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eremosjournal · 2 months

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By Chad Hewitt

In 1998, I was a fifth grader at a Catholic school in a small town in Ohio. This meant school uniforms, mass twice a week (or more, if there was a holy day that week), and a strict adherence to the principles outlined in the Catechism of the Catholic Church. These principles included two types: the fundamentals of Jesus’ teachings, like the Beatitudes (“Blessed are the persecuted”) and then others, never explicitly stated in the Bible but upheld within society over thousands of years and filtered down into the parochial school system (i.e.“Don’t be gay”). The former were taught through Scripture, sermons, and sacraments. The latter were enforced by other kids, television, and my developing pre-adolescent brain.

As the youngest of three boys in my family, I learned how to operate within these sometimes conflicting paradigms. “Love thy neighbor as yourself”, but only if your “self” is a certain thing; “thou shall not lie”, unless it’s about something like your sexual orientation. Then by all means, lie, lie and lie some more.

Imagine my confusion when during the course of my usual weekday afternoon routine of watching Total Request Live at my best friend Stiv’s house, a music video premiered by a brand new artist named Britney Spears. While I had absolutely no understanding of what the phrase “Hit me baby one more time,” meant, in that moment I immediately felt something come over me, just like Harry Potter receiving his wand for the first time. I had no idea what kind of wand it was exactly but I would soon find out that most of the other boys didn’t even receive their letter to Hogwarts. Yes, we would all agree that Britney was “hot”, but I sensed that the way I felt about her was different and wouldn’t be shared, much less celebrated, by my friends at school. The girls, maybe. The boys, very unlikely.

But if we’re being honest, who doesn’t like Britney Spears? If you find yourself in a room of people who don’t turn the fuck up during “Toxic” then that room, quite frankly, is dangerous and you should get out. The difference was that I loved her for other reasons. Reasons that I couldn’t really put into words and probably wouldn’t even if I could. Reasons that pointed to something about myself that I was taught for so long was shameful and bad. Reasons that, if embraced, would upset my entire worldview and consequently, the relationships that were formed through it. At that time I wasn’t even totally sure if these feelings were real or not, but I did know that sooner or later, I would have to confront them. When I did let myself imagine my life in the context of these fears, the best-case scenario was loving a person that the Church would not consider acceptable, and that would mean a blatant rejection of Christ's love. And so I ultimately had to choose. God’s will or mine. To spare myself the sense of grief and loneliness I would feel from turning my back on God, I dug my heels in, so to speak.

Thus, Britney became the first of many of my guilty pleasures. Since I wasn’t necessarily “allowed” to genuinely love her, I had to love her ironically, justifying my requests for her songs at school dances as a joke. Through my high school and college years I had many more of these “guilty pleasures”, always justifying things that made people even slightly suspicious as an ironic interest and never serious. Because if enjoying those things made something else true about me, then all hope for my eternal soul was lost. *collapses on a chaise lounge*

Recently I had my 34th birthday party, and since Jesus didn’t get to have one of those, the theme was “What Would Jesus Have Done?” Everyone had to dress up as some version of Jesus, whether real or made up. My boyfriend did exceptional work in coordinating the party, which was replete with bespoke cocktail menu (including my favorite, “The Gay Wedding at Cana”), communion wafers as snacks, and a neon cross. I showed up in a priest's robe, and some people didn’t quite understand why, given the theme’s parameters. It was meant to be ironic: I was in costume as a version of myself that might have been if I had never come out. The actual me was enjoying his friends, dancing with his boyfriend at a gay bar in New York City to Britney Spears’ music. Heaven.

This is one of the bigger surprises to me about coming out as queer as a former Catholic: seemingly overnight, all of your guilty pleasures become sanctified. In this new world, liking Britney Spears doesn’t conflict with one’s identity or morality or religion. Britney Spears is the religion. Thinking back now about that first hit of serotonin from hearing “Baby One More Time”, I realize there was something familiar about what she was singing. The song isn’t necessarily about someone whining to an ex for attention. It could also be an actual prayer: the words of a person begging for some kind of signal that they are loved. The desperation and sorrow of a person that feels badly about themselves but doesn’t seem to understand why. The conviction of a person who knows their prayers will be answered one day.

At one point at my party while everyone was dancing, “Oops I Did It Again” started playing and I tore off my robe, revealing a second costume underneath: a shiny red bodysuit. My favorite version of my own personal savior.

#deconstruction #exvangelical #deconvert #ex catholic #excatholic #exchristian #post christian #ex christian #catholic #post catholic #lukewarm #religious trauma

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chiakinotwaifu · 1 year

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Chiaki aesthetic image: detachment + principle + rationality + discernment

Initially, I was going to describe separately, but it turns out that the last three criteria are very related to each other. One is the result of the other.

Chiaki seclusion is voluntary; the script does not try to make her look unhappy. And it can't be said that the game is trying to discredit her pattern of action, since her addiction to games has given her deduction and her seclusion has given her independence.

In Chiaki case, loneliness is a consequence of her discord with others and the world. She does not understand people and their feelings, being far from expressive herself. Despite her always serene reaction, I think she doesn't like shouty individuals after all. Giving precedence to games, she became more and more distant from people, but, oddly enough, analyzed them objectively.

Frankly, there's a dilemma here. The thing is, for Chiaki, the games do take precedence, but she can't be called a misanthrope and can't be called completely empathic. Common sense was dearer than friendship in Nanami views. This is indicated by the ease with which she threw away her relationship with Tsumiki during the trial and to some extent sent her own "friend" to her execution. Accordingly, Chiaki is humane until it comes to murder, and murder is something that cannot be forgiven. So principles > friendship.

The words "I won't let any more murders happen" express hatred for the incident itself. And "I want to believe the others no matter what" is more a hope that no one will fall low by killing another. Principles come first. Yes, she doesn't understand human feelings, but she can still judge by actions. Hence the discernment - common sense in synthesis with logic.

Speaking of execution, this is the same picture where Chiaki stuck to her own principles. She is a murderer and must be punished.

Strict adherence to principles has endowed Chiaki with the useful characteristic of firmness and uncompromisingness. It is amusing to watch the pressure with which she drowns the culprit. One detail of Nanami's personality is radicalism. If you don't conform to her ideas of the same morality, she will dismiss you without a drop of sympathy, no matter what the relationship was before. Maybe later she will express regret that "eh, murder again," but she won't doubt her actions for sure.

#danganronpa #dangan ronpa #danganronpa 2 #super danganronpa 2 #super danganronpa 2 goodbye despair #sdr2 #goodbye despair #chiaki nanami #nanami chiaki #chiaki #ultimate gamer #shsl gamer

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aged-care-catering · 17 days

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Unlocking the Benefits of Aged Care Catering: Enhancing Quality of Life for Seniors

Aged care catering is pivotal in enhancing the quality of life for seniors residing in nursing homes, assisted living facilities, and retirement communities. These specialized catering services are designed to meet the unique dietary needs and preferences of elderly individuals while promoting overall health and well-being. In this article, you will explore the various advantages of aged care catering and how it contributes to seniors' holistic care and happiness.

Tailored Nutrition Plans:

Aged care catering services offer tailored nutrition plans designed to support the specific dietary requirements of seniors. These plans consider age-related health conditions, food allergies, chewing and swallowing difficulties, and cultural preferences. By providing personalized nutrition plans, aged care, caterers ensure seniors receive the essential nutrients they need to maintain optimal health and vitality. Whether it's a low-sodium diet for hypertension management or a soft food diet for individuals with dysphagia, aged care catering ensures that each meal meets the nutritional needs of seniors.

Diverse and Nutrient-Rich Menus:

One of the critical advantages of aged care catering is the provision of diverse and nutrient-rich menus that cater to the preferences of seniors. These menus are carefully crafted to offer various nutritious and flavorful options, including lean proteins, fresh fruits and vegetables, heart-healthy fats, and whole grains. Aged care caterers prioritize using fresh, locally sourced ingredients to ensure meals' highest quality and nutritional value. By offering diverse menu choices, aged care catering services promote enjoyment and satisfaction during meal times while ensuring seniors receive a well-balanced diet.

Enhanced Socialization and Dining Experience:

Aged care catering goes beyond providing nutritious meals; it also enhances seniors' socialization and dining experience. Many catering services offer communal dining settings where residents can enjoy meals in a social and welcoming environment. These communal dining experiences promote social interaction, conversation, and companionship among seniors, reducing feelings of loneliness and isolation. Additionally, aged care caterers often organize special events and themed meals to add excitement and variety to the dining experience, fostering a sense of community and belonging among residents.

Focus on Food Safety and Hygiene:

Food safety and hygiene are paramount in aged care catering to protect the health and well-being of seniors. Catering services adhere to strict food safety standards and hygiene practices to ensure meals are prepared, stored, and served safely. It includes regular sanitation of kitchen facilities, proper hand hygiene among staff, temperature monitoring of food storage areas, and implementation of hazard analysis and critical control points (HACCP) principles. By prioritizing food safety and hygiene, aged care catering services mitigate the risk of foodborne illnesses and promote seniors' health.

Support for Special Dietary Needs:

Seniors often have unique dietary needs and restrictions due to underlying health conditions or personal preferences. Aged care catering services are equipped to accommodate these special nutritional needs, whether catering to diabetic, gluten-free, or vegetarian or vegan preferences. Caterers work closely with healthcare professionals, dietitians, and residents' families to ensure that individual dietary requirements are met with care and attention. This level of support and customization enables seniors to enjoy meals that are nutritious and aligned with their specific health goals and preferences.

Conclusion:

Aged care catering plays a vital role in promoting seniors' health, happiness, and overall well-being in residential care settings. From tailored nutrition plans and diverse menus to enhanced socialization opportunities and a focus on food safety, aged care catering services offer numerous advantages that contribute to a higher quality of life for elderly individuals. By partnering with trusted aged care caterers, residential care facilities can ensure their residents receive the nutritious meals and positive dining experiences they deserve.

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gqresearch24 · 21 days

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Healthcare Companion Robots Market Outlook Report 2024-2030: Trends, Strategic Insights, and Growth Opportunities | GQ Research

The Healthcare Companion Robots market is set to witness remarkable growth, as indicated by recent market analysis conducted by GQ Research. In 2023, the global Healthcare Companion Robots market showcased a significant presence, boasting a valuation of US$ 1.76 Billion. This underscores the substantial demand for Healthcare Companion Robots technology and its widespread adoption across various industries.

Get Sample of this Report at: https://gqresearch.com/request-sample/global-healthcare-companion-robots-market/

Projected Growth: Projections suggest that the Healthcare Companion Robots market will continue its upward trajectory, with a projected value of US$ 10.94 Billion by 2030. This growth is expected to be driven by technological advancements, increasing consumer demand, and expanding application areas.

Compound Annual Growth Rate (CAGR): The forecast period anticipates a Compound Annual Growth Rate (CAGR) of 17.68%, reflecting a steady and robust growth rate for the Healthcare Companion Robots market over the coming years.

Technology Adoption: The adoption of healthcare companion robots is on the rise, driven by the need for personalized care, aging populations, and labor shortages in healthcare settings. Robots equipped with artificial intelligence (AI), natural language processing (NLP), and computer vision technologies facilitate human-robot interaction, patient monitoring, and assistance with activities of daily living (ADLs). Moreover, advancements in robotics hardware, sensors, and actuators enable robots to navigate complex environments, recognize faces, and adapt to user preferences, fostering widespread adoption across healthcare facilities and home settings.

Application Diversity: Healthcare companion robots find applications across diverse healthcare settings, including hospitals, rehabilitation centers, assisted living facilities, and home care environments. These robots assist patients with mobility, medication reminders, and rehabilitation exercises, enhancing independence and quality of life. Furthermore, companion robots serve as social companions, providing emotional support, entertainment, and cognitive stimulation to patients, particularly those experiencing loneliness, dementia, or mental health challenges.

Consumer Preferences: Consumers, including patients, caregivers, and healthcare providers, value healthcare companion robots that offer personalized, empathetic, and reliable assistance. Patients appreciate robots that respect their autonomy, privacy, and dignity while providing assistance with sensitive tasks. Caregivers seek robots that streamline caregiving tasks, alleviate burdens, and improve the quality of care for their loved ones. Moreover, healthcare providers prioritize robots that enhance patient engagement, adherence to treatment plans, and overall health outcomes, aligning with patient-centered care principles.

Technological Advancements: Technological advancements drive innovation in healthcare companion robots, enabling enhanced capabilities, intelligence, and user experiences. Developments in AI algorithms, deep learning, and emotion recognition enable robots to understand and respond to human emotions, gestures, and expressions effectively. Furthermore, advancements in human-robot interaction (HRI) design, gesture recognition, and natural language understanding enhance the usability and intuitiveness of companion robots, fostering seamless communication and collaboration with users.

Market Competition: The healthcare companion robot market is characterized by intense competition among robotics companies, healthcare providers, and assistive technology developers. Key players invest in research and development to enhance robot capabilities, expand application domains, and address evolving market needs. Strategic partnerships, collaborations, and pilot programs with healthcare organizations facilitate technology validation, market penetration, and differentiation, driving innovation and market growth.

Environmental Considerations: Environmental considerations in the healthcare companion robot market primarily revolve around energy efficiency, materials sourcing, and end-of-life disposal. Efforts to optimize robot design for energy efficiency, minimize power consumption, and utilize sustainable materials contribute to environmental sustainability. Moreover, initiatives to promote responsible recycling, refurbishment, and disposal of companion robots at the end of their lifecycle mitigate environmental impact and promote circular economy principles in the robotics industry.

Regional Dynamics: Different regions may exhibit varying growth rates and adoption patterns influenced by factors such as consumer preferences, technological infrastructure and regulatory frameworks.

Key players in the industry include:

Blue Frog Robotics

inGen Dynamics

PARO Robots U.S. Inc.

Intuition Robotics

Luvozo

Hanson Robotics

Ubtech

Aeolus Robotics.

The research report provides a comprehensive analysis of the Healthcare Companion Robots market, offering insights into current trends, market dynamics and future prospects. It explores key factors driving growth, challenges faced by the industry, and potential opportunities for market players.

For more information and to access a complimentary sample report, visit Link to Sample Report: https://gqresearch.com/request-sample/global-healthcare-companion-robots-market/

About GQ Research:

GQ Research is a company that is creating cutting edge, futuristic and informative reports in many different areas. Some of the most common areas where we generate reports are industry reports, country reports, company reports and everything in between.

Contact:

Jessica Joyal

+1 (614) 602 2897 | +919284395731

Website - https://gqresearch.com/

#HealthcareCompanionRobots #AIinHealthcare #ElderlyCare #RobotAssistants #FutureOfHealthcare

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knsm-idk123456-blog · 29 days

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No Office Romance!

Once upon a time, in a quaint little town, there stood a grand office building known as the Bellamy Corporation. It was a place where deals were made, dreams were pursued, and romance was strictly forbidden. This rule had been in place for as long as anyone could remember, ever since a disastrous affair had torn the company apart decades ago. The Bellamy Corporation prided itself on its professionalism, and the strict policy of "No Office Romance!" had become a fundamental part of its culture.

Deep within the walls of this formidable institution, there resided an array of key figures who adhered strictly to the principles of the "No Office Romance!" policy. At the helm of the company stood Mr. Charles Bellamy, the stern and authoritarian CEO who had fiercely advocated for the policy. He had learned the consequences of allowing personal relationships to intertwine with professional ones firsthand, as his father's business had crumbled due to a tumultuous romantic affair between his father and an ambitious employee.

Mr. Bellamy's right-hand woman, Ms. Victoria Anderson, was another influential figure who played a significant role in maintaining the policy. As the head of Human Resources, she was responsible for enforcing the rules and ensuring that no romantic relationships developed within the office. Her dedication to this cause stemmed from a personal experience in her previous workplace, where she had witnessed how an office romance had led to a toxic work environment and ultimately the downfall of the company.

The impact of the "No Office Romance!" policy was profound within the Bellamy Corporation. On one hand, the policy promoted a professional work environment where individuals could focus solely on their tasks and career growth. It eliminated distractions and potential conflicts that might arise from personal relationships. It also fostered a culture of transparency and fairness, where promotions and advancements were based solely on merit and not personal biases.

However, the policy had its downsides. Some employees found it repressive and argued that it hindered the development of organic connections and camaraderie between colleagues. They believed that the policy undermined their ability to fully engage and collaborate with their coworkers, posing a challenge to teamwork and productivity. Additionally, the prohibition on office romance meant that individuals had to suppress their emotions, leading to feelings of suppressed passion and loneliness.

In the midst of all this, there was one figure who questioned the "No Office Romance!" policy. Sarah Collins, a dynamic and ambitious marketing executive at the Bellamy Corporation, had always been skeptical of the policy's effectiveness. She believed that personal relationships could be cultivated responsibly within the workplace, without compromising professionalism. Her ideals were rooted in her experiences working abroad in companies where office romance was not strictly forbidden.

Sarah's belief in the potential for office romance found an unexpected supporter – Mr. Bellamy's son, Thomas. Unbeknownst to his father, Thomas had fallen head over heels in love with Sarah. He believed that love had the power to bloom within the confines of an office, and that it could even enhance productivity and employee satisfaction when nurtured properly.

Together, Sarah and Thomas embarked on a clandestine affair of forbidden love. They met in secret, exchanging stolen glances and fleeting tender moments. As their relationship grew, so did the complexity of their situation, as they feared the wrath of Mr. Bellamy and the potential consequences of their actions.

Their love was a forbidden symphony, played out in the shadows of the Bellamy Corporation. However, their secret could not remain hidden forever. One day, during a routine audit, Ms. Victoria Anderson stumbled upon evidence of their affair. Shocked and conflicted, she was torn between her loyalty to the company and her belief in Sarah and Thomas.

Ms. Anderson, who had always been a staunch supporter of the "No Office Romance!" policy, found herself reevaluating her stance. She had witnessed the undeniable connection between Sarah and Thomas and the positive impact it had on their work. In the face of this revelation, she realized that perhaps there was a middle ground – a way to embrace office romance while still upholding professionalism.

Thus, Ms. Anderson decided to confront Mr. Bellamy with her discovery. She proposed a revised policy that allowed for office relationships but came with strict regulations to prevent any conflicts of interest or favoritism. After much deliberation, Mr. Bellamy begrudgingly agreed, recognizing the changing dynamics of the modern workplace and the need for a more balanced approach.

With the new policy in place, Sarah and Thomas were finally able to embrace their love without fear or guilt. Their relationship thrived, and they continued to excel in their respective roles at the Bellamy Corporation. The company itself witnessed positive changes, as colleagues developed a greater sense of camaraderie and collaboration, no longer burdened by suppressed emotions.

The no-office-romance policy had undergone a transformation, showing that sometimes the rulebook needed to be rewritten, even in the most conservative of environments. The Bellamy Corporation went on to become a pioneer in encouraging responsible office romance, setting an example for other companies around the world.

And so, the "No Office Romance!" policy took on a new meaning, one that aimed to strike a balance between professionalism and personal connections. It served as a reminder that human emotions cannot be stifled but can instead be harnessed and channeled for positive outcomes. The story of Sarah and Thomas became a timeless legend within the walls of the Bellamy Corporation, inspiring generations of employees to strive for a workplace where love, passion, and professionalism could coexist in harmony.

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hotelsbd · 1 month

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attianursingcare · 1 month

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Creating a Safe and Comfortable Environment: Design Tips for Nursing Homes in Kuala Lumpur

In Kuala Lumpur, where the demand for nursing homes is steadily increasing, it's imperative to ensure that these facilities offer not just care but also a safe and comfortable environment for residents. As nursing homes in Kuala Lumpur strive to meet the needs of an aging population, the role of design becomes paramount. In this article, we'll explore essential design tips tailored specifically for nursing homes in Kuala Lumpur, aiming to elevate the quality of life for residents and enhance the overall experience.

Embracing Cultural Sensitivity

Kuala Lumpur boasts a rich cultural tapestry, with diverse communities calling it home. When designing nursing homes in this vibrant city, it's crucial to embrace cultural sensitivity. Incorporating elements of Malaysian culture in the design, such as traditional motifs, artwork, and cuisine, can foster a sense of belonging and familiarity among residents. Moreover, respecting cultural norms and values ensures that the environment is inclusive and welcoming to all.

Maximizing Natural Light and Green Spaces

One of the fundamental principles of nursing home design is to create spaces that promote well-being and vitality. In Kuala Lumpur, where greenery and natural landscapes abound, harnessing the power of natural light and integrating green spaces into the design can significantly enhance the living experience for residents. Large windows, atriums, and outdoor gardens not only brighten up the environment but also offer opportunities for relaxation, socialization, and connection with nature.

Prioritizing Accessibility and Mobility

In an aging population like Kuala Lumpur, where mobility may be limited for some residents, prioritizing accessibility in nursing home design is paramount. Implementing features such as ramps, handrails, and wide corridors ensures that residents can move around safely and independently. Additionally, incorporating adjustable furniture and fixtures allows for customization according to individual needs, promoting autonomy and dignity.

Integrating Technology for Enhanced Care

As technology continues to evolve, its role in nursing home design cannot be overstated. In Kuala Lumpur, leveraging innovative technologies can streamline processes, enhance communication, and improve the overall quality of care. From electronic health records and telemedicine solutions to smart home automation and remote monitoring systems, integrating technology into the design enables nursing homes to deliver personalized and efficient services while staying connected to residents' evolving needs.

Promoting Socialization and Community Engagement

Loneliness and social isolation are prevalent concerns among older adults, particularly in urban settings like Kuala Lumpur. To combat these issues, nursing home design should prioritize spaces that foster socialization and community engagement. Common areas such as lounges, dining halls, and activity rooms serve as hubs for interaction and camaraderie, where residents can connect, participate in group activities, and forge meaningful relationships with their peers.

Ensuring Safety and Security

Above all, nursing homes in Kuala Lumpur must prioritize the safety and security of their residents. Implementing robust security measures, including surveillance systems, access control, and emergency response protocols, helps create a secure environment where residents feel protected and at ease. Moreover, conducting regular safety audits and adhering to strict regulatory standards ensures compliance and instills confidence among residents and their families.

Conclusion

In conclusion, designing nursing homes in Kuala Lumpur requires careful consideration of various factors, from cultural sensitivity and accessibility to technology integration and safety measures. By embracing these design tips, nursing homes can create environments that not only meet the needs of their residents but also enhance their quality of life and well-being. In doing so, they play a crucial role in shaping the future of elderly care in Kuala Lumpur.

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chattingwiththelightkeeper · 2 months

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Celebrating Monogamy in BDSM

In the intricate tapestry of BDSM relationships, the exploration of polyamory and ethical non-monogamy (ENM) is a well-traveled path. For those immersed in the lifestyle, the spectrum of relationship dynamics is broad, encompassing a myriad of choices. However, it is crucial to acknowledge and celebrate the diversity within the BDSM community, recognizing that many individuals find fulfillment in monogamous connections.

In the lifestyle, ENM relationships often feel commonplace, and monogamous relationships, as well as those seeking them, can sometimes feel like one is sailing in solitude. The journey can evoke feelings of uncertainty or perhaps even a hint of loneliness, as the prevailing narrative sometimes leans towards embracing non-monogamy. It is essential to shed light on the fact that, while some thrive in ENM relationships, others find profound satisfaction and success within monogamous dynamics.

The BDSM lifestyle is built upon the principles of consent, communication, and authenticity. This extends to embracing relationships that align with one's genuine desires and comfort level. For those who resonate with monogamy, there is a supportive space within the BDSM community that acknowledges and respects their choices. It is a space that encourages individuals to live authentically, without the pressure to conform to a specific relationship model that may not resonate with their true selves.

Choosing monogamy in the BDSM world does not equate to missing out on the richness of the lifestyle. The beauty lies in the acceptance of diverse relationship structures, fostering an environment where individuals can explore their desires without compromising their authentic selves. Monogamous individuals in the BDSM community can find connection, understanding, and fulfillment, creating meaningful and consensual relationships that align with their values.

It is crucial to dispel the notion that success in BDSM relationships requires adherence to a particular relationship style. The lifestyle is about embracing authenticity, whether that means exploring polyamory, choosing monogamy, or finding a comfortable space somewhere in between. The emphasis is on communication, consent, and the creation of relationships that reflect the genuine desires and boundaries of those involved.

The BDSM community is a mosaic of diverse relationships, each contributing to the vibrancy and richness of the lifestyle. For those who identify as monogamous, there is a space to thrive authentically within the BDSM world. The key is to honor individual preferences, communicate openly, and foster connections that align with one's true self. In this inclusive and accepting community, the journey toward fulfillment and happiness is as diverse as the individuals who embark upon it.

If you enjoyed this, I invite you to give my podcast a listen 'Chatting With The Lightkeeper,' a top 25% most-followed podcasts on Spotify but available on all the major podcasting apps and follow my socials for more exclusive content: Instagram, Facebook, and X (formerly Twitter) for a deeper dive into the wonderful world of D/S.

As with all of my thoughts, please see this disclaimer.

©TLK2024

#bd/sm blog #bd/sm community #bd/sm daddy #bd/sm kink #bd/sm lifestyle #bd/sm relationship #d/s #d/s community #d/s relationship #dom/sub #my writing

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gail123456 · 4 months

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Shiv Kumar Sehgal's investment philosophy is to prioritize risk control

Shiv Kumar Sehgal (born Jan 7, 1980) is a distinguished financial analyst and economist. He adheres to a risk-first investment philosophy, prioritizing stable profits while ensuring the safety of principal. His investment style is characterized by stability, accuracy, and a relentless pursuit of results. Sehgal possesses extensive professional knowledge and experience, displaying strict execution and adeptness in stable market operations. His trading expertise encompasses portfolio investment, short-term trading, as well as stocks, futures, and options, showcasing his profound operational acumen.

Sehgal's approach to the market is distinguished by several key principles. He believes in entering the market only when there is a strong trend, recognizing that feelings of nervousness, loneliness, isolation, doubt, and even inexplicable fear are inherent emotions for financial investors. The optimal entry points for him are when the trend reverses, when consolidation breaks through, or when the general trend rebounds or retreats by 45% to 55%. Additionally, Sehgal emphasizes the importance of pyramiding positions when trend analysis proves accurate. He firmly believes that profits are generated through patience and being in the right place at the right time, rather than through excessive trading. Positions should only be closed when the trend objectively indicates a reversal.

Sehgal's success in stock investment is founded on the principle that survival is paramount in the stock market, often comparing it to the dense forests of Africa. When wrong judgments in trend analysis occur, he stresses the immediate closure of positions and exit from the market. Risk control and restraint are the fundamental keys to achieving success in stock investment. Investors must always remember that the market is always right. Sehgal asserts that everyone should cultivate their own market philosophy or investment strategy, utilizing tools or concepts to effectively control risks. One such tool that he relies on is Murphy's Law, which highlights the importance of anticipating unfavorable outcomes. His favorite saying encapsulates his approach: "Profits can only be protected by always considering losses."

In terms of investment strategy and theory, Sehgal advocates for long-term thinking when making profits and adopting a short-term approach when incurring losses. While he employs various technical operations, he often finds simplicity to be the ultimate sophistication, occasionally relying solely on a single moving average to guide his decision-making.

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connor4caldwell4capitalist · 6 months

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Social Media Ethics by Connor Caldwell

Social Media Ethics

The current state of social media ethics: what trends are happening in the industry? What are two current cases related to social media ethics? Outline the current code of ethics for social media by a professional organization you would be interesting in joining as part of their social media staff.

A trend that has been happening in the social media industry is the emergence of IRL live streams, which has caused normal influencers on other platforms to switch over to streaming. Another trend that is taking place in modern-day social media is influencers promoting cryptocurrency. One case related to social media ethics is Logan Paul's crypto zoo scam, which is a sad one. This all derived from Logan Paul promoting and designing a cryptocurrency app/platform for his fans, who were the target audience for profit. According to Coffee Zilla's YouTube Video, Logan Paul withdrew all funds from his crypto accounts through multiple shell wallets to hide this scam. Another ethical case in social media is Liver King, who promoted his lifestyle and body wellness as an all-natural one. However, due to More Plates More Dates on YouTube, it came out that Liver King was in fact taking steroids. An outline for Snapchat's social media ethics would probably include the principles and values of accountability, transparency, respect, privacy, and compliance laws with certain jurisdictions. This is not exact and only speculation according to Open AI, as Snapchats’ exact standards are private and disclosed in certain settings.

Brands/professionals with strong social media ethical codes: what brands are utilizing proper social media ethical practices? Are there any professionals that you feel practice strong ethical behavior on social media? Support your choice with evidence. What are some takeaways you can bring forth in your own practices?

One social media organization that has been recognized for always erroring on the side of ethics is Pinterest. They are known for prioritizing user safety, privacy, and overall interaction quality. According to the Washington Post, they have decided to spend 50 million dollars on reform methods to minimize all discrimination on their platform. This is in reaction to allegations that the platform had discrimination against women and those of color. One professional who displays ethical behavior on social media is Patrick Bet David. He has a podcast that is very neutral in the guests they have on, as well as during the taping Patrick remains respectful and ethical toward all views and situations. As stated in his interview with Fox news Patrick mentions how unethical policies and decisions lead to bad situations such as the death of Matthew Perry and other loneliness. Some takeaways I can leave with are to always error on the opposing arguments side as well as admit it when you are wrong.

Key concepts and issues: what main concepts do you think are necessary to adhere to for your own personal conduct online?

Honesty, empathy, and respecting privacy are vital for good behavior on social media. Follow the rules of the online community, respect copyright, and stay safe online. Check facts before sharing, and take breaks for your well-being. Create a positive online space by avoiding bullying and trolling.

What to do and what not to do: what main concepts do you feel strongly against and want to make sure you avoid on social media?

To maintain a positive and ethical online presence, it's crucial to avoid specific social media practices. Firstly, refrain from hate speech, which involves not promoting discrimination based on factors like gender, race, or religion. Second, avoid engaging in cyberbullying, which means refraining from online harassment and threats. Third, verify information before sharing it to prevent spreading false facts. Lastly, steer clear of trolling, behavior meant to provoke others. By following these guidelines, you can protect your online reputation and well-being while fostering a more courteous and positive online community.

Bullet point 5-10 core concepts that you will follow as a practicing social media professional. Include citations that you used for sources/supports for this.

Transparency and Authenticity: To gain the audience's trust, keep your brand's online presence real and transparent.

Data Privacy and Compliance: To safeguard user information, abide by applicable laws and data privacy rules.

information Relevance and Quality: Provide pertinent, high-quality information that benefits your readers and maintains their interest.

Community Engagement: Encourage deep connections with your virtual community by swiftly answering messages and comments.

Constant Learning: Utilize industry resources and continual professional development to stay abreast of the most recent social media trends and best practices.

References

The New York Times. (2021, November 24). Pinterest Agrees to Pay $22.5 Million to Settle Gender Discrimination Lawsuit. https://www.nytimes.com/2021/11/24/technology/pinterest-discrimination-settlement.html

OpenAI. (n.d.). GPT-3.5 "ChatGPT." https://platform.openai.com/models/gpt-3.5

Fox News. (2023, October 31). Patrick Bet-David: Bad policies have consequences. Patrick Bet-David: Bad policies have consequences | Fox News Video

Stacy Goodman. The Impact of Social Media on Education. Edutopia. https://www.edutopia.org/blog/social-media-five-key-concepts-stacey-goodman

#social networks #social media #internet

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liftwellnes · 1 year

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Teen Therapy in Boca Raton, FL

At Lift Wellness Group we take a therapeutic approach specifically for teens. Teens participate in talk therapy in a safe environment with a mental health professional with the goal to comprehend, communicate and express their feelings, uncover and solve problems, and develop healthy coping mechanisms. Lift provides one-on-one talk therapy sessions and group therapy.

Having your teen talk to a skilled therapist can provide the crucial help and support they need in this crucial period of their life.

When Does a Teen Need Counseling?

Therapy can support your teen through a variety of things, such as self-discovery, stress, life events, or mental health issues. Therapy can also be used to prevent minor issues from turning into problems later on.

Sometimes, even just a few therapy sessions can make a big difference to your teen’s overall well-being. Common reasons and conditions for which teens go to counseling include:

Anxiety disorders

Attention-deficit/hyperactivity disorder (ADHD)2

Autism

Behavioral problems

Coping with a chronic health condition

Cultural or racial discrimination

Depression

Discovering sexuality, sexual orientation, and/or gender identity

Eating disorders

Grief

Loneliness

Obsessive-compulsive disorder (OCD)

Personality disorders

Problems with self-awareness, self-esteem, or self-worth

Relationship problems

School and social-related issues like bullying

Self-harm, suicidal thoughts, or risky behaviors

Stress management

Substance use

Trauma

We treat all of the above and more through the following types of Psychotherapies:

Cognitive behavioral therapy (CBT): Often used for teens with anxiety, depression, or trauma, a therapist specializing in CBT will help your teen identify harmful thought patterns and replace them with more positive ones.

Dialectical behavior therapy (DBT): DBT will help your teen take responsibility for and find healthier ways of coping with conflict and intense emotions. DBT is often used for teens who engage in self-harm, who are suicidal, and/or teens with borderline personality disorder (BPD).

Family therapy: Family therapy includes one or more members of the family, including parents, grandparents, and siblings. The goal of this type of therapy is to improve communication and support among family members.

Group therapy: In group therapy, multiple patients are led by a therapist. This approach can improve your teen's social skills and help them learn how other teens constructively cope with mental health issues.

Interpersonal therapy (IPT): Commonly used for people with depression, IPT focuses on a person's relationships, addressing relationship problems and how interpersonal events affect emotions.

Mentalization based therapy (MBT): MBT helps children and teens who are struggling with their identity and with who they are.

Supportive therapy: Supportive therapy helps teens address and cope with problems in a healthy way as well as improve their self-esteem.

Trauma-informed therapy; is care in which our mental healthcare providers here at lift engage with a client in a manner that allows for implementation of an effective treatment process without re-traumatization. Trauma-informed care requires understanding that the trauma people experience in the past can negatively impact their current life. A trauma-informed approach involves adherence to principles for practice that ensure understanding and sensitivity to trauma-related issues regardless of an individual’s current presenting concerns.

Schedule An Appointment now!

#teen therapy #Teenagers #Counseling for Teens #teen therapist

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kylorenisadorkable · 3 years

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How TROS Failed Rey

These are just my opinions and from my personal perspective, if these things worked for you in the movie then cool, but this is why it was never going to work for me.

A Feminine Power Fantasy

Growing up in the 90s there wasn't a ton of media that had female lead characters. I grew up with strong female characters but they were often relegated to being the token girl of the group (see the Smurfette principle), the story was never centered around them and we never got to experience things from their point of view or really get to know their story. It felt like I was being asked to relate to male characters but boys were never asked or expected to relate to female characters.

Just as young boys see themselves as Luke, leading the adventure I also wanted to see myself as the main character. I wanted to have my own adventures.

When I first saw TFA, I went in knowing nothing about the movie. I had seen the OT and the Prequels as a kid and I had thought they were ok but I wasn't a huge Star Wars fan and in hindsight I really think this was due to the lack of female representation, Leia and Padme are great but I never really felt like I really got to know them as people. Not to mention that these characters are 2 women out of a cast that's predominantly male, it just seemed like the message LF was sending was that Star Wars is for boys, yeah girls can watch it if they want to but this isn't a series that is meant for you. So as you could guess I wasn't really expecting much from these new Star Wars movies, but I was pleasantly surprised.

I fell in love with Rey's character during those first 3 minutes of her introduction. During this brilliant example of “show don't tell,” story telling they were really able to convey so much about Rey's character and personality, I really began to care for her and felt like I understood her, as I could relate to her loneliness and isolation in my own way. And I was excited to see a story from a major fantasy/adventure franchise told from a feminine perspective. It felt like I was finally getting the representation I wanted to see.

So what happened? How did we go from Luke's line “And I will not be the Last Jedi” which is essentially him “passing the torch” to Rey, the next generation, to “One day I will earn your brother's saber?”

As if the saber didn't already choose her in the Force Awakens? Why did they decide that all of a sudden Rey was unworthy? Didn't Yoda say “that library held nothing that the girl Rey didn't already posses?” which yes was a clever way of saying that Rey already took the jedi texts with her but was also implying that she already had everything she needed within herself to be a jedi (courage, humility, compassion etc...). Why did they take a step backwards in the last movie in the franchise? Insisting that Rey needed to train, that she suddenly wasn't good enough?

I can't say for sure what happened to lead up to this point. Was it just that the creative team gave in to the pressuring of a loud minority of alt-right youtubers and bots. Were they relying on Reddit and Twitter for public opinion rather than doing actual marketing research? While I think that this was definitely a big factor I think there was just a general misunderstanding of the characters on Terrio's and JJ's part to begin with.

What Does Rey Want/Need?

To know where they went wrong, we have to ask ourselves who is Rey? All characters have a story goal, or the thing they want. By the end of the story the character will either get what they want after some struggles of course or learn that the thing that they want isn't what they need. So what does Rey want? To understand what she wants we have to first understand her wound or past experience that caused emotional pain and interferes with the character's life. Rey's wound stems from her abandonment. Along with the wound, comes the concept of the false lie. What is a lie that the character believes about themselves that we as the audience knows is untrue? Rey's lie is first, that her family is going to come back for her.

The other lie she tells herself is the belief that she is worthless because she was abandoned, as she tells everyone she meets “I'm no one“ or “I'm just a scavenger.”

When Daisy Ridley was asked in an interview why Rey says she's “No One.” Ridley says it's because our relationships to people define so much of who we are and without relationships then who are we? This makes sense considering that our parents are major influences in our development and in how we think about ourselves through much of our lives.

Rey seeks out parental figures, thinking that through them she'll figure out where she belongs. “Whoever you're waiting for on Jakku, they're never coming back. But there's someone who still could. The Belonging you seek is not behind you. It is ahead.”

Rey initially believes that Maz is referring to Luke and when she later sets off to find him. She believe that he is going to be able to give her answers, and provide her with the belonging that she longs for, but Luke ultimately ends up disappointing her but finds comfort in her relationship with Ben.

This goes back to the idea that what Rey thinks she wants, Isn't necessarily what she needs. As JJ stated in the directors commentary of The Force Awakens, “So there was a very powerful idea that what she desperately wanted was belonging, which she’ll get, but just not how she expects.”

JJ and Terrio try to fullfill Rey's need through “found family” the family she finds with her friends and the resistance, but I think there is more to Rey's desire of wanting family that can't be satisfied by this alone. Finn, Poe, Leia are definitely a part of her journey in finding belonging but they're not the final piece to the puzzle. Otherwise she would have felt completely fulfilled by the end of The Last Jedi when she is on the Falcon surrounded by her friends.

I think part of Rey's desire for family, is also the desire to be understood, to be “seen.” Rey even tells Finn in TROS that “People keep telling me they know me. No one does.” We hear Ben's response in the trailer “But I do...” (which was cut from the movie)

Ben has always been shown to be the person who truly “sees” Rey. He sees even the aspects of herself that she doesn't like to acknowledge. Recognizing that her holding on to her parents is affecting her negatively and that if she really wants to “find herself” she needs to let go.

Which is why when Ben says “You have no place in this story. You're nothing. But not to me.” What is really being expressed is “I don't care about where you come from and I see you for who you are.”

This is why I believe that Ben was always suppose to be the final piece to the belonging Rey is searching for. As their narratives are intertwined. They both satisfy each others needs as characters, Rey's need to be seen for who she is and Ben's need for reconciliation and healing within his family.

Rey Palpatine

Rian Johnson said that when he began working on The Last Jedi, he wrote out all the character's names and next to them wrote what would be the hardest thing for that character to face. For Rey, this was that she needs to stand on her own two feet and define who she is for herself but JJ and Terrio seemed to have misunderstood this as Terrio states that,

“We also thought that Rey’s arc cannot be finished after Episode VIII. You can leave Episode VIII and say, “Well, now, Rey is content. She’s discovered her parents aren’t Skywalkers, or whatever, and that’s fine.” But so much of her personal story was about where she came from, what kept her on Jakku all those years and the trauma that shaped her. We see quite strongly in Episode VII that something mysterious and troubling happened to her. Although she did get some answers in Episode VIII, we didn’t feel that that story was over. We felt that there were still more questions in Rey’s head about where she came from and where she was going. So, that was the other big idea that we had to address in this film. Rian’s answer to, “What’s the worst news that Rey could receive?” was that she comes from junk traders, and that’s true. She does come from junk traders; we didn’t contradict that.”

Rey's conflict wasn't that she came from junk traders. Rey didn't care about “legacy.” Her conflict stemmed from her abandonment. Rey thinks she's “a nobody” not because of her parent's occupation or lineage but because she feels that she must be worthless because why else would her parents give her up? Rey learning that her parents sold her off for drinking money, that they didn't want her, was already a difficult and traumatic truth to overcome. Star Wars is a coming of age story, in the OT Luke grows from being a boy longing for adventure to discovering what it truly means to be a Jedi (following your principles and having a compassionate heart). Rey's journey is about letting go of childhood trauma and discovering her own independence.

It's also strange seeing as JJ had previously stated during The Force Awakens press tour that “I really feel that the assumption that any character needs to have inherited a certain number of midi-chlorians or needs to be part of a bloodline. It's not that I don't believe that as part of the canon, I'm just saying that at 11 years old that wasn't where my heart was. And so I respect and adhere to the canon but I also say that the Force has always seemed to me to be more inclusive and stronger than that.”

And there was still conflict for her to overcome. The one person who she felt truly understood her is now the supreme leader of the first order, will the resistance discover their connection? Will they see her as a traitor? All of this had the potential for great external and internal character conflict, but for some reason they didn't see this as conflict enough to sustain a whole movie?

Instead they gave Luke's character arc in the OT of having a dark side relative to Rey. “Discovering that you actually descended from your adoptive family’s greatest enemy, the same enemy who corrupted Anakin Skywalker and is responsible for the destruction of the Skywalker family in the first place, felt most devastating to us.” This doesn't make any sense to me as it feel like they just gave Rey Luke's internal conflict of being afraid of his dark side, I don't think this was ever a problem for Rey. In fact, in The Last Jedi she leapt into the dark side cave to face her darkness (her abandonment). Luke even says “You went straight to the dark and you didn't even try to stop yourself.”

The dark side cave in The Last Jedi was symbolic of Rey coming to terms with her darkness (the parts of herself she wants to hide). It relates back to Jungian psychology (which much of Star Wars is based on) that people can only become whole through understanding both the light and shadow aspects of their personality. So it doesn't make sense for Rey to be afraid of who she is in the final movie when she just finished a journey where she learned to accept who she was?

Rey Skywalker

Terrio says that the decision to have Rey take on the name “Skywalker” was a way to show that “you can choose your ancestry.” Which is not true and also a strange thing to say considering the trilogy started with this:

But even if this was just awkward phrasing and what Terrio meant to say was that she considers the Skywalkers her family. Does this make sense considering that she didn't have a great relationship with Luke to begin with?

I've seen it argued that she took the name as a way of honoring Leia but Leia never took the name or considered herself a Skywalker. Also this is another step backwards for Rey's character as The Last Jedi was trying to assert that Rey does not need to keep looking for parental figures to define herself.

So why must she be a Palpatine, a Skywalker and “all the jedi” anyways? I think this was done for two reasons, the first was because by killing Ben they were going to kill the last of the Skywalker family and they wanted to keep the name tied to the franchise, in case they need the characters for future projects down the line, so they just pushed it onto Rey. The second reason is that I think they were trying to appease the misogynists' who spent the last 4 years calling Rey a “Mary Sue” so they explained her power away through powerful male lineage. It just feels so weird to me, like the creators are saying that we should like Rey not because of who she is as a character but because of who she is in relation to all these other characters we know you like (Luke, Leia, all the jedi that use her as a vessel etc...)

Daisy Ridley has even expressed her frustration with the Rey's lineage debate multiple times, “I love that Rey is such a great character, they’re like: ‘No, no, she has to be… she has to be-’She’s her own person! Let her be her guys, let her live.

Yet even at the end of the final film poor Rey can't seem to catch a break as she's once again asked for her last name. She once again has to justify herself for just existing. Why are surnames suddenly so important in Star Wars now anyways? Shouldn't the correct answer be “just Rey,” now that she's come to accept who she is and where she's come from and shouldn't that be good enough? What happened to the message of anyone can be a hero? That you don't have to come from or align yourself with a powerful family legacy. That we all have the power to make a difference?

TROS seems to be constantly asking Rey to prove herself. And weirdly enough it reminds me in a strange meta way of my own experience being a woman in the fandom and being constantly asked to prove that I'm a “True fan” (whatever the f@#% that means...) to prove that I'm worthy of consuming and participating in this content that male fans feel belongs solely to them.

In Conclusion

So what did our heroine gain in the end? Did she find family and belonging? No. So what does she have in the end? A yellow lightsaber (for merchandising purposes) and a surname of a dead family? I guess she finally has an answer to give all the nosey nellies, obsessed with ones pedigree that have suddenly popped up all over the galaxy.

It's not a satisfying ending for her, as she's basically right back where she started. Alone, in a desolate desert, once again staring face to face at an old woman (an old woman which at the start of the Force Awakens symbolized her fear of growing old and wasting away her life on Jakku).

Terrio states that this is not meant to indicate that Rey plans to stay here, “The very last thing Rey would do after all that is to go and live alone in a desert.” but when that is the last shot you chose to end the movie on then what is the audience suppose to think? The bigger issue however, is that Rey's ending holds no significance to her or her journey. Terrio says that “In our thinking, Rey goes back to Tatooine as a pilgrimage in honor of her two Skywalker masters. Leia’s childhood home, Alderaan, no longer exists, but Luke’s childhood home, Tatooine, does. Rey brings the sabers there to honor the Skywalker twins by laying them to rest — together, finally — where it all began.” Tatooine, the Lars homestead and the twin suns, don't mean anything to Rey. You know who did mean something to Rey? Who was the one person who understood her, who she had an intimate relationship with, who she explicitly states she wanted to be with? Ben. But he's gone too. But clearly a light saber and surname are more important. Again this all comes from a lack of caring for what Rey wants.

I just wish that the Sequel Trilogy had stayed Rey's trilogy, that she got to be a heroine in her own right not because she was a skywalker, or a palpatine or from some other powerful family. I will always love Rey but I will always hate what they did to her and I'm tired of people invalidating my feelings and telling me that it was a good ending or that it was empowering. I just want heroines to be taken as seriously and to have all the same privileges as male heroes. Let them stand on their own without connecting them back to every male hero in the franchise, let them be their own character, and finally just let them be human, let them fall in love and have relationships if they want to. Male heroes are never considered to be less of a hero for having a love interest, so why are female heroes? Basically what I got out of the Rise of Skywalker, was that it was created by a couple of guys that loved Luke and the OT and could care less about Rey and that's truly heart breaking.

#rey #rey nobody #reylo #ben solo #rey deserved better #rey deserves better #bring ben solo back #I love rey #aTROSity #just rey #reunite the dyad

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eremosjournal · 2 years

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I Must Confess

This is one of the bigger surprises to me about coming out as queer as a former Catholic: seemingly overnight, all of your guilty pleasures becpme sanctified. In this new world, liking Britney Spears doesn’t conflict with one’s identity or morality or religion. Britney Spears is the religion. Thinking back now about that first hit of serotonin from hearing “Baby One More Time”, I realize there was something familiar about what she was singing. The song isn’t necessarily about someone whining to an ex for attention. It could also be an actual prayer: the words of a person begging for some kind of signal that they are loved. The desperation and sorrow of a person that feels badly about themselves but doesn’t seem to understand why. The conviction of a person who knows their prayers will be answered one day.

By Chad Hewitt

#exvangelical #ex catholic #Deconstruction #deconvert #post christian #guilt #guilty pleasure #pleasure #britney spears #baby one more time #lent

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jenner-benjamin · 3 years

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Extended Practice Summary

Presentation poster that summarises my practice in three words - digital rendering of mixed media works.

Throughout the last three years as a Multi-Disciplinary Printmaking Masters student my work has endured a development beyond that which I could have ever anticipated. I began the course very unsure of myself and felt incredibly out of my depth, suffering from imposter syndrome and a feeling a general uncertainty that I was a right fit for the course. I have since undertaken a series of modules that have; taught me the basic principles of printmaking, shown me how to understand research as a practice in itself, allowed me to develop ideas in a supportive environment, encouraged me to consider where I would place myself as a creative in a professional context, and ultimately, to produce a body of work that consolidates all of the above. My work has developed quite substantially in this time, beginning with figurative printmaking and ending at the complete opposite end of the spectrum in abstraction. However the concepts at the heart of the work have always remained constant. I have always strived to depict an autobiographical narrative, but the aesthetic, the depth of thought and research have progressed.

At the beginning of the academic year I had surmised that visual poetry and asemic writing were a means by which I could communicate a personal narrative. I had spent the previous year touching upon the theory of asemic writing, and using the skills I had learnt in the printmaking studios to develop ideas and explore this newfound and exciting visual language. Because I had established an area of interest and a research methodology, I sought to utilise this final year to try to locate my audience. I achieved a mindset of discerning that the end of the masters degree is not an ending as such, but the beginning of my career as a creative practitioner that is using the end of the masters degree to segue in to a professional context.

In terms of putting my aims in to practice, I submitted works to a multitude of opportunities, open calls and exhibitions with the intention of placing myself in a professional context and locating my audience simultaneously. As time progressed I understood that I am a representative of more than just one community of artists. I am a Masters degree student, a queer artist, a conceptual artist, a performance artist, a book artist, a visual poet and also a researcher. Therefore, by not defining myself as a fixed identity I was able to explore more avenues and test more places where I might place my work. I submitted works to assembling publications and exhibitions, both digital and physical. The networking that I have carried out as a result of this determination has led to further opportunities, such as exhibiting at Bristol Pride and reaching out to artists whose work touches upon asemic writing in their practice.

I have finally developed my website as a space to host a digital portfolio. A lot of open calls and opportunities ask for an online presence, and I feel a website is considerably more professional than pointing people in the direction of your Instagram profile. I initially made my website to serve as an exhibition space for the Practice in a Professional Context module and for the Bower Ashton Library artist-in-residence exhibition. I am glad to be able to use this space as a permanent display for my work, rather than the awkward digital exhibition venue that it has been - though these were necessary at the time to adhere to government restrictions and social distancing measures.

I have regrettably not become as proactive as I would have liked at engaging with social media. I have grasped that it is a useful means through which ideas can be shared, but I still feel an awkward disconnect with the concept. Perhaps this is because the algorithms mean that there is no definite strategy to employ to get people to actually see your posts. I would rather put more emphasis on encouraging my audience to physically engage with my practice. I have achieved this by collating the work that I would have exhibited at the end of degree exhibition in to an edition of 150 publications that I will share with as many people as possible. I will post this portable exhibition to those that supported me in fundraising for the project, those that I would have invited to the exhibition at university, and I intend to submit the publications that are left over to various libraries and artist’s book archives.

Inevitably the current global crisis affected my practice quite dramatically. Access to university facilities has been sporadic throughout the last year, and this lack of consistency meant that my creative outputs have been staggered as a result. The weeks of isolation and multiple lockdowns hindered motivation and consequently, creative development. This feeling of disconnect that I had with my practice led to a period of reflection. I realised that not having access to the facilities meant that I did not feel the pressure to adhere to printmaking traditions, and that I could explore the more conceptual side of my work from home. This deeper understanding that I had gained of where I want to push my practice led to a much broader body of research, and I found that the gesture and performance of writing was as exciting to me as the works on paper themselves. Both research and performance have peaked my intrigue in the last six months and are areas that I would hope to explore further as my practice progresses after the course has ended.

The coronavirus outbreak affected more than just my university studies, it was also quite damaging to my mental wellbeing. Consequently I have utilised my practice as a coping mechanism throughout the latest lockdown. I have used it as a means of documenting everything that I have felt and experienced in the last year, this includes working in the hospitality industry throughout the whole ordeal, and in particular my feelings towards the treatment of hospitality workers. My third year work has told the story of the pandemic and three lockdowns from my point of view. The various periods of isolation and the loneliness that ensued had a negative impact on my mental health, and so I adapted these feelings into a series of breathing and drawing exercises that became daily rituals that formed a big part of my routine in lockdown.

The repercussions of the current situation meant that I faced many obstacles that required a degree of problem solving. The most notable instance was my time as artist-in-residence at Bower Ashton Library. I developed a body of work from found poetry that I was initially unable to complete due to the nation being locked down. I took to social media to ask my followers to send a found word, from which I could make a lockdown poem and print to send to everyone that had submitted a word. This was a wholesome project that kept my mind occupied in a time of uncertainty, and also a gift for everyone that took part. Upon my return to university I was able to complete the found poetry artist’s book, but the nation went in to a second lockdown just as I was about to exhibit the work. This challenged me to digitise the book that I had made and attribute a QR code to it that I plastered all around the city. My aim was for a new audience of passers-by to find my exhibition by chance, continuing the ethos of found poetry in a whole new context. I also spent the remaining budget from the residency on making the book into lo-fi zines that I could also distribute, wanting as many people to physically interact with the book as possible. I was particularly proud of this project, it showed that a little determination could enable me to see my ideas realise themselves in surprising and creative ways.

I have proven to myself that I can fulfil everything that I had proposed at the start of the year with very little in the way of facilities and materials. The majority of my final year’s worth of work was conducted from my bedroom with a roller and some etching ink. This low maintenance method of working is completely transferrable to anywhere in the world, which really is an exciting discovery to make so early on in my career as an artist. Armed with the knowledge that I do not necessarily need studios to develop ideas, I had the confidence to propose a project to an artist residency in rural Italy. I will be placing myself in the community and examining through first hand research how ideas of asemic writing and narrative might translate in a setting where the language spoken is not my mother tongue. I am intrigued as to the otherness of language, and how a language that I do not understand might be transcribed visually. The proposal itself is also transferrable, and has the potential to be explored on a global scale.

There is much scope for further research within asemic writing, and handwriting as a whole. I have enjoyed having the masters degree as a part time constant, but the nature of this part time study has meant that I have not been able to dedicate as much time to my practice as I would have liked. Asemic writing is an under researched area of study, and it deserves more time and commitment than I have been able to afford in the last few years. With this in mind I intend to write a proposal for PhD research. I am keen to explore ideas of asemic writing, narrative and comprehension, and will utilise everything that I have read and learnt in the last two years in particular as a basis for this proposal.

I cannot commend this course highly enough. Having the support to develop and explore my practice has been truly invaluable. I have seen my work mature in to a coherent practice with a clear path forwards beyond the confines of university. This confidence in my practice would not have been achieved without the continuous backing of the module leaders, my peer group, and studio culture as a whole. I have found my creative voice, and am excited to use everything that I have learnt as a student on this course to establish a future for myself as an artist.

#practice #summary #evaluation #report #asemic #asemic writing #performance #performance art #printmaking #masters #mamdp

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marigoldsandbuttercups · 3 years

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The Guys As Tarot Cards

Sans : Judgement.

UPRIGHT: Judgement, rebirth, inner calling, absolution.

REVERSED: Self-doubt, inner critic, ignoring the call.

He represents the reversed version of this card, having kept all those secrets to himself and ignoring the call to step in until it was too late. He never really acts upon the position of the judge until it's too late, until he can never really avoid it. He stops himself from doing so much, being his worst critic, preventing him from reaching his full potential. In order for him to break it, he needs to be kinder to himself and acknowledge all that he's been avoiding.

Papyrus: The Fool.

UPRIGHT: Beginnings, innocence, spontaneity, a free spirit

REVERSED: Holding back, recklessness, risk-taking.

Papyrus represents upright version of this card. He may not know what comes next, but he's ready to face it head on and listen to his soul. He has an open and curious mind, ready to explore everything and anything. In the upright version of The Fool, it also represents inner growth, new experiences and developments. Upon reaching the surface, Papyrus would have grown more, becoming more mature while still maintaining his lightheartedness, improving on who he is and what he wants to do next.

Blue: The Magician.

UPRIGHT: Manifestation, resourcefulness, power, inspired action

REVERSED: Manipulation, poor planning, untapped talents.

Blue is someone who has many talents and is full of potential. He represents the upright version of The Magician. He knows what he wants and how he's going to get it, never going to stop it until he reaches it. It takes time but he's in tune with his soul and his needs, understanding himself better than most of the others. While he may be inclined to use his cute looks to get what he wants, he's more into using his skills and his abilities to stand out from the others.

Stretch: The Hermit.

UPRIGHT: Soul-searching, introspection, being alone, inner guidance.

REVERSED: Isolation, loneliness, withdrawal.

Stretch represents the reversed version of The Hermit. Despite being relaxed and clowning others, he does isolate from others more than one would think. He's scared of opening up to people, to have his trust broken. He's only used to what he's experienced before but eventually he will have to make it through without a guide, to dive into deep depths of the unknown no matter how long that would take.

Red: The Hanged Man.

UPRIGHT: Pause, surrender, letting go, new perspectives

REVERSED: Delays, resistance, stalling, indecision.

Red represents the reversed version of The Hanged Man. He needs to stop and surrender, allow new changes to come in and look from new perspectives. But the thing is, he's scared of new changes, things happening out of his control that he does literally everything but that until he inevitably is forced to face it whether he likes it or not. He isn't sure where he wants to go or what he wants to do, retreating back to his shell to ignore the calls of change and acceptance, afraid that he may fail.

Edge: Death.

UPRIGHT: Endings, change, transformation, transition

REVERSED: Resistance to change, personal transformation, inner purging.

For all that Edge had been through, he represents the upright version of Death. He realizes that upon reaching the surface, a major chapter of his life has come to an end, he doesn't need to be fighting for his life or be in the guard to keep monsterkind safe. It takes time for him to really come to terms with it but he does inevitably accept it. While he may still be a prickly skeleton, he is more open to changes compared to his brother.

Black: The Chariot.

UPRIGHT: Control, willpower, success, action, determination.

REVERSED: Self-discipline, opposition, lack of direction

Black represents the upright version of The Chariot. When he has a goal, nothing is stopping him, his willpower is something that others want, burning as brightly as a fire that can never be tamed. He is never passive in what he does, always making sure to have control over everything that he does and never strays away from his objective. He uses his self discipline to keep himself afloat whenever challenges come his way, it's what kept him alive this whole time.

Rus: Strength.

UPRIGHT: Strength, courage, persuasion, influence, compassion.

REVERSED: Inner strength, self-doubt, low energy, raw emotion.

Rus represents the upright version of Strength. He's loyal, never budging for even a moment when he chooses to support those that are close that are close to him. He's in tune with his feelings, only really letting his raw emotions explode in a fit of rage, that is, if you can even upset him to that degree. His strength is quiet, never having to yell or do anything drastic to have the attention on him. He works behind the scenes while his brother takes up the main spotlight, making sure the others listen to him.

Wine: The Emperor.

UPRIGHT: Authority, establishment, structure, a father figure

REVERSED: Domination, excessive control, lack of discipline, inflexibility.

Wine represents the upright version of The Emperor. He's always been more of a father figure to Coffee, especially to the others as well. No one is better at accepting the role of leader better than Wine himself, easily asserting himself in a situation with little to no trouble. If he has a plan, he's sticking to it, and no one else can tell him what to do when he's figured it out. He will always have the final say.

Coffee: Hierophant.

UPRIGHT: Spiritual wisdom, religious beliefs, conformity, tradition, institutions.

REVERSED: Personal beliefs, freedom, challenging the status quo.

Coffee represents the upright version of the Hierophant. He learns almost everything from his brother, becoming skilled and adhering to a more structured way of life. It's comfortable for him, having something to follow along with as it helps keep him calm. But eventually, he will have to learn to branch out on his own and make of his own principles, what does he stand for? What does he want for himself? He's learnt many things and has honed his own skills by practicing, making very flexible.

Thistle: The Moon.

UPRIGHT: Illusion, fear, anxiety, subconscious, intuition.

REVERSED: Release of fear, repressed emotion, inner confusion.

Thistle represents the upright version of The Moon. He's anxious about the future, unable to really forget all that has happened to him, it's why he doesn't do more than the bare minimum. He tries to avoid situations by not paying attention to it, ignoring his subconscious telling him other wise. Thistle is brave, but he's afraid of taking too big of a risk. He has yet to heal completely, but he is making slow strides despite wanting to hide at home.

Chestnut: The Star.

UPRIGHT: Hope, faith, purpose, renewal, spirituality.

REVERSED: Lack of faith, despair, self-trust, disconnection.

Chestnut represent the upright version of The Star. He has endured many challenges, and has grown so much from who he was before. Despite this though, he knows who he is down to his core, what he stands for and what he wants. He still is lighthearted, just a little more calmer now. After a long process of getting help, he doesn't view his changes as a bad thing. Yes, they are painful memories, but he has a stronger sense of self now. He is still Papyrus, he still holds that vigour, he just has more hope than ever that he can still live the life he wants without any fear.

#bruhh they keep getting longer #vshshsjs #low-key proud of this one tbhh #undertale imagines #sans #papyrus #Undertale #Underfell #Underswap #swapfell red #fellswap #horrortale #undertale headcanons

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