvious drop in quality. The good episodes stop being the norm and start being exceptions. The characters stop being endearing and start being annoying (do not get me started on the wrong done to Muffy). The parodies become lazy and trite, and the jokes are few and far between. However, the terrible decline of the show does not erase the roughly-seven seasons of high-quality children’s comedy that came before it. This was a smart show, a funny show, that also contained some good lessons for children. It really doesn’t get much better than that.
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recycledmovies · 5 years
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‘Parasite’ shows the ugliness of Koreans dealing with their hierarchical society in very high detail. Unlike many other interpretations I’ve seen, I will not deal with the details and the mise en scene, but the overall story, characters and their roles. The details are stunning, but I don’t think that’s an excuse to look away from the main story to focus on the little things. Also, there are two dimensions from a macro and meso point of view that I think are more relevant than finding hidden foreshadows or symbols.
Please note that I am Korean and know enough about Korea to point out the flaws of our society and people, including myself. I know very well that Koreans hate being criticized (just as Gitaek shows signs of anger when Mr. Park points out that he has an weird smell), but the truth is the truth and nothing will improve if we cannot see ourselves objectively. So if you’re pissed at my interpretation because you are a proud Korean, think again about what good pride will do.
The Hierarchical Society
Hierarchy has always been part of Korean culture. But as the movie shows, hierarchy is not based on traditional values anymore but overridden completely by economic status. You can see this in the scene where the young pizza box collector speaks down to the Kims. Traditionally, speaking in this manner to people who are even a year older would be considered absolutely unacceptable. This scene sets the stage as a society where economic values have become the new standard for hierarchy. In reality, money justifies everything in Korea and I’m sure it’s the same in a lot of places around the world. Basic ethics and philosophy is forgotten, or something only the naïve remembers anymore.
Although the Parks have higher economic status, a number of scenes demonstrate that in essence, they are also just human beings and have the same flaws as anyone else. Mr. Park and Yeon-gyo uses Gijeong’s underwear as prop during their role-play intercourse on the couch after criticizing the former driver for indecency and accusing him of drug abuse without any evidence whatsoever. Although the Parks are respectful towards the Kims, they still smell the difference. This is another trait of the Korean middle class. While they act like decent people in general, deep down, they still consider the Parks different. Koreans know very well that this is not a trait of the upper class, but more a trait of the middle class. We like to think that we are different from those that are of lower class in our hierarchy. We may act like we respect others, but deep down, the concept of hierarchy prevails. Even today, when two Koreans meet for the first time, questions go back and forth to subtly reveal the status in hierarchy of the two people. Sometimes this is age, sometimes social status and sometimes economic status, but we always establish the hierarchy. When a difference in status is found, the language that we use suddenly changes. The higher class can speak down and the lower class has to speak the polite version of Korean and show respect in almost every word, gesture and even posture.
Another fascinating feature of Koreans and our hierarchical society that also appears in Parasite is the fact that rather than the middle class cooperating with each other to make their lives better, individuals try to move up to the higher class by stepping on their fellow middle class people. The goal is always to make our own lives better by being better than others rather than making everything better. Choongsook demonstrates this when she finds out that Moon-gwang has been hiding her husband in the cellar. Immediately, Choongsook decides to side with the higher class family and fails to see that Moon-gwang’s family and her own would benefit from a partnership. An example in reality? Although most Koreans get outraged when owners of Korean conglomerates or their family members mistreat and deceive the public, most Koreans would do anything to get a job at Samsung, LG or Korean Air. No matter how inhumanely the upper class treats the lower classes, people will jump at any chance to join the higher class and look down on those that are considered lower once they get there, regardless of how many ethical or philosophical values they have to give up.
The dominance of competition in the Korean mentality is emphasized by the fact that both the Kims and the Parks had gone bankrupt from trying to run a franchise store of a ‘Taiwanese Castella’ chain. Even though the Kims hear that Moon-gwang’s family had gone through the same financial difficulties for the same reason, they fail to feel sympathy and only think about competing with those that can be considered their closest fellows. Sadly, another common characteristic among Koreans.
The Absence Of A Middle Class Family
The middle class is the essence of capitalism. The large portion of middle class sets the norm in most modern societies and creates a barrier for the upper class preventing upheavals from inequality. But there is not middle class character in the movie that influences the plot. It’s hard to see this as accidental and for me it was the single most impressive aspect of the plot.
I have two explanations for this absence of the majority. First is that in a strictly hierarchical society, nobody feels like the middle class. Apart from very close friends, everyone else is either in a higher class or a lower class than myself. In one on one interaction with other I’m either the upper class or the lower class. When two Koreans meet for the first time, we ask questions that can lead to answers which give clues to who is higher in the hierarchy. Usually age, social status or financial status is asked indirectly to establish the hierarchy. Once it is established, it dictates the language, gestures and even postures of the two people. Even if one person is a couple of months older than the other, the hierarchy unfolds.
Another reason I think the middle class was left out was because the majority of the audience would be middle class Koreans and Koreans are terrible at taking criticism. If the plot had a middle class family, most of the audience would related themselves to that family. And if the movie showed any criticism towards them, it would instantly become personal to the audience and Bong would have had a hard time both financially and reputation wise.
The Deranged Husband
Moon-gwang’s husband acts like a crazy person and shows unconditional respect towards Mr. Park, who doesn’t even know that Moon-gwang’s husband exists. But is this really that weird for Koreans? Most Koreans work for tycoons that brainwash their employees to show unconditional obedience while not even knowing their names. We arrive at our desks before our superiors do and leave after our superiors leave even if we have nothing to do at our desks and have to kill time watching Youtube videos. Can we really say that Moon-gwang’s husband is that much different from the average Korean? And just like Moon-gwang’s husband, the middle class does nothing about being forced to show fake respect everyday. We actually encourage it by investing years of studies to pass the company employment exams. Yes. Korean companies have exams because there are so many people trying to become employees. One of them is called SSAT. Guess what the first ‘S’ stands for?
Moon-gwang goes on further by impersonating the North Korean national news caster. The North Korean news caster is a symbol of manipulation and oppression for South Koreans. Are South Koreans really in the position to think that North Korea has extreme issues and we are free from oppression and manipulation?
The Hero
Like in reality, there are always exceptions. The exception in this movie? Gitaek. Gitaek is the only character in the movie that acts against the hierarchical system for values that are innate to humans. As a result, he is forced down into the cellar that Moon-gwang’s deranged husband once lived. This also directly reflects the Korean society where being different is unacceptable. Maybe reality is not as severe as in the movie, but going against popular sentiment brings similar consequences. I remember growing up, people who would had tanned skin were called ‘tanning jok,’ meaning ‘tanning tribe.’ During the cryptocurrency boom, people traded cryptocurrency were called ‘coin choong,’ meaning ‘coin vermin’. Such framing isolates people who show any difference from the majority, regardless of whether the difference is positive or negative. Of course, heroes, who act against the wrong when others don’t, are also often isolated by the majority. Gitaek, the hero of the lower class who couldn’t stay put when Mr. Park showed no concern for other people’s lives than that of his son, ends up in the place where a deranged man once lived. The peer pressure to act the same way that others do in Korea is so strong that they can no longer tell the difference between a deranged person and a hero but can only regard them as misfits.
Socially Acceptable Deception
Although the title ‘Parasite’ has a negative vibe, it must be noted that no character in the film ever shows signs of excessive greed or bad intentions. People might debate that the Kims were greedy, but in reality, lying and pretending is everyday life for average Koreans. It is especially considered acceptable when it’s done for profit. Hell, it’s usually considered clever and smart. You’d get a pat on the back if you were working in Korean company and you showed better performance by deceiving others. The lies can be justified further in the movie considering that the Kims were desperate in terms of finances and they had to deceive in order to survive. Giwoo shows no signs of remorse about deceiving the Parks and justifies his lies by saying that he will enter university once he gets his funds together. Things a lot worse than small lies are justified everyday in reality and this is hardly considered a problem among people that have not been educated properly in ethics or philosophy. Do it long enough, and it becomes a way of life.
When Philosophers Are Considered Failures
There are a lot of interpretations about the rock and what it symbolizes. Overall, the rock was the boundary between cleverness and wisdom. Kiwoo, who had the strongest ties to the rock, was no doubt an intelligent character. He was clever enough to deceive the Parks and actually demonstrated knowledge about teaching high school students. But his obsession over the rock implies the boundaries of his intelligence. The power of the rock is a myth and the rock came to Kiwoo with his new job as a tutor. The reason Kiwoo’s friend came over at the beginning of the movie, was to offer him a job. While doing so, he brought the rock as a gift. But as the story progresses, Kiwoo goes on to believe that the rock brought him the new job and good fortune to the whole family. Such myths are still common in Korean culture and often lead to irrational decisions though not as extreme as the case in the movie. A lot of Koreans still read interpretations about dreams everyday and visit fortune tellers before big events such as marriage, buying an apartment, moving jobs etc. The rock is the hope and last resort that Giwoo chose without any logical reasoning.
When Giwoo first meets Dahye, he captures both Dahye and Yeon-gyo’s attention by saying “I don’t care whether the answer to question 24 is right or wrong. In reality, it’s the attitude that’s important.” It’s a great motivational speech, but at the same time, it shows that Giwoo is focused more on handling situations than the basic truth behind the situations.
The study that focuses on the latent truth is philosophy. In Korea, majoring in philosophy is considered a huge failure. Even if you study philosophy in the most prestigious Seoul National University, people laugh and your degree is a mockery. Giwoo’s attachment to the rock, his short term plans and failure to tend to the truth mimics such aspect of Koreans. Without philosophy, we focus on the wrong things. We live in cramped apartments that cost close to a million U.S. dollars and buy exotic cars to show off. A lot of us focus on the top portion of Maslow’s triangle while sacrificing the bottom portions. In other words, we make our lives better by creating fundamental problems. It’s not just Giwoo.
Mr. Park’s ‘Line’
Mr. Park complains about Gitaek’s smell, but he doesn’t fire him for the fact that Gitaek doesn’t cross the ‘line’ that is so important to Mr. Park. From the moment Mr. Park mentions the ‘line’, the line becomes a big deal not only for Mr. Park, but also for the audience as this line has the potential of becoming the tipping point of a major conflict among characters. This mysterious line becomes so important that the audience forget about the basic moral values or philosophical lines of human society and only focus on trying to understand Mr. Park’s line and whether Gitaek crosses it or not. Ironically, it is Mr. Park that crosses the more important line of basic human ethics at the climax of the story. He reveals that he has no respect for human life other than that of his own family when faced with dramatic situations in reality. In spite of having two people in his garden with critical stab wounds, Mr. Park is only worried about his son who had passed out and manages to show disgust towards Moon-gwang’s husband’s smell rather than being worried about his life. Finally it is Gitaek that snaps, not Mr. Park.
“Your Plan Can’t Fail If You Have No Plan”
This is the life philosophy of Gitaek. I’ve seen reviews saying that this is the basic mentality of losers in society. But is it? How many middle class Koreans have made plans themselves that actually worked out? We show hatred towards the owners of Samsung, Hyundai and all those Jaebols, but most of the middle class try so hard to work for them and become a part of their establishments. Was that the plan so many middle class people had that worked out so well? How many Koreans you know currently work at their dream jobs? Gitaeks philosophy isn’t a sign of his inability. It’s his observation of life as a lower class citizen in a hierarchical society. When absolute powers above us make all of the decisions, your plans often get swept away and you are forced to adapt to whatever those higher class people have in store. In other words, Gitaek knows that ‘plans’ of the powerless are merely dreams in a hierarchical society.
Throughout the movie we laugh at the ridiculous plans that Giwoo makes. But in the end, he comes up with a plan to save his father that makes more sense. But how do we feel about that one? It feels closer to a dream than a plan. This is what plans of the powerless look like. Either short sighted plots or unattainable dreams.
So Who Is The Parasite?
Everyone and no one. All three families leech on another family. Moon-gwang and her husband had been leeching on the Parks while traumatizing Dasong. The Kims leeched on anyone with money. And the Parks leeched on the lower class. Despite the whole family working for the Parks, the Kims couldn’t even afford a motel when their underground apartment got flooded. Moon-gwang and her husband couldn’t afford a home either and had debt problems.
More importantly, both the Kims and the Parks scattered like cockroaches when the light switched on and people appeared. The Kims scattered from the Parks’ house when the Parks returned early from their failed camping trip. The Parks and their wealthy friends scattered when the true face of the capitalist hierarchical society appeared in their garden. The Parks had also been hiding in their dens while leeching on the lower class and accumulating wealth. But when the consequences unfold and real people of the society appear, all they can do is run.
When Koreans get tired of these conflicts among one another, we use the term ‘Hell Chosun.’ It’s a word that represents how Koreans leech and step on one another to get ahead of any and all kind of competition. Maybe this is the real parasite in our minds. It eats away at our rational minds and guides us towards irrational decisions. In the end, Mr. Park, Moon-gwang, her husband and Gijung lose their lives, Giwoo gets impaired and Gitaek has to live like an actual cockroach.
  I’m sure there are other interpretations that have different views. I especially found the detail oriented explanations very interesting since by myself, I tend to focus harder on the forest rather than the trees. It would be fascinating to see how people from other cultures interpret the movie as well and whether other hierarchical societies have the same problems. Let me know what you think of my perspective and I hope I’ll soon come across another movie that I can’t resist writing about.
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Taking a little break from Monarch to write out some of my ideas for how Love Eater and Miracle Queen work out in the Lady Luck AU. I thought about waiting for Chat Blanc and Felix but oh well!
As the Lady Luck AU focuses on Chloé having the Ladybug Miraculous from the beginning and getting actual character development until she’s a decent person and leader of an entire team of Heroes, there is no subplot about her and the Bee Miraculous.
Other things in the AU involve the lack of a Love Square by this point(it was only a lopsided triangle to begin with, but Secret Identities have been tossed out the window), and the fact that Chloé’s parents are getting divorced as Audrey is a horrific person.
So naturally, the entire episode has to be rewritten. I have a couple ideas on how to do this, but one of the biggest ideas involves Senti!Bug, or rather, Senti!Luck sticking around a bit longer. So here we go!
After the events of the Episode ‘Ladybug’, the corresponding chapter being called ‘Lady Luck’, Senti!Luck accidentally is left existing.
This is due to a combination of the Peacock malfunctioning due to being damaged combined with the Miraculous Ladybug ability trying to ‘fix her back into existence’.
As she seems like a real person now that she’s not being puppeted by Mayura, and the fact that she doesn’t seem to have an Amok Item(I forget the technical term right now), they decide to treat her like a real person.
Before I go further, let’s discuss how ‘Sentient’ the ‘Sentimonsters’ are, along with ‘Is Senti!Luck a real person?’. And tbh, I’m going to use a computer AI metaphor.
Sentimonsters are like a program’s AI. You program them, give them enough learning capabilities and executive decision making abilities to let them do their job efficiently, but ultimately, they are just a tool.
Senti!Luck, is like this at first. Sure, she’s good at seeming like she has emotions, but she is following her Programming.
After she comes back with the Miraculous Ladybug, she is much more real, like a real person.
The crew decides to treat her as a real person, and tries to figure out how exactly to do that.
Since they’re still not entirely sure if she’s real or not, they don’t let her in on the secret identities.
Lady Luck drops her off at Chloé’s place and then later comes back as Chloé saying ‘oh Lady Luck trusts me to help you’.
Chloé even discusses it with her dad a little bit. She tells him that ‘Lady Luck trusted her to look after a friend’, and basically convinces him to pretend Senti!Luck is a distant cousin or something if asked.
Many things go into cementing Senti!Luck as a person. This all happens during what should be ‘Love Eater’.
One of the first things is a name. After all, they can’t keep calling her Senti!Luck. I’m choosing the name Astra Avalon.
Firstly, because when Senti!Bug happened in Canon, I got flashbacks to W.I.T.C.H. and Will’s Astral Drop.
Secondly, way back in the day when I was writing TOWCK, I was planning on giving Chloé a half-sister named Astra Avalon. Though at that time I had picked ‘Astra’ because I planned to make her an Akuma called ‘Star Maker’.
I’m going to call her Astra from now on in the post.
The next thing is honestly a bit of a make over
Despite being made to imitate Lady Luck, Astra doesn’t look like Chloé. There’s similarities, but between the mask and whatever Magic goes into keeping the identities, Mayura doesn’t know what Lady Luck looks like and just guessed as it would work well enough for the same reasons. Chloé and Astra could pass as related, but not identical twins.
However, they do want to minimize the chance of Hawkmoth and Mayura finding her.
This ends up being a drastic haircut and maybe a bit of hair dye, and a montage of Chloé digging through her closet and finding her an outfit.
The next order of business is seeing how smart Astra is and where to put her in school
Originally I was going to use Ms. Bustier for this, but… Kwami Buster made me switch it to Ms. Mendelieve. Maybe both work on it idk.
Anyway, they want to see what all she knows. Both in a ‘what grade level is her intelligence/learning ability?’ and in a ‘how well does she understand social norms?’ way.
They eventually figure out that she has pretty average intelligence for someone of Chloé’s age group, and a basic idea of how to act in society, but a weird blank in her knowledge on things like common phrases or popular media. It’s not a big thing, but it’s something a little noticeable.
Overall, they agree that Astra could be put in Chloé’s class, but will need some support in social interaction. Since most of the class are Heroes and know about all this, they’re all willing to chip in. Adrien is already planning a movie marathon to catch her up on things.
Cue montage of Astra loving life and being alive
The class is very friendly and understanding, and she’s enough of a blank slate that she can get along with all of them fairly well.
She’s hella curious since even if she has an understanding of things, she doesn’t quite ‘get it’ until she does it herself.
From music to food to tv shows, it’s all new experiences and she enjoys all of them with a hell of a lot of enthusiasm.
Where everything goes wrong is a combo of Lila being a fuck and Astra having a breakdown over the standard ‘oh god I’m not a real person’ thing.
Lila figures out that Astra is Senti!Luck.
As a liar herself, Lila is good at figuring out other people’s lies. She realizes something is up with Astra due to how many lies everyone else is spinning about her, and eventually finds out.
While the info is filed away for the next time Hawkmoth Akumatizes her, Lila decides to confront Astra and threaten her.
Basically, it’s a ‘you help me, and I won’t tell everyone you’re a Sentimonster!’.
Said help would be things like turning against Chloé and friends, getting any dirt Lila could use against them, backing up Lila’s lies, etc.
When Astra refuses, Lila gets all ‘come on, they might be friendly now, but what do you think will happen when they find out what you really are? Our so-called Heroes didn’t even want you around! Just dumped you on some brat with enough resources to keep you alive’.
Cue existential crisis
I mean that literally. Astra begins to question how ‘real’ she is. And to make the AI comparison again, it’s the ‘Sure I feel things, but do I really feel them or am I Programmed to?’ thing.
She also panics over the fact that Lila might be right. As far as Astra knows, only Chloé really knows that she’s just a Sentimonster. The rest of the class has been nice and friendly, but would they do the same if they knew that she wasn’t even Human? Just a Magic Construct that happens to imitate Humanity enough.
I guess it’s a little similar to the Robustus situation, but tbh there’s also the added in ‘Sentimonsters are something evil’ thing added in.
Of course this is enough for Hawkmoth to Akumatize her.
Due to the nature of Astra’s Akumatization, Hawkmoth now knows that she’s Senti!Luck
That’s bad for a few reasons.
I’m debating on Astra’s Akuma form.
Miracle Queen is still an option, being able to control Miraculous holders.
Star Maker though, I could bring her back. Star Maker has the power to create fighters out of Constellations. Think kinda like the Ursa Major/Ursa Minor from MLP. She could use the Zodiac against the Zodiac!
Eventually Miracle Queen/Star Maker is defeated.
Astra is still upset, but the Heroes decide to tell her the secret identities. They didn’t abandon her, and the ‘normal civilians’ she’d been befriending knew what she was the whole time.
She’s still a little sad that they didn’t trust her in the first place, but they explain that even if they trust her, they weren’t sure how much influence Mayura still had over her.
But Mayura had made another Sentimonster during the fight and wasn’t able to control Astra like she did with Feast.
As for what happens to Astra after, I’m not sure. I’ll have to see what happens in Season 4. Unfortunately.
Maybe she stays. After all, she’s a real person now and Hawkmoth can’t control her more than he can control anyone else.
On the other hand, he still might try something with her, so it might be better to send her away. Like the ‘My uncle lives about an hour away from the city and he can take her in’ kind of way.
Either way she is safe and happy!
As for the plot with Master Fu and the Miracle Box…
Lady Luck doesn’t have to go to him all the time because all the Heroes are permanent, so Hawkmoth wouldn’t be able to reliably make a plan that would let him follow her to the Guardian.
And even if he was just waiting and hoping she would, Astra is the only Akuma this time, so it would happen after she’s Akumatized.
Maybe Lady Luck tries to add a new Hero. Maybe Master Fu himself slips up.
Actually, so far I’m thinking that no one slips up.
Master Fu sees how far the Team has come, and especially how far Chloé has come as their leader.
He realizes that they really don’t need him anymore. The only time anyone really comes to him about something other than handing out more Miraculous is either training Chloé as the new Guardian, or Mylene visiting(Something she does so that Master Fu can still talk with Wayzz, since he misses his friend.)
And honestly, with the training there’s very little he can teach that isn’t either clearly outlined in the Book of Miraculous Bullshittery, or things she’d need to learn through experience.
So Master Fu decides to retire.
While he names Chloé as the new Guardian, she does say ‘this is a hell of a lot of responsibility for one person, so the whole team is getting part of this’. Basically creating their own Order of Guardians, in a way.
Since he’s retiring and not ‘giving up Guardianship as a last resort’, the memory wipe thing doesn’t happen.
Instead, he meets up with his girl(I forgot her name like an asshole, sorry), and they leave the country.
Chloé still has his number, just in case he’s really needed, but for the most part he’s still hella gone.
So, again, I might change some things depending on Felix and Chat Blanc, but for now…. >:3c
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Text
(Bomb) Rush Blush
Author’s note: I can’t believe out of EVERY fandom I’ve been in, this is the one that gets me to actively write a ship based fic and I can’t believe that it’s these two idiots in particular that did it or the fact that I still plan I writing more for the Splatoon manga at some point... Whatever, it probably isn’t good but enjoy anyways. The pairing is Goggles x Rider.
Rider had almost expected a peaceful day in Inkopolis Square. The absence of a certain loud and ridiculous team contributed to that, though their disappearance was a bit worrisome. Last time it nearly ended in one or two people being blended and the rest having to stay trapped or out live a certain maniacal electronic. If he didn’t come searching for one of the idiots, they would have been done for... Though, they almost were done for anyways, that phone had a few dirty tricks, a couple involving Rider himself... He’d rather not think of it if he can avoid it.
A slight shiver runs through the Inkling’s body before he shakes his head. Looking towards the shops, he decided to test the new weapons that arrived at Ammo Knights before trying anymore ranked for the day. He needed to clear his head after those kinds of memories anyways... However, the Inkling can already hear noise from the back of the store when he enters. Despite being irritated by the crashing, the Inkling couldn’t help but be curious about who or what could be making such a noise. Grabbing one of the new weapons he thought he might have vaguely heard Sheldon call a “Nautilus”, the Inkling heads out back to check on the commotion. Seeing the other Inkling in the back, Rider wonders why he’s as surprised as he is.
The other Inkling was a boy younger than Rider with blue tentacles, done up in a similar ponytail to his own. They wore a yellow and black jacket constantly now with yellow and black shoes to match. The goggles perched on the boy’s head was his signature and what he was nicknamed after, though it’s not as if Rider could comment much on that, being nicknamed after his own jacket. The happy but ridiculous Inkling was one of the members of the missing team, being mistaken for the leader by some as he usually ends up accepting or initiating the challenges that the Blue Team faced and through some combination of ludicrous luck and and absurd actions, he almost always gives his team the perfect opening for a win. Looking back on it, Rider can only remember a handful of times the team lost their match.
The blue one was apparently messing with the new dualies, whatever they were called and he seems to be having a grand time. Then again, that’s not saying much out of the norm for the boy. His entire team spends their match only concerned with how much fun they’re having and Goggles rarely doesn’t have a doofy grin plastered on his face. The green one debates on turning around and never letting the other know he was there but his mouth decides for him before he can stop it.
“I guess I should have known what all the commotion was. No one else in Inkopolis could make such noise just by testing a weapon.”
The other boy jumps a bit from the sudden chatter and spins around, his signature grin still plastered on his face.
“Oh! Rider! I didn’t expect to see you here!”
The blue one skips over to the older Inkling. Rider notices the bright glow from the other’s tentacles, realizing that he likely just stopped the other before they got to test the weapon’s special. The green one shrugs off the observation.
“I could say the same to you. Shouldn’t you be off somewhere with the rest of your team? You’re the only one I’ve seen here today.”
“Nope! Glasses caught a cold so we told him to stay home and Bobble is staying with Headphones at her place for now. I’ve been running around in solo queue.”
The older one nods a bit, unwilling to admit he’s mildly relieved to hear that’s the reason why he’s not seeing the energetic team out and about. One’s sick, the other two are taking a break. At least isn’t going to be an issue of hunting them down to see if they’re alive.
“Okay then, but why are you here?”
“I wanted to practice with new weapons while my team was out! Gloves made the dualies look pretty fun and I heard there was a new kind so I came here to check them out! They’re pretty fun so far!”
The older one sighs and shakes his head. The younger of the two was a C- in ranked and it was with good reason. He couldn’t take a match seriously to save his own life. So of course he’d be destroying the training area to amuse himself.
“So you’re destroying the test area for amusement rather than testing them out to actually learn them?”
“Well... Not exactly... I wanna learn them but whats the point in learning something if you can’t have fun with them?”
“It gives you an advantage in combat if you know different weapons regardless if you like using them, idiot.”
“Hey! Just because I don’t take everything super seriously like you, it doesn’t mean I’m an idiot!”
“Maybe not but you sure act like one some days. Weren’t you in the tournament against Emperor because you jumped off a tower and destroyed a truck?”
“We won that tournament!”
“But wasn’t that why you entered?”
The blue one goes silent and pouts when the older one smirks, obviously taking the silence as a victory. The silence carries on as the younger watches the older begin to test one of the newer weapons. Suddenly, the younger’s expression brightens up and he begins to wait for the other to ink a decent portion of the testing area before speaking.
“You know, maybe you’re right Rider. I should probably learn a couple weapons at least.”
The older glances back, slightly suspicious by the sudden change of tune the other seems to have experienced.
“Is that so?”
“Yep, but I should start by finishing my tests with this weapon and still have one thing left to try.”
The other turns to face the blue one with their wide grin, confusedly glaring at them until something suddenly hits him. His tentacles are still glowing. He never tried his special and they’re not the same ink color. The green one’s eyes widen in shock for a moment before returning to a glare and growling.
“Don’t you DARE you little-”
“Too late!”
The green one yelps as the first bomb goes flying past their head, turning around they see it coming back towards them and is forced to dive into their ink from their squid form to dodge that bomb and the many others that follow.
“I don’t know about you but I’m having a great time Rider! I should learn weapons with you more often!”
The green one once again growls and risks being outside of his ink for a moment to fire a few shots at his blue rival. A couple of the shots land before the other is smart enough to continue throwing bombs from a safer distance. It’s not as though the green one would actually seriously injure the other though, as reluctant as he is to admit it. He adores the blue nuisance even when he’s like this.
When the bombs finally stop the green one stomps over to the laughing idiot and makes sure to get a tight grip on the other’s collar so they couldn’t get away. The other would seem almost entirely unphased if it wasn’t for the light blue slowly creeping along their cheeks.
“... You know you look really cute when you’re angry or shocked, right?”
The green one’s grip slips for a moment and he has to focus on keeping his glare. What was with this idiot? He could be get punched at any moment and that’s what he chooses to say? The older one begins to believe more and more that there’s no bigger idiot in Inkopolis, as charming as he can be.
“You look especially cute when you blush. The green shows up well on you.”
“Shut up! What is with you?! Out of all the things to say in this situation, THAT’S what you choose to say!?”
The younger merely shrugs, still having a light grin on their face.
“I don’t know. I was just saying what I thought. I mean, it must be somewhat ok. You haven’t punched me yet.”
“... Goggles, just shut up.”
“Make me.”
“... What?”
“I said ‘make me’.”
The older one growls again and the younger’s grin widens.
“Not gonna shut up until you make me! You know I could go on for hours and-”
The younger was suddenly silenced when a pair of lips was placed over his own. The blue one freezes up for a moment from the suddenness but slowly melts into it, returning the affection. When the two break apart, the younger goes to look away, flustered from the action but the other grabs his chin and forces him to look back.
“Will that keep you shut up Goggles?”
“... Yes...”
“Good...”
The green inkling lets go of the blue one and turns away, still trying to figure out exactly what in Inkopolis made him think that was a good idea. Meanwhile, the blue one just stares at the green Inkling silently considering something.
“... Rider, can I say one more thing?”
“Make it quick Goggles...”
“I... I love you Rider.”
“... I love you too idiot.”
The blue one’s face breaks out into it’s signature grin before quickly and tightly hugging the other. Rider’s eyes widen in shock momentarily before softening and allowing a slight smirk to settle on his face. He accepts that he’ll just have to learn the new weapons another day soon after.
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earflappies-blog · 6 years
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have u thought about kyle being more feminine????? the possibility is there???
Anonymous said:so why don’t you make kyle more feminine
I just got the same ask, lmao. Uhh, okay, well, for starters, I guess we’ll have to go with the predisposition that pink and lacy = girly, and dirt and sports = masculine, because there’s no real way to actually convey those things since people are diverse as a whole. 
So, on that note, I’ve said before that I draw a lot of inspiration from my real life peers. The more I write Kyle, he definitely develops and comes into himself on his own, but that’s where it starts out save from when canon gives us slice of life moments. 
Beyond that, I’ve never seen him as such. Like, he’s headstrong and stubborn, he doesn’t like to concede until it’s too late, and it’s mainly because he feels like he has to hold on to this infinitesimal sense of pride. But why? For who’s sake? Well, he’s often singled out and made to feel different and inadequate whenever the opportunity presents itself. I wouldn’t be wholly against saying that he maintains such good grades and a good sports record because he tries hard. There’s natural talent there, but I think he tries hard because you can’t really rag on someone who is genuinely decent.
Now get this, as someone who comes from a fairly small suburban area, and frequently visits family from hick towns where everyone knows each other, you don’t really make it a concern to be different. There’s good different and there’s bad different, and generally, the stigma goes anything not ‘normal’ gets pretty shat on. I think it’s safe to say Kyle’s self esteem wavers, and psychologically, sometimes it’s a lot easier to go with the crowd than against it. We’ve seen him attempt to keep up with trends on multiple occasions in the show. 
Alternatively, there are times where he’s felt pushed to the extreme and has stood alone for morals sake. Yeah, he can be an individual, but my point is that even if he were into that kind of thing, I doubt he’d actively and consistently act on it. Where some peers wouldn’t care, others definitely would. I guess what I’m saying is that if I were to ever delve into writing Kyle from a more feminine perspective, he’d definitely come from a closeted point of view. It’d be an ongoing battle with anxiety, hiding, and railing on himself and his general disposition. Because people can’t help what they like and Kyle is smart enough to know better. 
His drive for approval and acceptance is mostly a subconscious thing. He’s good at a lot of shit, and if that can’t help him out, going against mountain town ideology definitely isn’t going to in his mind. 
But I digress. In all honesty, I don’t think there’s any one right way to be feminine without using social norms as a defining point, but that’s so discouraging. I just don’t think Kyle cares or is really into that sort of thing and to me, it just comes across as more so like self projection than anything? I’ve seen it touched on a few times but I’ve never really seen it delve into the genuine assessment of Kyle as a person or the weight that his choices would later heave on his back. I never see the psychological aspect or reasoning behind it, and that too, is disheartening, because I feel it’s something that could be really picked apart and dissected as a concept. 
Maybe someday I’ll dabble with it - if only because they say if you don’t like something then do it yourself, but it’s reasonably unlikely. I dunno, I feel like if I wanted that, lol, why not just play a girl character. Or the token male sacrifice for heteronormativity, Butters. 
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