Dmitry Krasnopevtsev (Russian, 1925-1995), Amphoras, 1962. Oil on canvas, 60 x 80 cm.

Dmitry Krasnopevtsev (Russian, 1925-1995)

Amphores/Amphores

Signé des initiales cyrilliques et daté "62" (en bas à gauche)

Huile sur toile

Bonhams

Dmitry Krasnopevtsev (1925-1995), Still Life with a Paper Dove, 1974.  Oil on cardboard, 60 by 42 cm.

"Still Life with Scroll and Inkpot", Dmitri Krasnopevtsev, 1971.  Oil on masonite.

Dmitry Krasnopevtsev  (Russian, 1924 - 1995)

Still Life,  1967

oil on masonite

source - Blouin artinfo

Metaphysical Art 

Krasnopevtsev’s still lifes are truly nature morte, dead nature, they have not been part of life for a long time but instead are silent, wounded witnesses of real time and of human ideas about it—all powerful, destroying even the proudest order, and preserving only ruined shards for the edification of descendants. moscowart.net/artist.Krasnopevtsev

Dmitry Krasnopevtsev (Russian, 1925–1995).  

Still life with roll of paper and vase, 1971, Dmitri Krasnopevtsev (1925 - 1995) - Oil on Masonite -

Dmitri Krasnopevtsev (1925 - 1995) Untitled, 1983 (69 by 65 cm)

Dmitry Krasnopevtsev

Dmitry Krasnopevtsev (Russian, 1925-1995) Cactus, 1950

Dmitry Krasnopevtsev (Russian, 1925-1995), Still Life, 1958. Oil on canvas, 72 x 82 cm.

Krasnopeevtsev Dmitry Mikhailovich (1925-1995) "Bears, stones, shells and shards." 1966.

Orgalit, oil, 38.3×56.5 cm.

At the bottom, the author's signature and date: "K-66".

D.M. Krasnopeevtsev usually made his compositions from objects stored in the artist's studio. Antique jugs and shards, shells and sea pebbles, dry plants, horse skull, ordered on the plane, helped Krasnopevtsev to create pictures-reflections on the essence of being and the concept of time.

"The subjects on the canvas themselves do not yet create a plot - I mean a plastic plot. It is the composition, the thought that make up my plot, not objects: jugs, stones, shells, snags...," said D. Krasnopeevtsev.

Expert opinion of Y.V. Rybakova.

Painter, graphic artist. Member of the KH. A representative of Soviet nonconformism. The main genre of the artist is "metaphysical still life" close to surrealism with simple, often beaten ceramics, dry plants and shells. From 1942 to 1947 he studied at the Moscow Art School in memory of 1905 with a break for military service. Then in 1949-1955 at the Moscow Art Institute named after C Surikov, where among his mentors was M. Dobrov, master of miniature etching. Participated in exhibitions in Moscow, Leningrad, Tbilisi, as well as in Switzerland, USA, Germany, France. In 1975, he took part in an exhibition in the pavilion "Beekeeping" at VDNH in Moscow. He worked at Advertising Film for about twenty years. In 1976, he was admitted to the City Committee of Graphics. In 1992, D. Krasnopeevtsev became the first artist to be awarded the new "informal" Triumph award.

Litfund

Dmitri Krasnopevtsev (1925-1995) - Still Life with Scroll and Inkpot, 1971.  Oil on masonite, 61 by 46.2 cm. 

dmitry krasnopevtsev

Dmitry Krasnopevtsev (Russian, 1925–1995). Stones and shell (1964).

Два розовых кувшина / Two pink jugs, 1970, Dmitry Krasnopevtsev (1925 - 1995) - Tempela on Hardboard -