#dienacht Publishing | Explore Tumblr Posts and Blogs

craft2eu · 2 years

Text

Photobook Festival: Leipzig vom 18. bis 20.03.2022

Das GRASSI Museum für Angewandte Kunst lädt vom 18.03. bis 20.03.2022 zum PHOTOBOOK FESTIVAL LEIPZIG ein. Dieses dreitägige Festival findet im Rahmen der aktuellen Sonderausstellung FOTOBÜCHER. Kunst zum Blättern sowie aus Anlass der ursprünglich für diesen Zeitraum geplanten Leipziger Buchmesse statt. Claudia Eschborn 1520/21 – dienacht Publishing, Leipzig 2013, Aufl. 40 In den weiträumigen…

View On WordPress

#Best Book Design from all over the World #Buchmesse Pop Up #dienacht Publishing #Eriskay Connection #Fotobücher #Fotobuch #Fotografie #Grassi Museum für angewandte Kunst #Künstler Künstlerinnen #Leipzig #Leipzig liest trotzdem #Leipzig Photobook Festival #Schönste deutsche Bücher #Spector Books #The Angry Bat #Verlag

0 notes

nopefun · 7 years

Photo

“we will have been young” is a publication featuring photo series by twelve photographers from eight Southeast Asian countries, dealing with the theme of youth: from mental illness to transgender issues and everything in between.

The 176 paged photobook, published by dienacht Publishing, consists of diverse contributions from Alvin Lau, Amrita Chandradas, Muhammad Fadli, Dennese Victoria, Kanel Khiev, Dwi Asrul Fajar, Elliot Koon, Watsamon Tri-yasakda, Lee Chang Ming, Geric Cruz, Linh Pham and Yu Yu Myint Than. The works were developed as part of the inaugural Southeast Asian Photography Masterclass organised by Obscura Festival of Photography, with guidance from Jörg Brüggemann and Tobias Kruse.

Find out more and get a copy here. Check out more publication reviews at our bookshelf.

Get more updates on our Facebook page and Instagram.

80 notes · View notes

theangrybat · 4 years

Photo

Patricia Morosan - Sun stands still

author: Patricia Morosan

publisher: dienacht

ISBN: 978-3-946099-22-2

#Patricia Morosan #dienacht #sun stands still #The angry bat #photography #PhotoBook

5 notes · View notes

akolabuzi · 2 years

Photo

Dios Mio! | Brian Sergio | Dienacht Publishing | 2021 @dienachtpublishing #diosmio #briansergio #briansergiophotography #photography #photographybook #photographybooks #photobook #photobooks #photobookjousting https://www.instagram.com/akolabuzi/p/CYa0EvzoYeZ/?utm_medium=tumblr

#diosmio #briansergio #briansergiophotography #photography #photographybook #photographybooks #photobook #photobooks #photobookjousting

0 notes

lvdbbooks · 3 years

Text

2021年10月22日

【新入荷・新本】

Dinaya Waeyaert Come Closer, dienacht, 2021

Size: 17 x 24 cm, 164 pages Printed fold-out cover with contact sheets and with additional foldout portrait (36 x 50 cm) on the front cover, handwritten title Including: hand taped notes, drawings and tissues; detachable post-its Offset printing + extra varnished polaroid pictures Open thread Swiss binding Edition of 500 copies

価格：6,930円（税込）

/

恋人であるパオラ（Paola）との関係性を4年間撮り続けたベルギーのアーティスト、ディナヤ・ウェイヤート（Dinaya Waeyaert）の作品集。カラーとモノクロの35mm、ポラロイド、コンタクトシート、メモ、ティッシュなどのさまざまな素材を用いて、2人の親密な会話を多層的に再現しています。

Come Closer is about my love for a woman, her name is Paola. We fell in love four years ago. Ever since, I have felt the urge to photograph her every day. As part of this series you will find mostly colour and black-and-white 35mm pictures accompanied by polaroids, notes and contact sheets, but it also features videos. The work feels like an intimate conversation between her and me. I am an observer trying to grasp every playful moment, every moment of connection. Seeing someone so versatile and constantly changing, I tend to overload her with my presence. And then there is her, my subject, someone who feels more like a muse to me. Loving me like no one ever did. In Come Closer you get to see the love between two women from up close.

/

Dinaya Waeyaert

I am a Belgian artist based in Brussels. After finishing my education at School of Arts Ghent in 2018, I self-published my first book Personal Collection. Ever since I started photographing I focused on people who were closest to me. The ones that I’ve known for a long time or the ones that I feel drawn to. When we grow older our relationships with the people around us evolve. Somehow I feel the need to hold on to this by making images. Already now when I look back at all the pictures I’ve taken, it feels like a family album where everyone, even myself, changes every day. I take a lot of pictures. Every series I’ve made is built around a great deal of images. This is a certain obsessive way of working I have always loved.

https://dinayawaeyaert.com/

https://www.dienacht-magazine.com/

#Dinaya Waeyaert #Come Closer #dienacht

0 notes

laurengrabelle · 5 years

Photo

Pleased to have Photographer X featured on Dienacht Magazine + Publishing today.

0 notes

ooblik · 5 years

Text

Katarzyna Mazur: Anna Konda « dienacht – Magazine for Photography, Design and Subculture

dienacht Publishing proudly presents: ‘ANNA KONDA’ by Katarzyna Mazur! In 2010, female fighters Anna Konda and Red Devil founded the Female Fight Club Berlin. This private and unique Club appeared as revival of female wrestling – tradition that dates back to Berlin of the Golden Twenties, […]

Source : Katarzyna Mazur: Anna Konda « dienacht – Magazine for Photography, Design and Subculture

View On WordPress

0 notes

readingphotographs · 5 years

Text

Brian Sergio Paks the world

[Possible NSFW warning]

I write my thoughts and formulate my ideas while I go through a book/zine/exhibition by establishing why I like what I see and I build from there. It’s basic criticism: what is the relationship I, as a viewer, form with a specific work and why should you see it too.

For some reason, almost a year since its release and after countless viewings of the book, I have the greatest difficulty concretizing my thoughts on PAK by Brian Sergio.

Problematic

The problem with PAK is categorizing the work as Filipino. Anyone with a lick of visual literacy will know that Kinbaku (Japanese Rope Binding) images, Godzilla figures, nudity with innocent eyes, and the “Provoke style” has more in common with Japanese photography than with Filipino photography. Perhaps the furniture or what little elements familiar to a Filipino household that we see in the pictures suffice? Or the fact that Sergio photographs Filipinos? However, to answer these questions is to answer what Filipino is in the first place — which is in itself a confusing subject to tackle (and probably not worth answering) at another time.

PAK is the type of book that will say a lot more about the person reading it than the author who made it. It is a rejection of conservatism instead of a challenge to it. The book is provocative; it wears its hedonism in its covers. That being said, the work misses a certain depth. By tackling identity without a solid foundation, the work is lacking in some regards.

Perhaps this scrutiny is what the subjects in the book are moving away from. They are more comfortable to be citizens of Sergio’s black and white world than of actual reality – full of judgement and criticism. They rebel against conservatism but are knee deep in it. Sergio photographs his people in a way that shows their comfort; yet jars the viewer, prompting questions about the circumstances in each image.

Perplexing

This is my point of confusion. I can go on and on about the flaws of the work, but I love that it exists. It presents questions and challenges. You can laud it as courageous material or dismiss it as pornographic. It can be subversive, divisive, or just plain dismissive. It reminds Philippine photoland of where we look — with high regard — for the influences of our photography. In my time surveying the Philippine photography scene, I’ve never encountered anyone who is inspired by another Filipino when they study photography. The usual names that come up are those of your classic Magnum photographers, NatGeo, and the Dusseldorf School, etc. It just shows that there is a lack of visual history in our very own photography.

As the case for this book, Sergio — who is heavily inspired by provoke — attempts to make it his own. If Japanese provoke was a rebellion against the prevailing Japanese idea of prosperity during the 70’s, Sergio embraces Provoke as a rejection of conservatism. He invites the reader to challenge their own views and compare them with his images. The book is his grand homage to Japanese photography aesthetics, but it embraces a Filipino contemporary issue: the deterioration of the country’s conservative values despite being the biggest catholic country in the world.

PAK!!!

PAK is meant to explode in your face and leave pieces here and there for you to decipher. When you do, you'll wish to see more from Sergio. Whether it’s to see how he embraces the aesthetic or the simple satisfaction from the visuals, much can be theorized. My biggest fear is that Pak has a simple intended meaning, but as the wheels of history turn and our point of view of the world is challenged, the book can easily be twisted to have an unintended meaning. Will this work have the same punch in the gut in a few years, or will it be seen as an example of something to be proven wrong?

Either way, the existence of this work will serve as a document of the moral challenge we have today. How we respond to the book or this turning point in our history will no doubt change the way we view the work. As for Sergio, may he keep on making me uncomfortable with his photography.

Title: Pak!

Photographer: Brian Sergio

Design: Calin Kruse/FLUUT Grafik-Design

Medium: Photo book, 1st Edition, 200 copies (128 pages, 120mmx260mm. RISO print. Book with open binding in a slip case) Published in 2017 by Dienacht Publishing

About: PAK! Pak! Is an onomatopeia which imitates the sound of impact. Inside these pages are the portraits of people I encounter everyday. What fascinates me about the is their collective rebellion against inhibitions and acceptable behaviour in what is largely a conservative Catholic Society. Some of the mare friends, some of them I had an intimate relationship with, and some are strangers, but I can identify with them within my environment. Just as the act of taking these photos have subjected me to the same criticisms that most of them have encountered.

In a way, it is an attempt to expose the world behind the facade that most Filipinos aspire to. - Brian Sergio

--

Written by A.g. De Mesa

Edited by James Lontoc

#pak #brian sergio #photobook #photobook jousting #die nacht

0 notes

mundazul · 6 years

Photo

#1/20 - RAFAEL M. MILANI - 2016/17 IYL Showcase Finalist by If You Leave + Showcase Rafael Milani hails from São Paulo, Brazil, and has been taking photos since 2008. Milani’s work has been exhibited in various solo and group exhibitions in Brazil and abroad; he has been published in dienacht, Nova Fotografia No Mis, Landscape Zine and If You Leave. Milani has also won awards from PhotoEspaña and Poy Latam. Main image chosen by Laurence Von Thomas - If You Leave On display at the IYL Pop Up Space at The Red Gallery http://ift.tt/2zTz6DM

#Flickr

0 notes

francisgan · 5 years

Photo

<REPOST FROM PURGE> It’s always a cause for celebration whenever a new Filipino photobook gets published. It’s a rare event, and I’m happy to report that in this instance, the excitement is warranted. Brian Sergio presents a wild gathering of characters here, free of inhibitions and all splayed to the camera’s unflinching gaze. Fantastic dirty riso printing too.

#brian sergio #pak!#dienacht publishing #2017

12 notes · View notes

theangrybat · 7 years

Photo