Rose has large poofy hair
Garnet has square poofy hair
Amethyst has long fluffy hair
Pearl is suffocating
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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be a moon unto yourself 🌕
i took a long break btwn working on this one n this was the original idea... i do miss it but i thought the clothes were too unrelated to him :( goodbye leyendecker inspired gale 💔
- comp based on gale's datamined icon/waterdeep's coat of arms
- pose is from persona 3 protag's boss fight in p5r + listen to kimi no kioku if u haven't already ⚰️
- the flowers are roses!! i associate them with gale + his ambition even more after learning he burnt the rose bushes as a child
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It is not lost on me that Charlie and Vaggie were initially not doing great against Adam and Lute...and then proved Carmilla was so fucking right.
Vaggie is absolutely FUCKED here. She's been in this position before, with Lute looming over her spitting vitriolic judgment, Vaggie's blood on the ground. Back then, she couldn't stop Lute from taking away her wings, her eye, her home, and her purpose. But now? She has more than that; she has love, because she has Charlie.
When Lute threatens Charlie, everything changes. Vaggie fucks her up immediately...and shows "mercy" knowing that being forced to live with part of herself gone (her arm was CRUSHED, no way was she getting it back), the shame of defeat, and the knowledge that someone she's been looking down on so completely is responsible for it all is a fate MUCH worse than death for Lute.
And Charlie? Charlie's insanely powerful but has no clue how to use her power to its full potential because she's never had a reason or desire to fight until now. Even when she's being strangled, when she's pissed-off and vengeful, she can't really tap into that power. But then Adam comes at her dad and is about to catch him off-guard.
He's about to hurt—possibly kill—her dad, who she's finally building a good relationship with; her dad, who just showed up to protect her despite the risk of politically turning this battle from an act of defiance by a willful princess to an act of full-on rebellion by the King of Hell himself. She reacts on instinct to protect her father and stops a hit that destroyed Alastor's shield. And she does it effortlessly.
Carmilla was right. For these ladies, at least, the need to protect someone they love, no matter what kind of love it is, is exactly what rallies them to come at enemies who were just kicking their asses and absolutely dominate.
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Everytime Lae'zel tch's at me when i annoy her, i love her even more
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