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chriscdcase95 · 1 year

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Terrifier 3 predictions

Edit: as of November of 2023, and Terrifier 3’a actual preview, this post is outdated.

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Read the title. It may be a little early to make predications (edit: yup) on the third Terrifier, but it’s been on my mind for a while now.

I’ve been writing these down since the DVD release, but I’m just getting to editing and posting them now.

So I’m just gonna stop wasting time with introductions, and get to the list.

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1. It'll be set on the same night as Terrifier 2.

Damien Leone said the third movie picks up right after 2, and seeing as it’s implied to be just after Sienna decapitates Art, I doubt there’ll be a time skip. It may even homage something like Halloween II or Halloween Kills.

With this in mind, Sienna and Jonathan wouldn’t have had time to recuperate after their fight with Art; and assuming Sienna gets any kind of “Angel” powers to counter Art’s she wouldn’t have enough time to master her them.

This would allow Sienna to learn to master these powers over the movie, and keep her from being this invincible OP hero.

2. Terrifier 3 will have a hospital setting.

Again, maybe as a homage to Halloween II, but a lot of my predictions have to do with characters going to a hospital or two.

Which kind, I don’t know. An emergency room would be most likely for Jonathan at least, but Art and the Possessed Vicky are in a psychiatric clinic. I can’t think of a believable reason they’d be in the same building. Maybe the staff are forced to take Vicky to the hospital, but wouldn’t the ward have its own medical wing ?

Maybe I’m overthinking it.

It should be noted that Damien Leone also wanted to make a feature film based off The 9th Circle short film (Art’s debut). Before that idea was scrapped, its story would have involved teenagers being trapped in an abandoned hospital, overrun by demons.

Leone already recycled some of his old ideas for Terrifier 2; Sienna herself was based on a character he wanted to write back in 2008, so I can see him reviving some of the scrapped film here.

It might even be dubbed something like “Terrifier: The 9th Circle”.

Which leads us too…

3. Art will be out of commission for much of the movie…I mean, he’s literally a head at this point. But this would lead to other threats taking the stand.

I’m talking about The 9th Circle demons. Art is practically backed up by the forces of Hell, and apparently he’s important enough to them that his resurrection is a must.

So what I’m picturing is these demons stepping into the fray. If they go the hospital route, and revise The 9th Circle, these demons would take over the hospital, killing in Art’s place while rebuilding his body.

For example, they would kill and mutilate staff and patients for body parts/organs, Frankenstien-ing a body for Art to reattach his head.

Plus it gives Sienna something to build her power on. She wouldn’t just be fighting Art himself, but numerous demons of different varieties and powers. Think Die Hard in a demon infested hospital.

4. If Art is out of commission, we may learn some of his backstory. Being a reanimated head, it’s not like Art can do much of anything besides think.

So to pass the time, we’d get flashbacks here and there about Art’s past with Art thinking about how he got here…but they will subvert the typical slasher villain sob story, and keep him unsympathetic.

Here’s some examples, off the top of my head.

Art was bullied as a child ? Well, who doesn’t get bullied ? Plus, it would turn out the bullying he suffered was mere teasing, or at least pretty tame compared to more severe examples of bullying. Carrie White, he is not.

If they build up an abusive parents backstory ? It turns out his parents were well meaning, if strict and disconnected, at worst. The examples of “abuse” Art apparently suffered consisted of having to do mundane chores around the house every now and then.

If Art had someone in his life who left him and broke his heart ? Art was an emotionally distant boyfriend (at best) especially when it was clear his partner was going through something that he was indifferent too.

Alternatively, whoever broke Art’s heart wasn’t romantically involved with him in the first place; Art just had a really bad case of “Nice Guy Syndrome”.

Again, these are just examples I’d think of; things that wouldn’t make Art tragic or sympathetic, or even explain why he such a raasclaat pulling this kind of buffoonery.

5. Going with the above, if - and that’s a Big IF - we get any kind of face/voice reveal for Art, they’re gonna pull the “They Look Just Like Everyone Else” card.

It'd revealed that underneath his clown getup, Art isn’t actually deformed; his silent clown gimmick is just that; his costume is just that. His pointy nose ? Prosthetics. His rotting teeth ? Dentures you could pick up at a Halloween store.

If we ever see Art without his makeup (or prosthetics), it’s just David Howard Thorton’s normal face. Art may not even be a genuine mute; his silence would just be part of the shtick. If we hear Art’s speak, it’s just David Howard Thorton’s natural speaking voice.

The reason why no one was able to find Art over the years isn’t supernatural or that he just has a good hiding spot; he just has such a mundane and casual appearance and demeanor.

You wouldn’t think to question the guy minding his own business at the pancake house, or the grocery store, or hanging around the mall.

You could be sitting across the table from Art at a dinner date, remarking about the Miles County Massacre, and you wouldn’t be the wiser as he nods and smiles.

Think Machine’s face reveal from 8MM, and you’ll get a good idea of what I’m talking about.

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Going with this, if they want to do an “Art gets away” cliffhanger…it would just be Art getting out of his costume and makeup dressing in mundane clothes and blending into a crowd.

6. If Allie’s alive...it’ll be a “Be Careful What You Wish For” twist.

Allie has become a popular supporting character, even with (and partially because) of her infamous “death” scene. So much so, a portion fanbase wants her to come back in the third movie.

And to be fair, we don’t see her expire…

But there’s a catch. In the first Terrifier, Vicky survives Art’s attack and is left mutilated and disfigured. In the original Terrifier short, Art purposefully keeps a victim alive and heavily mutilated for his amusement.

What I’m getting at is if Allie is still alive after all of that…we can only expect her to be in this miserable state, left heavily mutilated and disfigured from Art’s attack.

If this goes for the hospital route, Sienna may pay her a visit, and the scene may be played as a Tear Jerker; practically nudging at the audience saying “Well, you wanted her alive! Are you happy ?”

And that’s not counting the possibility of Art or one of his demonic partners tormenting a hospitalized Allie throughout.

One upside I can see is, if Sienna is gaining angelic powers…angels are often depicted as having this power to heal others.

Now, I’m not saying I see Sienna magically restoring Allie’s body and undoing her mutilation…but maybe a scene where she takes Allie’s physical pain away, and causes Allie to feel an uncontrollable rush of happiness/relief.

Not sure if I can see Damien Leone doing something this hopeful, but it’d be nice to see. I was listening to Robbie Williams’ “Angels” when I wrote this part down.

#terrifier #terrifier 2 #art the clown #sienna shaw #little pale girl #jonathan shaw #allie terrifier #damien leone #david howard thornton #elliot fullam #amelie mclain #casey hartnett #all hollows eve #the 9th circle #Youtube

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moviemosaics · 1 year

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Terrifier 2

directed by Damien Leone, 2022

#Terrifier 2 #Damien Leone #movie mosaics #David Howard Thornton #Lauren LaVera #Amelie McLain #Kailey Hyman #Casey Hartnett #Elliott Fullam

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anhed-nia · 1 year

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BLOGTOBER 10/26/2022: TERRIFIER 2 (and various other TERRIFIERS)

I've been trying to wrap my head around the Art the Clown phenomenon for a minute now, and I may be developing a kind of begrudging respect for it, but I still don't know if I really get it. The thing that keeps me from dismissing it outright as just a bunch of edgelord nonsense is that even at their worst, these movies seem like a ton of work to make, featuring elaborate gore gags that would be a huge pain in the ass for a small, independent crew to create. On their tiny budgetary scale, movies like ALL HALLOW'S EVE and TERRIFIER 1 & 2 really have to run on love and desire, which I think are the most important ingredients in any production. What I struggle with is the everything-else part: I'm not sure these movies are motivated by anything other than the urge to offend, which is kind of lame when it stands alone. The best thing about them for me, personally, is that they challenge me to question if I really am offended by them for reasons other than their prurient nature—and if so, how and why.

The Art the Clown trilogy is less like a collection of three movies starring a central character, and more like a single movie that has been gestating over the course of three releases. TERRIFIER 2 is inarguably the most creative and mature (am I really saying this?) of the three, amalgamating choice elements of its two predecessors into something that is more like a "real movie" and less like an excuse to try out a bunch of fucked-up ideas. And I don't mean to shit on the idea of making a movie as a sandbox for special effects; people have been doing that from the earliest origins of the horror genre. But, there's something a little different about modern projects that should benefit from the films that have gone before. I find it hard not to judge movies a little more harshly if they've come out during my own lifetime. I assume that those filmmakers know what I know, and I might expect them to use that knowledge a certain way.

When Joe Bob Briggs ran John Carpenter's HALLOWEEN on The Last Drive-In, he remarked (approximately) that it was the first time a violent slasher movie starred a psychopath, where audiences didn't have to worry that the film itself was made BY psychopaths, unlike the gnarlier material that circulated in the Times Square grindhouses of the 1970s. HALLOWEEN was obviously made by UCLA-trained professionals with mainstream aspirations, and if it suffered from accusations of misogyny and sadism, this was because it was being compared to more mainstream fare by people who saw it in suburban theaters; those critics didn't have the context of the world's many LAST HOUSEs (ON THE LEFT, or ON DEAD END STREET, or wherever), movies made by former pornographers and angry young men whose main motivation, besides making a quick and dirty buck, was just to be extremely antisocial. As a modern viewer, when I watch something like HOUSE ON THE EDGE OF THE PARK, I understand that it comes from a different universe than the one I live in; it's darker, more desperate, forged by different historical and socioeconomic forces, and I relish the opportunity to delve into that psycho-social space without being directly subjected to the grim reality from whence it came. It's all sort of academic for me. Nowadays, people who make really antisocial movies are all nerds; their movies tend to be an act of fandom, and even if they're trying to one-up young Sam Raimi or Peter Jackson in the fucked-uppedness department, you can tell where they're coming from culturally. You don't have to risk life and limb to see their movies in the woebegone grindhouses of yesteryear, and if you've even heard of them, you're probably a nerd, too. All this can make these productions less threatening and more familiar, regardless of how demented their content is.

As a brief aside, though: Apparently there are reports going around of people vomiting and fainting in theatrical audiences for TERRIFIER 2, and who knows if that's true or just an exciting rumor, but it's astounding to me that A) a movie like this is playing in the kinds of theaters that serve vulnerable normie viewers to begin with, and b) the rumor of this visceral audience response has been repeated in USA Today. I mean when I was growing up, if something like EVIL DEAD or DEAD ALIVE turned up in an extremely mainstream publication, it would be because of the Satanic Panic, it would be because the 700 Club was going after it or something. And in my mind, the TERRIFIER series is in a sub-basement way beneath the level of EVIL DEAD; it's from a grimy, underground place that's barely even connected to the world where fans of SCREAM or Chucky live. The fact that it's in movie theaters when fewer and fewer films are getting theatrical releases at all is wild enough to me, but a spotlight in USA Today is way, way beyond my comprehension. It's like if Olaf Ittenbach's BURNING MOON were reviewed by Leonard Maltin. I almost love that this is happening. It's like, am I on another planet?

Anyway.

Where was I?

Oh yeah, whether it's fair or not, I tend to hold modern creators of "fucked up" movies to a different standard than their predecessors. I think the new kids can be accused of lacking the innocence of the exploitation artists of previous decades. Someone like Herschell Gordon Lewis would have been aware of the rising tide of social change, but he wasn't raised with political correctness as the norm; he was an entrepreneur who knew that the then-new splatter subgenre would be a must-see novelty for contemporary audiences. And, on some level, misogynistic anger was ordinary and unquestioned. On the other hand, when you make a movie in 2016 at the beginning of the Trump era where a crazed killer saws a teenage girl in half vagina-first, it has a different vibe. The ironic pleasure of seeing a really uninhibited film from a more ignorant era is nowhere to be found, and you have to ask yourself: What the fuck is this movie's problem?

To be really, really clear, I don't think that media should be constrained to saying whatever we think is good for society in real life. I think artists have as much right to say whatever they want, as audiences have to criticize it as harshly as they like, or to simply change the channel. (I'd put a boundary on this only where we're talking about out in the open political propaganda whose obvious motivation is a call to action, but fortunately, that's not what I'm dealing with in this piece) There is no level on which I'm suggesting that filmmaker Damien Leone shouldn't be doing what he does, and in our intensely moralizing cultural moment, I hope that nothing I say about his movies is taken as a recommendation to censure him. I just find it impossible to talk about his invention of Art the Clown without addressing the extreme, misogynistic hostility that pours out of these projects. It's probably reasonable to assume that creators of this ilk stage gonzo attacks on female victims out of an affectionate nostalgia for films like MANIAC and THE TOOLBOX MURDERS that so worried second wave feminists. In the case of the TERRIFIER movies, though, one might feel like they push things past the point of homage and into what can come off as a real love of the thought of chopping up girls.

Damien Leone's 2013 anthology film ALL HALLOW'S EVE is best known as a container for his 2011 short TERRIFIER, in which a young, horror-loving costume designer is tormented by the silent, psychotic Art the Clown. In that segment, after decorating a gas station bathroom with his own excretia, Art hounds the young woman, whipping her with a scourge made out of all sorts of sharp objects, and eventually amputating her limbs and carving slurs like SLUT and CUNT all over what remains of her body. Some of these images made their way into the feature version of TERRIFIER five years later, though notably not the latter bit, which—and I know this is going to make me sound insane considering the context—is just really unnecessary. Art the Clown functions best as a chaos agent who dismantles everyone and everything in his way purely for his own amusement, so there's something off about him focusing on a hatred of attractive young women specifically. You kind of want Art to be like a slasher movie version of Bugs Bunny; when he expresses this incel obsession with women as sources of sexual frustration, it's limiting and distracting. It feels like something the movie insists on to its own detriment…and like, why?

2016's TERRIFIER may have disposed of the idea of vandalizing a woman's body with "whore"-type epithets, but it sticks with the notion of targeting attractive girls and taking away their beauty to punish them. Sure, there are a few male victims in this movie, but who could possibly remember them when the movie's centerpiece is a nude teenage girl who Art bisects with a hacksaw, beginning at her crotch? The doomed men don't quite get the same gender-specific treatment as a bag lady whose severed breasts Art parades around in, or the girl whose face Art eats, leaving her as a circus freak version of herself whose outrageous ugliness drives her insane. TERRIFIER moves so single-mindedly from one gore gag to another, without anything resembling character or plot development, that it's hard not to focus on the rather specific spectacle of violence against women and their femininity.

By contrast, 2022's TERRIFIER 2 is a masterpiece of dramaturgy. Sure, it takes almost two and a half hours to make its point (?!), but this movie has distinct characters, a story, and more experimentation to offer than its predecessors. Interestingly, it also represents a culmination of all of Damien Leone's creative work. All three have an opening salvo that involves a bunch of literal shit, a cat o' nine tails scene, and the idea of women losing their minds when they lose their attractiveness. TERRIFIER 2 also brings the realization of failed plans Leone had for his first short, THE 9TH CIRCLE, which was originally meant to involve an angel figure battling Art the Clown. Finally, the latest film blows up a detail from the least of the three components of ALL HALLOW'S EVE, and makes it a central piece of the puzzle: The middle section of the anthology features a woman being terrorized by an alien invader, but a stray piece of that story is that her absent husband makes disturbing paintings featuring Art. That's a loose thread in ALL HALLOW'S, but in TERRIFIER 2 it becomes the key to the protagonist's destiny. I may not love these movies, but I respect Leone's long-term focus, and it has brought him a long way from his humbler origins.

TERRIFIER 2 finds aspiring costume designer Sienna (the very appealing Laura LaVera) painstakingly assembling a She-Ra-like Halloween costume based on her late father's designs. Sienna and her little brother Jonathan (Elliott Fullam) have both inherited his interest in dark fantasy, but where Sienna channels it into productively chasing after her career goals, Jonathan is haunted by their father's visions. He pores over an old sketch book containing images suggestive of the Miles County Massacre that took place in the first TERRIFIER film, and plans to go as Art the Clown for Halloween. Sienna and their mother Barbara (Sarah Voigt) worry that Jonathan is a burgeoning psycho, but we see him as a sensitive young man who his ambivalently drawn to what frightens him—a relatable characteristic for any horror fan—and moreover, these images are all he has left of his dad, who committed suicide after a battle with brain cancer. The family speculates that their patriarch's disturbing visions resulted from his tumor, but both Sienna and Jonathan suffer similarly: while Jonathan fixates helplessly on Art, Sienna has disturbing nightmares about the clown, and is already being medicated for psychological issues. Art (David Howard Thornton who, let's face it, makes these movies), meanwhile, is having his own familial experience with a new character credited as the Little Pale Girl (Amelie McLain), a psychotic tot made in Art's image who accompanies him on his new killing spree. Only Sienna and Jonathan can see the Pale Girl, suggesting that she is the product of whatever supernatural force resurrected Art at the end of the first TERRIFIER film; furthermore, it becomes clear that Jonathan and Sienna's father was not deranged by illness, but he had actually channeled a vision of how his children could put a stop to the clown's rampage.

Whether or not this story achieves real coherence is beside the point, which I posit is about how you channel your id material. The kids' father was tormented by it unto death; Art and his daughter (?) enjoy it shamelessly; Jonathan tries to understand what scares him; Sienna makes herself into an avenging angel that can defeat it. It's an interesting meditation for a series of movies that appear to be all about pure aggression and the pleasure of stirring people up. After fifteen years of hard work, Damien Leone has refined his vision into an essay on the faces of horror fandom: Many people are happy to accuse horror fans of psychopathy, ignoring the fact that fans are often sensitive types who use the genre to safely explore difficult feelings and experiences. Sure, some of us turn into assholes, but others find paths that are creative and productive, not destructive. And this is how, after hours of sometimes-painful viewing and chewing, I have somehow found my way to finding something nice to say about the TERRIFIER series. I may not have enjoyed it, but I came to respect it (or at least, the incredible work ethic required to get it done), and I think maybe I finally get it. Still and all, I'm glad I can finally stop watching it. Onto the next!

#blogtober #blogtober 2022 #terrifier #terrifier 2 #all hallow's eve #anthology #horror #slasher #supernatural #killer clown #damien leone #laura lavera #elliott fullam #Amelie McLain #sarah voigt #David Howard Thornton

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rookie-critic · 1 year

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Terrifier 2 (2022, dir. Damien Leone) - review by Rookie-Critic

Ok. Terrifier 2. Now we're cooking with gas. With this installment of the cult-horror franchise, started by the atrocious All Hallows' Eve in 2013, Leone has finally hit his stride. This film takes everything that was so bad about the first two films in the franchise and improves it to a point that, dare I say, we actually have a good 80's-inspired B-movie slasher on our hands. Art the Clown finally gets to exist in a film where he's not being dragged down by everything around him. You can enjoy the gory splatterfest kills and practical effects (which are all still incredibly well done for the increased-but-still-modest budget the film was made on) without having to bemoan literally everything else. The acting is finally good, or, at the very least, good enough to emulate the B-movie feel this franchise is built on, and the main character is actually interesting. Lauren LaVera has great screen presence and, in the scenes she shares with Art, does not get lost in David Howard Thornton's performance. They genuinely share the screen in a way that no other character in this franchise has managed to accomplish so far. Also, Art is hilarious in this one (when he's not utterly terrifying, of course). There are multiple sequences and gags in this film that got me to audibly gut laugh. One particular scene early on in the film's massive runtime involving Art trying on sunglasses in a costume store comes to mind as the one that busted the dam open for me.

This movie is a staggering 2 hours and 28 minutes, an insane runtime for a slasher film, and I was never bored. I saw this on a Monday night at 9:30 running on about 3 hours of sleep and never once felt like I was about to pass out. All of this to say that, for a franchise that I actively disliked, and walked into the theater the night I saw it ready to rip it to shreds, it is a massive improvement and a good film. Of course, it isn't perfect. There are a couple of small instances of the hallmark misogyny that plagued the previous two installments in this one, which is disappointing, but the presence is greatly reduced down to almost nothing. Also, while most of the acting was good and the writing is way better in this one, there were a few characters that could have been better and a few moments in the script that came off as cringey. It was a little distracting when everything else was going so well and then there would be a bad line read or an over exaggerated response to something and it would take me out of it. Lastly, and this one I don't particularly mind as much, is this film leaves a ton open. Obviously Leone wants there to be a Terrifier 3, but Terrifier 2 definitely cannot stand on its own two legs from a plot standpoint, and with a franchise as inconsistent as this one, I worry that openness will make it a hard barrier for entry that people will have to suffer through at least one godawful film before getting to see this one. However, whenever Leone eventually does make a Terrifier 3, I will be in the audience, hoping for even further improvement.

Score: 7/10

Currently streaming on Screambox. Also available to rent or purchase on digital (iTunes, Amazon, Vudu, etc.) and on DVD, Blu-Ray, and 4K through Cinedigm/Screambox.

#Terrifier 2 #Terrifier #Art the Clown #Damien Leone #Lauren LaVera #David Howard Thornton #Elliott Fullam #Casey Hartnett #Amelie McLain #Sarah Voigt #Kailey Hyman #Charlie McElveen #Chris Jericho #Samantha Scaffidi #film review #movie review #2022 films

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halloweendailynews · 1 year

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[Interview] Amelie McLain Talks Teaming with Art the Clown as the Pale Girl in 'Terrifier 2'

Art the Clown is back in the ultra blood soaked sequel Terrifier 2 (read our review here), which is making history with unprecedented success for an unrated independent film, and perhaps the movie’s biggest surprise is the debut of a brand new character, credited only as “Little Pale Girl”, and so we were excited to talk to 13-year-old Amelie McLain about playing the creepy role and working…

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#Amelie McLain #Art the Clown #Terrifier 2

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bkenber · 1 year

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'Terrifier 2' - Old School Horror at its Bloodiest and Goriest

‘Terrifier 2’ – Old School Horror at its Bloodiest and Goriest

For those of you who thought “Halloween Ends” did not deliver in the way a horror film should, and I’m still not sure what you all were expecting with that one, “Terrifier 2” definitely delivers. While David Gordon Green and his fellow filmmakers looked to challenge what we have seen in the past, writer and director Damien Leone is more than happy to wallow in genre conventions as he gives us all…

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pascow · 1 year

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Amelie McLain as The Little Pale Girl / Emily Crane in TERRIFIER 2 (2022) dir. Damien Leone

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bebx · 1 year

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Terrifier fam V.S. poor Art the Clown cake today at Monster Mania Con, with

Damien Leone (the director, writer, producer, editor & FX makeup artist)

David Howard Thornton (Art the Clown)

Mike Giannelli (the original Art the Clown)

Amelie McLain (Emily Crane / The Little Pale Girl)

Lauren LaVera (Sienna Shaw)

Phil Falcone (producer, Assistant Special Effects Artist)

Michael Leavy (producer)

Credit: llamawhispers on instagram

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brokehorrorfan · 7 months

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Trick or Treat Studios is releasing an official costume for Terrifier 2's Little Pale Girl. Priced at $40, includes dress, hat hair clip, and two-tone socks. It will ship in October.

#terrifier 2 #terrifier #terrifier 3 #art the clown #damien leone #halloween #trick or treat studios #toy #gift #amelie mclain #david howard thornton #horror #slasher #lauren lavera #sienna shaw

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justthegreat1 · 1 year

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A work of Art: Terrifier 2 Review

Pictured above is the “Terrifier 2 poster”. Image credit: CINEDIGM, iconic events releasing, SCREAMBOX, and BloodyDisgusting

9 years ago, A soon-to-be horror icon was born, and his name is Art the Clown who was previously played by Mike Gianelli in the film “All Hallows Eve”. Art the Clown is a character I have been wanting to talk about on this blog for a while and I’m so happy to be getting an opportunity to talk about this character who is currently played by David Howard Thornton. This review is going to be in two sections, my spoiler free thoughts on the movie and my spoiler filled thoughts on it. So, here we go.

Terrifier 2 is a 2022 horror film directed by Damien Leone (All Hallows Eve, All Hallows Eve 2, and Terrifer) who also produced this movie. The cast includes David Howard Thornton as Art the Clown, Lauren LaVera as Sienna Shaw, Elliott Fulham as Jonathan Shaw, Sarah Voigt as Barbara Shaw, Amelie McLain as The Little Pale Girl / Emily Crane, Chris Jericho as Burke, Kailey Hyman as Brooke, Casey Hartnett as Allie, Charlie McElveen as Jeff, Johnnath Davis as Ricky, Amy Russ as Allie’s mother, Cory DuVal as Coroner, Samantha Scaffidi as Victoria “Vicky” Heyes, Griffin Santopietro as Eric, Owen Myre as Sean, Felissa Rose as Ms. Principe, Tamara Glynn as Shopping mother, and Nedim Jahić as Travis Bryant.

The plot:

After being resurrected by a sinister entity, Art the Clown returns to Miles County where he begins to target a teenage girl and her younger brother on Halloween.

Spoiler free section:

Positives- One of the many positives I have about Terrifer 2 is the use of practical effects. I must give props to the makeup department as they did an amazing job with the blood and gore in this movie (That probably makes me sound like a sick person) as there is one scene where I wanted to look away but couldn’t. Don’t worry, we will discuss that scene in the spoiler section of this review. For a movie with a low budget, the practical effects look amazing compared to CGI in other movies…but that is just my opinion.

The second positive I have about Terrifer 2 is that the acting was better than part 1, now don’t get me wrong, I enjoyed the first one, hell I own it. But the acting in this movie was a step up. David Howard Thornton is a scene stealer every time he is on screen as Art the Clown. He can make you feel afraid and some scenes he will make you laugh (or cry if you are afraid of clowns…) Lauren LaVera is great in the role of Sienna, her performance makes you root for the character and she makes smart decisions in a world where horror characters rarely do that (unless you’re name isn’t Laurie Strode from “Halloween” or Erin from “You’re Next”).

Pictured above is David Howard Thornton as Art the Clown

The third and final positive I have about Terrifer 2 is that it is entertaining. It is a throwback to super gory horror movies of the 80’s-90’s with it’s use of practical effects and David Howard Thornton’s performance as Art the Clown…you will not be bored. I’m glad that a movie with a budget of $250,000 earned $11.3 million at the box office and is getting plenty of attention from the internet, news channels, and daytime talk shows which is shocking considering the content that is in this movie.

Stay for the post credit scene.

Negatives:

I surprisingly have two negatives for this movie and that is we don’t learn about Art’s backstory and his motivations. We get hints throughout the movie…but it doesn’t pay off. Another negative I have is the lack of character development. With a runtime of 2 hours and 18 minutes, you would expect some character development. But, don’t let these negatives affect your experience of viewing Terrifier 2 as it has rewatch value.

Spoilers

You are now entering the spoiler section of this review if you didn’t see Terrifier 2…avoid this section of this review. If you have seen Terrifer 2 or don’t want to see it, feel free to read this section.

Thank you

So, Earlier I talked briefly about a certain scene in the movie where I wanted to look but couldn’t and that is the bedroom scene. In this scene Art the Clown brutally mutilates Allie to the point of beyond recognition and he pours salt and bleach on her body (ouch). Art the Clown breaks her arms like how I break chicken wings to get the meat (I’m sorry that I put that image in your head dear reader.) There were a lot of crunching noises in that scene. There was a second scene I wanted to look away from the screen and that was the post credit scene and, in this scene, Victoria writes “Vicky + Art” with her blood (I’m not even going to say where the blood comes from). After this she gives birth to Art’s head and my reaction to this was “What the hell?!”.

My overall thoughts:

After watching this movie, I have to say that this movie delivers on the bloody ultraviolence Art the Clown is known for, while giving us likeable characters and great acting from the cast. Also, this might be the scariest movie I have seen all year (so far).

What did you think about Terrifier 2?

Feel free to leave a comment.

Where to watch Terrifer 2?

Terrifer 2 can currently be watched on ScreamBox, Digital Retailers, and the Blu-Ray and DVD coming on December 27th,2022.

Sources of Information:

Terrifer 2-IMDB

ScreamBox: Terrifer 2

The Numbers.com: Terrifer 2

#terrifer 2 #terrifier #art the clown #movie review #horror #lets discuss #discussion #ScreamBox #2022 horror movies

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