probably the last drypoint print i will ever make...unless we make any in advanced printmaking class (assuming my professor offers it again).... seal! swirlies!!! sea!!! about as Me as a drawing can get i think (click to zoom for higher quality!)

Martin Lewis, Windy Day, 1932. Drypoint print.

Source: Swann Galleries

drypoint etching print for class😭

Frank Weston Benson (American,1862-1951)

The Dark Pool, 1920

Drypoint

i'm scared...... hold my hand.

🌾chicken drypoint🌾

instagram - @hungryconcrete

Sunset at Grunewald Lake, from: Berlin Impressions, 1924. Lesser Ury. Original Hand Signed and Numbered Etching and Drypoint on Simili-Japan Paper.

O Nidere ♡ Linocut & drypoint test prints

memory landscapes

drypoint needle

Horned Owl (Portrait of a Great Horned Owl), Henry Emerson Tuttle, 1940

The Songbird’s Children

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Feeding the Ducks, Mary Cassatt, circa 1895

Drypoint, etching, and aquatint with hand-colouring on paper 29.5 x 39.3 cm (11.61 x 15.47 in.)

BOTTOMS IS UP ON STREAMING YOU KNOW WHAT THAT MEANS!!!!!!!!@ (GOES INSANE)

Martin Lewis, Shadow Dance, 1930. Drypoint and sand ground.

According to Paul McCarron, author of a catalogue raisonné on Lewis's work, "The location depicted appears to be the intersection of Thirty-Fourth Street and Park Avenue, looking west."

Lewis has captured the bright summer sun setting across the Hudson River, its raking light forming long shadows from the figures walking east across Park Avenue. Among Lewis's most masterful prints are those depicting scenes of New York City life. These prints have historical interest, as the imagery captures the architecture and styles of the time, while simultaneously incorporating ephemeral moments. The time of day, the weather, the lighting, the street-level views--each aspect was important and added to the atmosphere of the scene. Lewis's use of shadows and light to create mood, life and movement is most powerful in his New York prints. Shadow Dance is among his most celebrated works, incorporating all of the aspects that make his prints such cherished glimpses into New York's bustling yester-year, while simultaneously capturing the timelessness of city life.

Photo & Text: Swann Auction Galleries

Mary Farrell (American, b.1950)

Skin, 2009

Drypoint, woodcut, lithograph

Rembrandt Harmensz. van Rijn - Self-Portrait in aCap, Wide-eyed and Open-mouthed. Etching and drypoint, 1630.