#ferruccio furlanetto
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two minutes into the duet and he gives you this look
#io voglio averti a me daccanto if you know what i mean hehe#wake up babe its posa posting time again!!!#its been so long since ive made any don carlo shitpost... i feel like its 2021 again god bless#but you cant send me winking furlanetto and expect me not to go insane sorry sofia#don carlo#of spain???#ferruccio furlanetto#opera tag
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youtube
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if you ever wanted to hear young Ferruccio Furlanetto ham it up in Rossini and talk in a British accent, here’s your chance:
(from this performance)
#opera#opera tag#il viaggio a reims#the journey to reims#ferruccio furlanetto#I NEED MORE PEOPLE TO WATCH THIS OPERA#rossini#gioachino rossini
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Don Giovanni
Bryn Terfel, Renée Fleming, Ferruccio Furlanetto, Solveig Kringelborn, Paul Groves, Hei-Kyung Hong, John Relyea, Sergei Koptchak
The Metropolitan Opera Orchestra and Chorus, James Levine
Production by Franco Zeffirelli, 2000
Act 1 - E. Don Giovanni's ballroom - 2. Finale Act 1
Soon Zerlina scream is heard; Elvira, Anna and Ottavio, as well as Masetto, make to rescue her. Giovanni re-enters, dragging Leporello and denouncing him as the miscreant. No one, however, believe him, and Act 1 ends in confusion, with Elvira, Anna and Ottavio facing Giovanni and calling down vengeance upon him.
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#GIFetto#Don Giovanni#wolfgang amadeus mozart#orchestra#Opera#Donna Anna#Renée Fleming#Don Ottavio#Paul Groves#Donna Elvira#Solveig Kringelborn#Bryn Terfel#Masetto#John Relyea#Zerlina#Hei-Kyung Hong#Leporello#Ferruccio Furlanetto#Met Opera
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mullet
#the mullet is the least of it but#it's like the cherry on top.#sparafucile#rigoletto#ferruccio furlanetto#opera#it's just real weird knowing he was cute under there#lmfao
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intro
hi I'm Rose this is an ask blog for the paring of Leporello from Mozart's Don Giovanni and Jean Valjean from Les Mis 2000
askbox is always open
how this ship came to be: well afeter seeing art by @leporellian (a fantastic artist by the way ) of her ship Lep x Fiorello i decided i wanted to pair up Lep with someone too so i thought Fantine at first but then i said what if Valjean fell for Lep and Lep for Valjean so the ship Bunnysports was born
the reason for the name was trough an old Javert X Maruis ask blog coffeeports so i said Leporello means bunny so bunnysports was born
feel free to ask Lep Valjean or both questions
NO NSFW ASKS
Rose. Admin
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Il catalogo è questo
Giuseppe Gazzaniga (1743 - 1º febbraio 1818): «Dell’Italia, ed Alemagna», aria di Pasquariello dal I atto del dramma giocoso Don Giovanni o sia Il convitato di pietra (1786) su libretto di Giovanni Bertati. Alfredo García, baritono; María Rodríguez, soprano; Real Orquesta Sinfónica de Sevilla, dir. Pablo González.
PASQUARIELLO
Per me… sentite… vi dirò… siccome…
DONNA ELVIRA
Non…
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#Alfredo García#Ferruccio Furlanetto#Giovanni Bertati#Giuseppe Gazzaniga#Lorenzo Da Ponte#María Rodríguez#Orchester der Wiener Staatsoper#Pablo González#Real Orquesta Sinfónica de Sevilla#Wolfgang Amadeus Mozart#Zubin Mehta
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Arena di Verona – AIDA. Non buona la prima
Arena di Verona – AIDA. Non buona la prima
Di Federico Scatamburlo
Aida, sontuosa, magnifica, sempre spettacolare in qualsiasi allestimento. Questo è quanto si aspetta il pubblico da questa grandiosa creazione scaturita dal genio di Giuseppe Verdi.
Per la prima rappresentazione dell’opera in titolo in cartellone nel 99° Arena di Verona Opera Festival, finalmente liberi dalle mascherine e dai distanziamenti, il pubblico è accorso…
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#Aida#Ana Sofia Scheller#Anna Anni#arena di verona#Carlo Bosi#Daniel Oren#Ekaterina Olenik#Ekaterina Semenchuk#Federico Scatamburlo#Fernando Montano#Ferruccio Furlanetto#Francesca Maionchi#Franco Zeffirelli#Gaetano Petrosino#Giuseppe Verdi#Liudmyla Monastryrska#Murat Karahan#Roman Burdenko#Sava Vemić
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Opera on YouTube, Part 2
Le Nozze di Figaro (The Marriage of Figaro)
Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)
Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV
Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)
Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)
Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)
Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)
Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)
Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV
Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)
Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)
Tosca
Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)
Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)
Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)
Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)
Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)
Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)
Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)
Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)
Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)
Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)
Don Giovanni
Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)
Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)
Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)
Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)
Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)
Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II
Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)
Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)
Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)
Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)
Madama Butterfly
Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)
Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)
New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)
Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)
Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)
Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)
Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)
Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)
Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)
Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)
#opera#complete performances#youtube#le nozze di figaro#the marriage of figaro#tosca#don giovanni#madama butterfly#madame butterfly#wolfgang amadeus mozart#giacomo puccini
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My toxic trait is believing no one will ever do a better Leporello than Ferruccio Furlanetto
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Hello! My partner (went to grad school for Greek tragedy; knows nothing about opera outside of my so far very introductory info dumping; ready to go feral about Themes) wants to watch a Don Giovanni with me. What production do you think I should show a drama scholar coming into this anew? (We know it’s an intense place to sorta-start, but I love it so much and think we can do it!)
hello!! my personal recommendation as the “starter” don giovanni (although looking at different productions is always good!) is the 1987 salzburg production because it follows the “word for word” libretto really well and is very straightforward in presentation. is it the most interesting don giovanni in terms of production? no, but it’s very famous for a reason (and also ferruccio furlanetto is my favorite leporello of them all). this version has no subtitles, but i have a subtitled copy if you’d like to dm me for it!
youtube
i’m also a huge fan of the peter brook production, much more minimalist and really lets you get a good look at the animal that is the opera. god peter brook was a man who knew what he was doing
also if i didn’t mention the 2017 aix production sasha @supercantaloupe would probably have permission to sue me in court:
youtube
there’s many many others out there but those are the ones that come to mind first!
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thinking about my Nonexistent Pathologic Opera and how i would cast it again, so. here you go i guess. (this is by no means exhaustive and i am a bit torn on whether to do a hansel & gretel/turn of the screw/albert herring/etc. with the children or not.)
i... kind of want ludovic tézier as general block but also i think he would be good as big vlad. but i guess double casting is open to me so. both time.
(alternatively jonas kaufmann as block, because otherwise this is... so horribly bottom heavy vocally.)
on the Olgimskies Subject, matthew polenzani as young vlad. i’m specifically thinking of the stupid glazed expression that he constantly had as carlos.
(equally there IS a version where he is a baritone. but that’s the one where i’m playing him.)
étienne dupuis as artemy, because it would be fun.
thomas hampson as victor kain. this was just revealed to me by divine inspiration. he would be so good and so impossibly miserable.
i don’t know countertenors or haute-contres too well so:
philippe jaroussky as mark immortell? this is a difficult one. mark is doing so much but i want the baroque Thing and that’s jaroussky’s main interest musically.
michael spyres as bad grief? i am charmed by the idea of grief being played by somebody who has an objectively Weird vocal range
stefan kocan as the fellow traveler
had to get him in there somewhere.
none of the men particularly otherwise particularly suit the whole. ‘is going to put you in the maze and study you’. thing. that he has going on.
holden madagame as daniil i feel like, for a few reasons
aaand lucia lucas as aglaya, for broadly similar reasons
(this does have the unintended side effect of making things even more low voice-biased but it’s a fun idea.)
jamie barton as anna angel for the love of god jamie barton as anna angel [hammering on the windows]
i initially thought chris maltman for saburov but actually he would be really fun as andrey. struggling to think of a sufficiently dissheveled-looking bass-baritone for peter, though.
the only thing stopping me from saying diana damrau as clara is that she is objectively too old but maybe her as eva?
fuck it ferruccio furlanetto as georgiy kain
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youtube
#move along#nothing to see here#the only thing good about this opera is the homosexual subtext apparently#don carlo#verdi#opera#ferruccio furlanetto#samuel ramey#Youtube
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Wolfgang Amadeus Mozart
Don Giovanni
Bryn Terfel, Renée Fleming, Ferruccio Furlanetto, Solveig Kringelborn, Paul Groves, Hei-Kyung Hong, John Relyea, Sergei Koptchak
The Metropolitan Opera Orchestra and Chorus, James Levine
Production by Franco Zeffirelli, 2000
Act 1 - A. The garden of the Commendatore - 2. The Commandatore's Death
As Leporello cowers in the shadows, the Commendatore appears, armed, and challengers Giovanni. At first Giovanni disdains to fight an old man; but the Commendatore, anxious to defend his daughter's honour insists. As Anna goes off the fetch help, they fight, and the Commendatore falls, fatally wounded.
Index - Next Scene
#GIFetto#Met Opera#Don Giovanni#wolfgang amadeus mozart#orchestra#Opera#Leporello#The Commendatore#Donna Anna#Bryn Terfel#Renée Fleming#Ferruccio Furlanetto#Sergei Koptchak
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#non più andrai#le nozze di figaro#ferruccio furlanetto#music#opera#blasting this out of a tiny bluetooth speaker in my brother's backyard in bklyn#(i'm dogsitting)#Spotify
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are y'all going out
Lep; if you mean like a date with Valjean yes
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