🎨 Françoise Gilot
Françoise Gilot - Portait of Muriel Berman with Flowers - 1975
Françoise Gilot - Tulips and Ballerina's Slippers - 1954
Françoise Gilot - Cornucopia - 2004
Françoise Gilot - 'Le vase fond rouge' (the vase has a red background)- 1958
Françoise Gilot - Sun's Fire - 2004
Françoise Gilot - African Violets - 1971
Françoise Gilot - Sunflowers with Fallen Petals - 1976
Françoise Gilot - Self-Portrait in Orange with Blue Necklace - "A Portrait of the Artist as a Young Woman" - 1944
Françoise Gilot - Self-portrait at Work - 1946.
At 21, Gilot met Pablo Picasso, then 61. Picasso first saw Gilot in a restaurant in the spring of 1943, during the German occupation of France. Picasso painted La femme-fleur, and then his old friend Henri Matisse, who liked Gilot, announced that he would create a portrait of her, in which her body would be pale blue and her hair leaf green.
From 1943 to 1953, Gilot was the partner and artistic muse of Pablo Picasso, with whom she had two children, Claude and Paloma.
In 1969, Gilot was introduced to the American polio vaccine pioneer Jonas Salk. Their shared appreciation of architecture led to a brief courtship and a 1970 wedding in Paris. During their marriage, which lasted until Salk's death in 1995, the couple lived apart for half of every year as Gilot continued to paint in New York City, La Jolla, and Paris.
Once asked what it was in her that attracted such outstanding men, Gilot responded: "I think I am just as interesting as they. Lions mate with lions. They don't mate with mice."
Pablo Picasso - Portrait of Françoise Gilot -"Femme assise en costume vert" - (Woman sitting in green suit) - 1953
Her memoir first began to dismantle the glorious Picasso legend—more than hinting at his stupefying misogyny and obsessive envy of Matisse’s unflagging invention. She was the only women who ever left Picasso & he tried to ruin her career.
Of Picasso she said: “He did not destroy me because I was of the stuff that cannot be destroyed. I do not need another consciousness to define my own.”
Françoise Gilot - The Telephone Call - Self portrait with Claude and Paloma - 1952
In 1969, Gilot was introduced to the American polio vaccine pioneer Jonas Salk. Their shared appreciation of architecture led to a brief courtship and a 1970 wedding in Paris. During their marriage, which lasted until Salk's death in 1995, the couple lived apart for half of every year as Gilot continued to paint in New York City, La Jolla, and Paris.
Living Forest - 1977
Once asked what it was in her that attracted such outstanding men, Gilot responded: "I think I am just as interesting as they. Lions mate with lions. They don't mate with mice."
Françoise Gilot in her NY studio, 2011. Still painting everyday at the age of 90.
Françoise Gilot - 1921-2023
91 notes
·
View notes
IDEA NOT FIXED
“…Thy body permanent, / The body lurking there within thy body, / The only purport of the form thou art, the real I myself, / An image, an eidólon…” —Walt Whitman
A stereotypical modernist-bohemian “arteest” paints from a nude model. 1) He moves from behind the easel towards her. The chase is on. 2) He tries to grab one of her “lines” and it breaks; she escapes. 3) He tries again with a bear…
View On WordPress
0 notes
Francoise Gilot - Woman Looking Upward
62 notes
·
View notes
Portrait of Françoise, May 20, 1946
Pablo Picasso
305 notes
·
View notes
Françoise Gilot par Michel Sema, Villa la Galloise, Vallauris, 1948.
34 notes
·
View notes
Françoise Gilot (French, b. 1921), Sea-Space, 1979. Oil on canvas, 97 x 162 cm
231 notes
·
View notes