Okay I know this is not in character for them at all but it’s still really funny for me to imagine:

*Dr Doom and the Fantastic Four fighting at a science convention*

Dr Doom: We can team up! Let us join forces!

Peter Parker, 1st time at the convention:

Peter Parker: Is-

Peter Parker: Is he looking at me?

Peter Parker: I’m not a villain???

ive absorbed so much trigun content through you and i still have no idea what it is about. what is it about please

ok so basically. there’s this manga which you can read here and also two tv shows (1998’s Trigun and 2023’s TRIGUN: Stampede) but so far i’ve only seen the 2023 reboot. ‘98 came out before the manga was done so it’s not the most accurate, but it has like a cowboy bebop vibe i’m told. i haven’t even read the manga (yet) (call me a fake fan if u want) but basically it’s like this: desert planet, space western, pacifism, christian imagery, PAIN, sibling relationships that will make u tear out your hair, fighting over resources, the nature of humanity, worms, love and peace and mercy.

most of the following character descriptions will be skewed towards stampede because that’s all i’ve got for now, but here are the main guys:

Vash the Stampede (aliases: the humanoid typhoon, babygirl, el wiwi, vashie, my beautiful girlfriend) has every mental illness inshallah and is wanted in 12 different jurisdictions for Crimes, but he loves people so much and he’s the sweetest staunchest pacifist the world has ever seen and he doesn’t want anyone to get hurt and he suffers for it like jesus.

Wolfwood, Nicholas D., (aliases: the punisher, el woowoo, ww, nico, nick, crucifix jim, (and unfortunately, Bigolas Dickolas)) is goth in the desert and carries a giant cross on his back. while this rips severely (<- factual) it is purely symbolic and certainly isn’t a giant gun that shoots lasers (<- lying). i can’t tell you things about him without spoilers. in the manga he’s a priest, in stampede he’s an undertaker.

Meryl Stryfe, our audience surrogate, is either a reporter or an insurance agent depending on the version of the story, but regardless of her occupation she’s trying to find vash for work-related reasons. area woman won’t stop collecting random shady men from the desert to add to her found family (and sometimes hitting them with her car)

Nai, or Millions Knives, is (one of) our main antagonist(s) and the absolute madman plays the piano and wears either 1) basically nothing or 2) a clothing item that can only be described as an evil snuggie made out of knives. i am not making this up. he’s a massive hater and he wants all humans to die btw but i actually love him and he’s got a specific sauce that makes him far from your regular boring evil villain

supporting characters in stampede include a kid made out of bugs, meryl’s drunk coworker, [REDACTED]’s little brother, the world’s best foster mom #1, the world’s best foster mom #2, blue-hair-and-pronouns, a mad scientist, and brad.

to my limited knowledge stampede functions as something of a prequel (?) to parts of the manga so i would suggest starting with stampede (beautiful) (only 12 episodes) and then tackling the manga (what i plan to do) if you want to give trigun a shot (so to speak).

or just talk to spacekrakens idk she got me into this mess and she knows more than me

i wish to know... about your zimverse ocs... they seem pretty neat...

anon u GOT IT i’ve been wanting to talk abt the gang for so long!!!!! when i saw this ask i lost my marbles!!! knowin that someone is actually interested in these guys makes me so happy!!! so!! here they are!!!  also!! apologies that it took me so long to actually answer, i wanted to be able to say all of the lore for lizzie (who hadn’t had her chara arc in rp at the time) and by the time i got her arc done i ran flat outta spoons nbfkgb,, but i got my spoons back and whipped up a few lil pictures to go with this so hopefully that makes up for it!!! oki here we go!! under a cut because talking about five separate charas is gonna get long ndfjkv

ZAPPELINE VOLTAIRE

she/he/they | genderfluid | somewhere between 25-37 y/o zap is basically my main character! she used to be a scientist who worked on interdimensional research, more specifically what the theoretical effects of interdimensional travel/portals would be on the human body and the safety of all of that. at one point the lab she worked at lost funding, but she decided to fuck around there before it got demolished because why not! she did a few experiments on herself, including changing her natural hair color and making it so that she could see an extra color. the latter of which did not work out entirely as planned, because the rods in her eyes didn’t grow in quite right. so! now she has red-green colorblindness in her right eye, and something similar to tritanomaly in her left, which is why she wears those funky glasses!

gonna be honest, i’m still working on a way to properly explain the next bit without it getting super boring or incomprehensible, but tdlr the new colors corresponds to a wavelengths that interdimensional rifts emit, so now she can see interdimensional rifts! she noodles out a way to build an interdimensional portal using some leftover notes from one of her co-workers, and jumps through! she ended up getting too excited about the portal and forgets to make sure it’s stable, and it ends up collapsing the second she gets through. so now she’s stuck in the multiverse! fun! after a bit of dimension-hopping, mad science, and the entire plot of polychrome (a game concept im workin on!!), she lands herself in zimcon!

SPARKPLUG VOLTAIRE

he/they | nonbinary | 5 y/o

sparkplug was originally built by zap to be her impulse control! this did not work! for context, zap used to be a really shitty supervillain before zimcon, so i kinda made sparkplug to be her sidekick/henchman? but in the way that’s like, supervillain is really nice and respectful to their “underlings” and basically treats them as equals and as friends, because i love that trope so fucking much. the original joke was “haha the supervillain has pack-bonded with the box!” but then the box turned into a kid and well! here we are. eventually after just. existing for a while they developed their own personality, and pretty much just became a regular kid! they arrived at zimcon as a box, but later on they end up asking zap for an astroboy-style body! as of writing this they haven’t gotten it yet, but that’s just because the rp’s kinda on pause right now. i do wanna say tho i have a special lil bit of art for it ready that hopefully yall will enjoy!!

ELIZABETH VOLTAIRE

she/her | cis (ew) | 4 years younger than zap

god just. i hate elizabeth! i really do. she’s another version of zap who is basically just an evil boomer who can’t even be fun or dramatic about it. in polychrome, she takes over as the big bad of the game. i feel like she works a lot better in polychrome just because that’s what she was made for, tbh. she and zap used to work together at one point, but due to a lot of arguing, many disagreements and some other Events(tm), started hating each other. she’s literally no fun at all and i can’t really expand upon her all that much without going into spoilers territory so that’s about it for her.

LIZZIE VOLTAIRE

she/they | trans gal | 745-748 y/o

lizzie is a ghost! she’s an alternate version of zap that died before she could ever leave her home dimension. after she died, she was quite literally chained to her death spot for over 700 years. when she died though, she was given a contract that said she could be freed if she got someone to sign it, the person signing it would be able to have her do whatever they want, but once she finished the task she could be free. if the person signing felt that she wasn’t doing a good enough job, they could rip up the contract and she’d be sent back to her death spot. it sounds bad, but it was all she had so she tried her best to get someone to sign! unfortunately though, in the few months where there were still people around, she hadn’t been able to figure out how to get herself to be visible again. just before she figured that out, the world underwent some kind of apocalypse, and all the people were wiped out. so she had no choice but to just kinda sit there and vibe for 700 years.

that is until elizabeth came along! liz signs her contract, and lizzie starts working as a henchman for her. the elizabeth arc happens (which is basically elizabeth helps lizzie possess zap and tells her to erase the con members’ memories, she does this, people are pissed, lizzie gets knocked out of zap’s body, zap dies, comes back, and beats the shit out of elizabeth and later sacrifices her to a crab) and liz decides to send her back for not doing a good enough job. so she goes back to her death spot, and after a night’s stay makes a deal with an eldritch blonde twink to gain her freedom.

REGINALD SPECTER

he/him | agender | a few thousand years probably (boomer)

bastard!! bastard man!! reggie is the one responsible for lizzie’s (and a few other peoples’) death(s). he has a job in the underworld which is basically just “take care of this huge monster that eats parts of people’s identity.” he found that feeding it souls worked best, so instead of finding lost souls he just decided it’d be easier to get some new ones. in order to kill people without getting caught, he disguises all his murders as accidents. lizzie’s happened to be a falling stage light that hit her on the head real hard. it’s not a cool or fun death and it makes her real mad ndjvkdf

lizzie was left there for so long because reggie pretty much just forgot about her. he left her the contract to give her some form of hope, which would keep her from fading away completely, but she was chained there so he could come back when he remembered. when liz signed her contract he got some sort of notice about it, and decided to come back to lizzie later for some shits and giggles. when they met up, he told her if she could find a soul to trade he’d give her her freedom. she accepts, and picks zap to trade, hoping that getting rid of her would help her earn liz’s approval (it didn’t). zap gets sent to this weird hell maze, and when a few others get in the way they get sent there too. lizzie eventually gets talked down from sending more and more people to the hell maze, and she lets them out. she’s tired of hurting people, and wants to give helping others a try! at the moment, reggie isn’t aware that lizzie let them out of the maze (and thus, isn’t gonna give him a soul to trade). if he finds out it’ll be bad, but for now she’s just vibing and trying her best to be nice!

reggie’s very much inspired by hate and dial from tpoh, and a lot of lizzie’s story is inspired by my personal theories on blondie/rgb’s death!! its basically “how many tpoh references can i cram into this: the arc.” it’s unbelievable the amount of shit i was allowed to get away with with nobody calling me out nfjdkvsf

aaaand that’s kinda it!!! i tried my best to make this short and readable, i wrote up something else earlier that was a LOT longer and im much more happy with this version. and if something i said doesn’t make sense or anyone wants to ask anything about these guys or polychrome id be more than happy to answer!!!! thank you so much for reading!!!! <3!!

Do you have any favorite scifi shows? Or any recommendations?

Well! This is a fun ask. Let me see…

So, I really like sci-fi, but sometimes I also don’t like sci-fi. I overdosed a little bit on spaceship stuff after my years of Star Trek obsession and then BSG (and like, I hear The Expanse is great but I just…haven’t been in the mood), and these days my favorite sci-fi is talky, high-concept atmospheric mystery stuff in a fairly realistic world where something is a little bit weird. What I really DON’T like is violence/shooting/chasing/action, and a lot of sci-fi, unfortunately, is that. (Westworld, I am looking at your ass.) I also am a LITTLE bit over sci-fi as sledgehammery social parable, again a la Star Trek. Even though I’ll always love Star Trek (and will get around to watching Discovery one of these days). 

Some sci-fi TV that I’ve enjoyed recently includes:

(hey surprise, this got very long! so it’s under a cut)

Dark. There’s just one season of this on Netflix right now, but I LOVVVVVED it. Talk about atmospheric. It made me want to move to Germany and live in a forest where it rains all the time. It’s in German – this isn’t a bother to me because I like subtitles, but it’s available dubbed as well if you prefer that. It takes place in a small town and starts with a missing child, and it quickly becomes clear that something strange is going on. Time travel is an element. A central part of it becomes about the way all the characters in the town are interconnected and how the events of the past affect the future. It’s part Lost, part Stranger Things, part Back to the Future. 

The Returned/Les Revenants. So there’s an American show called The Returned as well, and this is not that one – the one I’m talking about is in French (sorry…I swear some ones without subtitles are coming) and was on uh, IFC or something like that. One day in a(n extremely attractive and cinematic) French town in the mountains, a girl comes home from a class field trip…except she died on that field trip years ago, in a bus accident, and her family is completely shocked and freaked out. The same thing is happening all across town. Includes one (1) very creepy child. Very spooky and also super atmospheric. (One reason I loved Dark so much was that aesthetically it reminded me of Les Revenants.)

The 4400. I binged this show and had a window of time in my life where I was super obsessed with it. Premise is similar to The Returned, actually: A bunch of people (4,400 of them to be precise) who were believed to be the victims of alien abductions – across many years – are returned to earth all at the same time, all at the age they left. So you have a man who was taken in the 1950s (Mahershala Ali!) and a little girl from the 1930s, etc., all dropped back into modern-day America – and most of them (all of them? I forget) have mysterious powers of various kinds. Two police detectives (am I predictable or what) investigate. Things escalate from there. It is a little XF-y in a way I appreciate, while also being totally different (and much less arty than something like Les Revenants). 

Stranger Things. I might as well list it…everyone knows about this show but it really is pretty great. Season 1 especially. Huge ET vibes, creepy/Spielbergy, not a cop-out where it’s all a metaphor or something (pet peeve). 

Fringe. This isn’t so recent (well, neither is The 4400), but if you like sci-fi and you haven’t watched it, you should! It starts out being a liiiiiiittle bit of a less-hooky ripoff of XF (a group of FBI folks, including a retired mad scientist basically, investigate paranormal cases), but after a few episodes it finds its groove and it becomes its own weird and wonderful thing. It was a show I really enjoyed and it ended satisfyingly. John Noble as Walter Bishop is fantastic, and one thing I really loved about it was that it was not afraid to make things happen and shake up the premise if needed. 

Jessica Jones. I really, really am not into Marvel or any of the superhero stuff, but I like this show a lot. It puts the idea of having “powers” in a very grounded kind of gritty, cynical, noir-y setting and I enjoy that. It’s also woman-focused, which is nice, and it’s just different from other stuff on TV. I dig it. 

Orphan Black. Man, I loved Orphan Black. What a fun show, and – not necessarily the most important thing to me in a show, but hugely refreshing nonetheless – it’s also very woman-centered. The premise is that a woman named Sarah sees someone who looks exactly like her – right before the doppelganger throws herself in front of a train. And in unraveling the mystery, Sarah learns that she’s a clone and she has a bunch of “sisters.” Tatiana Maslany is FREAKING AMAZINGGGGG as all the various clones. It is definitely sci-fi, but it’s also a lot of fun and just a fast-moving, action-packed (but not in a way that makes my eyes glaze over) cool-ass show. 

Grimm. Grimm was a pretty silly network-y show, but my affection for it really never waned (though it also never really went too far above “mild”). Premise: Basically, that fairytale monsters (broadly speaking) are real and walk among us (disguised for the most part), and there are these people called Grimms who can see them and are supposed to fight them. Lots of ancient documents, old books, mysterious keys, etc. This one dude who is a police detective in Portland (it was shot in Portland and is basically the second Portland-iest show after Portlandia, as far as I can tell) finds out that he’s a Grimm, and he meets this guy who is one of these monsters but also a delightfully civilized clock nerd who becomes his friend and helps him learn about this hidden world, and it’s pretty much monster-of-the-week episodes every week (though there is a mytharc of sorts involving an evil cabal of European royalty or something, snore). I think it’s the people who did Angel (which I never watched; I’m not a Buffy person). It also started the same year as Once Upon a Time, so it was the “other” fairytale show.

The Leftovers. Technically, it’s sci-fi. It’s also just very imaginative storytelling, and is a good example of what I mean by high-concept and atmospheric and something being a little bit weird in an otherwise contemporary setting. (This is a post-Lost Damon Lindelof, and Damon Lindelof has learned from his Lost mistakes, with wonderful results.) The central premise is a sci-fi one (2% of the earth’s population mysteriously vanishes), but aside from that there are also just a lot of kind of fantastic imaginative leaps and surreal settings and…ah, The Leftovers. My standard intro/warning: Season 1, while really good, is VERY depressing; Season 2 becomes marginally less depressing while also changing things up considerably and in my opinion becoming much better; Season 3 is even better than that. Love you, show. 

Lost. I suppose I should mention it even though it’s another obvious one. I have rarely been hooked as hard as I was by the pilot of this show. It doesn’t necessarily deliver on everything it promises, and it’s interesting to think of it in terms of it being one of the first shows to, basically, cancel itself – to choose to end so that it could pace its story effectively and lead to a deliberate ending instead of just vamping forever and trying to keep sucking the audience in for one more season until that stopped working and it was canceled. However, before that happened there was some time-killing, and I think that maybe contributes to people’s perception that it didn’t know what it was doing half the time. A divisive ending that I did not have a problem with. If you watch it in the spirit of being taken on a ride and enjoying the feelings that the twists and turns give you in the moment, you’ll find it more satisfying than if you’re trying to solve every mystery and trying to make it all work out perfectly with every loose end tied up.  

The OA. This was a weird-ass motherfucking show on Netflix and I still don’t know what the fuck it was about. I feel like I dreamed it. It maybe involves angels? And stuff. 

Carnivale. Lord, talk about atmosphere. This was an HBO show several years ago now about a creepy traveling circus in the 1930s. Being on HBO, it’s very violent and dirty and twisted and stuff. I was obsessed with it, and loved watching it although I vaguely remember the ending being not super satisfying? I should rewatch it, really, because I have forgotten a lot about it beyond impressions (it started in 2003). It’s not that sci-fi, but it has kind of mysterious portents and shit like that all over the place. Anytime I see anything remotely carnival-y I’m like AAAHHH CARNIVALE

Westworld. Sigh…I’m having a lot of trouble connecting to the season of Westworld that’s currently airing (Season 2, on HBO). I loved Season 1. My opinion is that they blew their premise too quickly and now they have nowhere to go – it’s just been violent chaos of the sort that puts me to sleep. Literally – one episode a couple of weeks ago I tried to watch and fell asleep during TWICE – two evenings in a row – before I finally got through it on Day 3. Because it was just a bunch of shooting. But the premise is cool – in the undetermined nearish future, there is a giant elaborate theme park where extremely realistic robots interact with the superrich guests who pay to come and basically be super destructive and violent (this show doesn’t have a particularly high opinion of humanity) in an Old West-themed setting. Like Disney World if your dream was to fuck and murder everyone in the Hall of Presidents. It’s made by one of the Nolans so there are lots of twists and also you don’t know what the hell is going on half the time. But there are some high-budget groovy sci-fi set pieces in it, and if you like amazing piano covers of popular songs (sometimes but not always in the in-show context of the player piano in the saloon), that is a fantastic bonus (the music is terrific overall). ROBOTS.

Battlestar Galactica. Speaking of robots. I loved the hell out of this show, although I have my issues with it. I felt when I first saw it (this is the 2000s remake I’m talking about, not the 1970s original) that it was like Star Trek had grown up. It gets more and more high-concept the longer it goes on, and some people weren’t fans of where it ended up (I, again, was fine with it), but it starts out with a hell of a premise: Cylons (humanlike robots originally created by humanity, which then evolved) destroy almost all of the human race except for a few stragglers in a few scattered ships, who have to pull together and somehow survive. Great acting, great writing, big themes, Laura Roslin. 

Black Mirror. This is an anthology series, meaning each one is a short story basically, with different characters, a different near-future setting, and a different premise (often having to do with technology going wrong. In the words of Mallory Ortberg: What If Phones, But Too Much?) Some of them are better than others but if you can take some upsetting conceptual stuff, it’s really a super interesting show. Your bingeing tolerance may vary, but I personally could not handle more than a couple of episodes a night.

Roswell. Holy shit I was so into this fucking teen soap opera about aliens. Also not recent. They might do a remake of this I heard?? MAX + LIZ 4EVA

Millennium. Yes…Chris Carter’s Other Show. I’ve said this before, but in a weird way I feel like this show is…CC’s best work???? Without the chemistry supernova of Mulder and Scully dimming everything around it, the “scary stories” he’s always talking about actually have room to be kind of interesting. It also works with his inclination to do what is essentially an anthology series loosely connected via recurring characters that are almost more narrators/observers than participants. In XF, this makes me want to break things when it results in stagnated character growth and no continuity and endless reset-button-pushing. In Millennium, Frank wandering grimly through the show universe encountering fable after fable (grimmer than XF – less on the stretchy mutants and fat-sucking vampires and lake monsters and Reticulans and spooky green bugs; more serial killers and cults and angels and apocalyptic stuff) actually worked pretty darn well for me. It’s not that the characters aren’t good, but they are VERYYYYY archetypal (kind of like how M&S could have been if not given such aliveness and humanity by David and Gillian, and Morgan and Wong and Vince Gilligan at that). Frank Black is the tormented detective, he has a beautiful kind wife and an innocent young daughter and they live in a beatific yellow house and he has to keep them safe from the evils out in the darkness. You might say this is hammered home a lot. But: the kind of mythic tone of it is a much better fit here than on XF. Lance Henriksen is perfect as Frank, and some of the stories are really absorbing and emotional. I cried during WAY more Millennium episodes (I can think of three or four off the top of my head that I remember WEEPING openly over, one of which stars Darren McGavin) than I ever have at XF. 

Everything changes in Season 2 when Morgan and Wong take over as (I believe) showrunners – things lighten up considerably versus S1; there’s even a Darin episode! With Jose Chung! And the Spotnitz Sanitarium! – and then everything changes again in S3 when they leave. The show does suffer from a lack of cohesion in that sense, and frankly the “mytharc” parts never did a lot for me (loosely, the world is going to end in the year 2000 and a cabal of mysterious dudes something something). But there is a lot of cool shit in this show. There really is. Every few years I attempt a rewatch and never finish; I should try again. In late fall, which is the only time Millennium should be watched. 

 BONUS

Face Off. This isn’t sci-fi per se (it’s a reality competition show, on Syfy), but if you’re a sci-fi person you might love it. The way I describe it to people is very simple: It’s the exact same premise and structure as Project Runway, except instead of fashion, it’s FX makeup. The best thing about it is that everyone is NICE and HELPFUL to each other. It’s a bunch of creative nerds making monsters together and the competition element is there but no one is a dick and there’s no fighting and drama. Michael Westmore, who did the makeup on Star Trek: TNG among many other acclaimed projects, is the mentor (and the dad of the show’s host, McKenzie Westmore), and he pops in to give dad advice to all these starstruck dorks. The new season just started and it’s just a fun show. I have, at times, thought of it as my FAVORITE show on TV. 

Well, that was probably more than you wanted, anon! I feel like I’m missing some, too. TV! I like it.