#fanny y. cory
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The Book of Saints and Friendly Beasts by Abbie Farwell
1900
Houghton, Mifflin and Co.
Boston and New York
Source : archive.org
Artist : Fanny Y. Cory
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THE BOOK OF SAINTS AND FRIENDLY BEASTS by Amy Farwell Brown (Boston: Houghton Mifflin, c.1900) Illustrated by Fanny Y. Cory.
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#beautiful books#books books books#book blog#book cover#books#illustrated book#vintage books#catholic saints#victorian era
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The Reverberations: Cori Bush's Resolute Campaign for Re-Election
the Reverberations Cori Bush's Resolute Campaign for Re-Election
Amidst the Northwoods' strip mall backdrop, a multitude gathered fervently to endorse the imminent political journey of a local ordained minister. This unconventional assembly, akin to a religious congregation, united Christians, Jews, Muslims, and agnostics in a progressive cause rather than a conventional faith.
Noteworthy figures adorned video screens, featuring quotes from influential leaders such as Baptist minister Dr. Martin Luther King Jr., civil rights advocate Fannie Lou Hamer, revolutionary activist Angela Y. Davis, and former U.S. Rep. Shirley Chisholm, the first Black woman elected to Congress.
The assembly echoed chants popularized by Assata Shakur, a Black Panther Party member, as they passionately declared their duty to fight for freedom and mutual support. A poignant moment arose when a skilled musician, Katarra Parson, expressed gratitude to Cori Bush, evoking emotions with a rendition of Andra Day's "Rise Up," drawing attention to Bush's impactful addresses in Congress.
U.S. Rep. Rashida Tlaib, Bush's guest speaker and a member of the progressive 'Squad,' delved into her own humble beginnings, drawing contrasts with wealthier colleagues and critiquing policy decisions. The progressive duo criticized the Biden administration's Gaza policy, intertwining foreign policy expenses with domestic program deficits.
Externally, a truck circled, highlighting the irony of allocating funds for overseas conflicts while domestic issues persist. Internally, Bush, donning a 'Ceasefire' t-shirt, justified her wardrobe choices, asserting her commitment to conveying messages effectively.
Bush, a registered nurse and ordained minister, emerged onto the political stage following Michael Brown's death in Ferguson. Reflecting on past election cycles, she anticipates heightened financial opposition in her bid for re-election, predicting her opponent's substantial fundraising.
In a pre-emptive move, Bush prepared her followers to discern truth from misleading campaign tactics, urging them to reject falsehoods disseminated through various mediums.
Facing a formidable challenge from St. Louis County Prosecutor Wesley Bell, Bush used her platform to scrutinize the allocation of funds for the Israeli military campaign. Despite potential financial setbacks, her loyal base remains a stronghold against Bell's campaign.
Within the assembly, Bush was revered as a moral compass, championing causes even when uncomfortable, a sentiment echoed by President of the St. Louis Board of Aldermen Megan Green.
Bush embraced the term 'radical,' asserting that societal exploitation necessitates a protest. She redirected attention to domestic needs, emphasizing the rechanneling of funds from overseas conflicts to local issues.
Acknowledging the strains within the Democratic party, Bush shared her struggle with divisive calls and expressed nostalgia for her private life. Undeterred by the sacrifices, she reiterated her commitment to her calling, symbolized in her autobiography, "The Forerunner."
The official campaign messaging downplayed doctrinal themes, but the passionate words of a supporter on social media revealed a more fervent perspective.
Bush criticized the American Israel Public Affairs Committee (AIPAC), attributing opposition to dark money influence. She clarified her stance against supremacy, emphasizing equality and rejecting the notion of anti-Semitism.
In the eyes of her supporters, Bush's past experiences and dedication make her a beacon of understanding, someone they entrust with their traumas and pain.
In essence, the article captures the intricate tapestry of Bush's re-election campaign, reflecting the diverse and impassioned voices that rally behind her cause.
Read the full article
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Mother Goose, illustrated by Fanny Y. Cory.
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(1948)
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The Fairy Alphabet by Fanny Y. Cory
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here was the timeline of 2000s music/clothes (*from suburban memory) for younger genz who i see making some crucial timeline mistakes!-
2000-2002
nu metal- korn, limp bizkit, slipknot, insane clown posse
poppunk- blink 182,NOFX, MxPx, the ataris, etc, less than jake, reel big fish ska
eminem
around 2002 was garage rock revival the stroke, the white stripes etc
spiked hair baggy pants for men
middle lip ring, eyebrow ring. those star tattoos everyone got. spiderweb elbow tattoo
spencers
kind of indie/emo-lite on looks for “alt” culture- messangers bags covered in pins, flippy hair for women
2002-2004
popunk second wave- good charlotte, simple plan, avril lavigne, yellowcard
popunk men with the lng hair in front spikey in back haircut, clown tear makeup
second wave “emo”- taking back sunday, thursday, straylight run
secondwave nu metal- linkin park
metalcore- avenged sevenfold, atreyu, bullet for my valentine etc
outkast blows up
bands like converge or at the drive in or the locust for 15 year old boys midway on their journey from “corporate alt rock they play on fuse (see above)” to “underground music” or 80s hardcore
“rand0m sp0rk >.<” culture
Bam Margera, HIM, CKY
invader zim, emily the strange
flash games, bored.com, xanga
drawn on converse, lowrise flare jeans, lowrise skirts over jeans, skate shoes
hot topic, bondage pants
everyone making their own fansites, height of messageboards, quiz sites
hot topic goth, fauxhawks
von dutch hats, volatile platform sneakers
beginning of hummer/eat the poor culture
G Unit clothes/upper middle class white teen boys appropriating rap culture
beginning of mainstream crunk music
“indie music” blowing up modest mouse, franz ferdinand,
beginning of the saddle creek reign- bright eyes, cursive, the good life, tilly and the wall
garden state, the shins
2004-2006
fuse, mtv2, vh1
height of paris hilton, juicy
big zip up black band sweatshirts, lots of rubber bracelets
third wave “emo”- my chemical romance, the used etc
second wave “screamo”- hawthorne heights, senses fail from first to last
“i cut myself” live journal vibe, postsecret
gorillaz have their second wave
beginning hints of scene- fall out boy, people wearing long necklaces, mirror peace sign selfies. teen girls wearing thrifted young boys pajama tops
duckface, starbucks, uggs, northface jackets
Ed hardy
grindcore- job for a cowboy piq squeal bree music
teen boys wearing womens jeans
side lip piercings, strectched ears
folk punk scene, kimya dawson, paul baribeau, ghost mice, defiance ohio,
flip up hats, fanny packs, rat tails, house shows, anarchism, food not bombs, zines, bicycle culture ppl building “tall bikes”
soulja boy
2006-2008
the life and death of scene which comes and goes with myspace
skinny jeans/bright color skinny jeans, *rawr*
raccoon hair, “brass knuckle” jewelry, lots of eyeliner
end of mall goth, directly replaced by scene
continuation of consumer culture, duckface, starbucks, uggs, northface jackets but also guido, spray tan
Tap out replaces Ed hardy for men
beginning of white people ukulele covering rap song culture
“acoustic guitar in the woods”- iron and wine etc
“weird diy aesthetic” - dan deacon, animal collective
MGMT, juno etc adding to mainstream awareness of “hipster” culture
second wave of twee
every “alt” teen finds and obsesses over neutral milk hotel for some reason
reign of judd apatow
lil wayne, everyone knows the word to a milli
2008-2010
rise of facebook
texts from last night
scene overwhelmingly perceived as trashy, morphs into brokencyde vibe
edm, dubstep
lady gaga, the beginning of poptimism
chillwave- neon indian,toro y moi, washed out
hipster runoff and “the end of alt”
american apparel, lcd soundsystem
in these years vnecks transition from “american apparel alt guy” to “tech bro” very sharply
the cobra snake/last nights parties party pic culture, santos party house, cory kennedy
“hipster” “williamsburg culture” blown up, wavves, best coast etc
the beginning of the reign of the micro genre “witch house” etc
burial, grouper etc
“irony” becoming mainstream, tim and eric
“indie folk” becoming mainstream car commercial music- edward sharpe, foster the people, mumford and sons
rage comic reddit culture, beards, bacon
tyler the creator, earl sweatshirt, lil b, nicki minaj alt white ppl have new interest in hiphop, see it as experimental, start of the end of “rap is crap” racist thing
velour sweat suit culture starting to fade, more variance in clothing styles. black lace up boots, floral skirts becoming popular, beginning of 90s nostalgia. men wear cardigans
lookbook.nu , tavi gevinson, alexa chung
less prep vs scene/goth/punk more “everyone is kind of alt so there is no alt” (500) days of summer is nail in the coffin
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Fanny Y. Cory, 1902, from a “Canterbury Classics” edited edition of Alice in Wonderland by Lewis Carroll
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Fanny Y. Cory Cooney produced most of her cartoons at the dining room table, or in the living room on a drawing board that she perched on her lap.
Drawing on Motherhood: The Cartoons and Illustrations of Fanny Cory Cooney
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Fanny Y. Cory, 1903
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The Enchanted Island of Yew by Lyman Franck Baum
1903
Artist : Fanny Y. Cory
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SONNY: A CHRISTMAS GUEST by Ruth McEnery Stuart. (New York: Century, 1904) Illustrated by Fanny Y. Cory.
source
#beautiful books#book blog#books books books#book cover#books#illustrated book#vintage books#edwardian books
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The Enchanted Island of Yew Novel by L. Frank Baum illustrated by Fanny Y. Cory
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flickr
<strong>1903 Book Illustration - - For One Danced Exactly Like The Other . . . . art by Fanny Y. Cory - The Enchanted Island of Yew by L. Frank Baum <a href="https://www.flickr.com/photos/carlylehold/">by carlylehold</a></strong>
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Fanny Y. Cory, from Fanny Cory's Mother Goose, 1913.
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