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#f*ck misogyny AND misandry
kazylynn · 7 months
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Warnings: sensitive topic such as light mentions of r*pe and abuse, I don't believe feminism should have to have a warning but for those of you who can't handle it I'll put it RIGHT HERE for you ♥, I also apologize if this is in any way similar to another person's oc, I swear I have never come across one like her before
@thatgirlgames I would love to hear what you think of her! 😊
My train of thought after reading feminism posts on Pinterest:
I wanna create a character who is the embodiment of the strength and resilience of feminism while also demonstrating the true power and glory of femininity. No woman should have to be ashamed of her body, it's natural functions, and the way she wants to use it. It's her choice, not his. Let the men sexualize her, it just goes to show how untouchable and above it all she is.
Name: Moira (witchy name, tribute to all the lovely women who were falsely accused as witches and slaughtered just for being female)
Age: 54
Gender: Female
Sexuality: Bisexual with a preference for women
Appearance: long luscious silver and grey hair (to return the beauty to the women of old age), crows feet around eyes and smile lines (<<), piercing hazel eyes, tall (to empasize her dominance as a female), voluptuous curves (to emphasize her power over her femininity), graceful imposing stature, has slightly baggy skin under her chin and upper arms (again with the beauty of old age thing), is braless a lot of the time, appears caucasian but idgaf what her race actually is,
Personality: Caring and maternal but stern with no tolerance for bullshit, feminist, Femme Fatale (she owns her femininity and sexuality), blunt, unashamed, proud, unapologetic for who she is, role model for young women, very liberal, "you can show as much skin as you want, child, because we don't sexualize minors here. And anyone who does will have to answer to me" (inspired by a lesbian couple that I know ♥), dominant and powerful, men fear her yet revere her at the same time, good sense of humor, swears like a sailor, untouchable, unbothered, righteous when angry, is healthy and takes care of herself but is not afraid to indulge in life's pleasures, is not afraid to be vulgar ("if they don't like it, they can choose to not listen"), resilient, doesn't hate men and is not a misandrist, openminded, a true leader
Details:
A lot of men hate her because they can't keep her quiet and submissive. Others lust after her because she is unattainable and untouchable to them.
She has a tragic past with men. Her dad was abusive and never there. She was raped when she was fourteen and throughout her life she was made to believe she had no worth because she is female. She realized who she was and that she was better than that at the age of 19, when she realized she had the freedom to be who she wanted to be.
She doesn't have children, because she doesn't want to raise them in a world that is still ridden with misogyny.
She has a wife, whom she loves and adores very much and would do anything for.
She uses anatomical terms for the body in serious conversations. "If you can't handle the word 'vagina', then maybe you shouldn't be sticking your penis in one."
She is an activist and attends/holds peaceful protests and gatherings.
She does not hate men and understands that not all men are rapists and such, but also understands that enough of them are that all men ARE a part of the issue whether they commit the act or just stand by and watch and try to defend the rapist.
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smokeybrand · 4 years
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Harley Quinn and the Miscalculation
Harley Quinn: Birds of Prey is bombing in theaters and what i was apprehensive about, is coming to pass. All of this rara, GRRRL-power, superficial, laughably toxic, feminism saturates this picture. And that’s fine. A little misandry never hurt anyone, especially with as much unapologetic misogyny that is rife within Hollywood. Still, there is a limit to and, while i didn’t mind the whole emancipation equal initialization angle this movie was going for, i can see why it would turn off so many others. We’re on the back end of the MeToo movement now and, in a world where Amber Heard has been exposed for the violent abuser that she truly is, the climate is a little different from when this flick was greenlit. It’s wild watching a marketing strategy trying so goddamn hard to alienate half their audience. Seriously, that sh*t was box office suicide but its not the reason why BoP failed. The media wants to blame sexist men for not supporting an all-women production but that’s not realistic. The demo breakdown for those who went to see BOP skewed heavily male. No, there are several reasons why and i kind of want to go over them here.
Issue 1: Feminist Marketing
The biggest issue this movie had was the way it was marketed. Besides the gung-ho drive in an attempt to appeal to that ludicrously vocal minority of third-wave feminists that don’t support sh*t outside of their own little echo chamber causes, it appears the WB did everything in their power to shoo away and semblance of testosterone. I noted this early, but that sh*t blew up in their face immediately. No one want to sit around and be preached at or two hours. I endued that sh*t because i enjoy comics and Margot’s Harleen is pretty legit but, goddamn! In a world of Nice Guys and Neckbeards, going so hard at that misandrist angle was a goddamn mistake. That, and the misleading push of Harley Quinn. This is not a birds of prey film and never should have been promoted as such. I could tell this was a Harley Quinn film immediately, but Normies sure didn’t. I imagine they wanted more Harley but saw the Birds top billed and decided it wasn’t worth the trip.
Fix: Better Marketing
To just say “Better Marketing” is kind of glib, but bear with me. There’s a lot to this. First thing first, that title should have never got approved. You want to lead with Harley, you lead with Harley. Hilariously, someone at WB thought so, too, and they changed the name. Personally, out the gate, i would have named this thing “Harley Quinn: Birds of Prey.” from the start, you set the expectation that this is a Harley Quinn movie AND assert that the BoP will have some sort of presence. The movie, itself, can still be exactly what it is, but that title change alters the entire expectation of that whole experience. Doing that also gives you an opportunity to promote this thing in a more balanced manner. Maybe don’t attack all the dudes that might want to see your flick with bullsh*t politics. I rather liked the idea of an all-girl gangster flick. It worked super well for Widows. If executed properly, you can even keep that whole Tarantino-esque vibe. But that might conflict with the second issue...
Issue 2: Hard R Rating
Everyone wants to be Deadpool but no one can be Deadpool. Look, i love the Hard R in my capeflicks. The aforementioned Deadpool was excellent and i absolutely love what Philips and Phoenix brought in Joker, but if you want to see how to do a proper R rated superhero film, look no further than Logan. Holy sh*t, that movie was good. and violent. and moving. I cried at the end of that thing. Shed me a man-tear, for sure. The thing about all of these films? That R was earned. You want to go Tarantino? You go full Tarantino. Bop did not commit like that. This motherf*cker was a “hard PG-13″. Seriously, the violence in this thing was akin to the violence in The Wolverine, a PG-13 flick. Why did they need that Hard R? Just to keep pace with the other Hard R flicks? See, that alienates your best bet at a profit.
Fix: go for that “Hard PG-13″
You want kids to see this thing, specifically young girls. Girls LOVE Harley, as they should. She’s become one helluva character. The growth shown in her comic persona is to be celebrated and this movie kind of touches upon that. 14-year-olds can’t get into your unnecessarily R rated film. You want those 14 and 15-year-olds to see your movie multiple times, and this thing had the potential for just that. Instead, they went too hard for that Hard R and it ruined a massive source of revenue. Besides, you already have a mature Harley show airing on that DCEU streaming whatever. The adults can check that one out, especially since it’s f*cking dope.
Issue 3: Character Interpretation
Harley Quinn has a very specific, very Snyder-esque design. You can’t shake that. Quinn is gonna Quinn. How the f*ck did the rest of these characters land on their respective situations? Hell, Cassanda Cain is “in name only” and that sucks! Cass is one of the dopest Bat-Kids in the fam and she’s relegated to that? Really? You barely even hint at Montoya’s sexuality, which is fine because it doesn’t define her, but to push this flick as LGBTQ, or whatever, without acknowledging the biggest L in the film seems disingenuous to me. And Huntress? Oh, my darling Huntress. You were the best thing about this movie and they didn’t even let you be IN the goddamn movie. Look, I’m all for creativity and letting creatures create but come on. At some point, you gotta give a little back to the fans, not just slap them in the face with such mediocre adaptions.
Fix: Better Characterization
Out the box, you should have NEVER adapted my girl Cass the way you did. Everything about this character is bogus. Where is my socially inept, traumatically mute, bad-ass human weapon? You give me a potty-mouth pick-pocket instead? For real? Nah. A much better character for this would have been Bluebird. How is Harper Row not perfect for this part? Considering her origin, she could start off as Harley’s protege and become better, actually become Blurebird and join the Birds later on down the line. How is that not a thing? And Montoya? Aside from a lack of screen time, maybe tie her into the plot a little better. Aside from a few throwaway line, what do we really know about her? Canary is fine, they did more than enough to give her character legs, but all of the Birds should have gotten as much time to develop. Speaking of time, my darling Huntress should have had WAY more screentime. She was SO dope and it’s a crime you didn’t give Winstead enough time to play with this character because she was having very real fun with her.
These three problems crippled any opportunity this movie had at being great. I’m sure WB thought they had a hit on their hands, or that the name “Harley Quinn” could carry this flick on it’s own but really? After Wondy and Aquaman, hell, even Shazam to a certain extent, you’d think these cats would have learned something. Instead, they opted to go hard with the Snyder-isms and the Box Office reflects all of that. This should have never been a BoP films. Margot should have definitely went for Gotham City Sirens. Still, we got what we got. It’s not good, but it’s not that bad, either. If they would have done the above three things, it could have been great. Missed opportunity.
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smokeybrandreviews · 4 years
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Smokey brand Postmortem: Harley Quinn and the Miscalculation
Harley Quinn: Birds of Prey is bombing in theaters and what i was apprehensive about, is coming to pass. All of this rah-rah, GRRRL-power, superficial, laughably toxic, feminism saturates this picture. And that’s fine. A little misandry never hurt anyone, especially with as much unapologetic misogyny that is rife within Hollywood. Still, there is a limit to and, while i didn’t mind the whole emancipation equal initialization angle this movie was going for, i can see why it would turn off so many others. We’re on the back end of the MeToo movement now and, in a world where Amber Heard has been exposed for the violent abuser that she truly is, the climate is a little different from when this flick was greenlit. It’s wild watching a marketing strategy trying so goddamn hard to alienate half their audience. Seriously, that sh*t was box office suicide but its not the reason why BoP failed. The media wants to blame sexist men for not supporting an all-women production but that’s not realistic. The demo breakdown for those who went to see BOP skewed heavily male. No, there are several reasons why and i kind of want to go over them here.
Issue 1: Feminist Marketing
The biggest issue this movie had was the way it was marketed. Besides the gung-ho drive in an attempt to appeal to that ludicrously vocal minority of third-wave feminists that don’t support sh*t outside of their own little echo chamber causes, it appears the WB did everything in their power to shoo away and semblance of testosterone. I noted this early, but that sh*t blew up in their face immediately. No one want to sit around and be preached at or two hours. I endued that sh*t because i enjoy comics and Margot’s Harleen is pretty legit but, goddamn! In a world of Nice Guys and Neckbeards, going so hard at that misandrist angle was a goddamn mistake. That, and the misleading push of Harley Quinn. This is not a birds of prey film and never should have been promoted as such. I could tell this was a Harley Quinn film immediately, but Normies sure didn’t. I imagine they wanted more Harley but saw the Birds top billed and decided it wasn’t worth the trip.
Fix: Better Marketing
To just say “Better Marketing” is kind of glib, but bear with me. There’s a lot to this. First thing first, that title should have never got approved. You want to lead with Harley, you lead with Harley. Hilariously, someone at WB thought so, too, and they changed the name. Personally, out the gate, i would have named this thing “Harley Quinn: Birds of Prey.” from the start, you set the expectation that this is a Harley Quinn movie AND assert that the BoP will have some sort of presence. The movie, itself, can still be exactly what it is, but that title change alters the entire expectation of that whole experience. Doing that also gives you an opportunity to promote this thing in a more balanced manner. Maybe don’t attack all the dudes that might want to see your flick with bullsh*t politics. I rather liked the idea of an all-girl gangster flick. It worked super well for Widows. If executed properly, you can even keep that whole Tarantino-esque vibe. But that might conflict with the second issue...
Issue 2: Hard R Rating
Everyone wants to be Deadpool but no one can be Deadpool. Look, i love the Hard R in my capeflicks. The aforementioned Deadpool was excellent and i absolutely love what Philips and Phoenix brought in Joker, but if you want to see how to do a proper R rated superhero film, look no further than Logan. Holy sh*t, that movie was good. and violent. and moving. I cried at the end of that thing. Shed me a man-tear, for sure. The thing about all of these films? That R was earned. You want to go Tarantino? You go full Tarantino. Bop did not commit like that. This motherf*cker was a “hard PG-13″. Seriously, the violence in this thing was akin to the violence in The Wolverine, a PG-13 flick. Why did they need that Hard R? Just to keep pace with the other Hard R flicks? See, that alienates your best bet at a profit.
Fix: go for that “Hard PG-13″
You want kids to see this thing, specifically young girls. Girls LOVE Harley, as they should. She’s become one helluva character. The growth shown in her comic persona is to be celebrated and this movie kind of touches upon that. 14-year-olds can’t get into your unnecessarily R rated film. You want those 14 and 15-year-olds to see your movie multiple times, and this thing had the potential for just that. Instead, they went too hard for that Hard R and it ruined a massive source of revenue. Besides, you already have a mature Harley show airing on that DCEU streaming whatever. The adults can check that one out, especially since it’s f*cking dope.
Issue 3: Character Interpretation
Harley Quinn has a very specific, very Snyder-esque design. You can’t shake that. Quinn is gonna Quinn. How the f*ck did the rest of these characters land on their respective situations? Hell, Cassanda Cain is “in name only” and that sucks! Cass is one of the dopest Bat-Kids in the fam and she’s relegated to that? Really? You barely even hint at Montoya’s sexuality, which is fine because it doesn’t define her, but to push this flick as LGBTQ, or whatever, without acknowledging the biggest L in the film seems disingenuous to me. And Huntress? Oh, my darling Huntress. You were the best thing about this movie and they didn’t even let you be IN the goddamn movie. Look, I’m all for creativity and letting creatures create but come on. At some point, you gotta give a little back to the fans, not just slap them in the face with such mediocre adaptions.
Fix: Better Characterization
Out the box, you should have NEVER adapted my girl Cass the way you did. Everything about this character is bogus. Where is my socially inept, traumatically mute, bad-ass human weapon? You give me a potty-mouth pick-pocket instead? For real? Nah. A much better character for this would have been Bluebird. How is Harper Row not perfect for this part? Considering her origin, she could start off as Harley’s protege and become better, actually become Blurebird and join the Birds later on down the line. How is that not a thing? And Montoya? Aside from a lack of screen time, maybe tie her into the plot a little better. Aside from a few throwaway line, what do we really know about her? Canary is fine, they did more than enough to give her character legs, but all of the Birds should have gotten as much time to develop. Speaking of time, my darling Huntress should have had WAY more screentime. She was SO dope and it’s a crime you didn’t give Winstead enough time to play with this character because she was having very real fun with her.
These three problems crippled any opportunity this movie had at being great. I’m sure WB thought they had a hit on their hands, or that the name “Harley Quinn” could carry this flick on it’s own but really? After Wondy and Aquaman, hell, even Shazam to a certain extent, you’d think these cats would have learned something. Instead, they opted to go hard with the Snyder-isms and the Box Office reflects all of that. This should have never been a BoP films. Margot should have definitely went for Gotham City Sirens. Still, we got what we got. It’s not good, but it’s not that bad, either. If they would have done the above three things, it could have been great. Missed opportunity.
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