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crumbargento · 1 month

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Doppelgänger Redux - Elaine Shemilt - 2016 (Performance art)

#doppelganger #elaine shemilt #experimental #experimental cinema #short film #art #performance

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musicktoplayinthedark · 1 month

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Elaine shemilt

#elaine shemilt

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halfabird · 2 days

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Elaine Shemilt, Dopplegänger, 1979, vidéo

#elaine shemilt #vidéo

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bookoffixedstars · 5 years

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Elaine Shemilt - Iamdead, 1974, photograph from the set. Courtesy of the artist.

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estilorama · 3 years

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elaine shemilt

Doppelgänger – (1979-81) videowork

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miriadonline · 7 years

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CONF: Material Futures (Glasgow, 29-30 Jun 17)

Glasgow, Centre for Contemporary Arts (CCA), 350 Sauchiehall St, June 29 – 30, 2017 http://nacca.eu/conference-2017/

Contemporary artistic practices have prompted a reconsideration of boundaries between the roles of artists and institutional staff, and between processes of art production, exhibition, and preservation. This conference will provide a forum for professionals, researchers, and students working across different disciplines to discuss urgent questions regarding artwork identity, permanence and impermanence, reproducibility and replication, and the role of the artist and the institution in constructing and maintaining memory. It will explore these questions and other areas where artistic practice, curatorial practice, and conservation decision-making intersect through themes of materiality, memory and loss.

Full programme below:

PROGRAMME

Wednesday 28 June

5.00pm 6.30pm Karla Black (artist) Keynote Lecture

Thursday 29 June

9.00am 9.30am Registration

9.30am 11.00am Tiziana Caianiello (Zero Foundation) Keynote Lecture – (Re)Constructing Memories: Some Thoughts About Preservation

Jo Ana Morfin (Independent Scholar) Restored Behaviour: Performing Materiality

11.00am 11.30am Coffee break

11.30am 1.00pm Simon Fleury (Birmingham School of Art & Design) Encountering the Museum-Object

Hans-Jürgen Hafner (Critic & Curator) Always Trouble with Flynt. Tracing Conceptual Art

Denise Petzold (Ludwig Forum für Internationale Kunst) (Im)Materiality in the Museum: Shaping Joseph Beuys’s Information Action through Curating Documentation

1.00pm 2.00pm Lunch

2.00pm 3.30pm Gwynne Ryan (Hirshhorn Museum & Sculpture Garden) Refabricating, Re-Making, and Re-Thinking: A Continuation of the Artist’s Process

Yukiko Watari (HIGURE 17-15 cas) The Expanding Role of Art Installers: Distributed Model for Documentation Practice

Sanneke Stigter (University of Amsterdam) Picturing Peter Struycken’s Blue Waves: Collecting Memories as a Form of Conservation

3.30pm 4.00pm Break

4.00pm 5.30pm Martha C. Singer & Kate Wight Tyler (Owner/Director, Material Whisperer; Brooklyn Museum) Boob Jobs: Treatments of Duchamp and Donati’s Latex Foam Breasts

Alison Norton (Moderna Museet) Migrating Facsimiles: Copies and Conservation Control

Louise Lawson & Acatia Finbow (Tate) Reflections on Tate’s Documentation of Performance Artworks: Creating the Institutional Memory of an Artwork

Friday 30 June

9.00am 9.30am Registration

9.30am 11.00am Annie Fletcher (van Abbemuseum) Keynote Lecture

Ulrich Lang (Die Restauratoren) The Fortune of the Presence

11.00am 11.30am Coffee break

11.30am 1.00pm Laura Leuzzi, Elaine Shemilt & Stephen Partridge (EWVA, DJCAD) Methodologies, Strategies and Practice Based Research Methods to uncover and narrate early European Women’s Video Art

Adam Lockhart (DJCAD) Machine Vision

Claire M. Holdsworth (Kingston School of Art) Vocal and Material Mourning: Stuart Marshall, Mouth Works (1975/76)

1.00pm 2.00pm Lunch

2.00pm 3.30pm Lucy Askew (NGS) with contributions from collections management staff at NGS and Glasgow Museums Steven Campbell (1953-2007), On Form and Fiction, 1989-90

Ariane Noël de Tilly (Emily Carr University of Art & Design) What Remains of ATSA’s State of Emergency

3.30pm 4.00pm Break

4.00pm 5.30pm Hélia Marçal (Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa) Beyond Temporality: Performance Art Conservation as a Remembrance of Place

Anna Schäffler (Free University Berlin) Memory Process in Practice. On the Ensemble Art of Anna Oppermann and Contemporary Art Preservation

Nim Goede (University of Amsterdam) Tracing the Engram: Exploring the Neurophysiological Basis of Memory through Lead in Robert Morris’s Process-Type Objects, 1964-1965

Planning Committee: Dr. Dominic Paterson (University of Glasgow), Dr. Erma Hermens (Rijksmuseum), Brian Castriota (University of Glasgow), Nina Quabeck (University of Glasgow).

Book tickets here: http://www.cca-glasgow.com/programme/material-futures-conference

Send any enquiries to: [email protected]

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dekw · 7 years

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vimeo

The Caterthuns from Kieran Baxter on Vimeo.

The Caterthuns are the site of two prehistoric hillforts perched on the periphery of the Grampian Mountains in Angus, Scotland. To climb these monuments is the best way to experience a landscape shaped by thousands of years of changing culture, and yet to witness the full complexity and scale of the hillforts requires a view from the air.

This film was produced during PhD research by Kieran Baxter which explored how aerial photography and creative visualisation technologies could be used to connect the archaeological interpretation of ancient monuments with the evocative landscapes of which they form part. This PhD was conducted at Duncan of Jordanstone College of Art and Design, University of Dundee, with support from the Arts and Humanities Research Council and Historic Environment Scotland and supervision from Prof Nigel Johnson, Dr John McGhee, Prof Chris Rowland and Prof Elaine Shemilt.

Winner of the Arts and Humanities Research Council Research in Film Awards 2016 - Doctoral Award.

The film combines filming and photography gathered at different heights using a boom, kite and light aircraft with the kind co-operation of Balnamoon Estate. Interpretive reconstruction modelling of the inner enclosures of White Caterthun was completed by Dr Alice Watterson alicewatterson.co.uk. Additional UAV footage was supplied by Martin Groves.

Soundtrack used with permission: “Borderlands” Composed by Tim Hecker Published by Warp Publishing

Kieran Duncan, Michael Webster and Nuria Valdeon kindly volunteered practical assistance during the fieldwork. For additional help and advice special thanks are also due to Sean Ahern, James Carnegy, Ronnie Cowan, Susie Green, Jesse Walden, Kit Reid and Richard Strachan.

Find more aerial photography and creative visualisation by Kieran Baxter at topofly.com.

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nowyoucango-blog · 8 years

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Film Screening: Autoritratti

Fri 11 Dec, 7-9pm The Showroom, 63 Penfold Street, NW8 8PQ London, United Kingdom

Autoritratti is a performative screening employing different methodological tools, including dialogue, autobiography, cross-genre and fragmented narratives. The approach is inspired by Italian feminist thinker Carla Lonzi and her book Autoritratto [Self-portrait] (1969), which was her farewell to the art world.

This screening interlaces ‘self-portraits’ of women artists who have worked around identity and self-definition, in dialogical and confrontational terms towards the ‘other,’ from the 1970s to the present. The selected artists explore their own self and the dual role of being a woman and a professional artist. Using real and interpreted voices, their works address women’s relationships towards their own and male bodies, their love and desires, motherhood, the household, the community, and patriarchal society, history and tradition at large. With the participation of artists Cinzia Cremona, Catherine Elwes, Tina Keane, Maria Teresa Sartori and Elaine Shemilt. Readings by Diana Georgiou. Ketty La Rocca, Appendice per una supplica, 1972; Anna Valeria Borsari, Autoritratto in una stanza, documentario [Self-portrait in a Room, Documentary], 1977; Catherine Elwes, Postcard, 1986; Elisabetta di Sopra, Dust Grains, 2014; Elaine Shemilt, Doppelgänger, 1979-81; Maria Teresa Sartori, The Drawers, 2013; Federica Marangoni, The Box of Life, 1979; Tina Keane, Clapping Songs, 1979; Cinzia Cremona, Before You Now, 2013.

Booking available through Eventbrite

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Image: Tina Keane, Clapping Songs, 1979. Still from video. Courtesy of the artist.

#tina keane #Cinzia Cremona #Catherine Elwes #Maria Teresa Sartori #Elaine Shemilt #Ketty La Rocca #Anna Valeria Borsari #Elisabetta di Sopra

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crumbargento · 1 month

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