#american symphony | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

25% of US internet users with an annual income of $80-100K use Tumblr.

luckydiorxoxo · 3 months

Text

JUST IN CASE YOU MISSED IT!

Black Oscar Noms:

Sterling K. Brown (Supporting Actor)

Cord Jefferson (Adapted Screenplay)

Danielle Brooks & Da’Vine Joy Randolph (Supporting Actress)

American Fiction (Best Picture, Original Score)

American Symphony (Orignal Song)

Colman Domingo & Jeffrey Wright (Best Actor)

#sterling k. brown #cord jefferson #danielle brooks #da'vine joy randolph #american fiction #american symphony #colman domingo #jeffrey wright #black actresses #black actors #black hollywood #oscar nominations #melanin

22 notes · View notes

katareyoudrilling · 1 month

Text

I’M GOING TO SEE JON BATISTE!!!!

I could not be happier right now. Buying tickets with a queue is so stressful!!!

#kat in real life #Jon batiste #american symphony

13 notes · View notes

thevisualvamp · 4 months

Text

Cinematic moments - American Symphony

#jon batiste #american symphony #suleika jaouad

12 notes · View notes

amplifyme · 5 months

Text

This is an extraordinary film. Highly recommend it.

youtube

#jon batiste #suleika jaouad #american symphony #the power of creativity and love #music is life #art is life #love is life

9 notes · View notes

trvlytylar · 5 months

Text

y’all please go and watch jon batiste’s documentary on netflix called American Symphony. it’s beautiful. i’ve really enjoyed learning about his journey. his mind is just like amazing. his reaching a major peak in his career as his wife battled cancer man… a beautiful film.

#trvlytylar #american symphony #jon batiste

4 notes · View notes

awardswatcherik · 5 months

Text

Producers Guild of America Reveals 35th PGA Awards Nominations for Documentary

View On WordPress

#20 days in mariupol #american symphony #beyond utopia #pga awards #producers guild of america #smoke sauna sisterhood #squaring the circle #the disappearance of shere hite #the mother of all lies

2 notes · View notes

krispyweiss · 2 years

Text

Jon Batiste Has COVID-19; “American Symphony” World Premiere Postponed

How do you get to Carnegie Hall?

Practice, practice, practice - and, in the pandemic era, a little bit of luck.

Jon Batiste ran out of the latter and was forced to postpone the May 7 world premiere of his “American Symphony” at Carnegie Hall after “he and members of his team … tested positive for COVID-19,” the venue said in a statement.

The show will be rescheduled.

“I thank all my supporters for their love and understanding,” Batiste said. “See you all soon.”

The COVID-19 diagnosis also caused Batiste to miss his duties as bandleader on “the Late Show with Stephen Colbert.”

“Jon says he’s doing fine,” Colbert said on the May 5 broadcast. “He’s vaxxed and boosted and all that good stuff.”

5/6/22

#jon batiste #the late show with stephen colbert #stephen colbert #american symphony

2 notes · View notes

heywoodsays · 2 months

Text

Original Song: Barbie’s Best Bet

The nominees are:

“The Fire Inside” from Flamin’ Hot

“I’m Just Ken” from Barbie

“It Never Went Away” from American Symphony

“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon

“What Was I Made For?” from Barbie

This category upsets me most years, and this year is no exception. Why is “The Fire Inside” here other than to give Diane Warren a 15th Oscar nomination only to not have her win yet again? It doesn’t deserve to be here.

That being said, this year’s shortlist didn’t contain many gems, so it’s rather slim pickings. Notably, none of the new songs from musicals The Color Purple, Wonka, Flora and Son, and Dicks: The Musical made the final five, nor did other hopefuls like Olivia Rodgrigo’s “Can’t Catch Me Now” from the Hunger Games prequel or Lenny Kravtiz’s “Road to Freedom” from Rustin.

Instead, this year was all about Barbie. The prize will either go to “What Was I Made For?” or “I’m Just Ken.” The former, a Billie Eilish/FINNEAS collab is likely to win, especially after picking up the Golden Globe in January and the Grammy for Song of the Year in February. But “I’m Just Ken” has a lot of popular appeal and won the Critics’ Choice award, so it has some strong legs in this race. It may boil down to whether the Academy wants to give the O’Connells their second Oscar in three years. If that’s the case, Billie Eilish will become the youngest ever two-time Oscar winner.

There is an alternate reality where the two songs from Barbie split the vote, paving the way for a dark horse contender like Jon Batiste’s “It Never Went Away” or “Wahzhazhe” from Killers of the Flower Moon.

Who will win: “What Was I Made For?” from Barbie

But look out for: “I’m Just Ken” from Barbie

Who I’d vote for: “It Never Went Away” from American Symphony

If I could add one more: “Quiet Eyes” from Past Lives

◄ Previous: Original Score | Next: Original Screenplay ►

#movies #Oscar picks #Oscars 2024 #original song #Barbie #American Symphony #Flamin' Hot #Killers of the Flower Moon #Past Lives #Billie Eilish #FINNEAS #Jon Batiste #What Was I Made For #I'm Just Ken #It Never Went Away

0 notes

slickdungeonsblog · 2 months

Text

American Symphony - Movie Review

Check out my review of American Symphony, up for Best Song of the year at the 2024 Oscars!

Hello film fans! Slick Dungeon here back to review another film nominated for an Oscar. This time I am diving into the documentary American Symphony which is nominated for best song. There will be spoilers for the movie below so if that sort of thing bothers you, dance your way to the film, give it a watch, and dance your way back here to read the review. What’s it about? From the outside it…

View On WordPress

#American Symphony #cinema #Film #film review #Movie review #movies #Oscars #Oscars 2024

0 notes

thejewofkansas · 2 months

Text

The Weekly Gravy #178

Linda Martina Young expresses Black womanhood through dance in Four Women. I didn’t get to the movies this weekend (given the box-office returns, I’m not the only one), so let’s start things off with some shorts! Preobražaj (1973) – Divna Jovanović was best known as a costume designer, but she directed four short films, this being the last. The title translates to “metamorphosis,” but it’s got…

View On WordPress

#2023 Films #2023 in Film #American Symphony #Anna & Bella #Женитба #Film Reviews #Four Women #Jenitba #Marriage #Preobražaj #Spook Sport #The Sweet East #The Weekly Gravy

1 note · View note

bloggeomental · 3 months

Text

Lo que nos gusta de la música no es que suene bien. Lo que nos gusta de la música es que suena como algo inevitable... lo que todos sabemos que está ocurriendo, lo aceptemos o no.

-Jon Batiste (American Symphony).

#frases #frases sobre la vida #vida #música #american symphony #jon batiste #r&b #soul #peliculas #documentales #oscar 2024

1 note · View note

denimbex1986 · 3 months

Text

'...“Oppenheimer” is currently expected to clean up with nine (including Best Picture), whereas our users think “Killers of the Flower Moon” will only take Best Actress (Lily Gladstone) and “Poor Things” will be blanked. If accurate, “Oppenheimer’s” win total will be the highest for a film since “The Lord of the Rings: The Return of the King” went 11 for 11 in 2004...'

0 notes

estelscinema · 4 months

Text

Quickie Reviews

American Symphony

Musician Jon Batiste attempts to compose a symphony as his wife, writer Suleika Jaouad, undergoes cancer treatment.

"American Symphony" harbors the potential for a remarkable documentary, but its scattered focus and contrived elements weigh it down, preventing its full potential from shining through. The film grapples with conflicting narratives—juggling between Jon Batiste's artistic fervor and the poignant moments of his wife's perspective from a hospital bed. This lack of cohesion hampers the documentary's ability to delve deeply into either storyline. While the cinematography boasts beauty, it inadvertently contributes to the sense of artificiality and staged sequences within the documentary. Although pockets of genuine emotion surface, much of the film feels manufactured, impeding the audience's connection to the authenticity of the moments depicted. Overall, "American Symphony" falls short of expectations. Despite its glimpses of raw emotion, the disjointed focus and artificiality detract from what could have been a compelling exploration of profound human experiences.

My Rating: C+

The Color Purple

A decades-spanning tale of love and resilience and one woman's journey to independence.

As I've mentioned before, musical films don't quite resonate with me. "The Color Purple" unfortunately fell victim to this personal struggle of mine. While it might be a treat for musical enthusiasts, every time a musical sequence unfolded, it pulled me out of the film's narrative. None of the musical numbers seemed to stick, and they often clashed tonally with the unfolding events on screen. However, despite my disconnect with the musical aspect, I must commend the outstanding performances delivered on screen. Fantasia Barrino, Taraji P. Henson, and Danielle Brooks all delivered remarkable performances deserving of significant accolades. Their contributions elevated the film, showcasing their immense talent and dedication. "The Color Purple" left me admiring the performances while lamenting my own limitations in fully embracing movie musicals. It's a reminder that perhaps my lack of affinity for musicals might have hindered my appreciation for what others might find to be a captivating experience.

My Rating: B-

The Holdovers

An instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go.

The writer's block has been very strong with The Holdovers, but I have finally gotten my words together after nearly 3 months.

There is nothing more warming than seeing a bunch of lonely people bonding together over the holidays. This warmth is perfectly encapsulated in The Holdovers. The Holdovers is a symphony of raw emotions and intricate human connections woven into the fabric of the holiday season. Set against a backdrop of vulnerability and fractured past, this tale unfolds like a beautifully written novel. As our broken characters slowly bond during the icy winter of the New England holiday season, The Holdovers embraces the imperfections of its characters. Portraying their brokenness not as a flaw but as a mosaic of the human condition. Through their compassion and solidarity, they lift each other up with their fragile, yet healing human spirit. It's a beautiful love letter to the beauty of embracing our vulnerabilities and finding strength in the unlikeliest of connections.

The performances in The Holdovers are nothing short of a masterclass in emotive storytelling. Each actor embodies their character's vulnerability and solidarity with such depth and authenticity that it feels as though you’re peering directly into their souls. Paul Giamatti has not been this good in years. He is a tour de force in this character performance. Giamatti brings a complexity that is both haunting and heartrending. His portrayal of vulnerability and inner turmoil with such raw authenticity is deeply resonating. With each expression and subtle shift in demeanor, Giamatti captures the essence of his character that is burdened by the weight of his path as he tries to lift up the future generation. Dominic Sessa makes his film debut in The Holdovers, yet you can not tell it in his performance. For his breakout role, he perfectly portrays the emotional rollercoaster of being a teenager stranded during the holidays. His moments of vulnerability and teenage rebellion are captivating as it is raw. I can’t wait to see what the future lies ahead for him. Da’Vine Joy Randolph's performance is a revelation. She masterfully navigates her character through numerous layers of grief and resilience. She has a commanding and endearing on-screen presence that perfectly balances with the performances of Giamatti and Sessa. This ensemble is sure to get showered in Oscar nominations.

The Holdovers is an emotional journey that leaves an enduring imprint on the soul. With stellar performances, poignant storytelling, and an exploration of the human spirit amidst vulnerability and resilience, this cinematic gem transcends the screen.

My Rating: A

Saltburn

Struggling to find his place at Oxford University, student Oliver Quick finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family's estate, for a summer never to be forgotten.

Saltburn had many scenes that were not on my bingo card for 2023.

In her latest daring creation, "Saltburn," Academy Award Winner Emerald Fennell plunges us into a world of opulence, extravagance, covetousness, and deceit. This audacious feature blurs the lines where rawness meets the unconventional, offering a provocative cinematic journey. Brace yourself, though, as "Saltburn" isn't your run-of-the-mill film—it's a twisted, gut-churning spectacle that might not sit well with everyone. It's a daring plunge into the abyss of the human psyche, a narrative that revels in its unsettling nature. But for those who revel in the unconventional and relish the unconventional chaos (like me), "Saltburn" might just become an adored and cherished experience.

While "Saltburn" grapples with its twisted narrative, it struggles to untangle itself from a convoluted storyline lacking coherence and strong character development. Yet, within this messy concoction, there's an undeniable sense of amusement that persists. It's a chaotic whirlwind that, despite its flaws, manages to retain a certain allure. However, what truly captivates this labyrinthine plot is the thematic depth it carries. Emerald Fennell orchestrates a tale submerged in themes of excess, envy, and unbridled ambition. Her unapologetic direction exposes the murky waters of human desires, unveiling the lengths individuals go to in pursuit of wealth and comfort. It's more than a mere "eat-the-rich" narrative; it's a profound commentary on the sacrifices one is willing to make for affluence. Fennell's artistry shines as she refines her directorial style, seamlessly weaving sound and cinematography to enhance the film's impact. Despite the narrative messiness, her adeptness at storytelling and the nuanced exploration of themes elevate the film beyond its tangled web of a plot.

Although the characters may lack some depth, the acting ensemble truly shines in this production. Barry Keoghan continues to showcase his ascent as one of Hollywood’s top emerging actors, delivering a chilling portrayal of Oliver Quick. His character’s blend of pathetic vulnerability and hidden malevolence creates a memorizing performance that captures attention. Jacob Elordi's portrayal is intriguingly captivating, balancing charisma with a quietly elitist aura that will mesmerize the audience. Moreover, Rosamund Pike and Richard E. Grant command attention with their uproarious portrayals of the chaotic and disconnected world of the elites, delivering moments of genuine hilarity.

"Saltburn" is a cinematic enigma, a whirlwind of chaos and audacity that leaves an indelible mark on the viewer. While the film grapples with its narrative complexities, its thematic depth and unflinching exploration of human desires linger in the mind long after the credits roll. Emerald Fennell's daring direction, though occasionally obscured by the film's turbulence, unveils a profound commentary on ambition and excess. It's a film that challenges, provokes, and intrigues, inviting audiences to wade into its murky waters. Despite its imperfections, "Saltburn" stands as a testament to the power of storytelling that both disturbs and captivates, leaving a lasting impression on those willing to navigate its captivating, albeit tempestuous, narrative journey.

My Rating: B+

The Iron Claw

The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 80s.

While wrestling isn't my forte, growing up in Texas acquainted me with the Von Erich brothers. I knew of their ‘“curse” but I did not expect this family to have such a tragic history. Writer and director, Sean Durkin dives into the harrowing tale of the Von Erick brothers, unearthing the tragic narrative that transcends the realm of wrestling lore. Here Derkin peels back the layers of generational trauma, painting a poignant picture of a family haunted by the weight of their legacy. Yet amidst this despair, a glimmer of hope emerges—a poignant testament to the power of brotherly love and the resilience to break free from the shackles of that very trauma.

Durkin delicately and compassionately guides us through the turbulent history of the Von Erich brothers, unflinchingly exposing the trauma and immense pressure imposed by Fritz Von Erich on his sons, living vicariously through their accomplishments. The film doesn't shy away from portraying the relentless demands Fritz imposed on his boys, pushing them to their limits to fulfill his own unattained ambitions. Despite enduring this abuse, the resilient bond between the brothers stands as a powerful testament to solidarity and endurance in the face of paternal tyranny. However, the strength of brotherly love has its limits. The narrative unfolds tragically, depicting a series of devastating events from su*cides to heartbreaking illnesses that tears this family apart. As the patriarch is forced to confront his own actions, the remaining son courageously breaks free from the chains of his father's influence. "The Iron Claw" paints a heartrending portrait of human struggles, the repercussions of fame, and the haunting inheritance of generational trauma. Yet, amidst this turmoil, it poignantly illustrates how resilience can emerge even from the darkest and most trying circumstances.

Zac Efron delivers an astounding portrayal of Kevin Von Erich, marking a career-defining performance. His depiction of the lone surviving brother is deeply haunting, showcasing an incredible depth of emotion and sorrow communicated through silent yet profoundly impactful expressions. Jeremy Allen White, Harris Dickinson, and Stanley Simons deliver equally poignant performances, conveying immense trauma and shame with the quiet intensity of their eyes, a mesmerizing display of acting prowess. Holt McCalleny impeccably embodies the toxic patriarch, Fritz Von Erich, exuding a perfectly calibrated harmful demeanor that fits the role flawlessly. On the other hand, Lily James' performance radiates hope, serving as the epitome of resilience in the narrative.

The narrative ventures beyond the confines of wrestling, delving into the tragic tale of the Von Erich family. Poignant performances paint a vivid tapestry of suffering and strength under the weight of paternal oppression. In moments of heart-wrenching sorrow and unwavering fraternal bond, the film unravels a complex story interwoven with resilience rising from profound darkness. "The Iron Claw" deserves recognition from the Academy. Alongside its compelling storytelling, the wrestling scenes are a spectacle, flawlessly capturing the fervor of early '80s wrestling.

My Rating: A-

1 note · View note

Last Seen Blogs

jun9w0n

🦢

idliketoseeformyself

When You Are Lost, Its Easy To Pick A Dirrection

thirdgirl

chochois agenda

my-fucking-lgtb-life

4notherTommy

chiconon

♡