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Shipwrecked Comedy proudly presents: How to be a Ghost

Jacob Marley learns what it takes to make it in the afterlife.

Written & Created by Sean Persaud & Sinead Persaud Directed by William J. Stribling

CAST Jacob Marley - Sean Persaud Christmas Past - Mary Kate Wiles Christmas Present - Sinéad Persaud Christmas Yet to Come - Parissa Koo Narrator - Sammy Paul

Assistant Director: Nick Dugan Production Assistant: Matthew Pinkney

Executive Producers: Michael Walsh, Jane Leach Produced by: Sean Persaud, Sinead Persaud, Mary Kate Wiles

Director of Photography: Devin Hassan First Assistant Camera: Nic Palermo

Production Designer: J.P. Gagen Costume Designer: Morgan Gannes Hair and Makeup Artist: Hayley Orozco Choreography: Lauren Lopez

Edited by: Raymond Fraser

Original Music by: Dylan Glatthorn Original Lyrics by: Dylan Glatthorn, Sean Persaud, and Sinead Persaud Production Sound Mixer: Will Kioultzopoulos Re-Recording Mixer: Noah Hunt Audio Song Recorded at Noah Hunt Audio Song Mixed by Dylan Glatthorn

Special Thanks - Tom DeTrinis & the IAMA Theatre Company, Hugo's Tacos, American Black Market, Brent Madison, Brian Henderson, Matt Amys

Made possible by: Katie Adamczyk, Julia Arnold, Heather Attewell, Michael Baker, Anna Beale, Carrie Bouwman, Kaci Burrow, John Callender, Miles Collier, Janel Christensen, Kelsey Fink, Madi Flesch, Bernadette Kovacs, Alicia Lomas-Gross, Avalee Long, Erin Hawley, Mary Lyszczarz, Jill May, Desiree McLaughlin, Halle Merrick, Sharon Messmore, William Miller, Meghan Morris, Kelly O'Neil, Lisel Perrine, Viivi Pyykkö, Halsea Root, Rodger Samuel, Emily Scheerer, Deborah Shapiro, Lindsey Stewart, Rebecca Stockman, Emma Tulip, Annie Vaccaro, Abigail Vanderhoff, Justin Waterman, Kylie Wells, Christina Wentz, Cassie Wojcik

Storia Di Musica #267 - Black Sabbath, Greatest Hits, 1977

Questo è uno degli album con la storia più strana del mondo rock. Con protagonista una delle band che più hanno colpito un certo immaginario collettivo. Ma partiamo dal filo conduttore delle Storie di Musica di Marzo, le copertina con quadri del Rinascimento. In quello di oggi, vi è una sezione del capolavoro del 1562, Il Trionfo Della Morte, di Peter Bruegel, conservato al Museo Del Prado di Madrid. Quadro di una drammatica bellezza, ha in sè una leggenda niente male: innamorato dello stile di Antonello da Messina, Bruegel, che era fiammingo, viaggiò fino in Sicilia per vedere i quadri del Misterioso maestro. E secondo molti critici lo sfondo di questo e di un altro suo leggendario capolavoro, Caduta Di Icaro (1558), sono ispirate a coste siciliane, e il mortifero cavallo della Grande Falciatrice in questo fu ispirato da quello dell’affresco, omonimo, ma di due secoli più antico, conservato adesso a Palazzo Abatellis a Palermo. E qui parte la storia strana del disco: il quadro non è nemmeno accreditato sulla copertina del disco quando uscì nel 1977 (e ancora adesso non compare in molte discografie ufficiali), perchè probabilmente questa raccolta era una carta di riserva della casa discografica NEMS (fondata da Brian Epstein, ma poi acquistata dal management del gruppo di oggi) preoccupata che qualcuno dei Black Sabbath potesse morire da un momento all’altro, vista la quantità e la qualità di cose pericolose che immettevano nel loro corpo in varie modalità. Dico subito che la storia non si può verificare in alcun modo, e rimane leggenda, ma dato che il disco ebbe diffusione bassissima, la alimentò a dismisura, quasi da considerare il disco una sorta di bootleg ufficiale e adesso è un pezzo forte del collezionismo (in qualsiasi pur pessima condizione vale almeno 100 €). I Black Sabbath erano esplosi 7 anni prima, quando per qualche centinaio di sterline e 12 ore in sala prove, Tony Iommi (chitarra), Bill Ward (batteria), Geezer Butler (basso) e John “Ozzy” Osbourne (voce), da Aston, periferia di Birmingham (all’epoca, uno dei posti più deprimenti dell’Occidente) creano, partendo dal blues, un qualcosa che mischiato con campane a morte, tuoni nella notte, urla disumane, chitarre lancinanti come lame infernali, un nuovo stile, l’heavy metal. La via esoterica al rock parte con i primi, clamorosi, cinque dischi: Black Sabbath (1970), Paranoid (stesso anno, il Sgt. Pepper’s del metal), Master Of Reality (1971) e gli appena più “affaticati” Vol. 4 (1972) e Sabbath Bloody Sabbath (1973). Nessuno prima di loro aveva aggredito in modo così “scabroso” gli spettatori, segnando, come raramente è accaduto, un genere. Il disco è semplicissimo: 10 brani, 5 dal fantasmagorico esordio, 3 da Paranoid e Vol. 4., 2 da Black Sabbath e una ciascuna dai restanti due. In scaletta tutti i brani mitici del gruppo, canzoni culto come l’allucinata Paranoid, la brutale e meravigliosa Iron Man, gli 8, incredibili minuti di War Pigs, che stravolgono il blues, la tosse che apre al riff già stoner di Sweet Leaf, ma anche la dolcezza del piano di Changes, il brano più romantico del repertorio, come Tomorrow’s Dream, che apre addirittura al romanticismo: “And let tomorrow's dreams\Become reality to me\So realize I'm much better without you\You're not the one and only thing in my heart\I'll just go back to pretending I'm living\So this time I'm gonna have the star part”. Il terremoto sonoro è completato dalle quasi omonime Black Sabbath e l’altro riff micidiale di Sabbath Bloody Sabbath. Mancano alcuni capolavori, riscoperti anche dopo anni, come Electric Funeral (da Paranoid, apocalittica) o la imprescindibile per i fan Children Of The Grave (da Master Of Reality). Quando uscì nel 1970 Paranoid, la rivista Rolling Stones, dopo averli pesantemente criticati per il primo lavoro, che nonostante tutto arrivò nella Top Ten inglese, scrisse: “Sul loro secondo e pesantissimo disco, Paranoid, troviamo lamenti sulla distruzione della guerra e l'ipocrisia dei politici, i pericoli della tecnologia e dell'abuso di droga”, parole che possono andare benissimo per questo disco antologico, introvabile ma magnifico. Va detto a onor di cronaca che la Nems sbagliò di pochissimo le previsioni di uno scioglimento, ma non per decesso, sebbene Ozzy e Iommi facevano a gare di riabilitazioni e entrate in cliniche: dopo il deludentissimo Never Say Die, uscito nel 1978, dove rispetto alla “brutalità” del punk neonato (che prese moltissimo dal loro essere iconoclasti) sembravano quelli di Top Of The Pops, Ozzy abbandona in un primo momento, poi finisce il disco, e se ne va definitivamente, sostituito nel 1980 da Ronnie James Dio, Ma quella sarà un’altra band, ed è anche un’altra storia.

Tyreen Calypso, the girl who escaped

Marya Hornbacher, Waiting / Michel Foucault / lord byron, "prometheus" / Fernando Pessoa // Michel Foucault / susan sontag / Ocean Vuong, from “Not Even”, Time Is a Mother / Sylvia Plath, The Journals of Sylvia Plath / Ada Limón, from “The End of Poetry”, The Hurting Kind / Aloha from Hell - Richard Kadrey / demon by brian luong / Ocean Vuong, from “Beautiful Short Loser”, Time Is a Mother / Ocean Vuong, from “Woodworking at the End of the World”, Time Is a Mother / the life of a stupid man - ryunosuke akutagawa / Ocean Vuong, from "Dear Peter", Time Is a Mother / Czeslaw Milosz, New and Collected Poems: 1931-2001 / Rainer Maria Rilke, Rilke on Love and Other Difficulties / jen mazza / Elektra, Sophokles tr. Anne Carson / What Could Have Been, Sting / Emily Palermo / mother - maia baia / no shade in the shadow of the cross, sufjan stevens / Fernando Pessoa, “A Little Larger Than The Entire Universe” / Skeleton & Demon, Brian Luong / hidden emotions, lia kimura

Can You Decode This Alien Message? The first 500 people to use my link will get access to one of Skillshare’s best offers: 30 days free AND 40% off your first year of Skillshare membership! https://ift.tt/1xBh4Fj Recommended course: The Science of Effective Learning by Santiago Acosta Hi! I'm Jade. If you'd like to consider supporting Up and Atom, head over to my Patreon page :) https://ift.tt/jgW9h40 Visit the Up and Atom store https://ift.tt/12xhJ7S Subscribe to Up and Atom for physics, math and computer science videos https://www.youtube.com/c/upandatom For a one time donation, head over to my PayPal :) https://ift.tt/mj647oU *A big thank you to my AMAZING PATRONS!* Jonathan Koppelman, Michael Seydel, Cy 'kkm' K'Nelson, Thorsten Auth, Chris Flynn, Tim Barnard, Izzy Ca, Tate Lyles, Richard O McEwen Jr, Scott Ready, John H. Austin, Jr., Brian Wilkins, Thomas V Lohmeier, David Johnston, Thomas Krause, Lynn Shackelford, Ave Eva Thornton, Andrew Pann, Anne Tan, Francisco, Marc-Antoine, Chris Davis, Thomas Urech, chuck zegar, David Tuman, Richard Rensman, Ben Mitchell, Steve Archer, Luna, Tyler Simms, Michael Geer, James Mahoney, Jim Felich, Fabio Manzini, Jeremy, Sam Richardson, Robin High, KiYun Roe, DONALD McLeod, Ron Hochsprung, Aria Bend, James Matheson, Kevin Anderson, Alexander230, Tim Ludwig, Alexander Del Toro Barba, Justin Smith, A. Duncan, Mark Littlehale, Tony T Flores, Dagmawi Elehu, Jeffrey Smith, Alex Hackman, bpatb, Joel Becane, Paul Barclay, 12tone, Sergey Ten, John Lakeman, Jana Christine Saout, Jeff Schwarz, Yana Chernobilsky, Louis Mashado, Michael Dean, Chris Amaris, Matt G, Dag-Erling Smørgrav, John Shioli, Todd Loreman, Susan Jones, Motty Porat, Michael Tardibuono, Yaw Mintah, Carlos Escolar, Vijay Prasad, Anthony Docimo, robert lalonde, Julian Nagel, Cassandra Durnord, Antony Birch, Paul Bunbury, David Shlapak, Kent Arimura, Phillip Rhodes, Michael Nugent, James N Smith, Roland Gibson, Joe McTee, Dean Fantastic, Oleg Dats, John Spalding, Simon J. Dodd, Tang Chun, Michelle, William Toffey, Michel Speiser, Rigid Designator, James Horsley, Brian Williams, Craig Tumblison, Cameron Tacklind, 之元 丁, Kevin Chi, Lance Ahmu, Tim Cheseborough, Markus Lindström, Steve Watson, Midnight Skeptic, Potch, Indrajeet Sagar, Markus Herrmann (trekkie22), Gil Chesterton, Alipasha Sadri, Pablo de Caffe, Taylor Hornby, Mark Fisher, Emily, Colin Byrne, Nick H, Jesper de Jong, Loren Hart, Sofia Fredriksson, Phat Hoang, Spuddy, Sascha Bohemia, tesseract, Stephen Britt, KG, Hansjuerg Widmer, John Sigwald, O C, Carlos Gonzalez, Thomas Kägi, James Palermo, Chris Teubert, Fran, Wolfgang Ripken, Jeremy Bowkett, Vincent Karpinski, Nicolas Frias, Louis M, kadhonn, Moose Thompson, Rick DeWitt, Pedro Paulo Vezza Campos, S, Garrett Chomka, Rebecca Lashua, Pat Gunn, George Fletcher, RobF, Vincent Seguin, Shawn, Israel Shirk, Jesse Clark, Steven Wheeler, Philip Freeman, Jareth Arnold, Simon Barker, Lou, amcnea and Simon Dargaville. Chapters 0:00 - 0:53 Receiving the alien message 0:53 - 3:15 Interpreting the radio signal 3:15 - 5:00 Mysterious white squares 5:00 - 5:43 Mysterious purple blob 5:43 - 7:27 Mysterious green clusters 7:27 - 7:36 Mysterious blue twirlies 7:36 - 8:05 Mysterious red figure 8:05 - 9:34 More mysterious white squares 9:34 - 10:28 Mysterious yellow dots 10:28 - 11:12 Mysterious purple thing 11:12 - 13:08 Even MORE mysterious white squares 13:08 - Fun fact about the Arecibo message 13:48 Thank you Skillshare! Creator - Jade Tan-Holmes Script - Joshua Daniel Editing - Christian Pearson and Jade Tan-Holmes Music - epidemicsound.com via YouTube https://www.youtube.com/watch?v=Cm1tBF4h8nQ

Determining the "greatest" football clubs in history is subjective, but here are 20 clubs that have had a significant impact on the sport, along with some details about their dominant years and notable players:

1. **Real Madrid (Spain)**:

- Dominant Years: Multiple eras of success, including the 1950s and the 2010s.

- Notable Players: Alfredo Di Stéfano, Cristiano Ronaldo, Ferenc Puskás.

2. **FC Barcelona (Spain)**:

- Dominant Years: Late 2000s and early 2010s.

- Notable Players: Lionel Messi, Xavi Hernandez, Andrés Iniesta.

3. **Manchester United (England)**:

- Dominant Years: 1990s and 2000s.

- Notable Players: George Best, Ryan Giggs, Cristiano Ronaldo.

4. **Bayern Munich (Germany)**:

- Dominant Years: Various periods, including the 1970s and recent years.

- Notable Players: Franz Beckenbauer, Gerd Müller, Arjen Robben.

5. **AC Milan (Italy)**:

- Dominant Years: Late 1980s and early 1990s.

- Notable Players: Paolo Maldini, Marco van Basten, Ruud Gullit.

6. **Liverpool FC (England)**:

- Dominant Years: 1970s and 1980s.

- Notable Players: Kenny Dalglish, Steven Gerrard, Ian Rush.

7. **Juventus (Italy)**:

- Dominant Years: Various periods, including the 1980s and 1990s.

- Notable Players: Michel Platini, Alessandro Del Piero, Roberto Baggio.

8. **Ajax (Netherlands)**:

- Dominant Years: 1970s.

- Notable Players: Johan Cruyff, Marco van Basten, Dennis Bergkamp.

9. **Inter Milan (Italy)**:

- Dominant Years: 1960s and 2010s.

- Notable Players: Giuseppe Meazza, Javier Zanetti, Wesley Sneijder.

10. **Boca Juniors (Argentina)**:

- Dominant Years: Various eras of success.

- Notable Players: Diego Maradona, Juan Román Riquelme, Martín Palermo.

11. **River Plate (Argentina)**:

- Dominant Years: Various periods of success.

- Notable Players: Alfredo Di Stéfano, Enzo Francescoli, Ariel Ortega.

12. **Peñarol (Uruguay)**:

- Dominant Years: 1960s and earlier.

- Notable Players: Juan Alberto Schiaffino, Pedro Rocha, Fernando Morena.

13. **Nacional (Uruguay)**:

- Dominant Years: Earlier years and various periods.

- Notable Players: Atilio García, Héctor Scarone, Obdulio Varela.

14. **Santos FC (Brazil)**:

- Dominant Years: 1960s.

- Notable Players: Pelé, Zito, Pepe.

15. **São Paulo FC (Brazil)**:

- Dominant Years: 1990s.

- Notable Players: Raí, Cafu, Rogério Ceni.

16. **Benfica (Portugal)**:

- Dominant Years: 1960s.

- Notable Players: Eusébio, Coluna, José Águas.

17. **Porto (Portugal)**:

- Dominant Years: 1980s and 2000s.

- Notable Players: Deco, Radamel Falcao, Cristiano Ronaldo (early years).

18. **Celtic FC (Scotland)**:

- Dominant Years: 1960s.

- Notable Players: Jimmy Johnstone, Billy McNeill, Kenny Dalglish.

19. **Rangers FC (Scotland)**:

- Dominant Years: Various periods.

- Notable Players: Jim Baxter, Ally McCoist, Brian Laudrup.

20. **Manchester City (England)**:

- Dominant Years: Recent years.

- Notable Players: Sergio Agüero, Kevin De Bruyne, David Silva.

Please note that the list above is not exhaustive, and there are many other historically significant football clubs with notable players and periods of dominance. Football history is rich and diverse, with various clubs leaving their mark on the sport.

X cierto..Hablando de dar x el CULO..la recuerdo a VIRGINIA MAESTRO..q este DOMINGO se presenta en el FESTIVAL RIO BABEL [=temazo del malogrado CERATI q apesar de ser para mí el mejor cantante de Rock LATINO.. se le acabó TODO lo bueno con 50 años para pasar 4 años de CALVARIO junto a SU FAMILIA como es su hijo BENITO al q le dio un ATAQUE EPILEPTICO en el barrio de PALERMO como los q sufre VIRGINIA MAESTRO..cuando publico cd UNISEX]..su ex_guitarrista NACHO MUR con LA M.O.D.A. [Maravillosa Orquesta Del Alcohol=PUTO PAIS DE BORRACHOS Y PAJEROS O PUTEROS Y FUMATAS] así como su amigo NACHO TABUADA [novio de SARA CARBONERO q cuando tuvo tumores se separo de la ex_mujer de IKER CASILLAS infartado día del TRABAJADOR 2019 tras regalar su camiseta con la q ganó MUNDIAL 2010 a mi compañero de UNIVERSIDAD Y PUTA MILI Oscar DE LAS HERAS LICERAS según publico diario AS con titular TIERRA SANTA] con COLECTIVO PANAMERA [carretera PANAMERICANA en el q basan un modelo de PORSCHE] con el q VIRGINIA MAESTRO canto EL RELOJ [canción de un mexicano] en EL BUHO REAL en 2022 y cuya versión acaba de lanzar dentro de unas versiones q grabó en 2017 q fue la última vez q vino el cabeza de Cartel JAMIROQUAI [q debuto con cd EMERGENCIA EN EL PLANETA TIERRA en el q participó GLENN NIGHTINGALE como en cd BONITO de JARABE DE PALO]..presentando su cd AUTOMATON [cuyo video es post_apocaliptico y donde en el video CLOUD 9 sale Mónica CRUZ q tuvo q recurrir a la INSEMINACION ARTIFICIAL..xq hay q estar MUY LOCO o MUY RICO para tener un HIJO con una MUJER DE LA FALSA MORAL O DEL DINERO q es la q se estila de forma INSOPORTABLE..video rodado en ALMERIA como su famoso video conduciendo deportivos de lujo " COSMIC GIRL"]..en concreto 25_11_17 q yo vi en sala SIROCO a ARA_MUSA presentando su cd DIEZ q como el anterior cd ARCHE [=1er elemento de la creación.. q cuando lo presento en 2015 hizo una entrevista en la radio o programa PLANETA TENTACIONES tras VIRGINIA MAESTRO q había tocado el día anterior o de mi año 44=28_11_15 en sala EL SOL yendo yo a sala BUT a un homenaje a QUEEN x MOMO CORTES q grabó con Brian May una versión en español de TOO MUCH LOVE WILL KILL YOU del cd BACK TO THE LIGHT y q también incluyo en cd postumo MADE IN HEAVEN de QUEEN]..me regalaron sus amigas tras fotografiarme con ella casi a oscuras para luego irme junto a ellas al FULANITAS donde toco VIRGINIA MAESTRO tras sala EL SOL ese 2015

X cierto..antes q JAMIROQUAI toca BOMBA STEREO y el día antes toca en RIO BABEL el dominicano JUAN LUIS "GUERRA" y recuerdo q cuando vi en ese recinto de la CAJA MAGICA donde hacían el DOWNLOAD FESTIVAL 2018 a MARILYN [monroe][charles] MANSON [mayor Éxito cd ANTICHRIST SUPERSTAR] presentar HEAVEN UPSIDE DOWN [CIELO DEL REVES] había un pestazo del río MANZANA+eRES porque fallo la depuradora adjunta conocida como LA CHINA

Mercato Palermo: possibile un “ritorno di fiamma” per gennaio?

Mercato Palermo: possibile un “ritorno di fiamma” per gennaio?

Gennaio si avvicina, e con il primo mese dell’anno anche l’apertura della sessione invernale… L’articolo Mercato Palermo: possibile un “ritorno di fiamma” per gennaio? proviene da PalermoLive.Calcio, Sport, brian bayeye, mercato gennaio, Palermo calcio, Torino Gennaio si avvicina, e con il primo mese dell’anno anche l’apertura della sessione invernale del calciomercato. Un’occasione, per le…

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Kristen performing with The Groundlings cast of The Crazy Uncle Joe Show | Wednesday 22nd May 2019

Bad movie I have  The Happytime Murders 2018

THE HAPPYTIME MURDERS (2018) Red Band #Movie Trailer 2: Puppets & Humans Coexist in LA’s Underbelly http://filmbk.me/QfrkgV

Brian Palermo breaks down the power of improv

Brian Palermo breaks down the power of improv

Brian Palermo knows improv. He’s been making people laugh in all kinds of ways for decades; you probably recognize him from a half-dozen sitcoms and movies. But he’s particularly talented when it comes to improv—not just performing, but teaching and showing how it can be applied to things far beyond the comedy stage. As an alumni of The Groundlings, Brian is teaching a class this Thursday (May…

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Stashbox New Release Tracks Spotify, Apple Music. All Songs, Videos Sta...

Liked on YouTube: How This One Question Breaks Computers || https://www.youtube.com/watch?v=sG0obNcgNJM || Get Nebula using my link for 40% off an annual subscription! https://ift.tt/ZPyJFC4 Recommended shows: Is Math Invented or Discovered? https://ift.tt/XTr1Z8E Becoming Human https://ift.tt/HqVJBsD What is Code? https://ift.tt/5r0oR2V Hi! I'm Jade. If you'd like to consider supporting Up and Atom, head over to my Patreon page :) https://ift.tt/SLQVOKd Visit the Up and Atom store https://ift.tt/JdRWaGA Subscribe to Up and Atom for physics, math and computer science videos https://www.youtube.com/c/upandatom For a one time donation, head over to my PayPal :) https://ift.tt/ZN6XyCG Sources https://ift.tt/CPLu1A5 https://ift.tt/xAHEvcX https://ift.tt/8rJFIR0 The Nature of Computation - Cristopher Moore *A big thank you to my AMAZING PATRONS!* Jonathan Koppelman, Michael Seydel, Cy 'kkm' K'Nelson, Thorsten Auth, Chris Flynn, Tim Barnard, Izzy Ca, Millennial Glacier, Richard O McEwen Jr, Scott Ready, John H. Austin, Jr., Brian Wilkins, Thomas V Lohmeier, David Johnston, Thomas Krause, Lynn Shackelford, Ave Eva Thornton, Andrew Pann, Anne Tan, David Tuman, Richard Rensman, Ben Mitchell, Steve Archer, Luna, Viktor Lazarevich, Tyler Simms, Michael Geer, James Mahoney, Jim Felich, Fabio Manzini, Jeremy, Sam Richardson, Robin High, KiYun Roe, Christopher Rhoades, DONALD McLeod, Ron Hochsprung, Aria Bend, James Matheson, Kevin Anderson, Alexander230, Tim Ludwig, Alexander Del Toro Barba, Justin Smith, A. Duncan, Mark Littlehale, Tony T Flores, Dagmawi Elehu, Jeffrey Smith, Alex Hackman, bpatb, Joel Becane, Paul Barclay, 12tone, Sergey Ten, Damien Holloway, John Lakeman, Jana Christine Saout, Jeff Schwarz, Yana Chernobilsky, Louis Mashado, Michael Dean, Chris Amaris, Matt G, Dag-Erling Smørgrav, John Shioli, Todd Loreman, Susan Jones, Julian Nagel, Cassandra Durnord, Antony Birch, Paul Bunbury, Kent Arimura, Phillip Rhodes, Michael Nugent, James N Smith, Roland Gibson, Joe McTee, Dean Fantastic, Bernard Pang, Oleg Dats, John Spalding, Simon J. Dodd, Tang Chun, Michelle, William Toffey, Michel Speiser, Rigid Designator, James Horsley, Brian Williams, Craig Tumblison, Cameron Tacklind, 之元 丁, Kevin Chi, Lance Ahmu, Tim Cheseborough, Markus Lindström, Steve Watson, Midnight Skeptic, Dexter Scott, Potch, Indrajeet Sagar, Markus Herrmann (trekkie22), Gil Chesterton, Alipasha Sadri, Pablo de Caffe, Taylor Hornby, Mark Fisher, Emily, Colin Byrne, Nick H, Jesper de Jong, Loren Hart, Sofia Fredriksson, Phat Hoang, Spuddy, Sascha Bohemia, tesseract, Stephen Britt, KG, Hansjuerg Widmer, John Sigwald, O C, Carlos Gonzalez, Res, Thomas Kägi, James Palermo, Chris Teubert, Fran, Christopher Milton, Robert J Frey, Wolfgang Ripken, Jeremy Bowkett, Vincent Karpinski, Nicolas Frias, Louis M, kadhonn, Moose Thompson, Rick DeWitt, Andrew, Pedro Paulo Vezza Campos, S, Rebecca Lashua, Pat Gunn, George Fletcher, RobF, Vincent Seguin, Shawn, Israel Shirk, Jesse Clark, Steven Wheeler, Philip Freeman, Jareth Arnold, Simon Barker, Lou, and Simon Dargaville. Chapters 0:00 A double edged sword 1:00 Universality 3:09 Thanks Nebula! 4:32 How do we know there are problems computers will never solve? 6:05 Hilbert's Program 7:59 Decidability 11:39 Turing hears of the Entscheidungsproblem (uh-oh) 13:27 The Halting Problem 16:42 Undecidability Creator - Jade Tan-Holmes Written by Zoe Cocchiaro and Jade Tan-Holmes Animations by Tom Groenestyn Editing by Standard Productions Music - epidemicsound.com

42nd London Film Critics’ Circle Awards — Winners

FILM OF THE YEAR Belfast Drive My Car Dune Licorice Pizza The Lost Daughter Memoria The Power of the Dog — WINNER The Souvenir Part II Titane West Side Story

ACTRESS OF THE YEAR Olivia Colman – The Lost Daughter — WINNER Penélope Cruz – Parallel Mothers Renate Reinsve – The Worst Person in the World Joanna Scanlan – After Love Kristen Stewart – Spencer

ACTOR OF THE YEAR Benedict Cumberbatch – The Power of the Dog — WINNER Adam Driver – Annette Andrew Garfield – Tick, Tick… Boom! Oscar Isaac – The Card Counter Daniel Kaluuya – Judas and the Black Messiah

SUPPORTING ACTRESS OF THE YEAR Jessie Buckley – The Lost Daughter Ariana DeBose – West Side Story Kirsten Dunst – The Power of the Dog Rita Moreno – West Side Story Ruth Negga – Passing — WINNER

SUPPORTING ACTOR OF THE YEAR Richard Ayoade – The Souvenir Part II Ciarán Hinds – Belfast Jesse Plemons – The Power of the Dog Kodi Smit-McPhee – The Power of the Dog — WINNER Jeffrey Wright – The French Dispatch

BRITISH/IRISH ACTRESS OF THE YEAR (for body of work) Jessie Buckley – The Lost Daughter Olivia Colman – The Lost Daughter/Mothering Sunday/Ron’s Gone Wrong/The Mitchells vs The Machines/The Electrical Life of Louis Wain Ruth Negga – Passing/Poly Styrene: I Am a Cliché Joanna Scanlan – After Love Tilda Swinton – Memoria/The Souvenir Part II/The French Dispatch — WINNER

BRITISH/IRISH ACTOR OF THE YEAR (for body of work) Riz Ahmed – Encounter Adeel Akhtar – Ali & Ava/The Nest/The Electrical Life of Louis Wain/Everybody’s Talking About Jamie Benedict Cumberbatch – The Power of the Dog/The Electrical Life of Louis Wain/The Courier Andrew Garfield – Tick, Tick… Boom!/The Eyes of Tammy Faye/Mainstream — WINNER Stephen Graham – Boiling Point/Venom: Let There Be Carnage

BRITISH/IRISH FILM OF THE YEAR (Attenborough Award) After Love Belfast The Green Knight Limbo The Souvenir Part II — WINNER

DIRECTOR OF THE YEAR Jane Campion – The Power of the Dog — WINNER Ryûsuke Hamaguchi – Drive My Car Joanna Hogg – The Souvenir Part II Céline Sciamma – Petite Maman Denis Villeneuve – Dune

SCREENWRITER OF THE YEAR Paul Thomas Anderson – Licorice Pizza Wes Anderson – The French Dispatch Jane Campion – The Power of the Dog Maggie Gyllenhaal – The Lost Daughter Ryûsuke Hamaguchi and Takamasa Oe – Drive My Car — WINNER

FOREIGN LANGUAGE FILM OF THE YEAR Drive My Car — WINNER The Hand of God Petite Maman Titane The Worst Person in the World

DOCUMENTARY OF THE YEAR Flee Gunda The Most Beautiful Boy in the World Summer of Soul — WINNER The Velvet Underground

BREAKTHROUGH BRITISH/IRISH FILMMAKER (Philip French Award) Prano Bailey-Bond – Censor Rebecca Hall – Passing — WINNER Aleem Khan – After Love Marley Morrison – Sweetheart Ben Sharrock – Limbo

YOUNG BRITISH/IRISH PERFORMER Max Harwood – Everybody’s Talking About Jamie Jude Hill – Belfast Emilia Jones – Coda Daniel Lamont – Nowhere Special Woody Norman – C’mon C’mon — WINNER

BRITISH/IRISH SHORT FILM Diseased and Disorderly – dir. Andrew Kotting Expensive Shit – dir. Adura Onashile Know the Grass – dir. Sophie Littman Play It Safe – dir. Mitch Kalisa — WINNER Precious Hair & Beauty – dir. John Ogunmuyiwa

TECHNICAL ACHIEVEMENT AWARD Cruella – Jenny Beavan, costumes Dune – Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer, visual effects — WINNER Flee – Kenneth Ladekjær, animation The French Dispatch – Adam Stockhausen, production design The Green Knight – Andrew Droz Palermo, cinematography The Invisible Life of Euridice Gusmão – Hélène Louvart, cinematography Martin Eden – Fabrizio Federico and Aline Hervé, film editing No Time to Die – Olivier Schneider, stunts The Power of the Dog – Jonny Greenwood, music West Side Story – Justin Peck, choreography

“[...] one of my uncles was killed by Nazis.” - Roger

Did we know about this??! Below you can read the full article in Italian from 1995, translation is provided by @/_letusclingtogether_ on Instagram. Thanks once again to her!

Drummer Roger Taylor arrives in Italy with his own band and announces the release of a new Queen album recorded with Mercury right before his passing.

FREDDIE AND QUEEN: THE RECORD IS READY

Raffaele Niri Genoa - Queen is alive, long live the Queen. Roger Taylor, drummer and author of many hits of the band whose destiny eclipsed with its singer death Freddie Mercury, on the 24th of November, jokes with us. But Taylor strongly rejects the feasible accusation of recording necrophilia: the posthumous record of Queen is set to be released in a few months, right before the upcoming summer, and it will be, according to Roger Taylor himself, “a shocking experience: the tracks are full of Freddie's imagination, songs are exceptional and powerful. Electronic embellishments? Not even one: The bulk of the work is done, the 3 of us has just filled musical bases that we already conceived with Mercury.” 

The announcement comes as a surprise, meanwhile Taylor's embarked on his 1st Italian tour: Brian May, John Deacon and Taylor himself have been working for months and months on the missing parts left by Freddie Mercury “and now the record is finally done. This one, started with Freddie and was conceived and wanted by Freddie too.” Thereby Taylor swears this is not a sinister marketing concept, furthermore this operation wouldn't have been worth worth of such gestation.

Obviously rumours about a new record they have been spreading for quite a while now, but if the chance to keep touring with a singer who could replace Mercury (and even a possible reunion of the 3 surviving Queen members) seems so overpowering at the moment, the idea of new music work had been buzzing us for 3 years on. But why Queen has been waiting for such a long time? "We wanted to make sure for the record to be devoid of morbidity,” Taylor explains, “we wanted it to be considered for what it really is, which is the last Queen album with a series of performances by Freddie Mercury. That is the time.”

45 years old, a Clinton-like look, and a great group to back him up (Jason Falloon on guitar, Phil Spalding the bass player and Mike Crossley on keyboards), Taylor got all sold-outs while playing his 3 gigs in Italy (Monfalcone, Schio, Genova). Today he's going to play in Cesena, tomorrow in Florence, the 22nd he'll be playing in Rome, then Malta, Palermo, Catania and Naples.

“Queen had to come to Italy in the early 70s, but there were political problems, it was not the best place to play,” Taylor explains as he turns on politics. His last single is called Nazis 1994, heavy condemnation against the spread of neo-nazism ideals (”here in Italy, you call it neo-fascism but it is basically the same”) in Europe.

But wasn't Queen “altogether apolitical”? “Queen is for sure, but I'm not. When you are in a group of 4 it's necessary to negotiate somehow, about me I've have treasured my mum's teachings throughout my life; one of my uncle was killed by Nazis and for sure I think that it is something to be afraid of.” We keep moving back and forth around the same dilemma: should be the role of a singer compared to a critical social consciousness? “I wanted to express my opinion on this topic and I did. Voice is the only instrument a singer has to convey his personal point of view. You know, people may be listening to us but it doesn't mean they agree with us all the time and share same opinions as we do on stage. But I gave it a go.”

As for the gigs, Taylor entertains the audience with Queen songs but he allegedly tries to stand on his own two feet, he stresses that "Radio Gaga", "A Kind Of Magic", and "I'm In Love With My Car" are his own tunes. After all other hits were signed by four of them.

On stage Taylor likes to end his shows with a quick jump, in a typical Joe Sentieri style, he moves rather badly as the majority of drummers, he talks very little with the audience and when he hits the gong he looks like the little man you find on Plasmon Biscuits* boxes. But the voice is on top, and his solo tracks stand up to the challenge too. At the end of the day it's like listening to a remarkable Queen karaoke. After all, who wouldn't dream of singing the Beatles with Ringo, or Equipe 84 with Alfio on lead?

*Here is the man on Plasmon Biscuits they mention:

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