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coffeeandcalligraphy · 3 years

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hiii 5 30 and 32 for harrison pls (my king <3)

5. Your oc has to make something for an art exhibition. What would they make? How terrible is it? Would they enjoy making it?

on one hand Harrison would do something like splat paint on a canvas OR have y’all seen the episode of suite life on deck when zack sneezes jelly on a canvas and all the rich white people are like yessss we love itttttt THAT would be the art he makes! (yes i’m watching shows from the 2000s ok it’s breakdown time) ON THE OTHER HAND harrison is actually a visual artist lol (I always forget this because it seems so out of character but it’s been canon since book 1!) SO! if anybody follows SLEW on YouTube, that’s totally how his art would look! Either way he’d love making it! he would draw Lonan yes I said it (I have a few scenes I cut out from Feeding Habits where he actually does this which I’ll put under the cut)!

30. What topics does your oc know the most about? Are these obvious or would these be surprising to others?

Harrison knows a lot about building things and taking them apart etc though I can never do that justice for him because I am incompetent at both :) that is definitely expected he just has that vibe (is it because he wears flannel?? maybe??) like I said he is also a visual artist so I would assume??? knows a lot about art history?? I don’t enjoy art history because I have no attention span but I think he would love that and know tons of little facts and that would totally be surprising to others! again I probably don’t do him justice in that field because I was the worst at art history!

32. What five ingredients would you throw into a cauldron to make a potion based on your oc? How would you cook/mix them? What would the potion do?

The 5 ingredients would be 1) WAFFLES (loves them, would die for them), 2) pasteis de nata (LOVES these I cannot blame him) 3) coffee (he has no blood it’s just coffee) 4) cinnamon (i just re-read book 6 of fostered and the amount of times reeve compares harrison to cinnamon?? yall i’m no longer calling it cinnamon i’ll be calling it harrison) and 5) hot sauce (because he’s SPICY). Because Harrison is chaotic I would put it all in a blender and make a smoothie :) The potion would make you ~happy and ~relaxed and just generally chill and in love even if that’s with yourself (the only vibes harrison wants)!

This is the first Harrison Drawing Lonan moment which is from a subplot that no longer exists!

In his room, he scales his bed and tacks sketches to the ceiling with dashes of masking tape. He is so fast, if anyone sees him do this, they will question their sanity, and by the time he’s done and all the pieces are up, he’s in the centre of a black hole, and the black hole is a single face of charcoal, and the face has got hair that carves his forehead like raven wings, his eyes swathes of cyan pastel, his body staining Harrison’s hands irreparably and hours later, Harrison lies on his sheetless bed like the next star waiting to be vacuumed into the mouth of his muse.

(why am i fangirling over my own writing it’s so CUTE i cannot harrison loves lonan so much oh my he really does!!)

This is a random flashback that never really went anywhere?? but apparently it’s an entire scene oops! maybe I’ll put it somewhere if it fits!

Lonan’s eyes in monochrome still look like the ocean. He’s vivid in charcoal, a good model, slushing the rind off a mandarin.

They sit knee-to-knee on the jute mat by the hearth. Fire icebergs Lonan’s retinas and embers pinch his hair.

Harrison scrawls onto a scrap advertisement for a washing machine set, Lonan’s jaw melding with its Best Offer: $599 Two Piece. He is firelit and juddering with heat. He is peeling the mandarin like its his own work of art, each removal tear of skin nearly a fresco, ready for auction. He is the only thing Harrison is interested in studying.

Harrison finishes a flare of Lonan’s hair. From above the notebook he watches, aware he is noticed, so unashamed in his staring. Tonight, Lonan is his raven with the ocean in his eyes, his muscle memory, his magnum opus. At one point, Harrison no longer looks up to check his reference; he remembers exactly where every slot of him goes.

On Harrison’s last lick of hair, Lonan has finished peeling the mandarin. The segments sit, unpaired like jewels. A line of juice dribbles off his palm. It is only inevitable that they lean toward each other, charcoal and citrus, and Lonan looks at the portrait and Harrison feeds off that fruit with fervor.

“It’s missing something,” Lonan says, their bodies criss-crossed as Lonan examines the portrait and Harrison eats the mandarin. When Lonan gestures for the pencil, Harrison nudges it to him.

Lonan retrieves it and leans over Harrison so their hands morph. The pencil makes contact once more with the paper, and together they pull lines against the paper, curve up, hook down, hatch. They move in singularity, their fingerprints one fingerprint, their palms one palm. Harrison tastes mandarin, so Lonan does too. Lonan stamps charcoal onto his ring finger, so Harrison does too.

By the time they’re finished, the portrait has become two. Lonan’s right charcoal eye becomes the left charcoal eye of another face, Harrison’s, their faces combined into monochrome together.

It is inevitable, not choice, when their single hand tears the portrait from the book and reels it into the wall of flame. It is inevitable, not choice, to simultaneously feel a jilt of joy for at last burning together.

did harrison just call lonan his magnum opus oh my GOD so cute okay i’m going to go bye!!

#asks

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anndelize · 6 years

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What do you do when one of your good friends is also an incredibly inspirational and dedicated multi-media artist? Well, you interview them of course! 🙂

The Interview

Who are you and what do you do?

I can call myself an artist after 20 years of self doubt. I do painting, sculpture, printmaking, photography, but first and foremost, I draw.

Why do you do what you do?

Because I cannot stop. I get tetchy and irritated if I don’t draw for a while. Ideas also swirl through my head and, like winding up a clock, sooner or later it is fully wound up and ready to come out as a sketch, drawing, painting, etc.

How do you work?

I get passionate about my project, read and research as much as I can, talk to friends/artists, sketch ideas as I go. I need to be alone once I start working. People distract me then. I’m currently working on the kitchen table as the studio room I have is too small and cluttered, and cold in the winter. I start the studio day doing household chores so I can then focus on my art without distraction. It would be a dream to have a studio away from the house. It is also helpful to have a few projects on the go, or an exhibition date to work to. Otherwise work (my other job), life, family, friends call me away.

Klara Jones (detail) Allerleirauh, silicone, paint, human hair, animal skins

What’s your background?

I’m from a Central European background, Hungary and Romania. I have been told my subject matter and style is quite dark.

I’ve studied only through TAFE (Adult Education College), first with a certificate in art and design, then working towards a diploma in visual arts. Something I never completed, however it gave me skills in film photography and darkroom process, as well as painting, drawing and printmaking.

I found the more teachers one has over time, the more one learns.

I had to leave study to work and picked up a job as a graphic designer based on a folio of drawings.

Klara Jones. Old man Boogie, pen and ink, tea, watercolour

What’s integral to the work of an artist?

The freedom to explore. Supportive friends and family who respect my art as work. Being part of an artist community to share ideas and solidarity.

Permission to allow myself to go into the studio even if it’s not a productive day.

Discipline to stay in there when it’s a beautiful day outside or my art isn’t working out.

What role does the artist have in society?

In good times, the artist can feed the soul with beauty or thought-provoking work. In bad times, the artist can feed the soul and create a temporary escape. Without artists, there would be no movies, fashion, aesthetics in architecture or cars, furniture, watches, clothing. It is all around us.

Klara Jones. The Race, oil paint on canvas

Klara Jones. RRH woodcutter, oil on canvas board, old oak frame

What has been a seminal experience?

That moment for me was in 1986 at the Brisbane Art Gallery, QLD. I went to see the 20thCentury Masters exhibition of works from the Metropolitan Museum of Art, New York. I walked around a corner and saw Picasso’s ‘Woman in White’. The sight of it knocked the air out of me and staring at it was the moment I thought I must learn to create work as beautiful.

Explain what you do in 100 words

I draw mostly, sometimes whimsical pen and inks, sometimes more serious portraits and nudes. I love the face, the body, the person. It is an endless exploration – from describing the curves and lines that create a figure, to the folly of human character.

I prefer black and white as so much can be described with tone, line and texture. Colour can sometimes confuse the message, although it has its uses for emotion and interest.

Klara Jones. Death Tree, pen and ink, gold leaf

How has your practice changed over time

I think I’ve grown more skilled and confident. I used to worry that I wasn’t selling work and making a living from it. For me now, it’s not about earning money, it’s about having something to say and sharing it. Also, I don’t need to worry about what will sell and making it ‘commercially appealing’.

It has always been about making people smile, feel an emotion or to think.

What art do you most identify with?

The line. Whether it is drawing, etching or big calligraphic brush strokes.

What work do you most enjoying doing?

Drawing. Whether it’s the feint spidery tickle of pencil on cartridge, the dark, thick smudge of charcoal or the danger of nib pen and with Indian ink (danger being the potential to splat on the page if I am not concentrating).

Or, I could say, whatever I am doing when the flow hits me. When I paint, I fall in and out of love with the painting depending on what stage it is at. I love the technical side as well, so printmaking or working in the darkroom developing photos is great.

Klara Jones. Samarai Girl, pen and ink, tea, watercolour

Klara Jones. Handless Maiden, graphite on rag paper

What themes do you pursue?

Human nature and story telling. I’m currently reading Grimm’s tales. It works on so many levels: love, escape, morals, adventure, the protagonist ending with success, good guys, bad guys, tragedy, sometimes magic or a gift, evil, fragility, resistance, honesty, bravery, perseverance.

What’s your favourite art work?

That is tough. It’s like asking what is my favourite song.

Probably depending on my mood at the time.

Many artworks. Woman in White remains one of my favourite paintings. It is serene, multi-layered but with simple, muted colour. William Dobell’s portrait of Helena Rubenstein in the NGV Australia. A wood bas relief of Salome from the 14thC in the NGV International. Eastern European religious icons. Otherwise, anything by Caravaggio or several Australian and local Gippsland artists.

Describe a real-life situation that inspired you?

Warsaw National Museum, a student, Erik, from the Warsaw Academy of Fine Arts, was painting a 1:1 scale of Jan Matejko’s ‘Battle of Grunwald’. Size of the original is 10 metres wide x 4metres deep. Erik was painting it in twelve panels over two years. His dedication to the project made me think to lift my game.

I also know two art teachers, who are partners. They both work fulltime and raise a child. They each take a turn in the studio after work whilst the other sorts out the family, dinner and housework. This is discipline. And it works.

Klara Jones. At the Opera, pen and ink ,and tea

Klara Jones. Angel Faith, pen and ink

Why art?

Art is important to life. My life. Also to everyone. To live without it would make life dull.

What is an artistic outlook on life?

Seeing beauty in small things or trying to draw attention to the everyday.

Problem solving by not always thinking logically.

What memorable responses have you had to your work?

My first solo exhibition. I had no idea if anyone would turn up. It was crowded and I sold 2/3 of the work on opening night. As much as selling the work wasn’t so important, it was validation that it was worthwhile and people connected with it.

A few people said they had cried when they saw pieces I had made.

Klara Jones. Inktober 28

Is the artistic life lonely? What do you do to counteract it?

It can be lonely. When I’m busy or have limited time I don’t notice it.

I might take a little break or an evening off. Spend time with my partner or call family or a friend.

When people come to visit I cannot work and have to pack up and pay attention to them. I must be careful not to spend too much time alone.

What do you dislike about the art world?

One comment about me once, “but she only draws.” No he hadn’t seen anything else I have done over the years but the comment was still insulting.

I see drawing as a means in itself, not a means to an end.

Art investment that follows trends, rather than talent.

Pretentiousness with only mediocre work.

Snobbishness – when one must have the right CV to become short-listed for an art prize and come from the ‘right’ art school. It should be judged on how accomplished and imaginative the artist is and the artwork should speak for itself.

Klara Jones. Cat and Mouse, charcoal, gesso

What do you dislike about your work?

That I only draw.

Sorry, no, that’s not true.

That I don’t draw enough.

That I don’t do anything enough.

That I can get distracted.

That I thought after 20 years I would be more accomplished. I see art and skill as levels. Always chasing the next level and hoping not to go backwards.

What do you like about your work?

I like when I get it right and cannot criticise it. I enjoy looking at some pieces even years later.

Should art be funded?

Well, YES!

What role does arts funding have?

It allows artists the chance to explore their ideas without compromise, pays for art material, allows communities to have projects when they couldn’t otherwise realise their ideas. There is a cultural aspect to a society and part of the government’s job is to promote the culture within the society.

Klara Jones. Lady Bear, pen and ink, tea, watercolour

What research do you do?

Internet, reading books on topics, techniques, visiting galleries, talking with fellow artists, or non-artists, on topics I might need to learn.

What is your dream project?

The one I am doing – Grimm’s tales.

Then the next one…

Name three artists you’d like to be compared to.

Sue Fraser, local Gippsland artist.

Kathe Kollwitz, German expressionist artist.

Aubrey Beardsley

Favourite or most inspirational place

NGV International and NGV Australia in Melbourne. After his death in 1904, Alfred Felton left money to the National Gallery of Victoria, which has been used to invest in artwork, making it one of the best galleries in the world. I always have a little thrill when I see ‘Felton Bequest’ next to an artwork.

Klara Jones. Girl Sheets, pen and ink, tea, watercolour

Klara Jones. Girl Monkey, pen and ink, tea, watercolour

What’s the best piece of advice you’ve been given?

Don’t start the details too early in a drawing. Keep it general for a while until you know it is correct.

Also, if the eye is in the wrong place (for example), even if it’s the best eye you have ever drawn, rub it out and correct it.

Professionally, what’s your goal?

To be professional in my art and its presentation. To not settle for a lesser work if I can re-do it better.

What wouldn’t you do without?

Staedler Mars Lumograph pencils. They’re not top-of-the-range, but are still smooth to draw with. I can carry them anywhere. Plus a sketchbook for sketching people, taking notes in galleries or thrashing out ideas anywhere, anytime. These two are the most basic things. Everything else is fluff.

Thanks so much for sharing your thoughts and processes with us Klara.

To see more of Klara’s work visit her Instagram page below:

Klara Jones, Instagram

Artist Interview: Klara Jones What do you do when one of your good friends is also an incredibly inspirational and dedicated multi-media artist?

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