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teck-zilla · 7 months

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President Zik & Teck-Zilla : “ Prezzy Bomaye”

“ Prezzy Bomaye” is the lead single from rapper President Zik aka Young Prezzy and producer/DJ Teck-Zilla’s forthcoming collaborative project entitled Mike & Muhammad.

Bolstered by Teck-Zilla’s lush synth-driven trap soundscape, President Zik steps into the proverbial ring with verbal punches and a smooth demeanour to match. The anthemic single serves as an opening salvo with lines like

“Show up to the fight dressed in mink like nigga what you think straight styling/

trill right off the bat, homies out here selling cap, how’d I get to where I’m at, straight grinding” which set the tone for the lyrical match. Young Prezzy flows seamlessly like a young but seasoned verbal pugilist taking his opponent to the cleaners with the statement “read a book nigga maybe we could conversate

you can feel the aura when I’m stepping out the gate/ 10 seasons straight are you not entertained going down with the greats on that Prezzy Bomaye” where he reminds listeners of his decade grind in the music game. The fun doesn’t end there and Prezzy shows us his songwriting dexterity with a melody-tinged hook where he paints a vivid picture of him stepping into the ring, making headlines while the fans chant “Prezzy Bomaye”.

“ Prezzy Bomaye” is taken from President Zik and Teck-Zilla’s forthcoming project Mike & Muhammad, a 12-track body of work that bridges the old and the new. On the production side, Teck-Zilla crafts a blend of modern-day trap and boom-bap soundscapes for President Zik who proceeds to wreak havoc with his distinct laidback flow and off-kilter rap schemes. The rapper and producer combo is akin to a young Mike Tyson and elderstates man Muhammad Ali who have teamed up to give fans the raw, unfiltered showcase that would linger in the minds of listeners.

#PrezzyBomaye

Smart Link: https://linktr.ee/teckzilla108?lt_utm_source=lt_share_link#336700886

#hiphop #trap #rap #emcee #afrotrap #newmusic #boxing #ali bomaye #lyrics #producer #fl studio #beat maker #deejay

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wrestlingsavedmylife · 2 months

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BOMAYE/KINSHASA

#BOMAYE #KINSHASA #mmm whatcha say #Shinsuke Nakamura #samoa joe #the king of strong style #antonio inoki #muhammad ali #george foreman

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moniquelewisofficial · 1 month

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My Favourites by The Game.

Why you hate the game ft Marsha Ambrosius. Martians vs Goblins, Higher, How we do and Crack Music! ♥️

#The Game #TheGame #losangelesconfidential #Jayceon Taylor #JayceonTaylor #Hip Hop #HipHop #AYFMusic #Music #MyFavourites #Spotify #MoniqueLewis

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mortallyvirtualpenguin · 6 months

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#🇸🇸 SSD #Spotify

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dustedmagazine · 1 year

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Listed: Glassine

Glassine is the musical moniker of Baltimore-based producer Danny Greenwald. Greenwald’s most widely known release to date is probably 2015’s No Stairway, an album crafted out of field recordings taken inside the retail chain Guitar Center. His most recent release is Radial,a collaboration with Horse Lords drummer Sam Haberman, reviewed in last month’s Dust. Tim Clarke wrote that Radial “veers between malfunctioning electronica (“Up, Together, Reach”), throbbing ambient drone (“St. Pete”), clattering percussive workouts (“Brushes in Woodstock”), and what could almost pass as vaporwave (“Behind a Seatbelt”).” For Greenwald’s contribution to Listed, he chose 10 things that have inspired him other than Nirvana.

Pink Floyd — “Bike”

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I used to hang out with this guy in high school who ate a lot of acid. Now he is a Hasidic Jew. We were close. He made high-quality iron-on decals with a fancy printer he had sent to a church across the street because he bought it with a stolen credit card. He made a t-shirt that said on the front, “I’ve got a mouse and it hasn’t got a house, I don’t know why I call him Gerald.” And on the back, it said, “he’s getting rather old but he’s a good mouse.” When I first heard the song “Bike” I thought it was the stupidest thing I had ever heard. It’s obviously brilliant and I was a dumb kid and Syd Barrett is my favorite guitarist. Watch him shred.

Jason Urick — Husbands

Husbands by Jason Urick

The first show I ever enjoyed that only used a laptop was Jason Urick performing in some warehouse in Baltimore. I would go see him play in various other venues with unclean floors, but I’d usually lie on my back toward the front. Everyone would stand kind of far back from Jason and his laptop in the way you’re probably picturing, but I would lie down. His seamless textural transitions are a guiding light. I listened to Husbands on headphones 1,000,000 times lying on my back. In bed, usually.

The Microphones — Mount Eerie

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When I first heard this album, it blew my mind. I knew all of Phil Elverum’s previous albums, but this was on some whole other trip. It’s my favorite Microphones record. Me and my friend Brian would listen to it in its entirety in his driveway in his small Toyota Yaris in Pikesville, Maryland, at like 3am. I LOVE the line that goes, ��you’re soccer balls on knees.”

“I know you’re out there, You’re lanterns on lakes / I know you’re out there, You’re soccer balls on knees... through your skirt I see... your legs gracefully / I know you’re out there, you’re swaying and pleased / I know you’re out there, you’re vultures in trees / I know you’re out there In mountainous peaks.”

Cass McCombs — “AIDS in Africa”

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This song taught me an incredible lesson about the usage of metaphor and allusion in songs. Listen to the entire song — then do some research — then think about the line, “Survivor cells are chanting ‘Ali, Bomaye.’” I used to write a lot of words; however the lesson has very much crossed over into how I go about textural arrangements, field recordings, samples, and what have you.

My mom, Donna Greenwald

Outlook, “Anthem Annie”

My mom sang the National Anthem at every Major League Baseball stadium. I’m not a big fan of the song, however I was able to travel across the country on a train because she was able to wrangle corporate sponsorships in the ’90s for her “National Anthem Tour.” Only an amazing lady could pull off something like that. Self-PR in the days of phone books and small-town newspapers. Learn more about Donna Greenwald by listening to this podcast episode I made about her.

Horace Andy — Dance Hall Style

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Once when I was 15 or so I walked into The Sound Garden, a record store in Baltimore, and asked what I should listen to. The person walked (almost urgently) to the reggae section in the back of the store and handed me Dance Hall Style on CD. Horace Andy looks so cool on the cover. Also, I intrinsically had a lot of trust in the person who helped me because he also looked very cool. Lyrically, the album is very heady. And his voice is so expressive. The production sounds like outer space in the mind of an extremely sensitive man.

MF DOOM and all of his monikers/collaborations

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Daniel Dumile was the cleverest person to walk the earth. He was an insanely talented and underappreciated producer. He was an immense talent and the world is less enjoyable without him. He felt like the most distant stranger that I kind of knew from someplace. He helped me get through some really difficult times.

Own his own throne, the boss like King Koopa On the microphone he flossed the ring (“Super!”) Average emcees is like a TV blooper MF DOOM, he’s like D.B. Cooper

Grateful Dead — Dark Star, Rotterdam Civic Hall, Rotterdam, Netherlands 5-11-72

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I grew up on the Dead. Here is a 48-minute version of one of my favorite songs. I don’t have anything more to say about it.

“Shall we go, you and I, while we can through the transitive nightfall of diamonds?”

Panda Bear — Person PItch

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Also a great non-album track recorded at The Ottobar in 2007

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Person Pitch was a game changer for me. I was already into atmospheric and druggy music that sounded like waterbeds, but this record utilized discernible samples, like skateboards and infants crying. Panda Bear turned all his samples into clay and treated them like weather patterns. I saw him perform at The Ottobar when the album came out. He used two SP303s (which were actually used to record the entire album) and a small mixer on stage with a very organized row of SmartMedia cards. Here is the tour poster hanging in my studio. I colored parts of it because I was working at a summer camp and had unfettered access to an array of markers. Also, I love his voice and Person Pitch is a play on Pet Sounds. That’s cool. Also, WZT Hearts opened and Jason Urick was in that band.

CELESTIAL WHITE NOISE | Sleep Better, Reduce Stress, Calm Your Mind, Improve Focus | 10 Hour Ambient

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I fall asleep to this every night.

Björk — Unravel

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This is one of my favorite songs. Everything about it. Heartbreaking. The End.

While you are away My heart comes undone Slowly unravels In a ball of yarn

The devil collects it With a grin Our love In a ball of yarn

He’ll never return it So, when you come back We’ll have to make new love

#dusted magazine #listed #glassine #danny greenwald #pink floyd #jason urick #the microphones #cass mccombs #Donna Greenwald #horace andy #mf doom #grateful dead #panda bear #celestial white noise #björk

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y0udontkn0w23 · 7 days

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#Spotify

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ganglands-marseillais · 5 months

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The Game - Ali Bomaye ft. 2 Chainz, Rick Ross (Official Music Video)

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Paul Pogba Yanis Issoufou Ousmane Dembélé

#Youtube

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basedhighsenberg · 6 months

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#Spotify

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fuu66fb64 · 1 year

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Ver "Bodybuilding Motivation - Ali Bomaye - Evogen Labs" en YouTube

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#Youtube

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getbettermedia · 1 year

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The documentary “When We Were Kings” tells the story of the heavyweight famous “Rumble in the Jungle” fight, opposing underdog challenger Muhammad Ali and heavyweight champion George Foreman.

As I was doing research on the movie and how it was produced, I found out the movie wasn’t planned at all, it was a surprise baby that ended up winning the Academy Award for Best Documentary Feature. Indeed, the director, Leon Gast, was in Kinshasa (Congo, Africa) to shoot a documentary on a three-day Latin Music Festival. But the movie fell apart and Leon shifted his attention to the fight that was occurring 6 weeks later in the same city. He especially shifted his attention to Ali, and decided to center the documentary on him. He ended up with 138 hours of film and struggled during 20 years to finish the movie, as he didn’t have any money for post-production. It finally came out in 1997, 23 years after the fight. The use of black-white archives from his previous interviews and victorious fights shows an always confident and never scared Muhammed Ali.

It is a very complete documentary, because it explains the historical and social context of Zaïre at that time, ruled by the dictator Mobutu. We also understand how Ali connected so deeply with the Congolese people, and had the people with him screaming “Ali Bomaye” , meaning “Kill him Ali!” in Lingala. In this documentary, we understand how Ali is more than a boxer, how he was in fact a political leader. We also get how that event was much more than a regular boxing fight, it was History.

The documentary encountered a huge success, won the Academy Award for Best Documentary Feature in 1996 and made over $2.7 million at the box office. Even twenty years later, it is still recognized as one of the best boxing documentaries ever made.