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#also like.....where tf is highlight???? like theyre active they just had a really successful cb theyre an industry staple?
sanstropfremir · 1 year
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i’m sure u received asks about the mma 2022 performances - hoping i’m not adding too much noise ur inbox 🫡
but i feel a bit underwhelmed with these performances? i was sad to see the lineups for all of the upcoming award shows and how there aren’t a lot (or any) 2nd gen/3rd gen performers. granted there aren’t as many 2nd gen active kpop artists that are doing music (most ventured into acting but also hello! i want a key gasoline end of year stage!). and 3rd gen bgs are enlisting + ggs disbanded or not as mainstream.
i’ve seen a lot of praise for le sseafim’s stage but idk it wasn’t anything wow. it felt awkward to me?
i haven't actually, it seems like everyone (including me) forgot about it. i don't know what the full list of performers is so i probably haven't watched all of them, but yea almost no strong performances. what the hell is wrong with the creative directors for these groups, like did y'all forget how stage a good awards show performance in two years? the mmas gave like 11-12 minutes to all these trendy fourth gen groups and NONE of them could keep any semblence of my attention for more than maybe three minutes. the only two groups that actually understood the scale of what they were supposed to be doing were monsta x and ive, bc starship has been sending groups to awards shows for ages. and of that mx's was the only one that was actually interesting and in proper scale for the event, and they did it in less time than everyone else. and also gidle but like. was that a good performance? no, but at least they got the scale right.
tbh the main problem seems to me that all these groups are doing songs/vcrs etc that are just too sedate/slow for that large a stage and they aren't planned well. some groups are kinda sol in that regard (sorry newjeans, your music isnt gonna work on an awards show stage without revamping the production), but literally why were there vcrs in the middle of some of these performances. the one in the ive performance literally just covered up them WALKING TO A DIFFERENT PART OF THE STAGE. why. are you too good to sing a song and hype up the audience while you walk? i dont even want to talk about the txt performance it has some of the worst everything i've seen in a hot minute. the le sserafim stage had extremely poor understanding of how to actually use the stage properly and pathetic styling. like sorry diesel outfits do NOT cut it for an awards show performance. enhypen had legitimately horrible styling like what the actual fuck was that. a lot of these groups are treating these stages as extentions of their 'lore' or whatever and having these ponderous ~mysterious~ vcrs without actually realizing that that is not what these shows are for. these shows need BIG performances bc they are long and they have huge lulls in them thanks to the actual awards presenting. it's one of the only types of performance that it's not necessary to build a dynamic arc into because you do not need one.
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