Candice "Candy" Andrew White Ardlay from the manga "Candy Candy" (1975-1979) by Yumiko Igarashi

Why Candy is an icon

Major spoilers for Candy Candy and tw for verbal harassment not explicitly discussed in this post) and death

This anime was one of my favourites as a kid and to this day, it still holds a special place in my heart. While it definitely has quite a few noteworthy characters, none stood out to me like Candy herself, and this is a list of reasons why

She enjoyed more stereotypically "masculine," things and threw the "delicate girl," stereotypes down the toilet- in early 20th century America, when the anime is set, girls were not expected to have hobbies like climbing trees or playing at cowboys, but this is exactly what Candy did, regardless of all the skepticism she faced and the negative comments from those around her about how it was "dangerous,". She dominated too, being skilled enough at tree climbing to beat a professional and win a bet against him in the process. She also had a bit of a temper and a rough side, which also lines up with this - she was often shown getting into scrapes with the boys when they provoked her, and later on with the Leagan children. It's definitely clear that Candy wasn't afraid to stand up for herself and fight against what she deemed unfair, talking back to adults and breaking school rules she deemed unjust, like when she his her pet racoon in the forest so she could keep him.

She never threw in the towel - Candy's life was a very difficult one as shown by the anime. First, the best friend she has known for her entire life leaves her and the children's home they both grew up in, then she's adopted by a family who uses her as a servant and is forced to deal with constant verbal abuse at the hands of their children, who stop at nothing to try to sabotage her, even causing her to get sent to work in Mexico for a period of time, and when it seems like things are finally taking a turn for the better as her relationship with Anthony starts to take off, he dies in a horse riding accident, leaving Candy devastated. A few years later, Candy goes to study in London and meets her next love, Terry Grantchester. The two develop deep feelings for each other but, after they get in trouble with the school directors, Terry is forced to leave so she won't have to. After a while, Candy also leaves to pursue a path in life that is completely her own - she starts to train to become a nurse, after experiencing first hand what it feels like to help the sick. In all this, no matter how difficult life got, how alone she felt or how scared she was, Candy still kept going, even when she was hesitant, in order to reach her goals and find happiness. The fact that she managed to persevere through so much, all the while keeping her smile and staying cheerful throughout the anime, shows a huge amount of mental strength and determination, which are two of Candy's most admirable qualities.

Candy was selfless - her own ambition is proof of this- wanting to become a nurse to help people get better. This is even more clear when she starts working for Dr Martin, despite the fact he can't pay her. Another point in the series when this selflessness is evident is when she was willing to give up everything she had with Terry after realising Susanna, a young actress who was in a terrible accident, needed him by her side to carry on living. Candy realised his importance in her life and left, trying her best to move on.

Candy showed a lot of loyalty to her friends - From the start of the series, Candy is always shown helping and protecting those she considered friends. From helping Pattie hide her pet from the teachers, to pretending she doesn't know Annie so her past at the children's home can remain a secret, just as her parents wished, to nursing Albert back to health when he got amnesia and even staying with him until he regained his memory, Candy definitely did a lot for those close to her and was the type to stick by her friends, no matter how painful or uncomfortable things got.

Candy was stubborn and opinionated - she had her beliefs and principles, and didn't shift from them, even when she was pressured to or when they caused her pain. Throughout the show, she continued to stand up for them and make decisions based on them, even when others were unhappy with these decisions.

She was a style icon - the dresses she wore throughout the series (when she did wear dresses) were instrumental in influencing today's soft, cutesy and fairy tale Lolita style, which means the impact of her stunning princess dresses is still felt today.

If you want to know my thoughts on Candy candy as a whole, click here

Masterlist

Candice "Candy" Andrew White Ardlay and Terence "Terry" Grandchester from the manga "Candy Candy" (1975-1979) by Yumiko Igarashi

On April 6, 1974, the Swedish group ABBA won the 19th Eurovision Song Contest, held in the English seaside resort of Brighton. Nobody expected the strangely dressed Swedes with a song about Napoleon to win. It will always be remembered as a remarkable moment in music history.

Doom 64 (Nintendo 64) - online game | RetroGames.cz

Hi this is Steven Moore no way I repeat no way children cannot play the video game called Doom 64 in 1997 and in 1993 that's why the computer game called Doom 64 is Rated M because that's why the computer game called Doom 64 has too much violence and it does have a lots of blood and gore in it too much blood and gore in it that's why the computer game called Doom 64 is Rated M for Nintendo 64 that's why little children cannot play the computer game called Doom 64 because that's why the computer game called Doom 64 has a lots of violence in it and too much blood and gore in it that's why the computer game called Doom 64 is Rated M for Nintendo 64 from Steven Moore

Hi this is Steven Moore no way I repeat no way kids cannot play the video game called The Italian Job in 2002 that's why the computer game called The Italian Job is Rated T because that's why the computer game called The Italian Job has mild violence in it that's why the computer game called The Italian Job is Rated T for PlayStation 1 that's why kids cannot play the computer game called The Italian Job because that's why the computer game called The Italian Job has mild violence in it and they hit the car very hard that's why the computer game called The Italian Job is Rated T for PlayStation 1 from Steven Moore.

The Nevers RP

currently searching for any & all canon and original characters for roleplay based on HBO's The Nevers

18 and up, please!

check this blog's pinned post for information & a link to the discord server

Louis on stage in Brighton photographed by Anni

(Due anni oggi)

E un’altra cosa che diceva, in un’intervista: «C’è molta gente che trova la realtà banale e pensa che le opere d’arte siano più belle. Una volta andavo al Louvre e i quadri mi davano sempre l’impressione del sublime. Adesso vado al Louvre, e non posso fare a meno di guardare la gente che guarda le opere d’arte. Il sublime per me adesso sta nelle facce di quelli che guardano».

Gianni Celati (Sondrio, 10 gennaio 1937 – Brighton, 3 gennaio 2022)

In 1967 when Radio 1 was founded as a successor to the BBC Light Programme, one of its aims was to reach housewives – and to attract them, the station employed only male DJs (or “husband substitutes”, as they were known behind the scenes) for the first three years. It was only in 1970, bending with the times, that it took on its first female presenter, Anne (later Annie) Nightingale, a former journalist and television presenter with almost no radio experience.

The original male presenters have long since left the station, but Nightingale was still working for Radio 1 at the time of her death, aged 83, and had become its longest-serving broadcaster, most recently on air in December 2023. Known to fans as the Queen of Breaks – breakbeat was her specialist genre – she defied the station’s usual career trajectory (five years as a top-tier presenter, then off to weekends or Radio 2) by staying relevant. She introduced listeners to prog rock, punk, indie and dance music, and was unfeignedly passionate about them all. At 75, she told a dance magazine: “I listen to what 13-year-olds listen to because that’s the future. [I’ve] got to be ahead of the game all the time.”

As a dance music specialist from the late 1980s onward – playing “the biggest bass bangers”, as Radio 1’s website put it – Nightingale spent the second half of her career broadcasting to people too young to have known that she had been friends with the Beatles and Marc Bolan. But her age was immaterial because of her stature in the dance world. In 2001, she received Muzik magazine’s Caner of the Year prize in recognition of her late-night lifestyle – her favourite of all her awards, which also included an MBE in 2002 for services to broadcasting (advanced to CBE in 2020), and an honorary doctorate in journalism.

She was a highly knowledgable musical curator, and an expert at exploiting the intimacy of radio. Though Nightingale prioritised music over DJ patter, she recognised that a human voice was still an essential part of the mix; husky-toned and self-deprecating, she belied the station’s early fear that a female DJ would lack authority. According to the writer Irvine Welsh, who listened to her while growing up, her “cool, funky tones” stood out against “the flatulent sounds of loud, boring, thick and egotistical men strafing the airwaves”.

An only child, Nightingale was born in Osterley, west London, to Basil, who ran a wallpaper company, and Celia (nee Winter), a chiropodist. Educated at the independent Lady Eleanor Holles school in Hampton, she left before her A-levels. Overriding her parents’ request that she have “something to fall back on”, she enrolled on a journalism course at the Regent Street Polytechnic (now the University of Westminster). Moving to Brighton after graduation, she married a Fleet Street journalist, Gordon Thomas, and had two children. After a short stint at the Brighton and Hove Gazette, she became the only woman in the newsroom at the Brighton Argus.

Along with reporting local news at the parish-council level, she was given a music column called Spin With Me, which gave her access to the biggest pop stars of the 60s. Her friendship with the Beatles later helped open doors at Radio 1 – the band’s publicist, Derek Taylor, persuaded the station controller to let her audition after her own requests were repeatedly refused.

At a Dusty Springfield gig in 1964, she met Vicki Wickham, producer of Ready Steady Go!, who hired her as co-presenter of a new pop show called That’s For Me. It lasted only a few months, but the exposure led to writing work at the Daily Express and Cosmopolitan, and radio appearances on Today and Woman’s Hour. It was the era of pirate stations such as Radio Caroline; she considered applying to Caroline but was put off by the idea of “living out at sea with a bunch of blokes”.

Finally installed at Radio 1 in 1970, she was hampered at first by a lack of technical knowhow – her first day was marked by eight seconds of dead airtime when she accidentally pressed the “off” switch in the middle of a record. Yet she quickly established herself, choosing her own playlist almost from the start. Her skill at persuading listeners that what she wanted to hear was what they wanted to hear led in 1978 to the job of presenting BBC Two’s “serious” rock programme, The Old Grey Whistle Test. It had failed to keep up with musical fashion, a problem she tackled by booking the most challenging artists she could get away with and braving the consequences. She was delighted to bag Public Image Ltd for a live appearance, though frontman John Lydon repaid her enthusiasm by admonishing her for being “so fucking patronising”.

Four years at Whistle Test were followed by a return to Radio 1’s highly popular Sunday afternoon request show for 12 years. When acid house gained traction in the late 80s, she credited it with changing her life; from that point, she played solely dance music on Radio 1, first in the influential Chill Out Zone slot, then on a longstanding programme that went out at 1am on Wednesdays. Her free time, she said, was consumed by listening to the thousands of demo tapes she received every week.

Despite her achievements, Nightingale claimed she lacked confidence until she was robbed in Havana, Cuba in 1996. The attack left her unable to walk for months, but made her “a stronger person”, she said.

Though she hated nostalgia, she did reflect that ageing had been isolating. The death of John Peel, her friend from the early days of Radio 1, provoked the unusually downbeat comment: “Now John’s gone there’s nobody I know in my age group who remotely likes this kind of thing. I don’t understand why. I’m driven by it.”

She published two volumes of autobiography, Chase the Fade (1982) and Wicked Speed (2000), and a 50th-anniversary volume, Hey Hi Hello: Five Decades of Pop Culture from Britain’s First Female DJ, in 2020.

She is survived by her children, Alex and Lucy, from her first marriage, which ended in divorce. Her second marriage, to the actor Binky Baker in 1978, also ended in divorce.

🔔 Anne Avril Nightingale, broadcaster, born 1 April 1940; died 11 January 2024

Daily inspiration. Discover more photos at Just for Books…?

Candice "Candy" Andrew White Ardlay and Terence "Terry" Graham Grandchester from the manga "Candy Candy" (1975) by Yumiko Igarashi

Candy Candy anime review + a little character analysis

Spoilers for Candy Candy and tw for bullying, alcoholism, and family issues

Genre: Romance, drama/tragedy, historical

Where I watched it: http://www.stb.dircon.co.uk/CandyGranchester/ (they’re in Italian though)

Characterisation: 8.5/10 (One of the strongest points of the series is the characters. There are a wide variety of them, all with distinct and developed personalities. As Candy goes through life, she meets many different people, and some become more important than others- we get to know these people through her eyes, and watch them grow as she does. The cast is colourful and they all add something to the story which makes it more compelling. Without a doubt, the character designed with the most care was Candy- she’s bold and cheerful, rejecting the “delicate” ideas of femininity imposed by 20th century American society, and enjoying more masculine things, like climbing trees. Most of all, Candy’s tough and determined- she always stands up for what’s right and stubbornly does things her way, even when there are risks involved- throughout the anime, it becomes clear that she doesn’t fear scrapes or confrontation if it means brining justice or helping a friend. Despite her having wilful side, Candy is also very caring and selfless- she regularly puts those she loves before herself, even when it hurts, and she conceals the pain with a smile. Kindness and giving a helping hand are such central parts to her character that her entire ambition of being a nurse is based off of them, as is the way she puts it into practice. After losing her job, Candy starts working at the Happy Clinic, despite knowing that the doctor there is poor and can’t pay her a salary, and, in doing so, she provides poor children with healthcare. Alongside this, Candy is also given the princess treatment, and presented as vulnerable and hesitant. She’s such a nuanced character, because all these elements fit together to create someone who is messy, yet bright and full of hope, someone who every viewer will like and whose story they’ll become invested in. Two other instances where characterisation  is used particularly well are the development of Candy’s best friend, Annie Brighton, and her second love interest, Terry Grandchester. Annie starts off as a timid girl. After being adopted by a rich couple, she’s told to forget about her past at Pony’s home and her life as an orphan, and she obeys, cutting off contact with Candy and refusing to speak to her when they are reunited at boarding school years later. However, Annie then learns that her past isn’t something she needs to hide or be ashamed of, and her life at Pony’s home, as well as her friendship with Candy, isn’t something she can just erase, so she starts being herself and gradually becomes stronger, learning to stick up for herself when she’s bullied and not run away from difficult situations. Even though Annie wasn’t my favourite character, it was nice seeing her grow stronger and learn to accept herself despite the judgement she might have received. On the other hand, Terry is presented as the stereotypical bad boy when we first encounter him- he talks back to nuns, breaks school rules, gets into fights, smokes, and most of the girls have a crush on him. However, as he and Candy grow closer and he opens up, it becomes clear that he is a caring and loyal person who values those close to him, despite struggling to show it. The ultimate proof of this is him leaving the school so Candy wouldn’t be forced to. As he grows closer to Candy, he also relaxes a bit- he stops getting drunk and picking fights as he has someone who can help him now. Terry is also portrayed as vulnerable on occasion, which is a nice change from the usual tough and emotionless men in some anime. This is seen several times when it comes to his family issues, particularly his mother, who never truly cared about him, and when he’s forced to leave Candy, so he falls into despair. Overall, he’s a complex character with a well developed backstory and many nuances.)

Setting: 8.5/10 (As Candy moves around a lot, there is no “fixed,” setting, but rather a series of settings depending on the period of her life, all of which work well for that period and cater to it flawlessly. From the humble, yet comforting design of Pony’s home which perfectly illustrated the life Candy led there, to the grand mansions of the wealthy families she encounters later and the prestigious design of the boarding school she is sent to, the setting always perfectly matched and catered to that period in her life, with different times being associated to different settings. Some settings also present challenges, like the mansion Candy lives in when she’s finally adopted by Anthony Brown’s family. Because of her newly elevated status, she is expected to adapt and behave “like a lady” (which she still refuses to do, causing great friction between her and the mistress of the house))

Art style: 7.5/10 (The art style is a very typical one for older anime- I definitely like it, and most settings and characters are drawn with suitable pallets and a good level of detail to their character design. One thing that is definitely worth mentioning about the character design is the women’s clothes, which were a factor in spreading and popularising Lolita fashions- that type of dress is still very much appreciated today. There are some episodes where the quality of the animations isn’t great, and some side characters do not have much effort put in their design.)

Plot: 8/10 (Candy Candy has a very engaging plot- it’s dramatic and combines tragedy and romance with fighting to find your place in the world. The plot incorporates all these different elements by telling the story of Candy’s life from childhood to when she’s a young woman, with all her most significant experiences included, along with some relevant historical events in the background, like the outbreak of the first world war. The plot often has twists and is unpredictable, but it’s also full of filler arcs which have little to do with the main story and take away from the pace. I hated the ending, as it did not tie up all lose ends and felt unsatisfactory compared to the earlier build ups.)

Addictiveness: 7.5/10 (As aforementioned, the plot is engaging, unique and full of twists, and the changes in setting add a dynamic and adventurous thrill. The characters are also well developed and distinct, which makes the show reasonably addictive. However, the filler arcs sometimes take away from this by lasting a long time and contributing nothing to the main storyline, which means that, at certain points, it becomes easy to lose interest.)

Originality: 9/10 (The plot of the anime is a very unique one in my opinion- I haven’t seen anything like it. It combines several different genres and aspects of this girl’s life into one anime, and some of the subplots also add to that, such as when Candy is forced to travel away to work in Mexico, leaving her love behind. Candy herself is also quite distinct - she’s tough, determined and stubborn, but she also has a softer side to her, and longs to be treated like a princess.)

Comfort: 5/10 (Because this anime is synonymous with my late childhood and something I used to watch with my mother, it always brings me comfort. However, the tragedy element of the anime should not be taken lightly. Candy leads, all in all, a very difficult life full of misfortunes. As a baby, she’s left by her parents at an orphanage, and, when she’s older, she’s forced to part from her best friend, Annie, and later, the only family she ever knew when she’s adopted by a rich family. There, she has to endure constant alienation and bullying from every member of the family, and her love life is similarly full of highs and drastic lows. I hate to admit it, but the staircase scene with Terry Grandchester after the two realized they would have to part was the only anime scene to ever make me cry (I was properly sobbing too). However, there are also incredible highs after the lows, coming in the form of heartwarming romance scenes, wholesome family reunions, relaxed and funny scenes with Candy and her friends, or simply self discovery and improvement.)

Consistency: 6.5/10 ( The quality stays pretty consistent throughout the anime- there are some less enjoyable filler arcs, which don’t add much to the plot, but the only place the quality of the story really dips is at the end.)

Philosophy:  5/10 (As an anime, it’s not very deep or thought provoking, and there aren’t many lessons to learn from it, but there are some important ideas about trying to persevere in the face of grief and rebuilding your life, even when it feels like you’ve lost everything.)

The plot

Candy and Annie were left on the doorstep of an orphanage on a snowy day as babies, and found at the same time by the benevolent women who ran it. Ever since then, the two have been best friends and sisters, playing together every day, and deliberately putting people off of adopting them so that they could stay at the orphanage together. However, Annie is starting to really want parents, so when a rich couple offers to take her in (after Candy made a total spectacle of herself so they'd be put off) she accepts. Candy feels betrayed at first, but gradually comes to accept her friend's decision, and the two start writing letters to each other. However, one day, Candy receives one of these letters from Annie, and it says that they will be no longer able to communicate because her parents believe that, for her protection and to truly become their daughter, she needs to put her humble past behind her. Shortly after this happens, there's an offer from another wealthy family to adopt Candy, who accepts because their house is near Annie's. Right off the bat, the children of the family, Neal and Eliza, begin to pick on her and humiliate her. The mother makes it clear that she wasn't adopted as a daughter, but as a companion for Eliza. While Candy clashes heavily with the family, she soon makes friends with all the servants, who teach her a variety of things, and she makes an interesting discovery. Not too far from her new home is a mansion where 3 friendly guys live, and one of these, Anthony Brown, looks exactly like the "prince" she met one night when crying and alone. She soon becomes very good friends with all three, but what she feels for Anthony, with his soft, chivalrous ways and roses, evolves beyond simple friendship and puppy love. However, there are many obstacles to the two being happy together, and life can often bring about unfortunate tragedies when we least expect them. When that happens, Candy has no choice but to try to move on and rebuild her life.

Masterlist

You could hear the sea from here. Or, more accurately, the docks. It was probably more true to say that the sea proper began further north, and here it was the river, instead.

You couldn’t really hear it, anyway, it was fanciful to think so. It wasn’t the waves crashing, it was the wind in ships’ sails, the creak of the rigging - and that itself drowned out by the never-ending rarely-pausing movement of people and things that kept the docks and the city itself alive.

But it was easy, ensconced here in Charlie’s attic rooms (up two flights of rickety stairs, and with the sash windows as closed as they ever were, still rattling some in that same trade wind), with the night drawing in, to imagine you were at the seaside.

A seaside village, in the country - not like a walk along New Brighton’s prom, packed with holiday-makers - somewhere a little more peaceful, provided you ignore the occasional stevedore’s shout and horse hooves on cobbles.

A very fanciful thought, a lullaby of the sea not really heard, sleep soon to come.

Later, Charlie would arrive, tired from her day and fingers bitten by hatter’s needles, and wake you only briefly with the creak of a floorboard and the shift of fabric as she herself stripped to her shift and slipped into the bed beside you, mindful not to rouse you further and of the hour, the sailor’s church tolling eleven as she settled, and you pulled her close to you, never opening your eyes.

The morning was less slow, a rush as always to be up and out to work as quickly as possible, the winter sun low and slight but the cold more fierce than ever. You pulled your shawl tighter, and watching Charlie peel out of the yard, determined not to be late, resolved to buy a coffee from the sandwich man on Church Street. He would be busy on a Monday morning, and the coffee was often stale and thick as mud, but it would warm you up in time to get the train south of the city, and maybe you could finangle a pot of tea out of Annie while you did the doctor’s accounts for him before the afternoon appointments began.

Play Harry Potter And The Order Of The Phoenix GBA Online

Hi this is Steven Moore little children can play the magic game called Harry Potter And The Order Of The Phoenix in 2007 that's why the computer game called Harry Potter And The Order Of The Phoenix is Rated E because that's why the computer game called Harry Potter And The Order Of The Phoenix it does not have any violence in it that's why the computer game called Harry Potter And The Order Of The Phoenix is Rated E for Game boy advance that's why little children can play the computer game called Harry Potter And The Order Of The Phoenix because that's why the computer game called Harry Potter And The Order Of The Phoenix has no violence and no killing in it that's why the computer game called Harry Potter And The Order Of The Phoenix is Rated E for Game boy advance from Steven Moore

Hi this is Steven Moore kids can play the video game called Jet Moto 2 in 1997 that's why the computer game called Jet Moto 2 is Rated E because that's why the computer game called Jet Moto 2 has no violence and no killing in it of the computer game called Jet Moto 2 that's why the computer game called Jet Moto 2 is Rated E for PlayStation 1 that's why kids can play the computer game called Jet Moto 2 because that's why the computer game called Jet Moto 2 that's why the computer game called Jet Moto 2 has no violence in it of the computer game called Jet Moto 2 that's why the computer game called Jet Moto 2 is Rated E for PlayStation 1 from Steven Moore 

If you find any info i missed please write it in the coments

Missing: Jack Walten

JACK WALTEN

HAVE YOU SEEN THIS MAN?

A series of images all of which are Jack Walten

Name: Jack Walten

Age: 42 Years Old

Height: 6'2

Hair Color: Brown

Eye Color: Black

Last Seen: June 11th, 1974

Last Seen Wearing: Dark Red Suit

An image of Boozoo the ringmaster

Mr. Jack Walten, born September 23rd, 1932, was a hard working man and the happy father of 3.

Walten studied in "Cleary University" in Livingston County and graduated in 1959, on the same year he married Rosemary Peony Walten. He would later raise a family with Rosemary.

Mr. Walten became highly known on Brighton, MI. for his company "Bunny Smiles Incorporated" and his restaurant franchise "Bon's Burgers". However, he would mysteriously disappear 2 weeks before the opening of Bon's.

Little has been known about Jack's whereabouts for the past 4 decades, but there's still hope to get closure on this man's disappearance.

​

Most recent news about Walten's disappearance goes all the way back to the year 1979. Felix Kranken, company co-founder of Bunny Smiles would state the following in a radio interview.

"I still wonder about what happened to my best friend, to this day I get people asking how I've handled the situation, how I've managed to keep on with this company knowing that he's been gone for years. It's hard to look back at Jack, because... I know that those happy memories and experiences I had with Walten and his Family will never happen again. And he'll never get to see what our dream company turned out to be. But there's still hope, I guess"

-Felix A. Kranken, MLBQ FM Radio, March 29th, 1979

Please contact us in case of any sighting or clues as to what could've possibly happened to Mr. Walten

When this button is pressed it shows you a drawing of a person pieces of bon are ripped and placed on top. It is hard to tell where bon starts and the person (jack?) ends. The words did you forget about me written to the side of it.

In the most recent update the website looks like it had been corrupted the photo of jack is to the left there is text that says 

???????????????????????????????????????????????????

I am here

 

Name: 

Age: 

Height: 

Hair Color: 

Eye Color: 

Last Seen: 

Last Seen Wearing: 

They say that falling in love is wonderful

It's wonderful, so they say

And, with a moon up above, it's wonderful

It's wonderful, so they tell me

I can't recall who said it

I know I never read it

I only know they tell me that love is grand

And

The thing that's known as romance is wonderful, wonderful

In every way, so they say

To leave your house some morning

And, without any warning

You're stopping people, shouting that love is grand

And

To hold a girl in your arms is wonderful, wonderful

In every way

So they say

Note:These are lyrics from the song They say it's wonderful by Doris Day written for the musical Annie get your gun 1946.

Now when you press the contact button it shows a photo of a porcelain looking doll with very human looking eyes the image is cracked and since this update the website's name is: Help

Update: roughly january this year the main website was changed again.

I can see

I can feel

 I can love

(That is all That is on the page)

Personal thoughts:

Starting from the top and making my way down I re-read what I compiled. During this process I realize that Jack is last seen wearing a dark red suit, one I believe looks a lot like the one boozoo the ringmaster wears. Now people probably already made this connection but doesn't it seem awfully convenient that boozoo’s picture is in his missing poster? Jack came up with the idea for the bon’s burgers franchise making him a ringmaster of sorts as he ran the place like a ringmaster a circus. Wouldn't it just be ironic that he gets stuffed into boozoo who shares the same job as him? Why else would his photo be on jacks missing poster?

Edit: I then realised the boozoo is already inhabited by charles and im just an idiot who conects all the wrong dots