"La ballena": dolor y bondad en los confines del cuerpo de Brendan Fraser
“La ballena” impresiona, no sólo por la emotiva y auténtica interpretación de Brendan Fraser a través de sus ojos acuosos que destilan dolor, pérdida y amor por su hija perdida, sino también porque solemos asociar a los personajes gordos a personajes negativos en la ficción pero, aquí, un hombre, con más de 300 kilos es un cacho de pan, la bondad personificada. Una no acaba de sufrir con Charlie,…
just saw some video of a guy busting a nut in his jeans at a twerking contest and oh my goodness Darren aranofsky WISHES he could capture something as horrific as that video. requiem for a dream, the wrestler nor black swan have anything on that video. the way it was shot was so terrifying... the pan to the audience, his wet jeans on the jumbo screen, "HE HAS RELEASED SEMEN IN HIS JEANS, HE HAS CLIMAXED" from the commentators.... it was like a nightmare where you do something embarrassing... that video captured exactly what it feels like
I lowkey feel bad for the student film guy because his film is roasted to charcoal in Letterboxd but at the same time if your movie reached Aranofsky and got greenlit by a Hollywood studio and sold as an inspiring success story I think it's fair that people will be curious by the actual quality of your movie. Is it all money talks or actually good
Having a Tumblr account: reblogging stuff, ranting about blorbos, making gifsets with said blorbos, receiving 5 notes from beloved mutuals, never getting anon hate, getting recommended Mark Ruffalos blog. Why is Mark Ruffalo on Tumblr? None of my business, anyway, scroll-scroll, dm-ing something funny to a friend, sometimes someone follows me and it's almost always a spam bot that I block 5 seconds later. Life goes on, tranquil and blissful
Having a YouTube account: still getting notifs of the heated debate under a video review of some darren aranofskis film that i cluelessly commented on 3 years ago, getting trolls and hate comments under every one of my videos for leaving a comment under some random Al Jazeera video on feminism back in 2016, getting 1 mil views under a video i re-uploaded for archiving purposes (for myself mostly), getting 5 notifs a day, still getting subscribers from that very same video, got mad at americans under tiffanyferg's video that was about america that discussed specifically american issues, got polite and tactful reply from her, felt bad afterwards, getting more subscribers, god, why are you here, im not going to upload anything else, still getting those heated replies from the mother! video reaction, no, dude, it's not a good movie, this guy's work is largely overrated, his metaphors are lazy and you just won't change my mind, okay, it's personal, i hated him since requiem for a dream, im not reading all of that but im glad for you or sorry that that happened
i was tagged by the tumblr mutual i managed to meet in real life despite the breathtaking odds of such an even occuring @tallsinspace
last song i listened to: SHORT SKIRT/LONG JACKET CAKE
three ships: trapper john/hawkeye. ummm sniper and spy tf2....... micro/frank castle. i have some issues you can see
currently reading: norwegian wood by murakami and the language instinct by steven pinker
last movie i watched: aranofsky's the whale
craving: i am so full can i be honest with you so ummmm intimacy ig
tagging: i dont know nine people oh my god @ferdydurke @wannabeapilot @whitmanic @whompthatsucker1981 @sometimesgoscaw @bagofbonesmp3 @curatedstupidity @stepperbox @draftdodgerag
giving diane warren her 14th nomination over giving taylor her first 😭 the academy really don’t like her
I’m telling you!! The academy is very fickle and petty with what they like and don’t like. They don’t like actors-turned-directors, they don’t like horror/thriller movies, they don’t like random industry people for seemingly unknown reasons like Aranofsky, they don’t like being told they can’t separate the art from the artist, they don’t like black people for obvious (racist) reasons (and anyone not white in general) and so why not tack on Taylor Swift to the list!
All jokes aside I do think it’s a bit more complicated than just they hate her. She’s had some 8-9 attempts now sure but most of them were not very good attempts, imo. Like…. Not good songs lol. And they’re usually attached to movies that are not seriously considered in the Oscar’s conversation writ large anyway. 50 shades, Crawdads, Cats, etc. So it’s no surprise she’s been unsuccessful so far. The song category is a weird one, both the fact that it exists and the way it usually goes down. If you’ve been following the Oscar’s for a while, it’s extremely predictable down to the annual Diane Warren nomination which is something of an in-joke at this point. But if you’re a casual viewer then I can see why you had misplaced hope for taylor and why you’re baffled. From an entertainment standpoint, it’s quite funny to watch someone who usually sweeps competitions in every other arena, deservedly as she’s extremely talented, have the biggest losing streak of her career because the category is cuckoo bananas. You have to laugh!
dang, the whale trailer is great, but i'm so confused - it doesn't seem like an aranofsky film. i'm only familiar with his horror work.
he has directed/produced movies about regular people and real life struggles before. requiem for a dream is one of, maybe even THE most hard hitting movie about drug addiction.
9 dir. Shane Acker
12 Monkeys dir. Terry Gilliam
Aftermath Genesis dir. Nacho Cerda
All That Jazz dir. Bob Fosse
Altered States dir. Ken Russell
Amour dir. Michael Haneke
Angst dir. Gerald Kargl
Annie Hall dir. Woody Allen
Another Public Enemy dir. Kang Woo-Suk
Antiviral dir. Brandon Cronenberg
Audition dir. Takashi Miike
Battle Royale dir. Kinji Fukasaku
Before Sunrise dir. Richard Linklater
Before Sunset dir. Richard Linklater
Begotten dir. E. Elias Merhige
Bill Osco's Alice in Wonderland dir. Bud Townsend
Black Swan dir. Darren Aranofsky
Blood and Black Lace dir. Mario Bava
Blue Valentine dir. Derek Cianfrance
Blue Velvet dir. David Lynch
Bottle Rocket dir. Wes Anderson
Bruno dir. Larry Charles
Bubba Ho-Tep dir. Don Coscarelli
Bully dir. Larry Clark
The Burning Moon dir. Olaf Ittenbach
Cabin Fever dir. Eli Roth
Cache dir. Michael Haneke
Calvaire dir. Fabrice du Welz
Cannibal Ferox dir. Umberto Lenzi
Cannibal Holocaust dir. Ruggero Deodato
Casablanca dir. Michael Curtiz
Castle in the Sky dir. Hayao Miyazaki
Cigarette Burns dir. John Carpenter
The Conjuring dir. James Wan
Coraline dir. Henry Selick
Corpse Bride dir. Tim Burton
Crimson Peak dir. Guillermo del Toro
Cure dir. Kiyoshi Kurosawa
Delta Farce dir. CB Harding
The Dentist dir. Brian Yuzna
The Devil's Backbone dir. Guillermo del Toro
Dogville dir. Lars Von Trier
Double Indemnity dir. Billy Wilder
The Dreamers dir. Bernardo Bertolucci
Drive dir. Nicolas Winding Refn
Dune dir. David Lynch
Eternal Sunshine of the Spotless Mind dir. Michel Gondry
The Evil Dead (1982) dir. Sam Raimi
The Evil Dead (2013) dir. Fede Alvarez
Experimental FIlms dir. Maya Deren
Fando y Lis dir. Alejandro Jodorowsky
Fantastic Mr. Fox dir. Wes Anderson
Flowers dir. Phil Stevens
The Fountain dir. Darren Aranofsky
Freddy Got Fingered dir. Tom Green
The French Dispatch dir. Wes Anderson
Frontier(s) dir. Xavier Gens
Funny Games (2007) dir. Michael Haneki
Girl, Interrupted dir. James Mangold
Goodnight Mommy dir. Veronika Franz & Severin Fiala
The Grand Budapest Hotel dir. Wes Anderson
The Great Muppet Caper dir. Jim Henson
Guinea Pig: Flower of Flesh and Blood dir. Hideshi Hino
Gummo dir. Harmony Korine
Half Baked dir. Tamra Davis
Happiness of the Katakuris dir. Takashi Miike
Hara-Kiri dir. Takashi Miike
Hard Boiled dir. John Woo
Hard Candy dir. David Slade
Heathers dir. Michael Lehmann
Hellraiser dir. Clive Barker
Henry: Portrait of a Serial Killer dir. John McNaughton
Her dir. Spike Jonze
A History of Violence dir. David Cronenberg
The Holy Mountain dir. Alejandro Jodorowsky
The Host dir. Bong Joon-Ho
The Hunt dir. Thomas Vinterberg
Ichi the Killer dir. Takashi Miike
The Imaginarium of Doctor Parnassus dir. Terry Gilliam
Imprint dir. Takashi Miike
In a Glass Cage dir. Agustin Villaronga
Inland Empire dir. David Lynch
Inside dir. Verane Frediani & Franck Ribiere
I Saw the Devil dir. Kim Jee-Woon
I Spit on Your Grave dir. Meir Zarchi
Isle of Dogs dir. Wes Anderson
It's not like Brendan Fraser hasn't had to overcome adversity before. After all, his very first starring role came in a Pauly Shore vehicle (Encino Man) that was savaged by critics. But he overcame that shaky start and went on to become a big star in the 1990s and early 2000s, especially when he had the starring role in the Mummy films. This comeback is different, though. After a theatrical dry spell in which he's gone more than a decade without appearing in a box office hit, Fraser is receiving critical acclaim -- and even a strong Oscar buzz -- for his role in Darren Aranofsky's The Whale. When the film premiered at the Venice International Film Festival, it got a six-minute standing ovation from the audience. Speaking at a press conference at that festival, Fraser had high praise for the character he plays in the film, saying it's the most heroic role he's ever played.