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secret-kkh-fics · 4 years

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History Repeats | Chapter 1

Due to this not being posted anywhere else yet, please like and DON’T REBLOG my fics.

Chapter Summary:

Rose is horribly ill and exhausted after a bad day. She is surprised when she gets an unexpected visitor who tells her some interesting information and offers her a way to both cure her illness and get back to the Doctor.

Author Note:

Hello! Yet another one I have decided to rewrite. Never actually finished the original of this. I got to somewhere around World War III before I took a hiatus from it and came back a few years later and realised I wanted to update everything to do with it. I ended up both writing the new chapters at the same time as updating the old.

Visitor Through the Void

Dying to Go Home

Rose slowly dragged herself into her house, carelessly dumpling her things near the doorway, and flopping down onto the couch, not even bothering to take off her shoes or jacket. It had been a long, exhausting, and disappointing day. And she was in a lot of pain.

They were certain that the dimension cannon was ready to go this time. The mechanics had been checked a thousand times, and by all rights, it should work. But something was stopping it from working. It was like how after the breach had closed and the jump refused to work. This meant that she would only be able to get back home when the walls between the worlds were weak… and that wasn’t a good thing.

She wanted to go home more than anything, but if the walls weakened, it could only mean that something really bad was happening. And she had learnt the hard and heart-breaking way that not even the Doctor could stop everything.

It had been just over a year since the painful day she had been trapped in this universe. A whole year of being broken in more ways than one. She’d tried… she really had. She did it for her family’s sake, and for Mikey’s sake, and mostly for her sake. She did it for the Doctor. Because she knew that he would want her to do what she was doing. She knew that she was better than that. She wasn’t just a broke shop girl anymore. They were all worried about her, so she had tried to act like she wasn’t slowly dying.

She had gone to work at Torchwood with Mickey and Pete. It was the closest thing she could get to her old life in this world, and it was also her only chance to get back. She had made a few friends and made an effort to hang out with them and be happy. She played with her new baby brother and spent time with her mother. She had even gone back to school and worked on her A Levels. She lived the fantastic life he had asked of her.

…Or, at least, she tried to live the fantastic life he had asked her to. But it didn’t feel fantastic. Or brilliant. Or anything other than horrible. Alright at best.

She felt as if her mind and heart were slowly being ripped apart. She felt empty like she was missing something inside of her. Some crucial part that she needed to live. Yes, she felt empty and broken from the loss of her Doctor… but it was something else too.

Sometimes she felt as if she were drowning, that her oxygen was being taken away, suffocating her. It was the same feeling, like her lifeline was slowly being dragged away from her. Killing her painfully and slowly. And it was only getting worse.

She was sick. Badly sick. She’d tried to hide it from her family, but they had noticed. They had noticed the fevers and deliriums. They had seen her have the occasional hallucination or seizure. They had seen how most days she was overcome by severe migraines that were at times so crippling she wanted nothing more than to curl in a ball and scream.

But still, she went on as best she could.

She had been to the hospital for scans and tests, but they had all shown nothing wrong with her. Medically anyway. They had noted that her brain scans and DNA seemed a little odd… inhuman. But they weren’t harmful. In the end, she had chalked it up to side-effects from travelling through space and time for years.

Grief could cause sickness. People had died of grief. They had given up, and it had overcome them… Her family thought that grief was the cause. But she knew it wasn’t. She was heartbroken, but she was too determined to let it beat her. People only died of grief when they gave up, and she had far from given up. She refused to. She was not going to give up until she found a way back home. She wouldn’t give up till she was with him again.

But right now, she was so sick and so tired, the migraine that had been building all day so instead, she fell unconscious within moments of landing on the couch.

Rose was woken by singing. At first, the song played at the edge of her mind, slowly dragging her back to consciousness. It was a familiar song, an eerie, haunting tune. She’d heard it a thousand times before. She knew it like the back of her hand, and she knew she had found herself absentmindedly humming it many times. But she couldn’t place where she knew it from.

The next thing she noticed was that she was feeling much better. She was able to breathe easier. Most surprisingly, her migraine was completely gone. She couldn’t recall the last time she hadn’t had even a slight headache, but she wasn’t in pain. She wasn’t in pain at all, which was something else she couldn’t recall the last time that happened. For the first time in a very long time, she felt whole again.

Sitting up, the third thing she noticed was a golden light coming from somewhere in the room. She looked over at the source of the light in surprise. It was dark now, probably sometime past one in the morning, and there was very little light shining into her house. So, the glowing cloud of golden dust like energy swirling around in the middle of the room was massively out of place.

She jumped to her feet in alarm, looking for something to defend herself if whatever it was was dangerous. She watched warily as the golden mass swirled through the air gently a moment, before it all started to be dragged towards the centre, pulling it all in so it clumped together, then, with a final flash, it formed into the shape of a woman.

The woman was glowing slightly, and she gasped as she came into being, then immediately fell to the floor. Rose quickly hit the lights, then rushed over to help her to her feet. But she stopped dead when she saw the woman’s face… it was her.

The other her looked younger than she did now, she could only be nineteen or twenty. Sure, to be honest, she hadn’t actually changed that much at all since then, but there was something about this Rose that seemed so young.

Most alarming, though, was that this other Rose had glowing gold eyes. And on top of that, she was wearing an outfit that had been destroyed long ago.

“Oh… that’s a new feeling,” the other her said, attempting to steady herself on her feet. Then she pulled a surprised face, almost as if she was startled by the sound of her own voice. She was still very shaky on her feet and almost fell over again, so Rose put out a hand to steady her. She had to catch her right away when the other her let out a sharp gasp and doubled over. “Oh, and it hurts! That really, really hurts!” she gasped. “How do you humans tolerate this? Just wait until I get my hands on that stupid Master… Wait… hands. I have hands.”

“O-okay…” Rose said in confusion. “Sorry, what’s going on?”

This made the other Rose look up at her, and her golden glowing eyes widened in delight as if she’d only just noticed her. “Rose!” she cried happily, throwing her arms around her. “Thank Rassilon, you’re still alive! I was so worried about you! Oh, you don’t look so good. I was cutting it close, but this was the first moment that the wall between the walls weakened. Goodness, this talking thing is fun! No wonder my Thief does it so much!”

Experimentally, the other Rose began to flex her jaw and pull funny faces.

“Right… So, who are you and why do you look like me?”

“Look like you?” Again, she brought her arms up in front of her and looked at her hands, turning them over as if she would see the resemblance, then she turned around until she managed to catch sight of herself in a reflective surface. Then she let out a small squeal of delight, bringing her hands up to feel her face, poking at the huge grin she found there. “I look like my human!” She, yet again, seemed ecstatic about this. Rose was baffled by the way the duplicate of her had practically claimed her, but it gave her the sense that she perhaps knew her.

“Yeah, you do. So, um… Who are you?”

“Oh, yes. I’m-” She paused as if she couldn’t quite remember. “Oh, what do you call me? You call me a name that’s not my name. I’m blue. We travel… I go-” Rose jumped a mile in the air when the familiar sounds of the TARDIS dematerialising came from the other Rose’s mouth.

“The TARDIS?!” she said in shocked disbelief.

“Yes! Time And Relative Dimensions In Space. That’s it! That’s me. I’m the TARDIS.”

Weakly, Rose backed up until her legs touched the couch and she sunk down onto it, her mouth hanging open slightly. “Oh my god… But-but how? How’s this possible? And how come you look like me?”

“Ooh! It’s quite simple, really,” the TARDIS told her. “There’s a crack in the universe that I was able to squeeze my consciousness through. But I couldn’t just -poof! – get a body. I needed energy and DNA and matter and a whole bunch of other things that would take longer than we have to list! Since you’re the only one who’s ever actually touched me and not just my console, yours was the only DNA I could use. It’s not permanent, though. It won’t last long. And I’m afraid I am terribly weak. I’m using what little energy I have left to do this-” Suddenly, she whimpered in pain and sunk to the ground. As she did, Rose quickly reached out and pulled her down onto the couch with her.

“Are you okay?” she said in alarm and concern. She held onto the Rose shaped TARDIS, running a hand over her head to check her temperature. She seemed normal, but there was clearly something wrong.

“I’ll be okay eventually,” she said, trying for a smile. It was a weak one that Rose knew all too well. She had given that smile so, so many times over the last year. It was how she smiled when she was trying to hide her pain from her family.

“What’s wrong?”

“Oh, just an insane Time Lord – and for once I do not mean the Doctor – has stolen me and turned me into a paradox machine.”

“Oh no. That’s not good.”

“No, it isn’t. But all will be well in the end… I hope. There are a lot of outcomes, but this is the Doctor. Besides, it’s worth it. The paradox has weakened the walls between the universes. It’s the only way I could get here, and I’m so glad that I did.” The TARDIS smiled at her, and this time it was a genuine one. “The Doctor and I can’t live without our human. We hate it. We’re so sad… And you feel the same. But you, Rose Tyler, literally can’t live without us… Or, well, me.

“Literally?” She raised her eyebrows in question. “What do you mean literally?” The words put her on edge, especially since she sensed just how true they were. But, despite the foreboding, she couldn’t bring herself to be anything but overjoyed and excited. The walls of the universe were weak. That meant that the Dimension Canon might be able to work finally. But to one-up that, the TARDIS herself was sitting there in her living room!

“You’ve already noticed it, haven’t you?” the TARDIS asked her. “Ever since I’ve been here, you haven’t felt quite as sick. And you’ve been sick for a long time now, haven’t you?”

“Yeah.” Rose nodded. “Started not long after Dårlig Ulv Stranden. It was mostly just… headaches. All the time. And then migraines. Sickness, seizures, dizzy spells and weakness. Mum was scared it was a tumour or something, but the tests all show nothing’s wrong.”

“No, I don’t imagine cellular destructuralisation would show on the technology here.”

“Cellular destructuralisation?”

“Yes, a side effect from being cut off from me, I’m afraid.”

“But… doesn’t that mean that I was… falling apart or something? Wouldn’t that mean I was dying?”

“Yes, yes it does. You’ve been studying!” The TARDIS smiled at her proudly.

“Before the sickness made me have to stop, yeah. H-how come I’m dying?” Really, she ought to be horrified by the idea, but she found she wasn’t exactly surprised.

“Well, you should have been dead already. You weren’t meant to live past the Game Station. You shouldn’t have been able to survive, holding the Time Vortex within you. Only I can do that. And you didn’t… survive, that is. You died, for a moment there anyway. But the Doctor and I, we both loved you so much. We couldn’t let you die. He gave up one of his regenerations to at least take the Time Vortex out of you. He hoped that he could save you, but he knew in his hearts that you would die. You held onto it for much longer than he did, and it killed him after only a few seconds of holding it. There was no way he could have saved you. And he didn’t want to go on like that without you.

He didn’t understand how you survived, it completely baffled him. Though, it did make him overjoyed. He thought that there must have been something very special about you. And he was right. Because no other human would have given up their life to save him like that. No one had ever won the heart of the TARDIS – my heart. And you did, Rose. I love you as much as he does… of course, not quite in the same way, but just as much. I couldn’t stand to see you die… to see the devastation it would cause him.

So, I bonded myself to you… I’ve never bonded to anyone before. Not the way we are. The Doctor and I are bonded. He’s my thief, my pilot, my Time Lord. When he dies, I die with him, but if I die, he will live on. Our bond… it’s both ways. We die when the other does. We can keep the other alive, or we can take them down as well. And with you in this universe, separated from us so completely. We may as well have been dead to one another. Our separation through the Void, it was slowly killing the both of us. I’m a little surprised you’ve lasted the year, but I’m glad. My Human is a fighter.”

“Okay, so… hold on, let me get this straight,” Rose said, holding up a hand to stay her. She could hardly comprehend what she was hearing. She felt as if her world had been flipped upside down by this revelation and her head was spinning. But at the same time, it just made so much sense. She’d always felt closer to the TARDIS after the Game Station, as if she could almost understand her. “So, I’ bonded to you… to the TARDIS, because I died from absorbing the Time Vortex. And because of the bond and being apart, we’re both dying. So, the only thing keeping me alive is being near you?”

“Yes, exactly!”

“S-so, are you taking me home then? Is that why you’re here? To take me back with you?” She couldn’t stop the hope creeping into her voice, but the TARDIS’s sad expression made it leave her in an instant.

“No.”

“No? But-”

“I can’t,” she whispered. “I want to, but I can’t. I don’t have enough energy. And I wouldn’t be able to bring your physical form across the Void without killing you. Besides, you don’t want to go back to where I am. If the Master ever got his hands on you…” She shivered, her face going pale, and Rose had the feeling that she wasn’t just imagining the possibilities, but actually seeing them happen. “Not to mention that most of the outcomes where we all make it out okay, time reverses a year back to the moment I jumped through to here. You would suffer a year of torture and sickness only to be thrown back here to die once more. No, no, no. Not happening.”

“Yeah, no. I’d rather not.” At this point, she was kind of just sitting there stunned on the couch. She was trying to deal with the shock of what was happening, along with information overload, so at this point, she had decided to just roll with the punches. “But, isn’t there some other way? I-I can’t just stay here! Not if I’m just going to die! I’m working on something, a Dimension Cannon. It’s supposed to teleport you between dimensions, but it’s not an exact science of where and when you land. Also, I don’t think it works unless the walls of the universe are breaking down, and I probably don’t have time for that, do I?”

“No, I don’t imagine you would. But there is something we can do. We can stop it!”

“…Stop what?” Rose asked when the TARDIS didn’t elaborate.

“Canary Wharf. The separation. We can stop it from ever happening. You never leave our home universe. This timeline would cease to exist, and the three of us can continue travelling the stars. The Doctor and Rose Tyler, in the TARDIS… as it should be.”

Rose’s eyebrows rose high. “What? How?! How would we do that?!” she said eagerly. She trusted the TARDIS beyond anything, the same as she trusted the Doctor. And it was a good thing that it was the TARDIS who was pitching her this idea because, at this point, she was willing to do anything to return to her home universe if it meant being with the Doctor in the TARDIS again. At times, she had even been willing to cause a paradox… Oh no. “It won’t cause a paradox, will it?”

The TARDIS smiled at her. “No, no it won’t. Paradoxes are caused when time is disrupted, but we won’t be disrupting it… we’re rewriting it. It will be a completely natural occurrence. See, the only part of you I can take back is your mind. And not only that, but the only way to ensure we don’t disrupt anything important is to take you all the way back… Back to the time you first stepped foot on the TARDIS.”

Rose started. “Wait, so I’m pretty much going to have to relive my life from after I first meet the Doctor? The whole two years?! …Or was it three?”

“Yes, that’s right.”

“But… but I can’t do that!” She shot to her feet and began pacing restlessly. “I can’t just… do it all again knowing what happens. I can’t do nothing when I have the chance help people I couldn’t before. I can’t let innocent people die! And what about me? Young me? Do I just… take over my own body. What happens to the old me?”

“Rose, calm down. It will all be fine,” the TARDIS tried to soothe her. “Trust me. You’re not going to take over your own body, more… merge with it. You’ll still be that same wonderful nineteen-year-old girl… but at the same time, you will also still be this brilliant woman you are now… Oh, I’m not explaining it right. This would be much easier if I wasn’t using words. How do humans explain things so easily all the time?” Rose just shrugged. In her experience, explaining things wasn’t always easy, even for people who did talk all their lives. “Hmm, well, you will see what I mean soon anyway. As for saving people you couldn’t before… that can certainly happen. Most of the time anyway.”

Rose stopped her pacing, and her eyes brightened. “Wait, really?! What about causing paradoxes?”

“Well, that’s like I said. We’re rewriting, not disrupting. You can change what you like, so long as it doesn’t change the timelines too much. There are still certain things that brought us to where we were, and we still need to keep all that the same. And there are certain events, the deaths of certain people that shape the history of the universe. But so long as it doesn’t affect those, you can save whoever you can. I would never ask you not to help people when you can.” Another smile touched her lips. She was so glad that her Rose hadn’t changed and was just as passionate. That her time here in the parallel word hadn’t hardened her or worse.

“But, how would I know if I was changing something important or not?” Rose asked, looking a little panicked. “What if I change something, and – and… we end up not going somewhere we’re supposed to go! Or the Doctor decides he wants to take someone else instead of me! What if I screw it all up?!”

“Rose, relax,” the TARDIS found herself laughing. Oh, she liked that. But seeing her Human so panicked over it was quite adorable. She had every faith that Rose would do this perfectly. “I’ll be with you in your head. I can help. Of course, you’ll have to figure most things out on your own, make your own choices. But I can send you mental nudges and hints. Besides, I’m not your only tool. We have a bond, you took on the entire Time Vortex… Haven’t you noticed it yet? That feeling that you know what will happen if you decide to do something.”

“Y-yeah,” she said, thinking back. “Almost like I’m… guessing what can happen before it does. Mum kept telling me I should get a lottery ticket. Course, Dad always told her that was silly since we’re kinda really incredibly rich here…”

“Yes, exactly. Our bond had started to change your mind before you left. Had you kept travelling, it would have changed even more.”

“Seriously?” The idea pulled her up short. So, what? She would have become… psychic?

“Oh yes!” The gleeful tone that the TARDIS used with her own voice was so reminiscent of the Doctor that it made Rose grin. “There’s a couple of other things too. The Doctor can’t know. I know you won’t like the idea, and I don’t overly like it either, but the Doctor can’t know about what you’re doing. The longer you can keep it from him, the better. I fear that if he finds out, he might end up changing things too drastically.”

“But… what if he figures it out? He’s not just going to not notice. It’s the Doctor.”

“Hmm, that is true. I suppose it might be alright, depending on what he finds out and when. Of course, I will try and hinder his attempts. Oh! One other thing!” Here, the TARDIS grinned one of Rose’s cheeky tongue in cheek smiles. “When he asks you to travel with him… turn him down again.”

Rose baulked. “Wait, what? Why?!”

“So that he asks twice, of course. He did it last time. He’s never asked anyone to travel with him twice like that before. Usually, he offers once with the occasional ‘you sure’, and that’s it. But he went back five minutes later and asked a second time. He wanted you to travel with him so badly, it’s no wonder he fell for you so quickly. He thinks about that a lot.”

“Oh.” Rose couldn’t help the butterflies that fluttered madly about every time the TARDIS told her that the Doctor loved her, or mentioned how much he cared. It soothed like a balm, especially when she thought back to his cut off words on the beach. There were still times, even now, even being so sure what he was going to say, that she doubted he could ever love her back. She was only human, after all… But, no. She was more than that. Not just because of the TARDIS, she had always been more than just that.

Only, now she would be able to live well beyond human years since she was bonded to the TARDIS in a way that not even he was. Her eyes suddenly lit up. She knew that that was one of the only barriers that ever stopped them from becoming more. He’d practically admitted as much the time she’d met Sara Jane. She would live as long as the TARDIS!

“Hold on!” she gasped. “So, you die when the Doctor does?”

“Give or take a few years,” she replied with a nod.

“And I live as long as you do…”

“Yes.” Now the TARDIS was grinning, knowing that she had caught on.

“I can live as long as he will…”

“As long as everything goes alright and nothing happens to either of us, yes. You will.”

“…Oh my god, I’m going to live for hundreds of years!” she cried. She’d vaguely known this when the TARDIS told her, but the implications were now only just hitting her.

“You won’t age,’ the TARDIS assured her. “Not past a few more years anyway.” Then she finally seemed to notice the overwhelmed expression on Rose’s face. “I’m sorry. I had to bond us. It was the only way. We couldn’t lose you.”

“Do I look like I’m complaining?!” she cried, a disbelieving laugh bubbling up from her. “I just… Oh god. I think I just need time to adjust to it, yeah. It sounds… insane.”

“No more so than anything else you’ve seen since you met the Doctor.” She sounded confused by Rose’s bafflement.

“Yeah, but… nothing I considered impossible ever really happened to me, you know? Not like that, anyway. Or, at least, I didn’t think I had.”

“Oh, Rose Tyler, you have no idea-” The end of her sentence was cut off as she let out another sharp cry, doubling over with her arms curled around her middle in pain. Rose rushed to her immediately. It had been so long since that had last happened that she’d completely forgotten the TARDIS was in pain. “I’m fine, I’m fine,” the TARDIS gasped, sitting back up straight.

“You sure?” she asked, holding her steady. “What’s happening?”

“I believe… we are running out of time. I can’t hold this form much longer before it breaks back down into energy. We need to go now.”

“N-now? But what about my family?” Rose asked. “Won’t they wonder what happened? I can’t just not say goodbye.”

“It won’t matter,” the TARDIS said, trying for a small, reassuring smile, though it looked far more like a pained grimace. “We will be – hopefully be – completely cutting this reality, this timeline from existence. With any luck, you will never fall and never had the need to say goodbye to them at this point in time. And you will see Jackie and Mickey very soon. But we must go now. If I don’t get you back, we both die.”

Rose nodded firmly. Hearing those words, she imagined how devastated the Doctor would be without her or his beloved ship, and her already pretty firm resolve hardened. “Yeah. Yeah, okay. Let’s do it. I want my Doctor back.”

The TARDIS smiled tiredly. She could practically taste her Human’s excitement, and that gave her the energy to pull them both to their feet.

“Good. Now, just remember, when you get back, we won’t be linked physically like we are now. Not until you absorb the Time Vortex again. But we will still be linked mentally. We can do this.”

Rose nodded, and the TARDIS placed her hands on her temples. She closed her eyes like she was concentrating, and Rose felt a harsh jolt in her mind as if she had just been shoved off a cliff…

And then she was gone.

Author Note:

As seems to be the rule with my rewritten scenes, this chapter almost doubled in length. From 2,404 to 4,691 words (4 → 8 pages). I was really proud of this update. Not just in my writing skills, but also in how I explained things a little clearer and made it flow nicer.

The original can still be read on fanfiction.net if you are interested to see how it’s changed.

Chapter Index | First Chapter | Next Chapter >>

#history repeats #doctor who

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elizadoolittlethings · 5 years

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Cyberons, sexy Zygons and Mark Gatiss: the bizarre world of the unofficial Doctor Who spin-offs

An oral history of the franchise's unlicensed spin-offs with Sylvester McCoy, Nick Briggs and those at the heart of Who's fan-made films

By Thomas Ling

Tuesday, 27th November 2018 at 1:19 pm

Colin Baker, the man who played The Sixth and arguably proudest Doctor, was next to naked. But he didn’t seem bothered by the bare front peeking through his limp dressing gown. And nor by the vision of a dying Peter Davison that had caused him to collapse while presenting a live TV weather report moments earlier.

Instead, in this semi-stripped moment, his focus belonged solely to Nicola Bryant, the actor who had played Doctor Who companion Peri – and the woman currently planting kisses down his exposed chest.

The 7 biggest contradictions in Doctor Who canon

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A surprising turn, many would think, but Baker seemed completely at ease. Yet soon there would be things he couldn’t ignore.

Soon he’d unearth a plot to replace humans with a synthetic race that could survive a poisoned atmosphere. Soon he would encounter a mysterious Michael Moore-style filmmaker who took the appearance of Sylvester McCoy. And, perhaps most worrying of all, soon he’d witness an apparition of Jon Pertwee that would vanish as unexplained as it had appeared.

Of all the directions Doctor Who could have taken, few could have predicted this. Yet the above is exactly how many fans celebrated the show’s 30th anniversary in 1993: watching a half-naked Colin Baker in The Airzone Solution, a fan-made straight-to-video multi-Doctor story.

Except this wasn’t actually a Doctor Who story. Not officially, anyway. But while Baker, Davidson, McCoy and Pertwee weren’t actually playing Time Lords, The Airzone Solution was Doctor Who in all but name. As McCoy explains to us, the film was “a kind of shadow of Who. Something different with major Whovian influences.”

And although not a licenced Doctor Who production, The Airzone Solution had more of a standing in the fandom than anything the BBC had gifted Whovians since putting the show on hiatus four years earlier in 1989.

While the amateur filmmakers behind Airzone managed to reunite four Doctors for an hour-long special, the BBC’s planned anniversary extravaganza The Dark Dimension collapsed completely mid-production. From its wreckage the Beeb merely marked three decades of the most influential British sci-fi creation with a Doctor Who/EastEnders crossover introduced by Noel Edmonds.

True, this Children in Need short saw the Tardis back on BBC1, but Romana riffing with the Mitchell brothers and the Fifth Doctor crossing paths with Pat Butcher was hardly the glorious return of the Time Lords many had imagined.

So, with fans’ appetites unsatisfied, thousands fed their hunger for Who with The Airzone Solution and the string of 24 other spin-offs films that emerged in the show’s wilderness years – the decade and a half without a regular Doctor Who TV series.

They weren’t official BBC stories, but they did heavily borrow from Doctor Who mythology and featured a mix of past actors, characters and suspiciously familiar monsters (no points for guessing what the ‘Cyberons’ were based on).

More importantly, though, these films nurtured Who’s biggest stars of the revived series. Writer and actor Mark Gatiss, voice of the Daleks Nicholas Briggs and writer Robert Shearman, alongside the likes of Alan Cumming and Reece Shearsmith: all cut their teeth on these films.

And while many of these stars might look back at them with a blush, the spin-offs may well be the reason they ended up working on the revival show.

Despite their shaky CGI, shoestring Sontarans and nymphomaniac Zygons (more on that below), these films actually silently shaped the Doctor Who we know today…

The first, the unoriginal, you might say

It all started in Wartime. All 25 spin-offs were sparked by this 35-minute one-off, a fan-made story that centred on Whovian favourite Sergeant Benton. Although not a household name for modern Who viewers, Benton was a stalwart soldier of the Pertwee era of the show, a key UNIT officer who battled against Cybermen, Daleks and even dinosaurs on Britain’s streets.

Yet it’s not the return of original actor John Levene as Benton, the character’s surreal confrontation with his soon-to-be-widowed mother or even the fantastically 1980s CGI skull that stands out about Wartime. It’s the release date: 1987, two years before Who was pulled off air.

In other words, Wartime wasn’t made in response to the cancellation, but for a very different reason.

“We made Wartime because we weren’t happy with the way that Doctor Who was going and we thought we could do better,” says Wartime producer Keith Barnfather, one of the founding members of the Doctor Who Appreciation Society and former BBC and Channel 4 employee.

“That was an absolute joke considering the funds available. The only reason that [Wartime] got made was that everyone who did it did it virtually for nothing.”

With borrowed costumes, a minuscule budget of only a few thousand pounds and a filming location they had never visited beforehand, Barnfather and his newly-formed production company ReelTime Pictures got Wartime in the can in just three days – about a fifth of the time it takes to film a modern Who episode.

The result: a creaky-looking drama with questionable effects and an enthusiastic but ultimately forced performance from Levene. But all these glaring flaws weren’t important. All that mattered was it had got made. A group of fans had actually put together a real self-contained show set in the world of Doctor Who.

“I was happy – it was the first time we did anything and we actually finished it!” says Barnfather. “It’s not a bad little drama. Even today I can watch it and not cringe.”

Most importantly, however, Wartime proved that independent spin-offs were possible. It showed that Doctor Who stories didn’t require Doctor Who on BBC1. Because when the show was finally cancelled two years later in 1989, other also looked to put their own Who adventures on camera.

And this time the Doctors themselves would want in…

The Time Lords materialise

Determined, brilliant, completely barking mad: there are many ways to describe Who filmmaker Bill Baggs. Indeed, some labelled him all three after he founded BBV Pictures in 1991, kick-starting projects with some truly out-of-this-world ambitions.

Why? Although only a young video editor at BBC Nottingham, the aspiring director/actor aimed to do more than tell Doctor Who stories about background UNIT soldiers. Baggs wanted the Doctors – and plenty of them.

Staggeringly, he got one in his first film. After a script was cobbled together for short drama Summoned by Shadows, Baggs approached Colin Baker to play a lead character known simply as The Stranger, a mysterious and eccentric unnamed traveller who roams time and space with a younger companion. Nothing like The Doctor, of course.

And despite not actually playing a Time Lord, or knowing virtually anything about the film, or having met the man behind it, Baker signed up.

“I could not believe it. I was wetting myself with excitement!” remembers Baggs. “As a Doctor Who fan you have little fantasies about this, but you never expect them to pan out! I was blown away and deeply honoured.”

Although we can’t be sure of Baker’s motives for coming on board – he declined to speak to us about the spin-offs – Baggs puts forward one theory: “I think from Colin’s point of view, he was doing a lot of theatre work after Doctor Who, so why not give up a few days and potentially invest in me, fool that he was,” he says with a laugh.

“From his point of view, I had no profile. He didn’t know me from Adam, apart from being this potentially up-and-coming director. But if you show passion and desire then often people will support you.”

Whatever the reason, Baker did join the project. And despite Baggs becoming cripplingly star-struck after meeting him at rehearsals (“I asked him for a cup of tea and disappeared down the corridor!”), filming soon started in true Doctor Who style: in an empty quarry – the same one, in fact, where Baker had filmed Attack of the Cybermen years earlier.

https://www.dailymotion.com/video/xanrcw

Like Wartime, this drama had a minuscule budget (just £3000 in total) and, as with the majority of Doctor Who’s 1980s episodes, it hasn’t aged well. Baker’s wonderfully understated performance, however, still shines through. He’s quiet and thoughtful throughout, showing fans exactly what his widely-criticised Doctor could have been.

As Mark Gatiss later told Doctor Who magazine (issue 332) about the films: “I remember watching them and thinking they didn’t look very flashy, but in terms of trying to portray real characters they were a massive improvement on Doctor Who!”

Gatiss wasn’t the only one taken with Summoned by Shadows and what would become ‘The Stranger series’ – thousands bought the films on VHS by post and at conventions.

Demand became too high, in fact. “I had to set up three VHS machines in my bedroom and I was duplicating videos through the night,” says Baggs, recalling how he had to call on his parents to help his videotaping “mini-factory”.

Above: a clip from The Stranger: More than a Messiah

So many copies would be sold, in fact, that by 1993 Baggs had the confidence to embark on a project bigger than anything he done before: a one-off special for Who’s 30th Birthday, The Airzone Solution, the film that would eventually feature a scantily-clad Colin Baker.

Fortunately, that scene doesn’t represent most of the film. Penned by the emerging Nicholas Briggs, Airzone was an environmental thriller set in a near-future Britain where pollution forces the government to build giant filtration plants to clean the dying planet.

And in true Doctor Who style, these centres actually serve a much more sinister agenda: kidnapping and experimenting on innocents to create a new species of human.

Baker once again signed onto the project and Baggs convinced Peter Davison to jump aboard (“that was another moment of punching the air!” Baggs recalls). This was soon followed by McCoy, a monumental achievement considering he was technically still Who’s incumbent Doctor.

Like previous spin-offs, this was by no means a major project with BBC1 exposure and a large pay-packet. But, for McCoy at least, it was a way of keeping the fandom thriving.

“We wanted to feed a hunger that was alive at that time for more Doctor Who,” he says. “I knew the BBC had made a huge mistake by putting Doctor Who into hiatus. I also knew the fans loved [the spin-offs]. For the fans I thought ‘yeah I’ll do this!’”

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Furthermore, with a TV revival appearing absurdly unlikely in 1993, McCoy considered the project the only way Who could survive on screen.

“You might find this hard to believe, but I don’t really have a Tardis. I couldn’t really travel back in time and tell everyone ‘we’re going to make a TV film and then they’re going to bring it back again!’” he chuckles.

With these three star signings, others followed suit. Actors including Nicola Bryant, original Davros star Michael Wisher and the then-relatively-unknown Alan Cumming all joined the film.

But then someone even the omni-ambitious Baggs thought too unattainable got in touch: Jon Pertwee, The Third Doctor. “Sylvester came to me one day and he said ‘I’ve been speaking to Jon Pertwee and he’s been asking why he’s not in it. He might get in touch!’” Baggs remembers.

Sure enough, the call came, with Baggs happily at the former Doctor’s mercy. “It was very charming to actually have an actor so connected to the show call and say ‘I’m in it, whether you like it or not!’”

Pertwee may have been completely unfamiliar with the script when he turned up to set the next day – Peter Davidson actually had to hold up cue cards for him during scenes – but in it he was. And for two days, four Doctor Who leads were brought together for some good old-fashioned low-budget sci-fi.

“It obviously didn’t have quite the financial support that the BBC gave Doctor Who. But it was great because the fans were so involved,” recalls McCoy “We were treated very well. We all had a great time!”

McCoy’s recollections of the shoot are all positive, whether teasing Baker “for taking his job”, filming a chase scene that would fail any modern risk assessment (“I took my glasses off and would be driving around half blind!”), or simply spending time with his Doctor Who co-stars.

“I remember filming and just sharing the day with Colin, Peter and the glorious Jon Pertwee. It was great because it was still alive. When the BBC stopped it, you thought ‘well, that’s it, goodbye’. Doctor Who is one of the great jobs,” he says.

“And although this wasn’t Doctor Who, it was very like Doctor Who.”

The Pandorica opens

As suddenly as the Tardis surfacing from the time vortex, a whole series of Doctor Who spin-offs materialised after The Airzone Solution. Some good. Some bad. All brilliantly weird.

For ReelTime, the makers of Wartime, the next Who project entailed a team-up between Elisabeth Sladen’s Sarah Jane Smith and The Brigadier (a role reprised by original actor Nicholas Courtney) in a story called Downtime featuring the Great Intelligence and some gloriously low-budget Yeti monsters.

This was followed up by adventures featuring Sontarans, a Shakespeare-loving Draconian and even former Doctor Who companion Sophie Aldred, this time playing an unnamed character with, completely coincidently, the same direct way with words as Ace.

But while these characters were typically used with the BBC’s permission, other spin-offs – mostly those created by maverick Bill Baggs under BBV Pictures – simply gave a heavy nod to Who, such as the murderous robotic machines featured in Cyberon or the aforementioned interstellar traveller The Stranger.

But despite the glaring similarities, there seemed to be little fear of the BBC shutting down production. “We didn’t care!” laughs McCoy, who starred in many of Baggs’s later spin-offs. “They deserved to get annoyed because they abandoned it and the fans!”

On other occasions the dramas blended the show’s characters and actors in ways that, simply put, just didn’t make a lot of sense – even by Doctor Who’s timey-wimey standards.

Take the Torchwood-esque PROBE series, directed by Baggs and penned by future Who and Sherlock stalwart Mark Gatiss, a writer slowly gaining success with The League of Gentlemen at the time.

This mid-1990s series centred on the Preternatural Research Bureau, a paranormal investigations unit led by classic Doctor Who companion Liz Shaw, a character Baggs had got permission to use. Original actor Caroline John even reprised the role, a casting that appeared to ground the drama firmly within the world of Who.

However, for rights reasons PROBE wasn’t permitted to mention The Doctor or most events surrounding the show – a restriction that meant Liz was forced not to recognise a non-Time Lord character played by John Pertwee, an actor she had shared adventures with during his tenure as The Doctor.

Mostly, however, the spin-offs followed new characters battling old Doctor Who baddies as they wreaked havoc over the planet. Most notable of which were the Auton films.

Featuring the likes of Reece Shearsmith and CGI that rivalled that seen in the 2005 revival show, the first two of BBV’s ‘Auton Trilogy’ of the late nineties are widely considered the best independent Who spin-offs.

“They are by no means perfect, in fact they’re horribly flawed. But I wrote and directed both of them under fairly impossible budgetary and time constraints, with a lovely team of actors,” says Nicholas Briggs. “I think we managed to create something that worked pretty well.”

However, Auton’s biggest impact on the Who fandom came just before the revival of the main show. Just as the BBC had to reach a deal with the Terry Nation estate to use the Daleks in the show (negotiations that fell through at one point overallegations the broadcaster wanted to make a ‘gay Dalek’ cartoon), they had to consult Bill Baggs, who still held the rights to the Autons thanks to an agreement with the estate of creator Robert Holmes.

“Before it restarted, the BBC phoned me up and asked me if was okay for me to do an Auton show,” laughs Baggs.

“I told this to my wife thinking she wouldn’t say anything, but it happened to be the weekend she was at the Gallifrey convention. And a bit later I got a phone call saying ‘why does the whole universe know that the first episode is an Auton one?!’ I had to apologise humbly.”

Furthermore, some have said characters created for these fan-made spin-offs may have actually inspired those that appear in the main show. Foremost of which: Kate Lethbridge-Stewart, UNIT commander and daughter of the Brigadier.

Kate appeared in Chris Chibnall’s The Power of Three in 2012 and the 50thanniversary special The Day of the Doctor – but a character with the same name, background and blonde hair first featured in fan-made film Downtime 17 years earlier.

“Let’s just say we came to an accommodation,” says Downtime producer Barnfather on his subsequent chats with the BBC around their use of the character. “I would never do anything that would hurt the programme or bring it into disrepute.”

Yet Kate Stewart aside, can we say these fan-made spin-offs really gave more to Doctor Who than they took? Did they really inspire the plots of modern Who? Considering the stories the show has produced since its 2005 revival: absolutely not.

However, what if you judge the impact of the spin-offs by the talent they gifted to the main show years later? Well, that’s when things get a lot more interesting…

Stars are born

However flawed these films were, they’re where the Who writers of today learned their craft. They didn’t just make talent like Mark Gatiss and Big Finish head Nick Briggs known amongst dedicated fans, they also gave them a platform to jump to the main show. And, even more importantly, they nurtured the creativity needed for their later projects.

Briggs is the prime example here. Through his extensive work in the world of unlicensed Who he perfected performing Dalek voices, mastering the equipment and vocal tics needed to make a convincing tinpot terror. And this meant when the BBC announced the Doctor Who revival, Russell T Davies was quick to get Briggs on board.

“[Davies] had me in mind from the moment he’d decided he was bringing the Daleks back – not just because he thought I was good at doing Dalek voices, but because he was aware that I had the technical know-how to recreate them,” Briggs explains. “In the absence of a BBC Radiophonic Workshop, I was the sort of total solution. Very lucky for me.”

However, the spin-offs did much more than offer Briggs a route onto the main show. “Any ‘turn around the block’ creating something, no matter how flawed, is invaluable experience for a writer or director or any kind of creative person,” he says.

“It’s one thing to dream, but it’s quite another thing to get the practical experience of actually creating and finishing something.

“[The spin-offs] gave us a real ‘go’ at bringing a dream to life, and helped us realise that we could not only create something, but create something worthy of an audience.

“Actually making things engenders a feeling of permission to create. That’s a big hurdle for any creative person. Do I have the right to create, to communicate, to entertain? Having practice at making something helps to give you that feeling of permission.”

Mark Gatiss echoed a similar sentiment in a League of Gentlemen blog, explaining that although he didn’t want it to be released on DVD, he had gained valuable experience writing The Zero Imperative, his first ever TV script.

“Christ, for all I knew, they were the only things I would ever get to make,” he said. “And I learned a frightening amount from working on them.”

And one of the lessons Gatiss appears to have learned is how to work with some tricky characters. Namely, Bill Baggs.

“I’m a constant meddler when it comes to the scripts,” recalls Baggs. “But Mark tolerated that really well. I remember we would sit together and improvise scenes, which I loved. I’d like to get hold of his writing sometimes and give it a tweak and an edit, but I take my hat off to him. He’s been so successful. There’s nobody else who deserves more and having that experience with him is fantastic.

“But Mark probably wouldn’t have his career in Doctor Who without BBV.”

So, why didn’t Baggs end up working on Doctor Who like Gatiss? Why is it that the man at the heart of the unofficial fandom spent, as he puts it, “a lot of time wondering when the phone was going to ring”?

Rather than being asked to direct an episode, why did Baggs fail to break through to the show, instead funnelling his energy into an alternative medicine, Emotional Energy Healing, and becoming an ‘Akki energetics practitioner’?

Despite Baggs’s assertion that he could work on the main show if he wanted to but simply chooses not to, there could be another reason behind his absence. As Gatiss once told Doctor Who magazine, although he had a “great time”, Baggs “had some very strange ideas as a producer.”

And although Gatiss was referring to Baggs’s tendency to swap scenes around “arbitrarily”, this isn’t one of the strange ideas that fans eventually knew him for.

The misadventures of Doctor Screw

We should say this up front: Bill Baggs wasn’t the first to bring sex into the Whoniverse. During the show’s hiatus years, characters such as Bernice Summerfield (written as a companion of Sylvester McCoy’s Seventh Doctor) were often portrayed enjoying some, shall we say, advanced docking maneuverers on the Tardis. Summerfield even apparently had a fumble with The Eighth Doctor himself in book The Dying Days.

However, while ReelTime Pictures kept their films PG and in a similar style and ilk to the main show, stablemate BBV and Bill Baggs became ever more proactive in bringing the saucier side of Who to screen.

That image of a naked Colin Baker we brought up before? The one where he romped with Nicola Bryant, who played Peri in Who? That was thanks to Baggs, who directed the unscripted scene (from under the bed – “I had to! There was no space in that room!”) against the wishes of writer Nicholas Briggs.

“I’m credited as the writer of The Airzone Solution, but I did not write that scene,” Briggs says adamantly. “It was irrelevant to the plot. [Baggs] seemed to agree with me. But I later found out that he just gave up arguing because he could see I wouldn’t change my mind. Then he deliberately deceived me and wrote the scene in any way.”

Baggs, however, stands by it. “Everyone had an opinion about it,” he says. “People got grossed out by it and some found no problem at all.”

But that scene was nothing compared to 2008’s Zygon: When Being You Just Isn’t Enough, dubbed by one reviewer as “the only Zygon-based soft-porn film ever to have been made”. And that’s not an exaggeration. Fortunately, it doesn’t feature the red starfish-like aliens making use of their suckers, but the 18-rated film does see the Zygons at the centre of some very NSFW activities in human form.

Although billed as a serious drama, Baggs openly says it was initially envisioned as something more titillating. “I met a guy at a convention who was into soft porn and he convinced me there was a market for it – not that I had a massive desire to produce a soft porn film, but you’re always interested as a director/producer what markets there were.”

But looking back now, Baggs concedes the project was a misstep. “It was my mistake and nobody else’s,” he adds, before quickly adding: “I’m glad I tried it, though. It was a massive learning experience.”

Zygon wasn’t quite the end of Baggs’s spin-off ideas, with BBV releasing When to Die, a PROBE drama in memory of Liz Shaw star Caroline John in 2012.

However, since then Baggs has been focused on producing theatre dramas, and although he and McCoy still enjoy times together at conventions, the sun has set on the golden time (and space) of BBV films.

A fandom regenerates

26th March 2005, 7pm. For fans across the world, this was the moment the ‘real’ Doctor Who returned to screens. After over 15 years of waiting, the universe’s foremost Time Lord returned in a regular series, captivating a whole new generation of Whovians.

But for the makers of the spin-off films, it was a bittersweet moment. Producers like Bill Baggs had spent years trying to cater for fans with nowhere else to go, fuelling the fandom with films made possible by pure passion for Who. And now it was over: the fans just didn’t need BBV.

As Baggs says, “It was frustrating on one hand and utterly delighting on the other.

“Before they announced they were reviving Who, Alan Cumming and I were actually going to do a special drama, an anniversary special for BBC South with Alan Cumming as The Doctor,” he laments. “But we ended up getting a call from a Who producer telling us we had to stop because the show was coming back – that’s when I first found out.”

Today BBV only operates a small web business and while Barnfather and ReelTime Pictures still film an occasional Who spin-off, they mostly specialise in the likes of archaeological videos in the Greek world (“We’ve got quite the reputation in Cyprus”).

Yet some still claim that fans owe a great debt to Barnfather and Baggs. “Thereason why we’ve got Doctor Who now on television is thanks to those fans who did it way back then,” says McCoy. “The fans of today should be thankful to him because he helped keep alive Doctor Who.”

But is it really true that without their work keeping the fandom alive, the BBC would have never recommissioned the show? Not everyone is convinced.

“That’s absolutely rubbish,” says Barnfather. “The programme would have come back – it’s a franchise that will never die! Even if the Doctor Who fandom didn’t exist, the BBC would have brought it back.”

“The facts just don’t support it,” agrees Briggs. “The people who made the decision to bring back Doctor Who to television had no idea that any of these things existed.”

Yet while it may not be the reason for Doctor Who’s revival, it’s undeniable that these films fostered talent that would change the Tardis forever.

Perhaps more than anything, the films represent how the fandom and the series are forever intertwined. These 25 forgotten spin-offs demonstrate that the line between dedicated fans and the show is beautifully permeable, ideas and talent forever travelling between the two.

And that’s still true to this day. Remember WhoLock, the viral video that imagined two of TV’s greatest characters together? Or the perfect fan-made trailer for Peter Capaldi’s first series? The editor of these films, who goes by the pseudonym John Smith, actually went on to work as a VFX artist for Doctor Who.

This is the real beauty of Who: its fans are constantly creating, inventing new ideas that could make their way on screen in years to come. It’s a collaboration that makes Who and its lead Time Lord arguably stronger than any other sci-fi fandom.

And sure, this symbiotic relationship might bring to light some of the stranger facets of the fandom, or a nymphomaniac Zygon or two. But, just like the Tardis, these spin-offs have often taken The Doctor where he didn’t want to go, but precisely where he needed to.