Satu gigitan, atau sisa cokelat di tepi bungkus, sisa nasi di piring tumpeng, akan tampak amat sangat berharga untuk sebagian orang yang berjuang demi mencapai rasa cukup.
Sebungkus nasi kucing adalah nasi yang mungkin paling sedikit dan murah di desa itu, namun keberadaanya membawa berkah untuk para pencari garis murah, atau manusia dengan visi "hanya kenyang". Semuanya, berfaedah.
Kadang kala saat peluang itu di depan mata, engkau bersikap angkuh. Ya, seseorang tengah menyadari itu. Penyesalan selalu ada dibelakang. Bagaimana selanjutnya?
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Gary and Bonnie lead Marshall and Marcy away from their toxic parental figures. Both choosing the other over their responsibilities. One escaping said responsibilities by falling down, the other going up. Bubbline’s mutually-assured destruction, implied by Gumlee’s kiss. Queer obsession ending in death, and queer love, fulfilled, shown as two sides of the same coin. The implication that these two will be together, forever, no matter the universe.
I think that what's brilliant about The Far Side is how it can imply an entire narrative with only a single panel. It's sequential art without the sequence. Like this one
There's the obvious implication of what's going to happen in the future (there's going to be a hunt), but it also stretches into the past: what circumstances in the anthropology of this group of cavemen must have happened to establish a tradition of dancing with Woolly Mammoths? Why does it, in spite of it's obvious absurdity, feel kind of right that there should be a dance before the cavemen and the mammoths engage in mortal combat? The reluctant fearful expression on the caveman at the bottom; is this his first hunt? Are those his elders trying to reassure him? Does the one mammoth actually seem to fancy him? What about the one looking fearfully back at his friends? How does he feel that the others aren't there to reassure him? One of the mammoths in the upper right looks just as fearful as the cavemen; why? etc.
And all of this is purely evoked. There's only simple line-drawing and two sentences of text, but you see it and it reminds you of other sorts of narratives you've seen or experienced, and your brain constructs a whole temporal sequence; and any possible answer you could get to above the questions would never be as satisfying as what your brain fills in.
Với rổ lớn có thể chứa đến 6kg và rổ nhỏ có thể chứa 4kg, tủ đồ khô 6 tầng Garis GS06.60 cho phép lưu trữ lượng lớn vật dụng và tiết kiệm không gian trong bếp.