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greenerteacups · 11 days

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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭

So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.

With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.

Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.

But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.

#greenteacup asks #sidebar: I know Minister “of” Magic is an Americanism but mea culpa #Someday I might actually bite it and pay someone to britpick Lionheart but I can't do it now #because I have a ban on editing published fic unless it's finished. Otherwise I'll never get around to writing the actual ending #I have a Process #is it the best process? likely not! but it makes the words go. so here we are.#I also think the fact that JKR is Gen X makes a difference here. careers worked differently in the 80s and 90s than they do now #i.e. we have the gig economy and a lot more mobility and EXPECTATION of mobility in your early life #that means career changes & professional pivots through your 20s and 30s are increasingly normal #and in fact have always been normal — but the image of the 'true' or 'ideal' career has changed #so we look at those careers and go hm. really? none of them changed?#none of them even went to uni? do wizards... just not?#but again. I believe the epilogue was written almost completely without consideration as to what happened between the BOH and then #I really believe that JKR did not know what happened to Harry except a wedding and 3 kids. because that was the whole point #I don't think she even knew what his career was when she wrote that scene #It existed to marry everyone off and do a quick munchkin headcount #because of the understandable temptation as an author to keep your hand on the wheel. but it didn't even matter!#the epilogue changed NOTHING! it was the most useless chapter in the series! I just — GOD #you can absolutely accuse me of being sour grapes about my ships getting nixed. I AM sour grapes. I AM a hater.#AND I have plot/theme/craft reasons for disliking it.#I'm not objective. I just want credit for being a sophisticated hater. my grapes may be sour but they're still artisinal.

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vermillioncrown · 2 months

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my heart might give out from stress

i don't want my drafts to remain in purgatory if that happens

here's a snippet from the blowjob brothers

happy vday or whatever

hlwi snippet: timkorv ceo and pa roleplay

tldr what you get when you have two overthinking maskers that are dating

(mature, allusions to exhibitionism)

Korvin is supposed to shadow Tim today as his PA. At the same time, he can stealthily join in discussions on some Wayne Enterprises & Subsidiaries’ projects for the next fiscal year. It’s dubious as hell, managerially incestuous, and not at all billable to any of the workbooks. Technically, Korvin is “Out of Office.”

Tam gives them a Look, Lucius gives them a bigger Look, and they both separately say, “Keep it out of Meeting Room 5B.”

“Pardon?” Korvin plays the wide-eyed mangénue well—first PA job fresh out of his management degree, definitely-of-course-not hired for his credentials nor family connections.

“Director Kwan-Wayne.” Lucius removes his glasses to polish them and says in a mild tone, “That 3 AM with M-Systems could have your name on it for the rest of your tenure. Clear?”

Korvin drops character for a brief moment of honesty. “Crystal, Chief Fox; keeping it contained.”

They get left alone late morning in Tim's office. Tam pointedly does not look in their direction and pushes the controls to shut the blinds.

That’s not Tim’s concern right now.

Right now, his only concern is coaxing the young and nervous PA to come play with him. Cute face, DSL, firm ass, and positively stacked—Tim has to have him under his hands as soon as possible. “I don’t have super hearing, Mr. Kwan. You’re going to have to come closer to my desk.”

His PA walks to the front of the desk, posture stiff and straight like he’s about to crumple with nerves given any leeway. He doesn’t look Tim in the eye; instead, he leans over the desk and clumsily holds the tablet out to show the agenda for the day.

“Mr. Drake, I have the brief for 11 AM printed—if I could go retrieve—”

“Mr. Kwan, no need for that; just brief me like this.”

“L-Like this?” Poor thing is flustered and baffled. Tim supposes he needs a bit of clear direction to help him along.

“Oral report,” he clarifies. And Tim can’t help it when the back of his pen traces against the younger man’s jaw. The metal tip goes up to the corner of his lips, tapping that tempting beauty mark right at the edge. All of it would look amazing wrapped around his cock. The heat would fog up those cute glasses, and if Tim gets careless with his aim? A little mess on those unruly curls wouldn’t be out of place. “Nervous when you speak, Mr. Kwan?”

“I-I,” his PA swallows, the motion framed by the turtleneck under his suit. The suit itself is nicely fitted, if a little juvenile in the fabric weight and cut; obviously a gift from someone with more means. The turtleneck pairing is tasteful, but a choice—hiding love bites? With the gift suit and his looks, maybe this type of “PA work” isn’t outside of the younger man’s experience. “I’m trying to work on. Uh. That, M-Mr. Drake.”

“Luckily for you, I have plenty of advice to offer,” Tim offers with a smile. “We have half an hour—why don’t you come around and I do that while we discuss the brief?”

His PA gives a bashful glance at the wall clock, though still frozen in his vulnerable pose and in Tim's hand.

“Don’t be shy,” Tim whispers, letting the back of his fingernails graze along the younger man’s cheek. Dark eyes follow the path his hand takes, trace it back to Tim himself. When it’s obvious that the other is fighting back a timid but interested bite on his bottom lip, Tim lets his gaze fall to “bedroom eyes” and cocks his head to beckon his new playmate over.

Their roleplay quickly falls apart after that, though because neither Tim nor Korvin can stand being Not Correct. The derailment happens at the intended coy exchange of, “‘Oh, what if we get caught?’ ‘Guess you’ll have to be quiet, sweetheart,’” and then—

“What? No, now I’m actually concerned. You’re the loud one,” is refuted with, “no, that’s you with the actual anechoic sex room.”

“It’s not a—whatever! I literally had to install a trained bypass filter on the hall cams because of you!”

Never mind the unhinged meticulousness in finding the right sounds to train said filter on— “And you got caught, so fine, we’re both loud but I’m stealthier! ...and you’re louder.”

“We have the technology to be, y’know, objective. You just don’t want to be wrong.”

“I don’t want to dignify this argument with actual data.”

“Yeah, that’s how I know you’re actually louder,” Korvin rolls his eyes, even as he continues to contort himself under Tim’s desk. “This front drawer’s in the way.”

Tim pushes his chair back and bends to look at the bottom of the drawer. “I think if you kneel further back, but then—”

“—yeah, I'd have to lean forward.”

“Oh…but that's a better angle for your throat, though.”

Korvin nods thoughtfully. “You'd have to keep me from falling too forward or chance someone seeing my hands stick out,” he muses.

“I'll keep my ankles crossed back in. Brace against that,” Tim suggests, and at Korvin's nonchalant thumbs up, he rolls back in front of his desk.

#on hlwi #phd-verse #verm bits #christ alive yesterday it was ''we're so back''#today ''it's so over''#*made it pink bc i'm losing control and need to exert it wherever idk #fun note: this is either the first or second hlwi scene written #bc it's one thing to say ''haha wouldn't it be funny if a and b got together?''#but they can't actually have fun or don't have chemistry #so the snippet was a proving ground that the development of tpac wasn't crazy #it may or may not make it into the final cut so here we go #extra extra 2024 roz and i agreed to do whatever we want and not shy from sharing stuff out of some ~artistic vision~ or whatever #like there are things to withhold if mystery and suspense are key #but otherwise don't care #hm i say it's a proving ground a lot #but each snippet is dealing with a different brain worm

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ninja-knox-ur-sox-off · 7 months

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Day 8: Mountain/Chains

Prompt List

Pt. 6 of The Empire of Samadhi AU

Pt. 1 | Pt. 2 | Pt. 3 | Pt. 4 | Pt. 5 | Pt. 6 (you are here) | Pt. 7 (coming sometime...)

(This is day 8 of the Monkie Destiny Challenge Prompt Month October 2023)

Wordcount: 2k

Summary: Red Son is the son of an old empire, Mei is the daughter of a new one. Red Son, consumed by fire, was put into an induced stasis sleep to stop the world from burning until his family can find a way to safely remove the fire. They find a way but he never wakes up. Hundreds of years later he awakes to discover his power resides within another as she stares at him with wide eyes on fire.

Split.

They reached the mountain at daybreak.

It wasn’t massive but it still counted as a mountain, albeit a small one. There were seals and spells lining the caverns on the inside of it, if nothing much had changed since Red Son had last visited the place. It was a little out of their way and put them a good half a day behind schedule to reach, but the mortals were insistent. Much to Red Son’s frustration.

Why they were taking this detour was simple.

Liú.

That little puppet Mk had tucked into his sash comfortably that morning, with his little puppet arms and face free of the fabric. He’d spent a needlessly long amount of time making sure he was comfortable, not being crushed. No matter how many times Red Son told him he likely couldn’t feel it, Mk wasn’t taking any chances.

“Just in case,” he had said that morning. “He might be conscious. It would be boring to look at the inside of a pocket all day.”

No matter how much Red Son scoffed at it, Mei chimed in that she thought it was a good idea so that was the end of it, and he could do nothing to convince him otherwise.

They were idiotic fools.

They were weird.

They chatted with the puppet all the way too, and on the way up the mountain, in-between complaints of sore feet and burning muscles from their upward decent. Red Son had to listen to their aggravating recap and their ‘Sifu Samadhi, he might look scary but he’s a softy,’ all the way up the mountain.

Red Son was not a softy.

He was going to kill them both the moment he had the fire just to prove that.

“He can’t hear you,” Red Son tried to tell them for the thousandth time.

“Maybe he can,” Mei said, sticking out her tongue like she did every time she replied.

Truly they were idiotic.

He had no doubt if Liú really was conscious as a little puppet, he would have rather been shoved into a pocket than listen to their whining. At least then the sounds would be muffled.

“Are we there yet?” Mei groaned. “We've been walking for ages.”

“Two hours,” Red Son said through gritted teeth, “is not ages.”

“It's dark out,” Mk complained, “I want to sleep.”

Red Son took a moment to breathe. If he pushed either of them off the mountain now he might never get his fire. “This little detour is costing us precious time. The sooner we reach the top the better. Unless you’d rather take a nap and watch the world burn from this vantage point?”

That at least shut them up for a while. Then there was nothing but annoyed noises and huffing and puffing.

Honestly they held up better than expected. Despite their complaining they were keeping up with Red Son’s, what would be considered, brutal pace for mortals.

They reached the top before sunrise.

Luckily the big open surface carved out remained which meant they wouldn’t need to clear anything. The last time Red Son had been here, there had been monuments and structures and even green life everywhere. He didn’t acknowledge the blackened empty state of it.

Red Son drew the circle in the ash and dirt himself, since he didn’t trust either of them to know what they were doing. It didn’t take very long, but it was long enough for Mei to complain again. Red Son ignored her. He scratched the letters into the dirt then snatched some of his fire from the rings and lit the spell. The fire filled the grooves quickly until every bit of lettering was illuminated.

“Now,” he said, dusting his hands off and turning to Mei. “First things first. This is going to cause quite a commotion in the middle of nowhere. Without any life disguising my power, we might as well be sending an invitation to that thing to come find us. So.” He stepped over to one of the edges of the flat space, purposefully not too far away from the circle, but not close enough to mess with the spell. “This is our escape route. If he comes, stand here, and it will take us out of here in a more permanent teleportation than I can currently provide.”

“Cool,” Mei said. “Where does it go?”

“Let me worry about that,” Red Son said, crossing his arms. “Now the spell. Not that I care but keep in mind that if you lose control at any point during the ritual, he will undoubtedly die.”

“What?” said Mk, shielding the puppet with his hand.

“No pressure or anything,” Mei muttered. She frowned at the spell.

“Hurry up, we don’t have all day,” Red Son snapped.

“You can do this, Mei,” Mk said. “I know you can.”

That made her crack a smile. They were both so strange. “Thanks Mk.” She seemed to brighten just a little bit. “Alright, let's do this.” She got into position and planted her feet.

Mk hurried forward and placed the puppet in the middle of the circle, gently brushing ash from the spot so there was a clear spot to place it down. He then scurried out of the ring, cursing as the hem of his hanfu caught fire. He stamped it out, giving a big bright smile when Red Son glared at him.

Mei took a breath, closing her eyes. She placed the palms of her hands together in a meditative movement, then her eyes snapped open and she stared with intense focus at the puppet on the ground. “Ready.”

Red Son nodded. He lifted his hand, breathed and released the puppet from the seal.

It was an awful twisting, crumpling moment, then there the puppet stood at its full size. Its one eye blinked.

“Now!” Red Son yelled.

Fire exploded over them.

Red Son thought just in time to yank Mk behind him to shield him from it. Red Son planted his feet, nearly slipping from the force of it.

“A bit of overkill,” he said through gritted teeth as he held the fire at bay. She likely didn’t hear him mutter it over the roar of the flames. That had been his intention. He wasn’t stupid enough to interrupt her focus on purpose.

The puppet cowered, shielding its face, but its feet remained glued to the ground, trapped by the spell. The flames washed over it. It wailed.

“Ignore it!” Red Son yelled to Mei before she could hesitate or ask. “Continue the ritual!”

The fire burned through layers of the curse.

“It's working!” Mk spoke like he could see it which was absurd.

Chains flickered into view. They connected to the puppets wrists and ankles, long and icy and blue. Deep churning gray ones wrapped around the rest of him as though they were holding him together. Those chains were much thinner and weaker than the blue, but both could be handled just fine. One part possession, one part curse. The seals on the chains lit up with light, exposed by the fire.

The fire flickered green. Red Son grit his teeth and said nothing.

“You almost got him! Keep going!” Mk yelled.

“I… am…” Mei grunted, straining and pushing the fire at the puppet, trying to keep it aimed at him. Some of it lashed out to the side, dangerously close to Mk.

“Focus, Dragon Girl,” Red Son barked.

“Both of you zip it!” Mei snapped back. “Stop yelling at me-”

One of the chains cracked.

“Keep going, you're doing it!” Mk cheered.

“I asked for quiet please!”

The puppets' eyes flickered from empty to wide and pained and human. The puppet-like designs on its skin seemed to start to burn off. Its screaming was muffled by the fire.

“This is really hard!” Mei yelled.

“Of course it is!” Red Son yelled back. “Keep going!”

A chain snapped.

“You’re doing it, Mei! You’re doing it!”

“Yeah!” Mei cheered. Her power surged and pressed firmer against the curse.

Red Son hadn’t sensed anything, perhaps due to the massive surge of power in front of him. But quite unexpectedly he exhaled and his breath was visible, even with the flames in front of him.

He snapped his head up to look at the sky to find frosty clouds looming above them and closing in. The air behind where the fire was not was growing cold.

Red Son hadn’t felt him coming.

They needed to leave. Now.

“Dragon girl! Stop the fire! We need to go-!”

He landed a short distance away at the edge of the space and the mountain shook with the impact.

Red Son stumbled, on his feet, some of the fire escaping past him and over to Mk.

The fire vanished.

“Mk, grab Liú,” Mei barked. If Red Son wasn’t distracted he might have been proud of her authoritative voice, clearly reminiscent of his own.

Mk jumped into action and ran forward, jumping over rocks. He scooped the puppet off the ground, and bolted back to Red Son.

The figure that filled Red Son with such dread started forward.

The fire blasted into existence again, all of it focused on the possessed creature.

“Leave it! We need to go!” Red Son yelled. He and Mk were already standing in the escape route, they just needed Mei.

Chains flickered.

Red Son realized that his uncle was walking into the circle they’d made for the puppet.

Chains, white freezing chains, thin and thick, wrapping around every limb, tight around every movement. There looked to be hundreds of them, some of them thicker than some tree trunks Red Son had seen, and only getting bigger, as they stretched out of sight. They wrapped around his wrists, his arms, his ankles, his legs, his tail, his throat, his torso, his head.

Every single chain link from big to small had a seal on it.

The horror that Red Son felt choked him for a moment.

“Wait!” Mei yelled. “Do you see that? Maybe I can-”

“YOU CAN’T!” Red Son roared. “LEAVE IT, MEI.”

He could see her hesitate. It was a split second of her really truly considering… Then she growled. With a frustrated yell, she hurled as much fire as she could at their pursuer before she abandoned the circle and sprinted towards where Red Son and Mk stood.

“Hurry!” Mk held out his arm to her. “He’s right behind you!”

Mei didn’t glance back, she just launched herself forward, leaping at them.

Red Son slammed his hand onto the ground on top of the spell to activate it seeing her trajectory. He didn’t pray that he’d timed it right, he knew he had.

That was the moment that everything went wrong.

Mei was jerked backward, the Possessed catching the back of her hanfu.

Mk lunged out of the circle and tackled him.

Mei was catapulted forward and bowled into Red Son, knocking him off his feet and partially out of the spell.

The possessed moved forward, Mei lunged for Mk, the spell activated just as she touched him and the mountaintop exploded.

The impact of Red Son hitting the ground face-first nearly knocked him out. It left him dizzy and disoriented for a moment.

He pushed himself up and staggered to his feet.

He looked for Mei first, expecting her to be a short distance away, buried by rubble or fighting his uncle, but very suddenly realized several things:

He wasn’t atop the mountain any longer. He was beside a running river, surrounded by trees. It was damp, not as dry, there was no ash or flame to be found.

He couldn’t feel the warmth of his fire at all, which meant it was no longer in close proximity with him.

His uncle, Mei and Mk were nowhere to be found.

His fire was gone.

Red Son punched a tree, splitting a fist-shaped hole into the wood.

Then he wordlessly screamed at the sky for more than a few reasons but mainly because that had really hurt.

Imbeciles.

| beginning | next (coming...sometime...) |

#KNOX WRITES (me)#Monkie Destiny Challenge (2023)#Monkie Kid the Empire of Samadhi AU #Monkie Kid #LEGO Monkie kid #Monkie Kid Mei #Monkie Kid Mk #have i just skipped day 7 entirely? m a y b e #not purposefully i just had the idea for a truth serum/curse fic thing and i was thinking about writing that just haven't had the time #this one was already partially written #I'VE HAD A VERY FULL WEEKEND OKAYGBS;FKLSMDF #hopefully i'll get todays prompt out too before the day is done #whew weeee #we shall see how this goes i don't have any ideas for it yet hG;LSKJF #REMEMBER TO HYDRATE #this one feels very short BUT ITS FINE MOVING ON #MY COMPUTER KEEPS OVERHEATING I NEED TO SPEED OFF HERE I'M JUST TRYING TO POST THIS WHEEZING #straight up i couldn't think of what they were going to do next so i did this to give my brain something new to consider mWAHHAHAHA #what will happen next... hm..?

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enhanced-operatives-division · 1 month

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i would love to hear about the ollie and handler crack ship here’s a silly doodle as well

LOVE THE DOODLE YOU SEE THE VISION!!!

Also this got my ass to design Ollie so:

(Love him - Also redesigned Reggie for this too so thanks!!)

And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.

Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).

Alas take a doodle of my own:

Transcript (it's just canon lines):

Ollie: "She's being controlled, it's not her fault."

Reggie: "Agent, I have 0 experience dealing with giant security squids."

#idk i know realistically JJ and Reggie will probably never interact so like this is the one I can root for right?#<- ollie is probably still at the bottom of the ocean #alas. i think they could be silly together. because like. idk. they have the same vibe to me #i feel like they would have a GREAT TIME at a barbeque actually #i digress #in terms of the art though!!! Ollie!!!!!!!!n #I've never drawn dreads before shdjdkf i had to redraw the hair on that first one genuinely about 6 times #idk it came from like. if he's been underwater for a long time dread would prolly be somewhat convinent in terms of hairstyles #also we don't talk abt how ollie probably knew fabby because it's implied she was working down there????#tbh she probably hated himshsjekdld he would be clueless #and uhhhh back on my I can't draw reginald crane in a way im happy with ever. an example ahdkdlf #I've liked exactly 1 drawing of him I've ever done i think i need to do a completely different design over just the little tweaks here idk #anyways ty for the ask sorry it took so long to answer you can see why lmao #it was fun though!!! like i say it got my ass to draw ollie finally and i do like his design #ieytd #i expect you to die #[agent moose's art]#reginald crane #ollie ieytd #oh ship name ummmm #hm #earpiece??? uhhhhhhh radio signal???? idk #leavung it for now im so bad at naming things

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daisywords · 4 months

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#my life could be so much more healthy and well-balanced if I didn't have roommates #and it's not their fault!!!! they are nice girls!!! we are chill!!! friends even!!!#and yet #I was so optimistic like. hm when I move I will simply stop letting this prevent me from doing what I want #stop letting my weird complexes win #but...that is easier said than done I guess #but I'm so serious right now if I lived alone it would be so much easier for me to eat well and exercise #maintain habits. meal plan. keep things clean #y'all imagine if I could use more than a six inch x six inch square of freezer space #I would have brought my violin here with me but I knew I would never play when anyone else might be in the house #so pretty much never #I would do floor exercises in my room but I'm scared to bc the floor creaks #I would go do it in the basement but I don't want anyone to wonder what I'm doing in the basement #NOT THAT ANYONE CARES #IT'S JUST ME I'M THE WEIRD ONE! I'M THE PROBLEM #look I am mostly normal and enjoy other people's company #I just need no one to perceive or acknowledge me ever when I'm doing my little tasks #yikes yikes yikes #anyway I'm going to be brave and go do dinner now

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twilightarcade · 7 months

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OC-tober day 1 - fave oc

Evie!! The one and only :) absolute freak. I don't quite have an ultimate favorite? But I suppose it would have to be xem at the moment..

#notwordswordstag #I think.. yeah #sorry besties #xyr pretty cool dontchathink #erm!! oc tober is probably getting posted over here just for the sake of consistency #don't think we're gonna have a set posting time. We ball #i might end up doing some heartwitchtober if i somehow aquire mass amounts of time.. or perhaps just do it next month #don't tell anyone though. doing an october prompt list in not october is CHEATING!!!!!!!!!!!!#man do we tag this..... what if i bury them far enough down that it doesn't get indexed #that said; i don't particularly care for counting but that's probably enough? I forget the exact number.#Should be 10 or so. If it's more. Well. Should have remembered idiot.#bweirdOCtober #oc-tober #improperly used semi colons... darn #maybe ill just start using stars and hearts ☆ they're pretty silly. That wasn't even a spot for a comma.#man should I. Reintroduce them every time. Hm.#if you DO find this and wish to know more don't be afraid to shoot me an ask or something! I can even answer privately if you'd like #don't tell anyone but i am this 🤏 woah that emoji sucks. I am this -> 🃏#i am this close to breaking the world rules i set 4 myself. Just once..#I finished day 6 aren't you excited for day 6 guys

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tyrannuspitch · 5 months

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the more fic concepts i develop the closer they get to being straight up horror tbh. weird ghosts. fucked up obedience curse. mind control. cannibalism. cannibalism again. organ harvesting. probably more i'm not thinking of right now. well i did tell u i could make them worse

#re organ harvesting. once again. sacrifice. eyeball. it's all already in there!!!#second of all. it is. hypothetically. just the one thing <3 of courssse we wouldn't do that again not for a good few centuries at least <3 #like it's. hm. idk. obviously inherently horrifying. but far from the Most Extreme version of the concept.#although tbf a lot of ppl in this fandom do write just like. Some Random Gore and don't get judged for it #(typically th*nos is involved)#so maybe i am defending against nothing here idk

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soryualeksi · 6 months

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German "anti racists" around here breathing a sigh of relief like, "FINALLY I can say it again, but I've ALWAYS thought that The Muslims were kinda sus..."

Feels bad, man.

#islamophobia #suddenly All Muslims just 'can't do integration' because 'they are all bigots and don't fit our anti bigotry society' and shit #so they've only been holding their breath for the moment to FINALLY be en vogue to say this again huh #it's so bad #you are all so enlightened and those Uncivilised Barbarians just don't Fit here and they bring homophobia and antisemitism and shit #stuff which we don't have here in Germany because We Grew Beyond That #also they all hold misogynistic ideas which we all know was never an issue in germany no #I'm so sick of this #maybe I'll take up countering 'well what do your muslim friends say about ISIS' with 'what did your family do during ww2 hm'#racist bullshit #they've been waiting for the moment they wouldn't get ~cancelled~ for calling muslims savages and here it is in germany here it is #losing respect for so many people so rapidly #sure you're not racist katrin and tobias sure you aren't #german stuff

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vimbry · 1 month

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saw a really fun show tonight! got home took pee and became an ex-member of the never passed out club

#it's oversharing time on tumblr bc I'm a little freaked and have never fainted before haha #we got home and I just suddenly got a lot of pelvic discomfort and nausea like food poisoning #at some point I was thinking oh better go tell my mum in case she needs the bathroom/wondering why I've been up there a while #hey listen don't come upstairs I'm gonna poop massively #and apparently I did actually do that. but I don't remember because the next thing I saw was her looking over me on the floor downstairs #so I still feel like I dreamt that conversation and also the first few things said to me waking up #which is probably normal for passing out right.#really surreal and not a fun thing to happen. fortunately only happened for a few seconds but felt like I was out longer #I'm sure experienced faintees are looking at this as no big deal but it kinda shook me ngl #I'm better so I think I'm just dehydrated (I do drink through the day. maybe it's still not enough as it should be tho?)#but apparently I went grey and blue lipped which is just scary for everyone! I'm ok now #I'm just lying here searching my symptoms and going hm. fascinsting like a cartoon scientist in-between being dramatic and scared #I never did poop

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paradisecitizens · 2 months

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hmph every now and then I remember how I'm perceived and it makes me really sad bc I'm just like a sex toy and we'll chat and then you'll get bored or meet someone you take seriously as a partner and literally disappear, and everyone's like no i actually like you and then it'll happen and I'm like 🙃

#you dont understand even people who don't know my tumblr do it #hm was this spurred bc i read a fan fiction this morning yes #but now we are here #paradisecitizens chats

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unproduciblesmackdown · 9 months

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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