in the midst of it all tonight gals
bought a second patchbay to give my setup a little more wiggle room and i'm paying the ultimate price (redesigning my signal flow and rewiring my studio) but i'm making headway...
i may be the only person in the entire world who will draw this. however. my excuse is that i like robots and they are unironically really fun designs to doodle
Just read the minutemen chapter of our band could be your life while listening to double nickels on the dime and i feel so full of life and just wanna rly idk put myself out there more musically reading abt them and their work ethic while listening to their music makes me so happy n inspired
'Musica E Computer' is a momentous release from Slow Motion label head Fabrizio Mammarella and Rodion recorded in the legendary Marche Synth Museum (Museo Del Synth Marchigiano). A fully functional recording space that houses a fusion of several private collections of Italian electronic musical instruments gathered over the many years since their creation. The Marche region, being home to some of the most ground-breaking and foundational instruments, has created the likes of Crumar, Farfisa and Elka with innovative use from the likes of Tangerine Dream, Pink Floyd and Vangelis.
Equipment used
- Synthesizers:
CRB Oberon
CRB Uranus 2
Crumar DS-2
Davoli Davolisint
Elgam Carousel
Elgam ES 2000
Elka Synthex
Farfisa Bontempi Iris MARS
Farfisa Polychrome
GRP A4
JEN SX-2000
Logan String Melody 2
Melloncelli Repromatic
Milton Gemichord 961
Siel Opera 6
Synthesizer.com Modular System
Welson Symphony
Welson Syntex
- Drum Machines:
EKO Ritmo 20
Elgam Match 15
Elka Drumstar 80
Godwin Drummaker 32P
Viscount R64 PCM
Viscount R64s PCM
Welson Supermatic S12
- Fxs:
Lombardi 18 Channel Console
Montarbo 112 Echo Unit
Riccardo Pietroni plays Iris MARS Workstation & Synthesizer.com modular system
Agostino Maria Ticino plays Elgam Carousel
interview with Sandro Marchetti, creator of the Cosmosound, Silversound and Goldsound pedals - by Lorenzo Tanini:
“... in 1960 with the MET (Micro Electro Technique) ... I created volume pedals for most of the organ producers in the area (Crumar, Elgam, Logan, Moreschi, etc.) and from there I started the design and construction of various effect pedals inspired by those on the market at the time but also boxes to be inserted directly into the guitar input, including preamps, bass and treble boosters and other effects. ... Although the names were Cosmosound, Silversound and Goldsound, the pedals had the same circuits but the aesthetics and the name were varied according to the requests of the various countries’ distributors. “