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#am sullivan
llovelymoonn · 2 years
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some of my favourite poems i've read this month:
emily jungmin yoon bell theory
sumita chakraborty dear, beloved
s.j. fowler violence on the internet
david bromwich separate dwelling
a.m. sullivan symbols for deceit
g.e. murray arts of a cold sun: "long story short"
john murillo upon reading that eric dolphy transcribed even the calls of certain species of birds,
tory dent the moon and the yew tree
alice fulton personally engraved
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purpleandstarlight · 9 months
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Dropping these off before going to sleep <3
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james-p-sullivan · 6 months
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martyrbat · 16 days
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alexa play gary come home :((
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freshbaked-bread · 4 months
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reading scratchman and my harry sullivan brainrot has once again been reawakened
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xatsperesso · 8 months
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Hi, I read your "iruma is manipulative as a survival mechanism" posts and really liked them!! It really really makes sense to me. If a child is left in a neglectful place where they have no protectors, the child can very well choose their method of protection as being perceived as extremely nice, likeable and good. Pretending to be "good" and "happy" might be a trauma response or a survival strategy for him. I hadn't thought of it through this angle before, so I really loved your posts on it!!!
Thank you!! I've had this idea for so long but i cant commit to it right now and im afraid that when im ready to commit to a long fic I'd have lost my love to m!ik
And the idea of iruma choosing manipulation as a survival mechanism (i really like how you worded it im stealing that) just makes so much sense to me! Like what can a child really do? With their short legs and weak arms that makes them so so weak? With adults always undermining them and humouring them and just controlling their lives whether it is for the best or for the worst?
The best thing iruma could've done is to play nice and play cute. Never let anyone know how his home life is because he doesn't know anything other than the neglect. Grows up a bit and goes from collecting fruits to hunting fish, from living in the wild to learning that the city has a lot more food that is a whole ass lot tastier! From acting very cute in front of street vendors for some food to stealing from shops and selling what he stole "to raise money to charity!". From being his parents slave helper to being a big source of money to them
He grows up some more and realises that other kids dont do what he does, that they don't give their every second to pay back to their parents, but he also realises that there are kids who have a lot worse than him. That most of them go unnoticed, and that those who are noticed and rescued usually dont get what they are promised. Not when they're so old, so bitter, so untrusting
And so he keeps on hiding, acknowledging that he's owed a lot more than he was given, but doesn't utter a word in fear of the unknown, because at least he knows what to expect in this household.
He gets mad and angry at his parents, at the world and at every adult who does not notice the pain that he's in, but doesn't hold ontothe resentment for long as it is very hard to hide a hatred that runs deep into your bones.
So he smiles and laughs with his peers, he respects and does what his teahers ask of him, he steals and sells and works and works and works for his parents in fear that one day he'll become of no use to them. That one day they'll abandon him before he's old enough to survive truly on his own
And that's exactly what they did, didn't they? They pushed him off the nest before he could soar on his own. Threw him at a pack of wolves for money that could barely get them through one year, and these are people who have not worked for over ten years.
And to be fair to them (Which is a very hard thing to do) iruma did agree. Maybe out of fear, maybe out of hope, maybe out of curiosity, or maybe because he lost hope in the world that he lives in, but he did agree to be sold.
And now it'd take time for him to truly believe that he is safe. That he is wanted. That they aren't just pretending to get something out of him. That he is truly, utterly and wholly loved by everyone around him
Btw iruma in this au will keep on pretending and convincing himslef that sullivan doesn't love him until the heartbreaker arc when sullivan hugs him out of pure relief and fear. Iruma would so hesitantly, so tentatively raise his hand to hug him back, but the second he does his hands latch onto his suit, his whole body starts shaking and he tries to hide his face into Sullivan’s shoulder to hide the fact that he's crying, because no one has ever cared this much about him.
And you can bet that at this moment sullivan would not let him go. That he would craddle him in his arms and hold him as closely as he can without hurting him, that even whe they're in the saftey of their home (home! Not house! Home) sullivan wouldn't let him go, until Opera comes and tells him that he needs to sleep. That he could take iruma to his room if he wishes to, but both of them need sleep
Anyways, thank you so much for telling me how you feel about this idea! And I may have rambled a bit but i didn't really know what to say but i really appreciate your ask!
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angxliquel · 11 months
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IS THAT THE EMPIRE STATE BUILDING OR AM I GOING CRAZY
DONT TELL ME THEY GET ALL THE WAY TO NEW YORK ONLY TO BE DRAGGED TO THE MONSTER DIMENSION
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Pros: I can now sing (badly) every word of a total of twenty two Gilbert and Sullivan songs.
Cons: no one cares.
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norollsbarred · 11 months
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Loved the suits this episode
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spineless-lobster · 11 months
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I think it’s interesting that the Captain loves Gilbert and Sullivan so much because not only is it musical theatre, but I e noticed there are some common themes in most Gilbert and Sullivan operettas. (Especially the ones Cap mentions, The Pirates of Penzance and The Mikado)
The Pirates of Penzance (as well as HMS Pinafore) focus on themes of forbidden love, in PoP it’s because the main character is a pirate. In HMSP it’s due to class differences.
I can imagine a young Cap, wondering why the feelings he’s having towards other boys is so frowned upon. And seeing those concerns reflected in the opera.
The Mikado is a satirical take on capital punishment, the crime in the opera that’s punishable by death is flirting. Now, I’m not saying Gilbert intended that to be some Victorian commentary on gay rights; but being sentenced to death for loving someone is not an exclusively heterosexual problem.
The fact that the Captain (along with Fanny) canonically praised the opera for it’s comedy regarding this theme kind of says a lot about him. He puts up this front of a stiff upper lip perfect English gentleman but reality he despises the establishment of his era.
The last thing I want point out is that (as far as I know) every Gilbert and Sullivan opera ends with a happy ending. The forbidden lovers manage to beat the system via some sort of loophole and they get to live happily ever after.
I think the Captain loves these operas so much because he gets to see people who cannot love who they want to due to an oppressive system; people like him, receive the happy ending he wishes he could have.
He gets to have second-hand queer euphoria along with catchy songs and funny jokes, all while presenting himself as socially acceptable. And I think he deserves that happiness.
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the-cooler-sidestep · 11 months
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so uh, herald, huh guys?
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The most wholesome teammates
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wonkyradio · 21 hours
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This bad boy can fit so much trauma
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skleech · 6 months
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characters from media i enjoy who happen to have a blue colour scheme (sorta)
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beastofwant · 7 months
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POV it's 3am and the ghost of walter sullivan is recording a tiktok in your living room
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wingedog · 1 year
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Polycule nap pile running away from monsters is a lotta work!
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