after considering the matter seriously and giving it a good deal of reflection, i’ve decided that my stance is: heero/relena in canon, heero/duo in fic

Fic Questions

tagged by @the-lincyclopedia thank you!! (fun game: watch my writing get progressively less formal as the post continues. by the end it’s like what is capitalization)

1. How many works do you have on AO3?

77!

2. What’s your total AO3 word count?

434,378 as of this week but it does go up quite regularly

3. How many fandoms have you written for and what are they?

Okay so in terms of what’s on my AO3, I have Check Please, All For the Game, Sharp Zero, HP, and Miraculous Ladybug. I also have The Forbidden LOTR and PJO Fanfiction (as in, I’ve written it, but it’s never seeing the light of day)

(technically there is a PJO fic out there that has seen the light of day but I orphaned it because I was tired of getting comments asking about when it would be updated)

4. What are your top five fics by kudos?

and then i met you (and the whole world changed)

for the better

Knew It Was You

come home (to you, to us)

sin bin schematics

All of these are Check Please and all of them except Knew It Was You are part of my Zimbits Airport AU!

5. Do you respond to comments? Why or why not?

I do! It’s actually a very recent thing that I’ve started not responding to literally every single comment. Mainly I respond because I love talking about my writing so I am going to seize that opportunity when it comes up

6. What’s the fic you’ve written with the angstiest ending?

Oh, DEFINITELY Happy Birthday (HP). Check out that MCD tag ahah. (I say HP but what I really mean is that I write fic about Regulus Black. The Regulus Black-centric tag is my home in the HP fandom)

fun fact: this is a very short fic that I wrote when I was 15 and basically forgot about until recently, and then I reread it recently and went holy shit?? I pulled NO punches????

7. Do you write crossovers? If so, what is the wildest one you’ve written?

Not a ton? I think a lot of the fandoms I write for don’t really mesh that well. That being said, the aforementioned orphaned PJO fic is actually a PJO/ML crossover, so there’s that

8. Have you ever received hate on a fic?

Nope! Sometimes I get comments that are just.... really confusing? And a more common thing is that in my AFTG fic I’ll get comments from people who are so focused on Andreil (or the most common ships in general) to the point that like. they miss the point of what I actually wrote. Those are annoying but they’re not hate, they’re very enthusiastic, they’re just... enthusiastic about a story I’m not writing? So it’s a bit frustrating.

9. Do you write smut? If so, what kind?

No sjflskgjhgf I struggle enough to write kissing, I think if I ever tried to write smut my brain would just shut down. I’ve managed some fade-to-blacks (which are mostly in WIPs that haven’t been posted) but they rely HEAVILY on the powers of implication

10. Have you ever had a fic stolen?

Not that I know of!

11. Have you ever had a fic translated?

No, although I have occasionally made a brief go of it, not to post, more as an exercise for myself in a language that I’m learning. Anyway I never finish them so I’m gonna say no

12. Have you ever co-written a fic before?

Not really? I’ve definitely group brainstormed fics and then written them (the best example of this being Q&A (AFTG), which was the product of a truly off-the-walls group chat), but I tend to do all the actual writing myself. I think the way I write would drive a co-writer up the wall since it’s very disorganized and I don’t write stuff down because ~I know what’s gonna happen I don’t need notes~ and it would infuriate me if I was co-writing with me lmao, so I won’t inflict that on someone else

13. What’s your all-time favorite ship?

I regularly move through ships I’m SUPER focused on, like it’s kind of a rotation. I will forever and always ship Percabeth though.

14. What’s a WIP that you want to finish but don’t think you ever will?

Okay so if you follow me at @birlwrites you may know this already, but i have this ‘warmups’ document that is just like, random ideas i get that i don’t necessarily want to finish but i just want to try out for a bit? and i have a rule that once a ‘warmup’ is more than 10 pages long (so 11+) then it has to be moved to its own document, just to make scrolling through the warmups doc easier. but usually, a warmup only passes 10 pages when i’m INTO it. so i have a bazillion wips i will probably never finish. i complain about this a lot. i have so many wips. i don’t need more.

here’s one: it’s titled ‘interrobang doesn’t know they’re dating’, it’s basically a full outline for a chowder/tango fic and it would be SO cool if i could ever like. get around to writing it. but i am constantly swamped with writing projects, so it’s probably not gonna happen. if anyone’s interested in adopting it though i’d be down for that!! i think it’s a fun idea i just almost def won’t write it myself

15. What are your writing strengths?

SNAPPY DIALOGUE AND SNARKY INTERNAL MONOLOGUE. my writing is COMEDIC, 90% of my ideas are based on a funny snippet that popped into my head, a lot of my worldbuilding is based on ‘hey you know what would be hilarious’ (whenever i explain how larai selects a chosen one in the rainfall universe i start laughing, which is a STARK contrast to how it plays out on the page), i love writing funny stuff!!

also i think my writing sounds nice, a lot of the time i pick words/syntax based on sound and flow so there’s that too. and i have lots of ideas! i don’t struggle much with writer’s block because a) i have a lot of strategies to deal with it and b) i have a lot of ideas to help get around it/work with it

16. What are your writing weaknesses?

PHYSICAL INTIMACY LMAO, sometimes in my end notes on shippy fics you can see me complaining ‘it took me literally 4 hours to write that very brief kiss’. also sometimes the humor in my writing gets in the way a bit, i have to very consciously put it away so characters can actually have serious, genuine emotions. also i don’t like outlining and i tend not to get betas for fanfiction so like..... i do my best continuity-wise but having really tightly plotted stories is just not my focus lol. (and i do put more effort into that for original stuff, it’s just fic where i kind of go wild)

17. What are your thoughts on writing dialogue in other languages in a fic?

If the reader’s supposed to know what it means, then writing it in another language is iffy for me. (stuff like terms of endearment which come up a lot in fic are fine imo, you can just put a note in to translate them and your reader will prob remember)

If the pov character isn’t supposed to understand it, and it doesn’t matter if the reader understands it, then ig it’s fine? but unless you already speak the other language (and i am NOT confident in my ability to translate english into literally any other language), then i think it’s way easier to just note that a character’s speaking x language and provide tone indicators, body language cues, etc. so the reader understands as much as the pov character.

That being said there are def times when it’s used super effectively--the dialogue in spanish in cemetery boys comes to mind! that’s not fanfic but it’s still creative writing so w/e

so i guess it comes down to: does actually writing out the dialogue in the other language serve a purpose? if it doesn’t, then you’re filling up the screen with words your reader isn’t likely to understand, which i try to avoid doing

18. What was the first fandom you wrote for?

so the first fandom i actually *wrote* for was PJO, but i distinctly remember creating warrior cats OCs when i was little. i never actually did anything w them but i had them and my favorite was a riverclan warrior named shellstream i remember this VIVIDLY

19. What’s your favorite fic you’ve ever written?

oh boy. okay so this is hard because i feel like i’m continuously improving as a writer. like in the sense that my writing is getting closer and closer to really matching my own taste? my favorites tend to always be my current projects as a result. and i do really love set those ghosts alight (HP) but it feels a little like cheating to say a fic i haven’t even finished writing yet. even though it’s def not cheating, that’s just the direction my brain is taking it.

i’m gonna say and then what? (OMGCP) because i’m super proud of the prose (especially ch 2 aka the first actual prose chapter), survived by (HP) for SUCCESSFULLY WRITING AN EMOTION and making readers cry :), and Q&A (AFTG) because i’m literally the one who wrote it and yet it still makes me wheeze. those are all fics i reread occasionally, because i’m big enough to admit i enjoy rereading my old stuff! (just like. to a point. some of my old stuff i can’t look at anymore because all the mistakes stick out to me like they have spotlights shining directly on them)

this was fun!! i’m gonna do an open tag because i just started my fall semester and brain tired. i know sometimes people see open tags and assume the op didn’t really mean it but I MEAN IT, PLEASE DO THIS AND TAG ME!!!!! YES YOU READING THIS

Hey! I can't seem to find the post you made with all the books references in Illuminate Me and the reason behind it? Is it deleted?

I know that there is an incomplete one floating around in my reply tag, and it should be in the Illuminate Me tag, but tumblr’s search features are so bad that I went back to the original word doc of the complete list, so prepare for that particular storm lol.  Quoted/Referenced Reading List (In Order of Appearance) Shakespeare: Macbeth I opened on a Macbeth quote (‘When shall we three meet again? In thunder, lighting, or in rain’) because I wanted to start with something immediately relatable. Most readers were introduced to more ‘dramatic’ plays through Macbeth. Beyond that, they were introduced to the concept of pathetic fallacy, which I think plays nicely with Tony as a character (a man who is CONSTANTLY imparting emotion onto inanimate objects…and then actually giving them their own emotions) and with one of the core problems in IM, which is deciding the emotions of others for them. I was hoping to get the ‘feel’ of that without having to lean too far into the actual concept. 

Bonus: I picked this quote in particular because of the importance of threes in Tony’s life (his core group of friends, iterations of the reactor, number of times reborn, his bot children VS his AI children, the number of lovers or almost lovers he has in the fic, etc). Milton: Paradise Lost ‘What is dark within me, illuminate!’ is a modernization of the original Milton quote ‘what is dark within me, illumine’ for readability. I actually feel a bit bad about changing this considering how many people think this is the original quote now. This wound up being a central (and title) quote somewhat by accident. I’m fond of it because of how much I liked a different one that I had originally wanted for Tony’s thoughts of the reactor: ‘yet from those flames, no light, but rather darkness visible’. I had originally wanted to start off on a sadder note, one that showed how much Tony hated losing his humanity, and so the flames of Hell and their physics-bending concept seemed thematically appropriate. I had always intended to eventually invert the imagery – instead of Extremis being (to Tony) flames capable of extinguishing light, the reactor would become a water-like blue light that couldn’t be choked or recreated by any of the shadows that pursued Tony in his life. I picked Milton SPECIFICALLY for the imagery of light and shadows. 

But, man, listen. Darkness visible is a great concept, but it’s also tired. It has, as you’ve noted, been discussed to death. So as I was reading ‘Milton’s darkness visible and Aeneid 7’ to refamiliarize myself with some of the broader themes attached to that particular piece of imagery, I wound up thinking about how to invert the darkness itself instead of the overall concept. The flames of Hell extinguish light instead of having to exist away from it. It is a bad that cannot be penetrated by good. 

Instead of chasing away shadows, which would be implied by shining a light ON them, the request Tony makes here is to actually invert the darkness - to have it illuminate in and of itself. It’s becoming something better instead of being removed or forgotten. On the flip side of that, the darkness within isn’t growing as light weakens, but rather under its own force. Two forces equal in nature and origin in a person. It’s a different take on lighting than the one most critics hammer home. Long ramble is long, but this was the basis for using that quote. It grew from there to have many different meanings, however the core has always remained. All in all I’m pleased with it.

EM Forster: A Room with a View Very forgiving even in its satirical takes on human nature. A lot of passages are very therapy-quotable in their urging to accept the inevitability of causing some harm in life. It plays on a lot of the same concepts with light being obvious metaphor for good and evil that Paradise Lost does, but softens them into more realistic shades of human existence. Isaac Asimov: Foundation Continuing on with themes of rigid morality vs the flexibility and romanticism of humanity, we have Asimov, master of machines and the three rules of robotics! There are lots of quotable epigrams in this beast. The quote pulled from this has two readings depending on what you assume of the man who has said it. If you see him as manipulative, there’s an insidious underpinning of killing off your own morals. If you see him as a kind man, then you could read it as foregoing morals in place of empathy. Tony’s therapist loves a very specific brand of double speak that lets Tony work through the conversation purely through interpretation. Tolstoy: Anna Karenina Tolstoy’s prose is lengthy...so so lengthy, but Anna Karenina is worth the read as long as you relate to at least one of its major characters. Frankly, I think you can choose to read a single character’s plot arc and leave it at that. It’s mostly a novel that is interesting, not because of its plot, but because of its study of relationship dynamics. Tolstoy was really invested in picking apart the idea of what makes a ‘family’ and, beyond that, what makes a class. It’s refreshing to see so much of the critique occurring within the lived experience of the characters instead of through a narrator or outside punishing moral forces. Baudelaire: Windows and Benediction I cannot recommend enough reading multiple translations of Baudelaire poems (fleursdumal.org has a wonderful array available). Benediction is a personal favourite. I love me some malevolence wrapped up in religion. Dante: The Divine Comedy There’s a lot of bleak humor in Dante if you look for it. Several interpretations insist of making each piece excessively grim dark, but faithful translations tend to have a hint of humor in them. It works well for engraving War Machine’s spine - a benediction and a mockery of human limitations. I try to pick quotes that not only fit the scene, but would still fit into the context of the grander themes from whence they came...unless I hate the author. Tennyson: The Lady of Shallot “I am sick of shadows” vs “I am half-sick of shadows”. Tony’s expressing more frustration here with being alone and his passive involvement in that loneliness. Another quote I feel vaguely bad about changing, haha. The Lady of Shallot is a very nice classical piece that I’m sad isn’t taught in schools alongside Hamlet. There are some nice Ophelia parallels here. I wanted a feminine influence on Tony’s loneliness and one that is somewhat youthful despite his age. Yeats: Vacillation I fucking hate Yeats as a person. That said, the man can write. The man can REALLY write. His pieces are almost always layered to the point of absurdity and he’s perfect to swiping quotes with multiple meanings. Definitely Tony’s kind of author. Goethe: Faust Speaks for itself and in the author’s notes on its reference.  Dostoyevsky: The Brothers Karamasov IMO a book that deserves all the acclaim of Anna Karenina and then some. Very VERY Russian in its ethical debates of, as always, religious morality vs free will. Also dips into familial struggles and patricide, because it wouldn’t be a Russian classic if it didn’t contain some deeply buried bitter resentment towards paternalism. I’m going off-script here, but this is a fucking excellent book. I don’t really have words for how much I enjoy how Dostoyevsky explores the concepts that he does. Shakespeare: Julius Ceasar Shakespeare: Twelfth Night Twelfth Night deserves more credit for its development and maintenance of an enigma. Twelfth Night has charisma in spades both because of and in spite of the exceedingly petty actions of some of its characters. It is also a refreshingly simple take on love for the sake of it. Alice’s Adventures in Wonderland Stephen King: Lisey’s Story I consider Lisey’s Story to be the best of King’s work. The man has his obvious writing ticks and his even more obvious issues as an author. Lisey’s Story contains many of them, but navigates them far better than any of his other work. The monster here is all in the mind and is too vast to truly see or understand. It’s perfectly representative of a creeping sense of inescapable horror. It was fun to flip it on its head with a reference here – Tony isn’t terrified of dying, but he is terrified of his inescapable enjoyment of Bucky’s company. Maria’s family saying is inspired by Walt Whitman’s Leaves of Grass Armitage: The Death of King Arthur A genuinely fantastic classic tale of heroism, filled with all the drama, tragedy, and sacrifice that you’d expect with strongly feminine undertones. I’m a sucker for this kind of thing. TS Eliot: The Wasteland Excellent piece of poetry with many layered meanings and dual interpretations. I can’t really articulate my thoughts on The Wasteland, but I reference an essay at the end of this list that does that for me. Oedipus Rex Rupert Brooke: Safety Not directly quoted but obscurely referenced through Bucky and Tony’s war conversations + Bucky’s conversation about, you got it, being ‘safe’ with his therapist. His poetry is about WWI and is, largely, idealistic. Safety is…not quite an exception to that. His other poetry contains a certain sense of honour and duty, whereas safety, maintaining a seemingly light tone, has nothing of the sort. It is safety in the soul – something untouchable by the horrors of war or death. It treats that as a ‘house’, which leant itself to the article Tony send Bucky. Armine Wodehouse: Before Ginchy Not directly quoted but obscurely referenced through Bucky and Tony’s war conversations + Bucky’s conversations with his therapist. This is also WWI poetry, though far darker than Brooke’s work. It discusses the parts of the heart and soul soldiers lose. It is an extremely good piece AND references Dante’s Inferno. I had to work it in somewhere even if I didn’t want to directly quote it. Meyer and Brysac: Tournament of Shadows Referenced several times over in discussion of war, the great game, and British military history. Beautifully self-aware account of Britain’s insistence on rewriting history after the fact and the tiny hilariously embarrassing moving pieces that shaped what is often considered the heyday of espionage. Murakami: Kafka on the Shore I love Murakami’s response to questions about understanding the novel as a whole. There are no solutions, only riddles presented, and through their interaction the possibility of a solution takes place. It’s a great lens through which to view the book and individual passages taken out of it. Reminds me of The Wasteland having to be read in totality before you can begin picking it apart, after which each individual piece can be read of its own. Kafka on the Shore, with its musings on the uncertainty of fate and redemption, was the perfect book to outline Tony’s horrifying realization, which he is desperately suppressing, that he might be coming to accept Bucky’s feelings. This quote in particular, while I would’ve used it anyway, is also a great callback to the first chapter and its storms. Chapter 29 is a turning point. Beyond it there are some intentional quote contrasts that are probably more easter eggs than they are anything else. Yeats: A Dialogue of Self and Soul Great contrast with Vacillation. Some parts of self and soul are used in that poem and thematically they are connected and contrasted - self and heart vs self and soul. The symbolism and imagery in Vacillation is really on point and layered, but Self and Soul is peak Yeats for its reversal of the typical ‘the soul is pure and bluntly honest and the body is tainted and bad’ in Christian works. Also Self and Soul’s broader context is scrumptious considering the debate poems history of relying on divine forgiveness and lack thereof instead of on forgiveness of the self. 

It was fun to give this poem a double meaning in IM as both hugely ominous and ultimately pointing to the later forgiveness Tony receives from himself through the divine (if the soul stone can be called that) in the heavens (space!). There’s also another fun twist to ‘who can distinguish darkness from the soul’ in its contrast with ‘what is dark within me, illuminate’. To take that a step further, Vacillation was the beginning of the path of forgiveness for Bucky (understanding Tony’s heart…somewhat literally as he slowly gets closer and closer to the reactor itself), while Self and Soul is a final step (re: Bucky being presented the final hurdle of Tony deciding to move forward alone). Hermann Hesse: Siddhartha Hesse is wonderfully blunt at times. I gotta admit I love German takes on spiritual self-discovery because they always seem to tend towards much more straightforward answers than other countries. Hesse’s relationship with Buddhism in literature vs his lived experience is also really intriguing. Anyway, Siddhartha, in its humanizing of Gods, is wonderful contrast to the consistent imagery of the untouchable and unknowable forces of good and evil in previously quoted works. It has stopped bringing humanity to the divine and has started placing the divine within humanity. Emily Wilson’s translation of the Odyssey One of the ultimate poetic epics. Now that we are nearing the end, I’m going overtime with making the grander themes of this whole piece hit home. A lot of IM was built on a foundation of poetic epics, of heroism, and a bit of Greek tragedy. The Odyssey embodies all of those things beautifully. It also suited Thor too well to pass up. Yeats: An Irish Airman Forsees His Death Ah, Yeats. Very blatant foreshadowing here that is keeping with the foreshadowing from Self and Soul. Fate has, up till this point, been a bit of a question. It has been ‘when will it come to me’ and ‘how will I avoid or overcome it’. Now fate is a set point. It is knowable and present. ‘I know I shall meet my fate, somewhere among the clouds above’. This goes for the true onset of Infinity War and for Tony’s feelings towards Bucky – when he had no one, he allowed Bucky in after essentially promising himself he wouldn’t. If that’s not an accidental admittance of love, nothing is. Henley: Invictus Absolutely fantastic poem. Continuing with the heavy fate themes coming into this climax. Now that Tony knows his fate, truly knows it, he is choosing to take it on directly. Agamemnon (Anne Carson’s Traslation if you prefer a more modern language approach, Lattimore is you prefer a classic) Agamemnon is forgotten all too often in the world of poetic epics and it’s a damn shame. I cannot say enough good things about it. I always wanted to use lines from Agamemnon in a Tony fic because the Cassandra parallels were too perfect to resist. The chorus in this play was also a perfect narrative device for interacting with something of a hive mind. Yeats: The Wanderings of Oisin Another poetic epic. Nice contrast with The Odyssey, The Death of King Arthur, and Agamemnon. Here the dialogue is between an aged hero and a saint looking into the hero’s past. It has the kind of reflective and aged mood necessary for this stage of the story, but is actually a poem I sortof hate. The line ‘And a softness came from the starlight, and filled me full to the bone’ is absolutely gorgeous, though. Some final inspiration pieces:

The Penelopiad 

The Iliad 

House of Leaves (for surrealism in the final chapters) 

Dante at Verona (used in an author’s note as an intentional jab at the dull uninspired nature of the this particular take on Dante. Repurposed quote, essentially) 

a broke machine just blowin’ steam by themikeymonster (great character study of Bucky) 

Frank Kermode’s essay “Eliot and the Shudder” (inspiration behind Tony’s entire interaction with literature)