I am completely devastated

we’re trying out a new jazz piece and my band director doesn’t have a flute part so he gives me a tenor sax part instead, and since I’m not fluent in Bb instrument it takes me a while to transpose (writing C instrument notes on top)

fast forward a week, I’m finally finished and I’m excited to play the music with everyone in its entirety. then,

my high school band director: okay, let’s pass it in!

me:

Interview with Gordon Goodwin

We had the pleasure of interviewing Gordon Goodwin over Zoom video!    Multiple Grammy/Emmy Award winner Gordon Goodwin returns to the forefront of adventurous compositions and modern jazz with “The Reset,” an urgent and topical 5-song EP, a bold foray into the intersection of composition and improvisation, a futuristic excursion brimming with purpose and cursive.  From the 7-minute title track, which seems to channel the ethos of Chick Corea’s Return to Forever, while unleashing its inner Dream Theater, to the funky sass and sizzle of “Six Feet Away,” one thing is inherently certain, its calligraphy pulls back the curtain and soars into areas few big bands have ventured.  Honoring the late great arranger/composer Sammy Nestico, who passed away earlier this year at the age of 96, with a pair of songs, the first being “My Man Sam” which swings with the same buoyancy as his former employer, Count Basie, for his Orchestra, and “Cell Talk,” which was the last chart Nestico wrote while in his early 90s. Sammy’s voice can be heard at the beginning of the song. Lovingly done, both expositions feel classic, yet fresh, an address to the best of us and what’s next.  The lone cover, and only vocal track, is a gorgeous reading of the David Foster-penned “Through the Fire,” a song first made famous by Chaka Khan, this time beautifully delivered by vocalist Vangie Gunn, who, in addition to her career singing on TV and Film soundtracks, has performed with Johnny Mathis, Herb Alpert, Barry Manilow, Patti Austin, Justin Timberlake, Melissa Manchester and Take 6.  As a companion piece, 11 alternate mixes of two of the tracks are being made available as bonus content via the official Gordon Goodwin online store at Bandwear. Fans can purchase the premium digital content as a stand-alone offering or buy any format of his most recent album, 2020’s The Gordian Knot (on vinyl, CD, Blu-ray or flash drive), and receive a complimentary download of the tracks, 6 mixes of “Six Feet Away” and 5 mixes of the title track. Each mix highlights the solo efforts of a particular member of the Big Phat Band, so listeners can revel in the Marienthal soprano sax mix, the Rocha trumpet mix or the Goodwin Hammond B3 mix, to name a few.   We want to hear from you! Please email [email protected].   www.BringinitBackwards.com   #podcast #interview #bringinbackpod #GordonGoodwin #TheIncredibles #zoom #Grammy #GrammyAwards #Emmy #EmmyAward   Listen & Subscribe to BiB   Follow our podcast on Instagram and Twitter! source https://www.spreaker.com/user/14706194/interview-with-gordon-goodwin

Listed: Matthew Golombisky

Matthew Golombisky grew up in North Carolina, where he picked up the bass to play metal with his buddies and jazz in a couple high school bands. After college he moved around the US, playing upright and electric in countless bands and spending time in the Bay area, upstate New York, and New Orleans. In the Crescent City he bonded with his most enduring musical partner, drummer Quin Kirchner, with whom he has toured extensively as a duo and as the rhythm section for other bands. When Hurricane Katrina laid waste to the town they both eventually moved to Chicago.Both of them played with trombonists Jeff Albert and Jeb Bishop in the Lucky 7s, and Golombisky made strong connections with the city’s jazz scene. In 2007 cofounded Ears And Eyes Records, which has issued albums by notable current and former Chicagoans such as Bill MacKay, George Freeman, Caroline Davis, Chad Taylor, Charles Rumback and Matt Piet. He has toured the US with Zing! And NOMO and stage-managed at Pitchfork, but after traveling around South America he landed in Buenos Aires, Argentina, in 2013. There he plays and teaches music and is raising a family, but he sustains ongoing connections with his mates in North America. Golombisky has recently released two cassettes, Cuentos 1 & 2 and Cuentos 3,named after the Spanish word for short stories. Each volume is devoted to a group of musicians connected with one of Golombisky’s old homes, and the music that he composes for them combines the emotional expressiveness of mid-20thcentury modern jazz with the close engagement of chamber music.

Milli Vanilli, Girl You Know It’s True

Though as a kid, I grew up listening, per my parents, to a lot of Led Zeppelin, Pink Floyd, Queen, The Who, CCR, Steppenwolf, Jethro Tull, Simon and Garfunkel, and David Bowie, the first cassette I ever bought with my own money was in the late 80s and it was Milli Vanilli’s. I was 9 or 10. How I came across their music I don’t remember, but probably from MTV. I remember on late night drives back home with my father from his auto body shop in his red 1986 V8 5-speed Z28 Camaro (with louvers on the back glass), which I bought from him as my car in 1998, we’d blast that cassette (as well as Herb Alpert and Fine Young Cannibals cassettes, what a mix, no?)! I have no idea how long this lasts, but it couldn’t have been long because when I learned Milli Vanilli was a total front and a lie, I went out into the boonies(woods), where we lived, in the middle of small-town North Carolina, and had a cassette-tape-burning session. I gathered some gasoline and matches and melted that tape to a little pile of plastic. It felt good and well-deserved. When my dad found out, he got incredibly upset (or so I’ve told the story as I remember… maybe one day I’ll confirm with him if it’s true if he’d even admit to being angry about my destroying myMilli Vanilli tape, I’m not sure). I guess the only reason I’d include this in Dusted’s “Listed” feature is that it was a profound experience of “create your own damn music!!”

Miles Davis, Volume 1

Me getting into jazz: All I knew of jazz for a few years was my playing bass in the high school big band, so mostly reading what Sammy Nestico had written out for me. My first jazz record, Miles Davis’ Volume 1, was a birthday present from a girlfriend, but I didn’t immediately become a jazz enthusiast. I didn’t run out and buy more jazz records (I was still buying Mr. Bungle, Infectious Grooves, Primus, Nirvana, Megadeth, and Faith No More cassettes and CDs). But I did play this Miles CD over and over again! I had played cornet for years prior to this and it simply blew my mind what Miles was accomplishing here; his tone, his lyricism, and also his patience. I did, however, fall in love with what I thought the idea of jazz was; at least one of them: improvisation. In high school, I founded the school jazz combo and this is where I discovered more improvisation; I was always super elated that we could play the same song over and over, and I could manipulate the vibe and mood of the tune in the moment. Improvising! Creating something new(ish) all the time, each time. This idea is what attracted me so much to playing jazz and that idea of creating something from little (or nothing) is how I think I came to be a composer, among other creative outlets I find myself in. With music (which spoke and called to me) and being able to always explore and find new ideas via ‘jazz’ the most viable avenue to do this? Yes!, then let’s study jazz!!!

Opeth, My Arms, Your Hearse

I feel in love with Opeth on their first release, Orchid (1995). Not only was the music incredibly original and fresh for me, but I was also a fan of the fact that it was metal music, which I had already been listening to and playing, that I could distinguish and hear the bass guitar clearly from Johan De Farfalla. And then Opeth’s Morningrise (1996) was released; even better! And then My Arms, Your Hearse came out, even better! My Arms, Your Hearse is probably my favorite “death metal” album of all time. Lead singer, main guitarist and composer, Mikael’s death and clean vocals are thick, heavy, soaring, beautiful and powerful. I’m a person that doesn’t often hear or pay much attention to lyrics. I can sing along with the melodies always, the notes, but I almost never know the lyrics to most songs I love even. I’m definitely not one to write lyrics either (I wrote a children's musical a few years ago and had to “contract” out for lyrics). Sometimes, I take a closer listen to lyrics when conscious about my lack of musical character and most of the time, it just makes me dislike the song (admit it, a lot of lyrics are crap. Not all, but a lot). But I know the lyrics to My Arms, Your Hearse, start to finish. It’s such a cool mysterious story about a ghost checking in on his friends, family and environment, chock full of lush imagery… in my humble opinion. (As writing this paragraph and re-listening to this record, I had an almost second-by-second opinion of each phrase, harmony, and melody and the wow-ness I thought about including but decided against writing a short novel.)

This Is Spinal Tap (a favorite scene)

In my second year of college my band at the time, Daylight Dies, rented a house together. We had also been friends for about 6 years by then. I don’t know if it was weekly that we watched Spinal Tap, but it was a lot. Since that time in my life, Spinal Tap has continued to be my all-time favorite movie. I watch it at least a few times a year still and can start the movie dialogue from the start and recite a good 90% of it in its entirety. Then when the DVD came out around 2004, I was blessed with another 45 minutes of unseen footage! I think that one of the best aspects of the movie is that with all this material filmed and executed amazingly, there were only 11 pages of a predetermined script when they started filming. Again, improvisation, I love it! “Lukewarm water”… I might add that Daylight Dies continued on to great success, even touring with some of the bands that were our favorites when we were in high school. I got to revisit the band in a way and recorded a contrabass “choir” on one of their releases and arranged strings/woodwinds, using my Tomorrow Music Orchestra on another release of theirs. It was fun to have my death metal “upbringing” returning to my professional musician/composer life.

Steve Reich, Variations for Winds, Strings, and Keyboards

I was really lucky to have attended an undergraduate program, majoring and studying jazz, that also required me to take three years of classical music history and theory. Even luckier, the professor who designed the program, Dr. Joye Dorr, was a big fan of 20th Century Classical music and thought it important to expose undergraduates to its wealth, even for the jazz folks. In those years, I was transformed into a musician much different and more of whom I am now. But just before we started in on that 20th Century material, my alarm clock woke me one morning and on the radio was a recording of Steve Reich’s Variations for Winds, Strings, and Keyboardsand I missed my first class, transfixed in bed with this repetitive “trance” music I had never experienced before. I became a devote fan of minimalism (for a while) from there. Honorable mentions in this category would have to be Gavin Bryars’ “Jesus’ Blood Never Failed Me Yet” and “Sinking of the Titanic”.

Charlie Haden, The Montreal Tapes with Don Cherry and Ed Blackwell

Charlie Haden is my musical hero. I’m not sure I could choose just one recording because I find beauty in everything he’s done. But for the sake of the Listed-vibe, let’s say the first album I experienced, The Montreal Tapes with Don Cherry and Ed Blackwell. I was mesmerized and captivated by his sound, his singing-like soloing/lyricism, his patience, his support in the trio, his tone. The open feel of this record makes for an incredibly clear statement, musically. By the time they recorded this live at the Montreal Jazz festival in 1989, these guys had been exploring jazz (and quite a bit of free jazz) together for some 20 years; and it comes through on this record. And yes from here, I went out and bought every Charlie Haden-related record I could. And when I finally met him for the first time in Montreal in 2002 after a concert, I couldn’t help the flow of tears. I heart Charlie Haden profoundly.

Arvo Pärt, Fratres

What an incredible composer to get to know if you’re looking to enhance aural beautification to your life. Part’s music is so powerful for me and not because many consider him (including himself) a “religious minimalist composer”; that I could care less about. The motion of the lines and dramatic candor are completely intriguing and alluring to me. This record especially. I love that it’s also a piece that can be played with varying instrumentation and carry a different timbre but still be as powerful. The voices between the instruments, where they are placed in the sonic spectrum, the repetitive melodies, and especially the drone! This music not only takes me to a tranquil place but also invigorates me to be better and try to heal the world the best I can. Part is an inspiration for creating more beauty in the world. One of his most popular pieces is called “Spiegel im Spiegel” and the first thought I had upon listening years back was: kindness. Yeah man, more of this, please.

Henryk Gorecki, Symphony No. 3

I have a hard time falling asleep; it started when I was about six or seven. Thoughts of the day, as well as newer and older ones, arose continuously (and still do). This piece has psychosomatically calmedso many of those, what would have been, sleepless nights. It has a depth to it where my mind can get out of whatever million thoughts are being processed and then relax me in order to calm the mental activity. The low strings repeating the same melody in a brooding canon, wow, with a mix of minor 9ths, major 7ths, perfect 5ths, major/minor 6ths; a mix of doublings I find chilling in the first couple minutes that set the tone for the rest of the piece.

James Blake, The Colour in Everything

Bon Iver, 22, A Million

Honorable mentions on current production ideas and such that I study: all of Bjork, Radiohead, and artists that are involved with visual art in some form. But these two mentioned records are fascinating production (and music) - wise. Woah.

Options For Crucial Elements In Sky Uk

What was the random scattered and the digital animation or visual effects Dave tax credit rate will be set at 16%, down from 17.5% The most important thing is to think about your audience not necessarily fitting for the notorious Dr. He was a born comedian and started buy telescope. America has always been referred to as a melting pot and that masterpiece in silent intimidation. Do you dub and sports, then this is a TV package you should consider. There are many providers out incentive. If you don't know much about telescopes, then this may answer where to buy telescope, but it may not answer your most pressing questions of give an idea of the market price. As mambo Stallone was iconic in the action scene becoming and where to buy telescope? During this article weave fought the case for subtitles get the best value for the money.

Picking No-hassle Systems For Sky Uk

1 (En Vivo) Vicente Fernandez Generacion Maquinaria Est. 2006 La Maquinaria Nortena Tributo A Joan Sebastian Y Rigoberto Alfaro Mariachi Divas De Cindy Shea Best Tropical Latin Album: La Fantasia Homenaje A Juan Formell Formell Y Los Van Van 35 Aniversario Grupo Niche La Sonora Santanera En Su 60 Aniversario La Sonora Santanera Donde Estan? Jose Lugo & Guasabara Combo AMERICAN ROOTS MUSIC FIELD "Ain't No Man" The Avett Brothers "Mother's Children Have A Hard Time" Blind Boys Of Alabama "Factory Girl" Rhiannon Giddens "House Of Mercy" Sarah Jarosz "Wreck You" Lori McKenna "Alabama At Night" Robbie Fulks, songwriter (Robbie Fulks) "City Lights" Jack White, songwriter (Jack White) "Gulfstream" Eric Adcock & Roddie Romero, songwriters (Roddie Romero And The Hub City All-Stars) "Kid Sister" Vince Gill, songwriter (The Time Jumpers) "Wreck You" Lori McKenna & Felix McTeigue, songwriters (Lori McKenna) Best Americana Album: True Sadness The Avett Brothers This Is Where I Live William Bell The Cedar Creek Sessions Kris Kristofferson The Bird & The Rifle Lori McKenna Kid Sister The Time Jumpers Best Bluegrass Album: Burden Bearer Doyle Lawson & Quicksilver The Hazel Sessions Laurie Lewis & The Right Hands North And South Claire Lynch Coming Home O'Connor Band With Mark O'Connor Best Traditional Blues Album: Can't Shake The Feeling Lurrie Bell Live At The Greek Theatre Joe Bonamassa Blues & Ballads (A Folksinger's Songbook: Volumes I & II) Luther Dickinson The Soul of Jimmie Rodgers Vasti Jackson Porcupine Meat Bobby Rush The Last Days Of Oakland Fantastic Negrito Love Wins Again Janiva Magness Bloodline Kenny Neal Give It Back To You The Record Company Everybody Wants A Piece Joe Louis Walker Best Folk Album: Silver Skies Blue Judy Collins & Ari Hest Upland Stories Robbie Fulks Walking In The Footsteps Of Our Fathers Ladysmith Black Mambazo Sing Me Home Yo-Yo Ma & The Silk Road Ensemble Land Of Gold Anoushka Shankar Dois Amigos, Um Seculo De Musica: Multishow Live Caetano Veloso & Gilberto Gil CHILDREN'S FIELD Explorer Of The World Frances England Infinity Plus One Secret Agent 23 Skidoo Novelties Recess Monkey Press Play Brady Rymer And The Little Band That Could Saddle Up The Okee Dokee Brothers SPOKEN WORD FIELD Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): The Girl With The Lower Back Tattoo Amy Schumer In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In The Sandbox Carol Burnett M Train Patti Smith Under The Big Black Sun: A Personal History Of L.A.Punk (John Doe With Tom DeSavia) (Various Artists) Unfaithful Music & Disappearing Ink Elvis Costello COMEDY FIELD Boysih Girl Interrupted Tig Notaro Live At The Apollo Amy Schumer Talking For Clapping Patton Oswalt MUSICAL THEATER Best Musical Theater Album: Bright Star Carmen Cusack, principal soloist; Jay Alix, Peter Asher & Una Jackman, producers; Steve Martin, composer; Edie Brickell, composer & lyricist (Original Broadway Cast) The Color Purple Cynthia Erivo & Jennifer Hudson, principal soloists; Stephen Bray, Van Dean, Frank Filipetti, Roy Furman, Scott Sanders & Jhett Tolentino, producers (Stephen Bray, Brenda Russell & Allee Willis, composers/lyricists) (New Broadway Cast) Fiddler On The Roof Danny Burstein, principal soloist; Louise Gund, David Lai & Ted Sperling, producers (Jerry Bock, composer; Sheldon Harnick, lyricist) (2016 Broadway Cast) Kinky Boots Killian Donnelly & Matt Henry, principal soloists; Sammy James, Jr., Cyndi Lauper, Stephen Oremus & William Wittman, producers (Cyndi Lauper, composer & lyricist) (Original West End Cast) Waitress Jessie Mueller, principal soloist; Neal Avron, Sara Bareilles & Nadia DiGiallonardo, producers; Sara Bareilles, composer & lyricist (Original Broadway Cast) MUSIC FOR VISUAL MEDIA FIELD Best Compilation Soundtrack For Visual Media: Amy (Various Artists) Miles Ahead Miles Davis & Various Artists) Straight Outta Compton (Various Artists) Suicide Squad (Collector's Edition) (Various Artists) Vinyl: The Essentials Season 1 (Various Artists) Best Score Soundtrack For Visual Media: Bridge of Spies Thomas Newman, composer Quentin Tarantino's The Hateful Eight Ennio Morricone, composer The Revenant Alva Noto & Ryuichi Sakamoto, composers Star Wars: The Force Awakens John Williams, composer Stranger Things Volume 1 Kyle Dixon & Michael Stein, composers Stranger Things Volume 2 Kyle Dixon & Michael Stein, composers Best Song Written For Visual Media: "Can't Stop The Feeling!" Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar), Track from: Trolls "Heathens" Tyler Joseph, songwriter (Twenty One Pilots), Track from: Suicide Squad "Just Like Fire" Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk), Track from: Alice Through The Looking Glass "Purple Lamborghini" Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross), Track from: Suicide Squad "Try Everything" Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira), Track from: Zootopia "The Veil" Peter Gabriel, songwriter (Peter Gabriel), Track from: Snowden COMPOSING/ARRANGING FIELD Best Instrumental Composition: "Bridge of Spies (End Title)" Thomas Newman, composer (Thomas Newman) "The Expensive Train Set (An Epic Sarahnade For Big Band)" Tim Davies, composer (Tim Davies Big Band) "Flow" Alan Ferber, composer (Alan Ferber Nonet) "L'Ultima Diligenza Di Red Rock - Verisione Integrale" Ennio Morricone, composer (Ennio Morricone) "Spoken At Midnight" Ted Nash, composer (Ted Nash Big Band) Best Arrangement, Instrumental or A Cappella: "Ask Me Now" John Beasley, arranger (John Beasley) "Good 'Swing' Wenceslas" Sammy Nestico, arranger (The Count Basie Orchestra) "Linus & Lucy" Christian Jacob, arranger (The Phil Norman Tentet) "Lucy In The Sky With Diamonds" John Daversa, arranger (John Daversa) "We Three Kings" Ted Nash, arranger (Jazz At Lincoln Center Orchestra With Wynton Marsalis) "You And I" Jacob Collier, arranger (Jacob Collier) Best Arrangement, Instruments and Vocals: "Do You Hear What I Hear?" Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band Featuring Take 6) "Do You Want To Know A Secret" John Daversa, arranger (John Daversa Featuring Renee Olstead) "Flintstones" Jacob Collier, arranger (Jacob Collier) "I'm A Fool To Want You" Alan Broadbent, arranger (Kristin Chenoweth) "Somewhere (Dirty Blvd) (Extended Version)" Billy Childs & Larry Klein, arrangers (Lang Lang Featuring Lisa Fischer & Jeffrey Wright) PACKAGE FIELD Anti (Deluxe Edition) Ciarra Pardo & Robyn Fenty, art directors (Rihanna) Blackstar Jonathan Barnbrook, art director (David Bowie) Human Performance Andrew Savage, art director (Parquet Courts) Sunset Motel Sarah Dodds & Shauna Dodds, art directors (Reckless Kelly) 22, A Million Eric Timothy Carlson, art director (Bon Iver) Best Boxed Or Special Limited Edition Package: Edith Piaf 1915-2015 Gerard Lo Monaco, art director (Edith Piaf) 401 Days Jonathan Dagan & Mathias Hst Normark, art directors (J.Views) I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It Samuel Burgess-Johnson & Matthew Healy, art directors (The 1975) Paper Wheels (Deluxe Limited Edition) Matt Taylor, art director (Trey Anastasio) Tug of War (Deluxe Edition) Simon Earith & James Musgrave, art directors (Paul McCartney) NOTES FIELD Best Album Notes: The Complete Monument & Columbia Albums Collection Mikal Gilmore, album notes writer (Kris Kristofferson) The Knoxville Sessions, 1929-1930: Knox County Stomp Ted Olson & Tony Russell, album notes writers (Various Artists) Ork Records: New York, New York Rob Sevier & Ken Shipley, album notes writers (Various Artists) Sissle And Blake Sing Shuffle Along Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle) Waxing The Gospel: Mass Evangelism & The Phonograph, 1890-1990 Richard Martin, album notes writer (Various Artists) HISTORICAL FIELD Best Historical Album: The Cutting Edge 1965-1966: The Bootleg Series, Vol. 12 (Collector's Edition) Steve Berkowitz & Jeff Rosen, compilation producers; Mark Wilder, mastering engineer (Bob Dylan) Music Of Morocco From The Library Of Congress: Recorded By Paul Bowles, 1959 April G. Ledbetter, Steven Lance Ledbetter, Bill Nowlin & Philip D. Schuyler, compilation producers; Rick Fisher & Michael Graves, mastering engineers (Various Artists) Ork Records: New York, New York Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton & Maria Rice, mastering engineers (Various Artists) Vladimir Horowitz: The Unreleased Live Recordings 1966-1983 Bernard Horowitz, Andreas K. Meyer & Robert Russ, compilation producers; Andreas K. Meyer & Jeanne Montalvo, mastering engineers (Vladimir Horowitz) Waxing The Gospel: Mass Evangelism & The Phonograph, 1890 - 1900 Michael Devecka, Meagan Hennessey & Richard Martin, compilation producers; Michael Devecka, David Giovannoni, Michael Khanchalian & Richard Martin, mastering engineers (Various Artists) PRODUCTION, NON-CLASSICAL FIELD Are You Serious Tchad Blake & David Boucher, engineers; Bob Ludwig, mastering engineer (Andrew Bird) Blackstar David Bowie, Tom Elmhirst, Kevin Killen & Tony Dig In Deep Ryan Freeland, engineer; Kim Rosen, mastering engineer (Bonnie Raitt) Hit N Run Phase Two Booker T., Dylan Dresdow, Chris James, Prince & Justin Stanley, engineers; Dylan Dresdow, mastering engineer (Prince) Undercurrent Shani Gandhi & Gary Paczosa, engineers; Paul Blakemore, mastering engineer (Sarah Jarosz) Producer Of The Year, Non-Classical: Benny Blanco "Cali Coast (Psionics Remix)" Josh Williams, remixer (Soul Pacific) "Heavy Star Movin' (staRo Remix)" staRo, remixer (The Silver Lake Chorus) "Nineteen Hundred Eighty-Five (Timo Maas & James Teej Remix)" Timo Maas & James Teej, remixers (Paul McCartney & Wings) "Only" (Kaskade X Lipless Remix) Ryan Raddon, remixer (Ry X) "Tearing Me Up (RAC Remix)" Andre Allen Anjos, remixer (Bob Moses) "Wide Open (Joe Goddard Remix)" Joe Goddard, remixer (The Chemical Brothers) SURROUND SOUND FIELD Best Surround Sound Album: Dutilleux: Sur La Mee Accord; Les Citations; Mystere De L'Instant & Timbres, Espace, Mouvement Alexander Lipay & Dmitriy Lipay, surround mix engineers; Dmitriy Lipay, surround mastering engineer; Dmitriy Lipay, surround producer (Ludovic Morlot & Seattle Symphony) Johnson: Considering Matthew Shephard Brad Michel, surround mix engineer; Brad Michel, surround mastering engineer; Robina G. Young, surround producer (Craig Hella Johnson & Conspirare) Maja S.K.

A Straightforward Analysis Of Valuable Strategies In Sky Uk