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reallyhardy · 3 years

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regent’s open air theatre LSOH (2018) breakdown

act two. continuing on from [this post about act one!]

after the intermission they went back into mushnik’s for ‘call back in the morning’ which featured the ensemble in the number with a bunch of telephones kind of tangling/tying up audrey and seymour with them, but by the end they’d all been disentangled - it looked so chaotic i was so impressed with how well organised it was to free them by the end of the song :’) found a backstage clip showing some ensemble members from this scene:

then it was time for more heartbreak!!! the scene where seymour shows audrey his leather jacket. i kinda loved the jacket itself tbh, it had all this fringe on the back and sleeves (which was another visual call to audrey ii in drag queen form, who wears a jacket with chain “fringe” on the sleeves) and there was a rhinestone plant and ‘seymour’ written in rhinestones. but of course audrey is horrified and backed herself up against the wall and started crying and after seymour threw the jacket away they go into suddenly seymour which was done quite sweetly - seymour handed her his ‘kleenex’ (but it was a wet wipe because she actually did take off her lipstick with it)

ALSO notably there to cast a sinister light on the emotional moment - the mushnik’s shop rotates to reveal the audrey ii plant, which was grinning behind audrey and seymour as they hug at the end of the song. LOVED THIS extremely ominous the fact that the plant was smiling evilly behind them was just chef’s kiss things are about to go horribly wrong.

but anyway. now that seymour and audrey are ‘official’ they kiss!!! kind of. it was more like… seymour leaned in and kissed her nose and then sort of…slid his face down kind of towards her mouth??? it was so awkward but...v cute :’)

and of course now that we’re in act ii things are going a little worse and it’s definitely showing on seymour, who has not been beaming nearly so much and looks pretty stressed out and upset a lot of the time. by suppertime he’s freaking out and looks genuinely so mad and angry with himself when mushnik gets eaten by the plant: which was done by having the plant mouth open, mushnik step inside, and then drag queen audrey ii step up behind and attack while vines close in, and then the mouth closes up:

i think... there was more of audrey ii trying to be flirtatious with seymour either before or after this, but he is much more disgusted by it and doesn’t have to try to snap himself out of it:

(note by this point audrey ii’s wig no longer resembles OG audrey’s, and by now seymour hates her guts.) this continues into ‘the meek shall inherit’ and i loved the staging of this one because the ensemble are still in black-and-white but now wearing these pink-green gloves with pointy ends (so they look like audrey ii’s vines) and they had vines extending out from the scenery/props too, all closing in on seymour who’s freaking out even more.

in this one matt willis made multiple quick changes to play all the different characters trying to buy seymour/the plant, and he was brill each time (this wasn’t all of the looks but it was all i could find from the show trailer:)

oh, and when it came to the “then there’s audrey” part of the song, seymour takes the kleenex from suddenly seymour out of his pocket.

so seymour plots to try and kill audrey ii by grabbing a bunch of weapons (and tying a green rambo-style headband around his head) but before he can get to it audrey comes in with her seymour-costume!!! (she was even shorter next to seymour then because she was wearing converse instead of heels) and argghhh it was just so cute!!! and the sweater she put on was the one she had to come back for during ‘feed me’ which was a cute touch.

(i could only find a design sketch for the main actress in that costume, but did also find her understudy rosalind james in the same outfit.) then... sadness again though because then they go into the ‘would you still like me/i’d still love you’ scene. ‘somewhere that’s green’ plays instrumental while seymour promises he’ll find them a better life. they do their adorable little awkward kiss again and then audrey leaves.

heading toward the end then into suppertime reprise/sominex, and then the confrontation… the whole time me knowing what’s coming i was just like audrey don’t but then of course…audrey does. (also she had another costume change, this time into a half-blue-half-pink nightdress with a transparent pink raincoat on top.)

she steps into the plant ‘mouth’ and audrey ii bites her neck vampire style (so there’s no doubt that she has been wounded, no “she just fell asleep because of the sominex” theory here,) before seymour can get her out.

somewhere that’s green reprise of course i was crying again – the actress kind of played the ‘when i die, which should be very shortly’ line for funnies rather than sincerely BUT. then she went into the reprise and ohhh my god i was so sad watching seymour hold her. i noticed they never really properly kissed on the mouth (because seymour’s bad at kissing) but he was really desperately hugging her and shaking and kissing her all over on her shoulders and her hands and it was DEVASTATING.

after audrey dies seymour kept crying her name which was…i thought a bit much but sure, why not. he was sad. then he carried her to the plant and she stood up and walked backwards so they were looking at each other as she went into the plant’s “mouth” and he held onto her hands as long as he could. (this time there were no vines and the drag queen version of audrey ii wasn’t there either so it was more of an emotional parting than watching a violent/comical death.)

after that seymour tries to kill the plant (drag queen audrey ii was standing above, on top of the mushnik store prop) so he shot at her first with his halloween prop gun and then tossed the boxes of rat poison into the plant mouth, and then of course charged into the mouth and the vines are back and grab and crush him and then he’s dead. RIP that silly fool who i loved.

then it’s don’t feed the plants! the urchins come out and are wearing new outfits and open the number…

then there was the ‘characters come back onstage as plant buds’ version of the ending, but oh my god. this was so much fun i loved it so much. mushnik, orin, audrey and seymour dash out of the plant opening wearing audrey ii-ified costumes and!!! it was amazing. mushnik was in a sparkly green sequin jacket and kilt, orin was wearing his black combat boots and a sequin minidress, audrey was wearing a big poofy 1950s-ish (you know, because of her somewhere thats green dreams) pink-and-blue dress with flowers and little white gloves (and still her glasses) (and i remember as she ran out on stage she mouthed WHAT THE FUCK lmao) and seymour’s was this big puffy clown suit (probably because…he’s kind of a fool) over his blue shirt (now with sparkly red blood on it, implying that his arms/legs have been eaten) and all the ensemble also had similar crazy plant looks, very flytrap with a lot of teeth and big floppy tongues.

seymour and audrey had the little ‘we’ll have tomorrow’ line too which made my LSOH-obsessed ass get tearful again too - they grabbed each others hands for it and !!! my emotions.

there were a few bows after that but then audrey ii interrupted and was like wait we ain’t finished!!! and they did mean green mother from outer space as this huge dance number which was extremely fun. this finale was very similar to how the spongebob musical ends - after the song they tossed huge green beach balls into the audience and had a huge confetti cannon explosion. of course i went nuts for it lmao. and the best part is that THERE IS A VIDEO ON YOUTUBE:

youtube

and then it was over. iirc it took a total 10 hours for my sister travelling there and back in on day, but it was 1000% worth it!!! next post: gonna look at costumes in detail!!!

#little shop of horrors #LSOH #regent's park open air theatre #long post #flashing gif cw

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fycarmensandiego · 5 years

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My thoughts on the new show

It’s not really a proper review because how would I even do that, so here are my various thoughts, somewhat collected! (This is long as hell, fair warning.)

General thoughts:

Le Chevre and El Topo are definitely a couple. I’m so glad other people in the tag are seeing this too. My first inkling was when they were hugging each other after graduating, but it was Carmen’s comment that they only ever work together that really got me like “oh they’re gay.”

Speaking of gays, Dash Haber (Countess Cleo’s courier) is one. His voice is so gay-coded, I knew this one immediately. Not crazy about him being an antagonist (even among antagonists), but he amused me, so he’s good.

Even if they have the same names, these are different characters. The exceptions here being Carmen, the Chief, and possibly Julia. This isn’t a Tomb Raider: Legend case of putting characters in different situations and slightly changing their personalities, or even a Tomb Raider 2013 case of radically changing their personalities to coincide with their new paradigms. Chase, Zack, Ivy, and the rest are really entirely new characters that simply share their names with past characters. It’s almost as if the names are references to the past shows and games than ties to those characters.

For the most part, they even have different designs. Zack is certainly the most radical change, but even the most similar have some changes. Prof. Maelstrom isn’t nearly as stocky as his namesake, and while Dr. Saira Bellum has wild hair like Dr. Sara Bellum, it’s a strange shape as well as a strange color, and her skin is darker.

This isn’t the first time something like this has happened in the franchise, either. Minnie Series from Where on Earth is apparently a totally different character from Minnie Series from the original Where in Time game. Adventures in Math changed a lot of the characters’ designs and backstories: some, like Jacqueline Hyde, still had the same core, but others, like Jane Reaction, are so different they have to be considered different characters. And then there are all the different iterations of the Chief: old white guy, middle-aged white guy, middle-aged Black gal, hologram, presumably white guy shrouded in mystery...

I will say that as a result of this, I was disappointed with Zack and Ivy. Not because this Zack and Ivy are bad characters, but because Where on Earth Zack and Ivy are my favorite characters in the franchise after Carmen, and I was looking forward to getting to see them, or at least characters resembling them, again. But, it is what it is.

I get the Kim Possible comparisons, but they’re not where I’d jump first. There are similarities: both are action shows with deliciously OTT villains (though the VILE gang wish they were as effortlessly iconic as Drakken, Shego, and Señor Senior, Sr. and Jr.) and similar art styles, and Player/Wade is a fair comparison. But I have to say I’d never have thought of that comparison if I hadn’t seen it here on Tumblr, perhaps because KP was rooted in Kim and Ron’s daily lives (Sailor Moon-style), whereas CS is rooted in its overarching plot (Chuck-style).

I do agree with another comparison: Coach Brunt and Countess Cleo, and Eartha Brute and the Contessa. I saw a post in the tag earlier today that brought this up, and while I hadn’t thought of it - probably because the Where in the World show is one of the parts of canon I’m least familiar with - it seems legit to me. I had wondered why these two were seemingly born out of nowhere, when the other three had their names and likenesses drawn from Where on Earth characters. (Shadowsan seems to me to be based on Suhara’s design and, to some extent, personality, with Shadow Hawkins’ name.) The specific theory that post espouses, that it’s a legal issue, seems possible to me. Although the World villains did appear in other Carmen media, I know WGBH and WQED own the copyright to the show, though they licensed the franchise from Brøderbund. So I have no idea what the legal tangle is behind that show, and I imagine it’s very complicated.

Speaking of WGBH: I wonder if Zack and Ivy being from Boston is an incredibly subtle reference to its location there.

I have mixed feelings about the art style. It is great in still shots, but I found it a little hard to watch as animation for very long.

I don’t ship anything – yet. Julia’s clarification of “travel partner” is certainly ripe for shippy implications, but for me there’s really not much on a personality level to ship her and Carmen at this point. (Likewise Carmen and Ivy, or Carmen and Zack.) I could definitely get behind Julia having a crush on Carmen, the way I feel OG!Jules certainly does.

As to Gray... he was plainly asking Carmen out / hitting on her when he gave her his card. But even on the way to the date, she insisted she saw him as an older brother figure. Like with Julia, I could potentially get behind it in future, but I’d have to see it developed further. There’s also the matter of him trying to kill Carmen, which I’m not crazy about... Carmen’s forgiven him since he was under orders from VILE, and his mind-erase courtesy of Dr. Bellum has given him a fresh start, but it didn’t change who he fundamentally is as a person, and that person made the decision to join VILE and ultimately to agree to kill Carmen. But I’m not totally anti-Carmen/Gray at this point.

(In re Carmen’s sexuality: I have always felt strongly that all of Carmen’s previous incarnations were ace/aro, but this Carmen? The sapphics have claimed her, and I’m here for it. I’m fine with her being gay, bi, or pan. I’m fine with her being acespec and/or arospec, or not.)

I was surprised by the violence. Scenes of literal attempted murder would never have made it in previous shows or games! In fact, a lot of the melee combat wouldn’t have. The franchise hasn’t always been totally non-violent - Ivy whacked the occasional villain around on Earth, and ThinkQuick and Stolen Drums both required the player to destroy VILE robots, the former featuring robots with personalities - but I don’t think it’s ever been shown in such detail as the combat scenes in this series. I don’t have a problem with it, exactly, but it was a little jarring.

Things I didn’t like:

The educational moments were utterly didactic. I guess you could say the same about Earth, but I feel like it integrated the education into the plot better, and it certainly made the educational moments more fun by working jokes into them. Meanwhile, this show is taking the Stolen Drums approach of info-dumping for two minutes and then moving ahead with the actual plot with no attention to education thereafter. To go back to my favorite video game (I warned y’all), fucking Tomb Raider: Legend did a better job integrating education with action. And it’s not even supposed to be educational!

Stop trying to make “caper” happen. It’s not going to happen. It’s a perfectly good word to use from time to time, as it always has been in canon, but for “The ____ Caper” to be every episode title, and for it to be used at every opportunity in the script when “theft” or “heist” or another word could have been used just as easily gets annoying. The thesaurus: it exists. Also, it’s so overused that at a certain point I started thinking of the culinary garnish instead of a crime. (And I’ve never even eaten capers. I don’t think I’ve ever even seen them in person.)

I’m not crazy about the newly established genesis of Carmen’s name. Having her grow up with no name but “Black Sheep” makes me feel uncomfortable tbh, and while I like the significance of her choosing her own name, pulling it off a hat label seems cheap. And out of character for someone as thoughtful as Carmen.

Some of the villains seemed like real cultural stereotypes. Thankfully, it was not nearly as bad as Adventures in Math, or we’d literally have had Le Chevre saying, “Hon hon hon, baguettes!” but Shadowsan and Paper Star in particular made me uncomfortable as they felt like very stereotypical “Japanese” characters. The same could be said of Coach Brunt, who while not a stereotype of any marginalized group, was definitely a bit one-note. Coach Beiste, but evil and Texan.

Cross-language misspellings. Namely, Shadowsan and Le Chevre should be Shadow-san and Le Chèvre, should they not? The omission of accent marks has always been one of my major bugaboos, and while it’s not the first time the franchise has done it, it still annoys me. Shadow-san’s missing hyphen annoys me even more, since the hyphen indicates that other honorifics could be used, and in fact, it would (if I understand correctly) be more appropriate for his students to address him as Shadow-sama or Shadow-sensei while his peers call him Shadow-san.

I felt some real misogynistic undertones to Tigress. In a show that otherwise is quite female-forward, it irked me that of Carmen’s four classmates, only one is a girl - and she’s the one who becomes Carmen’s rival. And then for that to continue throughout the series, setting her up as the mean girl to Carmen’s good girl (in many ways, the Regina to Carmen’s Janis Ian), really bothered me. I certainly don’t think female characters have to be perfect, or expect perfect representation, but it feels like Tigress’ development just was not done mindfully, and instead they let themselves fall into misogynistic tropes. It’s not like you to pit women against each other, etc. etc.

The ages and timeline confused me. Carmen seems to be in her late teens or early twenties throughout the main part of the series (I saw a post that mentioned she says she’s 20), yet she was clearly still a preteen or young teen when she stole Cookie’s hard drive. Since Cookie’s delivery is an annual event, its information shouldn’t last Carmen those several years to grow up.

By a similar token, Player seems to be the same age in the flashbacks as in the present day. As a result, he seems a little older than Carmen to start, and a few years younger to conclude. It messes me up. Not least because, not gonna lie, I want to be sure it’s okay for me to be so gay for Carmen.

Things I liked:

The references to previous canon. Along with the aforementioned names, we have:

Rita Moreno’s cameo! (Please, please, God, give us another Rita cameo and cameos for the rest of the Earth cast next season.)

Mentions of punning names. This was delightfully lampshaded with Gray’s original codename of “Graham Crackle” and the subsequent drags from his classmates. And while most of the other characters didn’t get punning names, one of the two who did was Rita’s character, Cookie Booker, the bookkeeper - or, indeed, book-cooker.

The very meta plot point of Carmen getting her outfit by stealing it from Cookie, voiced by her previous incarnation’s voice actor.

Frequent utterances of “Where in the world is...” or “Where on Earth is...”

Tigress’ name, a reference to an Earth episode where Carmen faces a new rival. I don’t know if the Duchess plotline was also a deliberate reference to this episode, or a subconscious one, but it’s so similar that I can’t think it was total coincidence.

I’m thinking “the cleaners” are a reference to the Ick brothers, the janitors from World and USA 3.0.

Carmen is ginger. I have a significant bias for redheads. (I dye my hair red and am only half-joking when I call myself transginger as well as transgender. Heaven on Earth-era Belinda Carlisle is one of my major style rolemodels.) Carmen suddenly being auburn for the first time just makes her even more endearing to me than one would have thought possible. Plus, Ivy and Zack both being redheads? Iconic.

Carmen is also gorgeous. Now, unlike some of you, I have never previously been gay for Carmen; she’s always been more of a big sister figure to me. Instead, as a kid, I was gay for TV!Jacqueline Hyde, Ann Tikwittee, and Ivy, in that chronological order. But the moment I saw this Carmen with her hair up in the trailer, I was a goner. And in her cocktail dress at the charity auction, or her black catsuit at the end of episode 9? I thirst. There were several other points as well where I was just like, “Oh my god, she’s so pretty.” Yes, darlings, I am very gay.

That choker. Most fashionable thing Carmen’s ever worn. Fight me. We love a stylish queen.

Player has a fidget spinner. And it’s only seen briefly, which to me says it’s an everyday part of his life, not something they threw in to try to seem cool... Which in turn allows me to point to something and headcanon that Player is autistic. He’s also known mostly by a username, and spends most of his time working on his special interest, and doesn’t seem to be one for socializing in traditional ways. We love an autistic prince. (Also, this makes him in some ways a male version of my girl Futaba from Persona 5. Again, iconic.)

(To be clear, especially since it wasn’t in my little self-introduction the other day, I’m self-diagnosed on the autism spectrum. So well-written characters being autistic is really fun for me.)

Player is from Niagara Falls, near where I live (I’m on the outer edges of the Buffalo/Niagara Falls MSA), while Zack and Ivy are from Boston, where I’m moving next month. Totally personal to me, but I’m so delighted. Now, granted, Player is on the Ontario side of the Falls rather than the New York side, but still. (Hell, who can blame him for not living in Niagara Falls, NY? It’s a hellhole.)

The VILE leaders stay iconic. Countess Cleo’s crush on Zack in his “Duke” guise is hilarious and adorable, and Dr. Bellum’s obsession with cat videos? Legends only.

Paper Star is generally fantastic. It’s actually too bad for me she’s a villain, because I find her super likeable. Her tendency to hum/sing to herself is also really endearing, and she’s another one who’s easy to headcanon as neurodivergent. I really hope we get more of her, and more of her outside combat and the daily business of villainery, because she’s easily my favorite of the VILE crew.

Tigress is also awesome. Yeah, the female character bias is real, but she’s def my second-favorite, which amplifies my annoyance at the aforementioned misogyny. To be honest, though, part of it may be that she’s basically Amanda Evert, my girlfriend from - you guessed it, folks! - Tomb Raider: Legend, with purple lipstick.

Zack and Ivy met Carmen while casing a donut shop. This is so delightfully silly, and I adore it. Like, who the fuck robs a donut shop of all things? I feel like it could’ve been a reference to them being fat, maybe one that was meant to be developed further but ended up on the cutting room floor? On that note...

The fat positivity is real. Zack and Ivy are still able to move around and are even somewhat athletic; the Countess crushes on Zack; and nothing negative is said about their weight (except the potential implications of the donut shop). I love this.

Carmen and Jules’ conversation. As I said above, it’s not enough for me to start shipping them, but I love that Carmen casually addresses her as Jules rather than Julia. It’s so much like when people I don’t know well call me Soph instead of Sophie, which I always love because it connotes that closeness. Moreover, since Julia’s previous incarnation / namesake was almost always called Jules, and was Carmen’s former detective partner, I feel like there’s an implication that Carmen coined that nickname and it became her primary moniker. It’s just so good, and shipping or no shipping, I really hope we get more interactions between them next season.

The voices are good... mostly. Maelstrom is definitely the one I was most impressed with, as his voice has a lot of character while still being easy to understand. Liam O’Brien was doing a great Tim Curry impression there, but much less egregiously campy and therefore more believable. Sharon Muthu was also fantastic as Dr. Bellum - not as fantastic as WOEICS!Sara’s voice actor (Candi Milo?), but then, who could be? And Kari Wahlgren’s performance as Tigress was snarly perfection.

Gina Rodriguez is a big departure from Carmen’s typically low-pitched voice, but she’s perfectly fine. I never sat up and went, “Wow, what a performance!” but I can’t find any fault with it either. Finn Wolfhard as Player is obviously cross-promotional stunt casting, but surprisingly, it’s also perfect casting.

On the minus side... Zack and Ivy. Part of it is that their accents are so ridiculous that it’s distracting (see above Tim Curry comment). Part of it is that, at least to my ears, the accents aren’t believable - I thought they were supposed to be from Brooklyn until they mentioned Boston. I actually don’t fault the VAs for this, as they both have moments where I got the sense they’d be capable VAs for the characters (and I know Abby Trott is talented as I loved her in Tales of Berseria and Nier: Automata), but rather the voice director(s) who pushed them toward those performances. I feel like if the direction had been different, I’d have liked Zack and Ivy a lot more.

That plot twist. I truly never saw it coming. I suspected that Coach Brunt was not, in fact, the one who found Carmen, but I’d actually thought it might have been Prof. Maelstrom. The extent of Shadowsan’s revelations was a big surprise to me. Kudos to the writers for pulling that off.

Conclusion:

It’s not the series I expected. It’s not the series I hoped for. But it is one that I enjoyed, both on its own merits and for revitalizing the franchise. As I said last night, it is a hell of a feeling to have new Carmen content in 2019 (that’s actually getting attention), and for it to be really good content is a relief.

If anyone else wants to share their thoughts, either one-on-one or with the rest of the community (as it were), please do! I’d love to talk more about this series and this franchise and the thieving queen of my heart, Ms. Carmen Sandiego.

#cs2019 #carmen sandiego spoilers #reviews

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