#caitlin cadieux
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SOMEHOW, we are rapidly approaching that time: cover reveal for Little Nothing time, that is! If you're subscribed to Queen of Swords' Patreon, you've already seen the goods--but an early peek will be available Friday 6/2 for subscribers to Sword & Kettle's newsletter, plus a Q&A with cover artist Caitlin Cadieux (who also designed my S&K chapbook a few years back and is, in general, wildly talented).
ARCs are being prepped, and pre-orders will be open in advance of the book's mid-July release date. Follow me on Instagram or Twitter for more teasers, and stay tuned!
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Life Quote
“In the presence of eternity, the mountains are as transient as the clouds.” Robert Green Ingersoll
Forever! by Caitlin Cadieux on Dribbble
Save the Mother Nature
https://radiopublic.com/everything-8XOl4e
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How Did Tech Become So Male-Dominated? Since computing began in the 1940s, women fill led major developments in programming and software development. In 1984, 37 percent of ... source
#Alice...#Caitlin Cadieux#computer programming#Computer Science#Erica Moriarty#MaleDominated#Silicon Valley#software development#Tech#technology#The Atlantic#women in tech
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Stirfry's Dream – Rude Tales of Magic from Caitlin Cadieux on Vimeo.
Something cute and fun that I did in honor of a very rude and very magical podcast that got me through some of the worst times of 2020, Rude Tales of Magic. Special shout out to Tim Platt for blessing us with the character of Stirfry, the whole Rude Tales crew for being hilarious as fuck, and Mary Blair for having existed so I that I can crib all my color palettes from her great work.
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The Best Ergonomic Keyboard for You
... Caitlin Cadieux decided to go all-out to battle the chronic pain in her right ... “Going back to a different keyboard is a non-starter for me,” says the ...
from Google Alert - Chronic Pain https://ift.tt/3c6ySs9
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The Best <b>Ergonomic</b> Keyboard for You
A CR tester typing on a Microsoft Sculpt ergonomic keyboard. Photo: Dana Keester. A few years ago, Caitlin Cadieux decided to go all-out to battle the ...
from Google Alert - ergonomic https://ift.tt/2AcK6OA
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Caitlin Cadieux
Motion Designer/Animator/Illustrator
caitcadieux.com
Troy, NY
Age 28
She/Her
How did you get your start in motion design, animation, or whatever it is that you do?
I always wanted to be an animator. Seeing The Lion King in theaters when I was a little kid blew my mind. I was always getting in trouble in school for drawing in class, and I had class credit requirements waived in high school so I could take more art classes.
I wanted to go to SCAD for 3D character animation. My mom drove me two hours to Tulsa to a portfolio review event they were holding, and there I found out that I would never be able to afford the tuition, even with scholarships, without taking out massive loans. I decided to go to a state school instead, for graphic design. It felt like I was giving up on my dream, but I was hopeful that I’d be able to make it work if I was lucky and driven enough.
In my junior year at OU, we were assigned one After Effects project, making a title sequence for a film (I chose Cronenberg’s Videodrome), and I was hooked. I stopped doing the regular design assignments and started working independently on animation and motion graphics projects instead. None of my professors knew motion graphics, but I was lucky enough to land an internship with an alumnus who freelanced in LA. That summer in LA taught me all the basics and was completely invaluable, as I was otherwise entirely self taught.
After graduation, I picked up little low budget freelance jobs and managed to turn one into a full time job at my alma mater. It wasn’t a glamorous job and I was still the only animator around, but it afforded me time to continue learning and freelancing, and let me stay in Oklahoma while my partner finished his undergraduate degree. I lived at home with my parents for a year.
When he graduated, we moved to upstate NY, where he got into grad school. I kept up freelancing and got a job at a local news station. My day job was extremely unfulfilling, so I spent most of the day working on personal projects and most nights freelancing. I was working such long hours that I ended up injuring my right arm, which is still plaguing me today and for which, years later, I’ve had to get physical therapy. I wish I’d taken on fewer freelance projects at this time – it was NOT worth it.
Being from Oklahoma, where there’s still very little in the way of a motion graphics community, I did everything I could to get involved online. I started actively participating in #mochat, a motion graphics twitter chat that I eventually would help moderate. I went to every conference I could afford to, including NAB, F5, AIGA conferences, anything. I relished every opportunity to talk with other animators and share work and techniques.
Because of connections I made this way, The Atlantic reached out to me when they were searching for a new animator. I moved to Brooklyn in January 2016, leaving my partner in upstate NY, to work out of the NYC office. The move was extremely difficult for me; leaving your live-in partner to move in with roommates in a new city is not remotely fun, but it was a choice I was willing to make at that time to further my career, and I’m glad that I did it. I’m also glad that after nine months, when the long distance was getting overwhelming, I asked to transition to full-time remote.
I’ve been working remotely from Troy, NY ever since. I’m still learning new things all the time, and trying to push the envelope at work as well as balance my personal projects and development, and even working remotely, it’s STILL hard. I did have to put my relationship on the backburner for a time, but I made that decision with full awareness, and have been fortunate enough to keep work and life in a general balance. Sometimes you do need to focus on one or the other, but you don’t need to throw either one away.
There are so many avenues to explore with animation that I really don’t know what my future holds. I’m getting more interested in UI/UX and game animation, excited by the work mograph studios are doing all over the world, wondering what it would be like to work in TV. My biggest dreams and aspirations are still on the horizon–I want to work in feature animation, and I’m not sure yet how I’ll make that happen. But for today, I’m extremely proud of the career I’ve been able to build.
What are some best practices you use today?
I try to take my time and be patient, especially when making major career decisions. The biggest thing you can focus on is craft. Spend as much time as you can learning how to make beautiful, compelling, well-designed and well-executed work. Beyond that, all you can really do is be open to opportunities and then make choices when presented with them. Being persistent is key – I’ve been rejected for so many opportunities, but there are many times where I just kept slamming my head against the wall until I broke through to the other side. Work hard, but more importantly, work smart. Share with others and participate in the greater animation community, because it absolutely will come back to you.
How do you balance your work with your personal life? How do the two influence each other?
It definitely helps if most of your hobbies and interests are related. I love to draw and paint and I love movies, all of which has the lucky byproduct of keeping me growing and learning in my career path. I try very hard to do things that don’t involve sitting on the computer, though. I took up martial arts, which gets me out of the house, is really engaging and keeping me fit, and incorporates a lot of stretching (which is critical for maintaining your precious joints!). Animation can also be really isolating, and remembering to go out and hang with your friends is crucial. It’s amazing how much better and refreshed you feel when you take a night off to play board games with your friends.
State your privilege – What circumstances may have helped or hindered you along the way?
My parents paid for every cent of my schooling. While they weren’t able to afford art school tuition, they made it possible for me to graduate from a four year graphic design program without taking out a single student loan. My grandma covered books and supplies in college. I also attended private school from 1st grade through high school. I’m so extremely fortunate in this regard and I don’t think I’d be able to take on some of the opportunities I’ve had without that help.
How have you learned to practice self-care? What do you do to take care of yourself?
Eating healthier and getting enough sleep have a trickle-down effect, I think – sleep especially. Your productivity and general wellbeing are significantly boosted if you’re rested. Eating better also makes you feel better, which helps you to focus and get work done. The more you’re taking care of your basic needs and mental health, the easier it is to be in the right mindset.
What advice do you have for those just starting out?
Make good habits now. Achieving greatness absolutely requires sacrifice, but you don’t have to burn up your life or your body in order to succeed. Find ways to save yourself time and money so that you can invest it where it counts and get a full night’s sleep as frequently as you can. Be a sponge for information, but take all advice with a grain of salt. Life is short, but we also have so much more time than we truly realize – if you feel like your only choice is to risk your life or your health to get where you want to be, remember that there is ALWAYS another way, even if it means slowing down and taking your time. Many people don’t get their ‘big break’ until much later in life.
Try not to be too dazzled by your heroes, and don’t try to follow anyone else’s journey to success. Nobody else’s path can be retrod. If you’re focused, you can make your own way.
#animation#motion design#motion graphics#panimation#aftereffects#motion#2D#3D#illustrator#motion designer#motion graphics artist#video journalist#career advice#creative director#art director#crunch#burnout#freelance#visual designer#designer#directory
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Caitlin Cadieux is a designer, illustrator, and animator currently based in Troy, NY. Initially, Cadieux became of interest due to her versatile illustrative style that is expressed in her designs, however, following further research I discovered that I became particularly interested in her portfolio of animation. Cadieux uses an abstract approach to her illustration that expresses an impressive fluid motion and awareness to the use of a range of tones to develop a sense of shadow and depth to her work.
How this relates to my project:
Following analysing Cadieux’s work, I’ve discovered that this may be an effective form of communication to address my project brief to the extent of that her designs are focused towards animated illustrative visuals alongside informative statistics that represent a transcript as such to the speech involved in Sound 2.
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Caitlin Cadieux is a designer, illustrator, and animator currently based in Troy, NY. Initially, Cadieux became of interest due to her versatile illustrative style that is expressed in her designs, however, following further research I discovered that I became particularly interested in her portfolio of animation. Cadieux uses an abstract approach to her illustration that expresses an impressive fluid motion and awareness to the use of a range of tones to develop a sense of shadow and depth to her work.
How this relates to my project:
Following analysing Cadieux’s work, I’ve discovered that this may be a effective form of communication to address my project brief to the extent of that her designs are focused to amplify the issues surrounding the issue of climate change by presenting illustrative visuals alongside informative statistics.
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New video – Motion Graphics with Caitlin Cadieux – 3 of 3 on @YouTube New video – Motion Graphics with Caitlin Cadieux – 3 of 3 on @YouTube Via Adobe Creative Cloud…
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New video - Motion Graphics with Caitlin Cadieux - 3 of 3 on @YouTube http://bit.ly/2RFfiNz
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She's here! For a Q&A with cover artist Caitlin Cadieux, and an exclusive excerpt, check out Sword and Kettle Press's Patreon. Plus, preorders are officially LIVE!
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Nature Quote
“What nature delivers to us is never stale. Because what nature creates has eternity in it.” Isaac Bashevis Singer
Forever! by Caitlin Cadieux on Dribbble
Save the Mother Nature
https://radiopublic.com/everything-8XOl4e/s1!98d2a
Join Prime Today
View On WordPress
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New video – Motion Graphics with Caitlin Cadieux – 3 of 3 on @YouTube New video – Motion Graphics with Caitlin Cadieux – 3 of 3 on @YouTube Via Adobe Creative Cloud…
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New video - Motion Graphics with Caitlin Cadieux - 3 of 3 on @YouTube
New video – Motion Graphics with Caitlin Cadieux – 3 of 3 on @YouTube
Via Adobe Creative Cloud
Join Designer Caitlin Cadieux on Adobe Live as she creates custom motion graphics for the fictional David Bowie inspired music festival called ‘Are You Out There!’ This week Caitlin will focus on stage graphics and backdrops.
Caitlin Cadieux is a designer, illustrator and animator currently based in Troy,…
View On WordPress
from hip hop news source http://bit.ly/2RjxEUV
via YouTube music video promotion
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New video - Motion Graphics with Caitlin Cadieux - 3 of 3 on @YouTube
New video – Motion Graphics with Caitlin Cadieux – 3 of 3 on @YouTube
Via Adobe Creative Cloud
Join Designer Caitlin Cadieux on Adobe Live as she creates custom motion graphics for the fictional David Bowie inspired music festival called ‘Are You Out There!’ This week Caitlin will focus on stage graphics and backdrops.
Caitlin Cadieux is a designer, illustrator and animator currently based in Troy,…
View On WordPress
from hip hop news source http://bit.ly/2RFfiNz
via the social media business
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