Aperture Science Psychoacoustics Laboratory - Portal 2: Songs To Test By | Mondo | 2022 | Green + Pink + Yellow + Blue + Light Blue

Westworld’s fourth season soundtrack is available on vinyl for $60 via Mondo. The score is composed by Ramin Djawadi (Game of Thrones, Iron Man, Pacific Rim).

The 3xLP album is pressed on 140-gram colored vinyl, limited to 3,000. It’s housed in a tri-fold sleeve with a die-cut outer jacket featuring artwork by Greg Ruth and layout by Alan Hynes.

An insert with liner notes by executive producer Jonathan Nolan is included along with slipcase to house all four season (first, second, third) soundtracks.

'The Wizard Of Oz' by Alan Hynes.

Officially licensed 18" x 24" screen print, in a numbered limited edition of 150 for $50.

On sale Thursday June 9 at 11am CT through Mondo. (Ships to Select Locations)

Mr. Malcom’s List ending credit illustrations by Alan Lambert and Judith Hynes

new additions to the masterpost :)

hey all ~

along with the few panelist collections i soft-launched yesterday (🥹 thanks for enjoying them), there is some new content on the masterpost + secondary masterpost!

—

panel shows

bring the noise — complete series sky 1 series hosted by ricky wilson with nicole scherzinger, tinie tempah, joel dommett, katherine ryan

the guessing game — complete series bbc radio scotland radio panel show where guests are asked a series of bizarre questions; hosted by clive anderson and guests include alex horne, susan calman, hal cruttenden, matthew crosby, cariad lloyd, etc.

it's your round — complete series radio panel show where each guests invents the round to be won. hosted by angus deayton and guests include miles jupp, sara pascoe, rebecca front, josie long, bridget christie, tim key, etc.

richard hammond's brain reaction — complete series science-based panel show hosted by richard hammond alongside victoria coren mitchell, johnny vegas and ria lina

misc. tv

archiveologists — complete series two episodes of mash aka diane morgan & joe wilkinson re-voice archive footage to give us a twisted comedy spin on british social history and institutions in short 'information' films

beauty & the beast: a pantomime for comic relief (2021) pandemic era virtual panto starring lily james, oliver chris, sian gibson, kiell smith-bynoe, miranda hart, michael sheen, lee mack, etc.

imagine... jo brand: no holds barred (2019) documentary about the legend herself, featuring interviews with peter capaldi, alan davies, victoria coren mitchell, etc.

show & tell — complete series e4 series celebrating comic storytelling. each episode sees three comedians bring something to 'show' to viewers. hosted by chris addison and guests include roisin conaty, elis james, joe wilkinson, joe lycett, diane morgan, james acaster, etc.

staged — complete series david tennant and michael sheen didn't win a bafta for this but they should have

the complete stand up to cancer celebrity episodes of the great british bake off (i will work on the sport relief episodes!)

twenty twelve — complete series bbc mockumentary series accompanying the 2012 olympics, starring hugh bonneville and jessica hynes

who do you think you are? — david tennant

misc. radio

alex horne presents the horne section — complete series 2011–2014 bbc radio 4 series

party's over — complete series bbc radio 4 sitcom starring miles jupp as a prime minister coping with life after leaving office

women talking about cars — complete series victoria coren mitchell hosts an exploration of what cars symbolise to women today, including freedom, power, refuge, novelty and familiarity; guests include olivia colman, claudia winkleman, jennifer saunders, etc.

—

ps. icymi these are the masterpost additions from last week which are well worth checking out!

WATCH LINKS MASTERPOST / FAQ / TAGS / ASK

most wanted?

+ are there any underused/lesser known FCs that you would like to see? 👀

alan ritchson, alejandro speitzer, alexander ludwig, alvaro rico, andrew garfield, andrew matarazzo, austin butler, brant daugherty, brenton thwaites, carlos cuevas, charles melton, charlie carver, danny griffin, darren barnet, derek theler, diego tinoco, drew ray tanner, drew starkey, dylan o'brien, emilio sakraya, florian munteanu, freddie stroma, froy gutierrez, glen powell, henry zaga, isaac cole powell, itzan escamilla, jay lycurgo, jeremy allen white, johnny sibilly, josh macqueen, justice smith, keith powers, lucien laviscount, mason dye, max carver, max thieriot, matthew noszka, miguel bernardeau, miguel herran, miles teller, nick jonas, nick robinson, nico tortorella, noah beck, noah centineo, nolan gerard funk, omar ayuso, rafael de la fuente, ronen rubinstein, ryan kelley, ryan kwanten, scott eastwood, shawn mendes, suraj sharma, tenoch huerta, travis kelce, trevor donovan, tyler hynes, tyler posey, will poulter, wolfgang novogratz, & yoshi sudarso

Chortle headlines roundup, anyone?

Nope. Nope nope nope nope nope. We're not doing this. Jeremy Hardy went in his late 50s, Paul Sinha's health is deteriorating, if we lose Mark Steel before his time then they'll have to just cancel Radio 4. Not doing that. Fuck that shit. He's only 63, that's younger than my parents. Absolutely not.

...The article does say the condition is treatable and he'll likely be okay after a while, so that's good. It also has some on-brand quotes from him that muse on mortality. Good man. We are not losing that one yet.

(Obviously... not to make a serious issue all about me and other lovers of Radio 4 or anything... I wish a speedy recovery and the best for him and his family and all that.)

I wasn't sure I was going to watch season 3 of this - not that seasons 1 or 2 were bad, but season 2 didn't keep my attention all that well (except when Joe Wilkinson and Jessica Hynes were on), I figured I get the idea and don't really need to see a lot more. But actually, that's quite a good lineup. Roisin Conaty is always funny. Add in Alan Davies, Guz Khan, and Chris McCausland - and yeah, I'll probably give Knockoff Taskmaster a watch again.

You know, I wondered about then when I watched the French and Saunders show. The constant fat jokes about Dawn French seemed okay because she was one of the writers, she was choosing to say it about herself, that makes it okay the same way it is when Jo Brand does it. But still, there really were a lot of them. And obviously comedians are pressured to make any feature about themselves into a USP, so just because she agreed to do the jokes doesn't mean she always wanted to. That show was funny, it's a pity to see this.

(Obligatory note that the headline, like most headlines, is a bit sensationalized, these Chortle headline round-ups are meant to be partly a joke about how the headlines don't really tell you anything and just throw a bunch of disparate facts in your face all at once, and you should really read the articles if you want to know stuff. But the information in the headline is basically accurate.)

The Aussies are coming! The Aussies are coming! With their excessive Rs after vowels and their mildly racist names for coolers!

(I briefly misread the Sam Campbell article's description as calling him a "Taskmaster winner", and had a split second of believing Chortle had somehow made a colossal blunder and accidentally posted a huge spoiler that made me very pleased.)

If they make that, I'll probably watch it. I might watch some of the Irish one because Aisling Bea and Catherine Bohart, even though the worst fucking person in the world is also on it.

I did watch the first two episodes of the Canadian one. Have I admitted that on here yet? It wasn't my finest hour - and it was just one hour, two episodes - when I watched reality TV on Amazon Prime. But Mae Martin was in it. Mae Martin was in it looking focused and intense as they tried not to laugh and for personal reasons I just had to see that. Then (spoiler alert, I guess) they were out after two episodes, so I didn't watch any further.

I have to admit I rather enjoyed it, though. The rest of the cast was also funny. It had Jon Lajoie, guy who made a bunch of funny videos when I was in high school that my friends and I used to quote all the time, then didn't make anything for like 12 years, then came back in 2020 with this absolute earworm that hit the perfect note of what we needed in early pandemic days:

Anyway, he was on the Canadian LOL show, and he was pretty entertaining. Also Colin Mochrie from Who's Line, which I used to watch as a kid. Tom Green, quite a good stand-up comedian who went to my high school (not at the same time or anything, he's much older than me, he's just the only famous person who ever went to my high school). K Trevor Wilson, aka Squirrly Dan from Letterkenny. Andrew Phung from Kim's Convenience. It was fun seeing the mishmash of Canadian comedy people from all these different things in one room. I guess would be less of a novelty in the UK, since we don't have panel shows here.

And I've got to admit, when I forced the judgmental "there is no logical reason why this is a higher form of entertainment than any other shit reality TV" part of my brain to turn off, I found the format pretty funny. I'd watch Irish people do that. I'd watch British people do it. I mean, I didn't love it enough to finish the show after Mae was gone. But I might go back to it at some point.

Still doing that, are we? Going with the cheeky term "peeing Tom" for men who spy on naked women without their consent? I don't object to Hugh Dennis playing the role obviously, they're not going to portray that as a guy we're supposed to like. Just not sure I love Chortle's word choice.

That's good. Put your minds at ease, people who are worried that Jim Davidson isn't mentoring aspiring comedians. Everything's okay.

I was about to say "Steve, what the fuck would you consider a 5-star show then?", but then I remembered that to be fair to Steve Bennett, the quality of this show does vary wildly depending what night you see it and who's in the audience. Don't turn up to this and derail it with heckles, everyone, even though you're allowed. The show in its proper form is brilliant.

I tried to ignore this one, I really did. But I'm sorry, that's too funny a headline not to include here. Sorry, Johnny. Bad luck.

Mondo, in association with Watertower Music, are proud to present WESTWORLD: SEASON 3 – Music from the HBO Series, the third in a series of four WESTWORLD soundtracks, and the first time on vinyl for this incredible album.    Conceived and art directed by Spencer Hickman, with original artwork by Greg Ruth and layout by Alan Hynes, each soundtrack is a 3xLP featuring Ramin Djawadi’s fully extended scores. Pressed on 140g vinyl, these Mondo exclusive releases are housed in tri-fold gatefold sleeves with die cut outer jackets, and are limited to editions of 3,000.    Season 4 will be available February 2024 with a slipcase to house all four seasons plus an insert with liner notes by Executive Producer Jonathan Nolan. (International customers please note that Season 2 is currently only available to US customers, while the other three seasons will ship worldwide.)    WESTWORLD: SEASON 3 hits The Record Shop on January 17 at 12 NOON CT. 

‘Normal People’s Frank Blake on an actor’s life’ by Liadan Hynes

Full article below the cut (warning, it is long!):

‘I used to worry on set, ‘I’ve just done another mean thing’,” Frank Blake says with a rueful smile. We’re discussing what’s probably his most high-profile role to date, playing Alan in director Lenny Abrahamson’s TV adaptation of Sally Rooney’s Normal People, a show that went a long way towards getting many of us through lockdown one.

“There’s a bit where I throw water on Marianne. I just felt awful that day,” he says with a laugh. “You know, because I’ll throw water on her, and Lenny’s not going to go, ‘Good man’. They called cut, I stand in the bold corner for a while, Daisy [Edgar-Jones] gets dried off for the next take, where the same thing happens again.”

Alan is central character Marianne’s older brother, a man lost in his own stew of anger and resentment; a threatening character in both the book and screen versions of Normal People. In the past, Blake has commented on how it is necessary to find a way into a dark character, to find some sympathy. Otherwise, you’re just playing a tone, he says.

“You just have to find what makes a person human,” he says now. “Lenny was a great help there in doing the groundwork. Alan’s feeling a bit hard done by in life. He’s obviously got a bit of jealousy going on there — a bit of trauma from the loss of their dad, which is a tough thing to deal with.

“I think it’s symptomatic of a certain rural repression, that character. And a male rural repression, maybe, when we see, unfortunately, that so many young men don’t ask for help, and they go a certain way. I think it’s a nice contrast to Connell in that show, where actually he does go looking for help in what’s such an amazing scene — his therapy scene. So I think, yeah, that’s an interesting juxtaposition in the show.

“If someone just asked him, you might get something out of him, but no one does and everyone’s afraid to. That’s the energy he gives off. So, he’s probably unlikely to get help.”

It’s hard, he agrees, to portray that kind of darkness without descending into pantomime. “Particularly when that show was very much about Connell and Marianne, so you have to be comfortable in the fact that you’re there to serve the story. You have to be there to serve this part of the story, so I don’t have to be liked or whatever.”

Throwing water aside, they had the best craic on set, he says. “I used to always be jealous of the other cast members. I’d get pictures of them shooting a pool party, or all the cool, hot Trinity stuff. It was actually great craic with Aislín [McGuckin], who played our mum, and Daisy. We’d such a laugh in between scenes.”

Blake had come from performing in Louise O’Neill’s Asking For It at the Abbey Theatre before the Normal People auditions began, along with some other actors, including Paul Mescal who later appeared in the show.

“I think it was one of the last weeks of Asking For It that we were all auditioning for it, so it was quite funny actually. Not only were there actors from Asking For It, but there were plenty of other actors in the [Abbey] building, and you could just see people walking around with copies of Normal People,” he grins. “‘Ehhh, why are you reading that?’”

When he found out, months later, that he had landed the part, he was performing in another landmark Dublin theatre, The Gate. His agent let him know on the opening night of Tennessee Williams’ play The Glass Menagerie that he had been successful.

Blake, now 28, didn’t grow up knowing he wanted to be an actor, but at the same time, he had always been interested in theatre and movies. He hails from Tuamgraney, Co Clare, and is the youngest of three. “I think there was a latent actor in me there, but it was never something I did as a child or anything.”

His family ran an equestrian centre. He and his siblings would muck out the stables before school and get stuck in afterwards. “It gave you a good work ethic, anyway. It gave me a good maturity, in that way. And I saw so much of the country through travelling around to horse shows and stuff. It was a really interesting environment to grow up in.

“I wanted to do that as well, for a long time,” he continues of the world of horses. “It’s kind of a world I liked. I don’t know, I just kind of lost interest in it as I got older. People are always, ‘Oh that’s so amazing’. But I think when you grow up in that kind of environment, it’s almost like a bit of a chore.”

In his younger years, he didn’t know anyone who had made a career out of acting. “There were no stage schools around me. Now, there’s loads of things there, thankfully, for other people. And I think drama is about to become a subject in secondary school as well. If only!”

Dramatic outlets may have been limited, but from the age of four Blake had attended the annual amateur drama festival circuit each year — the plays were staged in the school hall. “My neighbour used to bring me. Every single night, there’d be different drama group doing a classical play. I’d seen every John B Keane play, Conor McPherson — I’d seen all of that stuff by the time I was 12.”

Eventually, aged 17, Blake performed in the community musical. “I was in the ensemble of Jesus Christ Superstar,” he laughs, adopting grand tones. “It wasn’t a school thing, it was the whole community. They used to let some schoolkids be part of the ensemble, so myself and a few of the lads just said, ‘Sure f**k it, we’ll throw ourselves in here.’ We were pretending that, ‘ah, this is just a bit of a laugh’, but I was secretly absolutely loving it. Nailing Jesus to the cross — that was my big role!” He grins at the memory.

Previously, he had planned to study psychology in university, but this experience pushed him to look into acting as a career. “It’s a bit of leap to be making,” he chuckles. “That sorted of turned my head a bit.”

He did an arts degree in NUI Galway, studying drama along with German and philosophy. It rapidly became clear though where his true interests lay. “I did eight plays in Dramsoc that year, and I think it quickly became apparent that that’s what I was into. I was still kind of in denial a bit — ‘Oh, that’s for the people over there’.”

Who are the people over there, I wonder? He’s not sure, he says, then jokes: “People in Dublin.” He adds: “The biggest obstacle is probably yourself, really, for a long time.”

Towards the end of that first year, Blake applied for a place in The Lir Academy, Ireland’s National Academy of Dramatic Art at Trinity College, without telling anyone. “In secret. Because I still didn’t know what I was at. You did three auditions over three months. I was skipping lectures, saying I was going to the doctor — stuff like that. And then I got in there.”

That felt amazing, he recalls, although he quickly realised he would have to tell his mother, and braced himself. “I remember getting ready to ring my mum, and be like, ‘I’m dropping out of college,’” he adopts, at this point, a sort of urgent, I won’t be dissuaded, tone. “‘I’m going to be a dropout.’ And expecting this big blowout, and being like, ‘Well I’m going anyway’.”

When he did ring, his mother was nothing but supportive and very proud. “I didn’t get to do any of the big arguments I’d practised,” he laughs.

Drama school was a somewhat different pace from an arts degree. But he relished it. “A lot is asked of you. But it pushed you so much outside of yourself that I loved it.” He particularly enjoyed the intensity of the schedule. “Looking back, you spend so much time waiting around as an actor, even if you’re busy, you’re still doing nothing. And to think that you got to go in there and you got to do something from morning until night, every day, that you loved. It’s just the best.”

Ending drama school can be a time of pressure — not everyone gets an agent. Blake did, however. “And then… you think you’re going to be a rock star,” he says with another laugh. “For most people, 99pc of people, you realise, ah, things are a bit different when you finish. You realise how hard it is. You’re just auditioning and getting no’s. Not even getting the no’s — not hearing back at all. It was just that for ages.”

He worked as a doorman in a hotel in Ballsbridge. He never considered giving up on acting, but he did begin to doubt himself. “And [I’d start to] think, ‘This isn’t what I thought it would be’. I did worry and think maybe it wasn’t for me for a while.”

Eventually, things began to pick up. “I started to realise then it’s about building a career, and it’s building blocks. Like, some people come out and they’re movie stars after a week. But I kind of realised you just chip away, doing small bits in theatre, and doing small bits on telly, or whatever is coming along. You eventually build up relationships. And after a couple of years, I could see that starting to pay off.”

Resilience is key for actors, he agrees. And the knowledge that this is a long-haul game. “Everyone finds it hard. You talk to people who you think are doing amazing, and the goalposts always move. And it’s always hard. You have to find the comfort in that.”

That said, it can be difficult. “It’s something I still find really, really challenging. Because you’ll always go through bouts of not working. Or things just being a bit different to how they were before, or how they will be. You just have to find the ease in that.”

He dislikes the nature of having to wait for someone else to give you a yes that comes with acting. “But it’s the reality of it. I’ve tried writing and stuff, as a way of taking back a bit of control, myself. I found great joy in that.”

He wrote a short film a few years ago based on Donal Ryan’s short story The Passion. “It was one of the most satisfying things I’ve ever done, because there was so much control in that. Being part of every aspect of a production, not just being told what to do. It was great, I loved it.”

It also demystified parts of the process, he reflects. “You think that’s for the people over there, and then you just do it, and you go, ‘Oh, right, I just had to do it’. So, I’ve gotten more into that now. I’ve written a few screenplays that are in development.”

Since Normal People, he has appeared in PBS costume drama Sanditon. He moved to London last year, having wanted to for years. “I love it. But I’m doing that classic thing of moving over to London and hanging out with a load of Irish people.”

He also appreciates that many of his friends are not in acting. It is good to have people who are not in his professional world. “When things aren’t going well, the last thing you should be doing is talking about all of the acting ever, when you could go out and kick a ball against the wall.”

For now, though, things are going well. Already this year, Blake has worked on film and in theatre. He is currently between jobs. “I’m doing that waiting thing,” he says, smiling. “I did a few bits this year. I’m just waiting for the next thing. There are a few things floating around.”

TV Guidance Counselor Episode 618: Henry Normal

All the way from the UK, this week Ken welcomes writer, poet, and television producer Henry Normal to the show.

Ken and Henry discuss his tea just arriving, what builders drink, Baby Cow, how being a poet was essentially the same as being a stand up in the UK, The UK's alt comedy revolution, Craig Charles, selling merch, punk rock, American stand up comedy, class based society, character comedy, Jack Benny, vaudeville, The Max Brothers, Mort Saul, Lenny Bruce, Richard Pryor, Working Men's Clubs, bad blue collar, racism, Dave Allen, Monty Python, Spike Milligan, not punching down, The Comedy Store, Manchester, nightmare gigs, The Black and White Minstrel Show, competing with slot machines, touring with Pulp, The Mock Turtles, Steve Coogan, The Young Ones, Nigel Planer, The Comic Strip, putting all your friends on TV, The North South Divide, being the reigning Daily Mail Young Comic of the Year, Packet of Three, Bamboozled, US v. UK TV, The Royle Family, US Remake of UK shows, Red Dwarf, working class people, The Rockford Files, Sgt. Bilko, Frank Skinner, the trauma that leads to comedy, deaths in the family, Caroline Ahern, Graham Duff, Dr. Terrible's House of Horrible, Marion and Geoff, Human Remains, Ideal, Julia Davis, Rob Brydon, Jonathan Ross, Alan Partridge, why you should always wear a suit, BBC3, Fat Boy Slim, Brain Candy, Alan Car, Robin Ince, Nighty Night, unlikable main characters, The Might Boosh, The Banana Splits, I Am Not An Animal, Peter Baynham, Canadian football fans, making ugly television, making good stuff, things that nobody will ever seen on television, Jessica Hynes, Lizzie and Sarah, Mr. Inbetween, hired killers, and how weird stand up comics are. 

Check out this episode!

Westworld’s third season soundtrack is available on vinyl for $60 via Mondo. The score is composed by Ramin Djawadi (Game of Thrones, Iron Man, Pacific Rim).

The 3xLP album is pressed on 140-gram colored vinyl, limited to 3,000. It’s housed in a tri-fold sleeve with a die-cut outer jacket featuring artwork by Greg Ruth and layout by Alan Hynes.

Westworld’s first season and second season soundtracks are available on vinyl now, with the fourth coming in February.

Esteemed Songwriter Kellie Loder Liberates Themselves on New Track “Can’t Go Back”

Described as, “a multi-genre marvel,” (hidden-beats.com), Kellie Loder’s musical journey began on the shores of Newfoundland & Labrador, lending to their unmatched songwriting prowess, and distinctive blend of folk, Americana and indie pop influences.

Loder’s highly anticipated fourth studio record is set to drop globally in 2024. Elevating themselves to new heights, the upcoming record is a stunningly crafted masterpiece with stories of love, heartbreak, life and transitions. “Can’t Go Back,” the album’s second single, gives listeners a glimpse of the pure authenticity of one of Canada’s most promising and celebrated songwriters. As spoken by Howie Mandel and Simon Cowell (Canada’s Got Talent), “Loder has a bright future ahead,” and with this next offering, one thing is for certain, Kellie Loder is a towering talent about to explode on the world stage.

Loder’s signature sound coupled with their magnetic stage presence has earned them notable accolades including, “Songwriter of the Year” and “Fan’s Choice Entertainer of the Year” at the 2023 East Coast Music Awards, placing first-runner-up on Canada’s Got Talent (2022), and co-writing with household names such as Alan Doyle, Steven Page, The Good Lovelies, and Grammy Award-winning musician and producer Greg Wells to name a few. Loder’s empowering anthem, “Fearless,” was used as the soundtrack behind the CBC’s Tokyo Olympics coverage and in the Superpower Dogs IMAX Trailer narrated by Chris Evans (Captain America/Avengers). Their groundbreaking video and compelling song “Molded Like A Monster” was recognized with the 2021 ECMA Video of the Year Award and the MusicNL Ron Hynes Songwriter of the Year Award.

[ad_1] Recorded in St. John's during the pandemic, Sonny Don't Go Away: A Tribute to Ron Hynes, features 20 artists from Newfoundland and Labrador. (Sonic Records )The biggest music acts in Newfoundland and Labrador music are set to release a new tribute album for the late Ron Hynes, the singer-songer often dubbed "the man of a thousand songs."Sonny Don't Go Away: A Tribute to Ron Hynes features 20 of Hynes's best-known songs, and the list of cover artists includes many of the best-known performers in the province, including Alan Doyle, Kellie Loder, the Once, Shanneyganock and Amelia Curran, to name a few. Doyle co-produced the album with collaborator Cory Tetford as way to acknowledge the legacy of Hynes, who died at 64 in 2015 after a battle with cancer. "As soon as Ron passed, I feel like a dozen or more of us around the St. John's and the neighbouring music scene thought instantly about paying tribute to Ron in some fashion," said Doyle."Then of course, the pandemic hit and all of a sudden, everyone was available and and and it was probably doable," Doyle told CBC Radio's Weekend AM. Ron Hynes performs at a songwriters circle during the East Coast Music Awards in Halifax on Feb. 18, 2007. He died in 2015. (Andrew Vaughan/Canadian Press)Doyle's manager, Louie Thomas, brought the project to the label he runs, Sonic Entertainment."We thought it was a perfect time to try and get a bunch of people together to honour Ron's legacy and catalog," Doyle said. Doyle and team rented a small house in the Battery neighbourhood of St. John's — overlooking the very harbour Hynes immortalized in St. John's Waltz, which Doyle himself covers with the Dardanelles, the folk band fronted by Q host Tom Power — to record some of the smaller set ups like The Fortunate Ones and the Ennis Sisters.WATCH | In 2016, Alan Doyle sang an impromptu version of St. John's Waltz in Belgium, while making the CBC documentary Trail of the Caribou: Alan Doyle sings St. John's Waltz in BelgiumBack in July, a CBC TV filming a documentary on Beaumont Hamel captured an emotional moment between Doyle and the owners of a Belgium farm where Tommy Ricketts earned the Victoria Cross. Doyle sang a Ron Hynes' signature song as a thank you.They were also given the use of Devon House in downtown St. John's, where they recorded artists like  Shanneyganock and members of the Wonderful Grand Band — Sandy Morris, Paul "Boomer" Stamp, and Glenn Simmons — in a moment Doyle says was surreal. "Having the Grand Band all play music together was a very big moment for me because of course I grew up listening to the Grand Band," said Doyle of the performers seen weekly in the early 1980s CBC series WGB. "They became integral to Ron's development as a solo artist and became his band effectively for so long, and it was just very cool to have them in there."Originally a singer-songwriter, Ron Hynes, right, earned fame with the Wonderful Grand Band. Fellow members Sandy Morris, Paul "Boomer" Stamp and Glenn Simmons reunited to record parts of the tribute album. (Wonderful Grand Band)Doyle said it didn't take long to get people to agree to be a part of the album, with the first 20 people asked saying they wanted to be a part of it. That said, he was nervous to take the project on. "Dealing with Ron's songs in Newfoundland and Labrador is like recording the Bible or something," he said. "I didn't take it lightly, to take on this project. It was a passion project of mine [and] everybody that came through the door." WATCH | At a 2011 performance, Ron Hynes tells stories and performs the original St. John's Waltz along with Amelia Curran, who will also perform on the new album: Ron Hynes tells stories and performs for a live audience.Doyle said Hynes's legacy includes not just his vast catalogue of songs, but a successful career that helped others appreciate their home as a source for material. "We heard ourselves in Ron's songs. And we heard our stories, and our mom and dad's voices, and our grandparents voices, and our friends voices in a way that you never heard on commercial radio," Doyle said. "We just felt like Ron made it not only OK for us to to sing and write about our own backyard here, but it's essential to write about. Ron's greatness gave us all license to be ourselves, and I think it was in retrospect, that's been irreplaceable."Stellar list of artistsSonny Don't Go Away: A Tribute to Ron Hynes is out physical and digital platforms on Oct. 20. Here is a full list of performers and the Hynes song they cover:  Tim Baker - Leaving on the Evening Tide Amelia Curran & Duane Andrews - Dark River Quote the Raven - Godspeed (Requiem for Gene MacLellan) Alan Doyle & The Dardanelles - St. John's Waltz The Once - Atlantic Blue Jodee Richardson - Cryer's Paradise Mallory Johnson - River of No Return Joel Thomas Hynes - Last Chance Avenue Ennis Sisters - Lonely Song Matthew Byrne - 1962 Barry Canning - Where Do You Get Off Cory Tetford - Shine Like Diamonds Glenn Simmons - Picture of Dorian Grey Yvette Lorraine - Where Does Love Go Wrong Rum Ragged - House Shanneyganock - If I Left You Alone with My Heart Fortunate Ones - No Change in Me Silver Wolf Band - Dry Mick Davis - Get Back Change Kellie Loder - Sonny's Dream Download our free CBC News app to sign up for push alerts for CBC Newfoundland and Labrador. Click here to visit our landing page. [ad_2]

Hi, Hope you are doing well! I was wondering if you can help me find a younger brother (1 to 2 years younger) and a father for a character whom FC is Tyler Hynes? Thank you

Brother:

Casey Deidrick (1987)

Aneurin Barnard (1987)

John Patrick Amedori (1987)

Jay Hayden (1987) Irish, English, Scottish / Korean.

Tyler Hoechlin (1987)

Daren Kagasoff (1987)

Robert Sheehan (1988)

Jonathan Bailey (1988) - is gay.

John Bradley (1988)

Tom Bateman (1989)

Father:

Harry Hamlin (1951)

John Malkovich (1953)

Ciarán Hinds (1953)

Michael Biehn (1956)

Gary Cole (1956)

Ted McGinley (1958)

Stanley Tucci (1960)

James Spader (1960)

George Clooney (1961)

Todd Field (1964)

Matt Dillon (1964)

Con O'Neill (1965)

Alan Cumming (1965) - is bisexual.

John Cusack (1966)

Michael Imperioli (1966)

I hope you're doing well too, anon!

Organizing my reading list for 2023

Books, Short Stories, Plays, etc.

A Wizard of Earthsea Book 1, Ursula K. Le Guin (kindle)

Laws of Depravity, Eriq La Salle

Guns, Germs, and Steel, Jared Diamon

The Fifth Season, N.K. Jemisin (kindle)

He Leo Hou: A New Voice, Hawaiian Playwrights

The Haunting of Hill House, Shirley Jackson (kindle)

Wuthering Heights, Emily Bronte (reread)

The Dreyre, Edward G. Briscoe and Agatha D. Briscoe

The Martian Chronicles, Ray Bradbury (reread)

The Illustrated Man, Ray Bradbury

The Golden Apples of the Sun, Ray Bradbury

The Lecturers Tale, James Hynes

The Essential Homer

The Road, Cormac McCarthy (kindle)

Ceremony, Leslie Marmon Silko (reread)

Indian Horse, Richard Wagamese (kindle)

The Marrow Thieves, Cherie Dimaline (kindle)

The Pale-Faced Lie, David Crow (kindle)

On The Beach, Nevile Shute (kindle)

The Leavers, Lisa Ko (kindle)

Homegoing, Yaa Gyasi (kindle)

We Need New Names, NoViolent Bulawayo

A Mercy, Toni Morrison

Congo, Michael Crichton

Sphere, Michael Crichton

Eaters of the Dead, Michael Crichton (reread)

The Electra Plays

War and Peace, Tolstoy

The Shining, Stephen King

Othello, Shakespeare

King Lear, Shakespeare

Tales from 1000 Nights, translated by Burton

The Restaurant at the End of the Universe, Douglas Adams

Sappho: Complete Poems and Fragments

The Immeasurable Corpse of Nature, Christopher Slatsky

No Longer at Ease, Chinua Achebe

Comics

V for Vendetta, Alan Moore

Superman Action Comics 855-865

Superman: What's so funny 'bout Truth, Justice, and the American Way?, 775

A World Without Superman

Supergirl: Woman of Tomorrow, 1-8

Batman: Gotham by Gaslight

Kingdom Come, Mark Waid

Harleen, Stjepan Sejic

Batman: Gates of Gotham, Snyder

Batman: The Black Mirror, Snyder

Keeley's Blissed-Out Bangers Nov 26 Episode 22

Today 1pm-2pm EST  6pm-7pm BST Keeley's Blissed-Out Bangers  bombshellradio.com Wednesdays 2pm EST and Saturdays 1pm EST New stuff. Old stuff. Gold stuff. Episode 22: 1. Joy Division - "Interzone" 2. N.F. Porter - "Keep On Keepin' On" 3. My Bloody Valentine - "New You" 4. Super Furry Animals - "Play It Cool" 5. Shed Seven - "Immobilise" 6. Stereolab - "French Disko" 7. Tame Impala - "Solitude is Bliss" 8. SWV - "Right Here" 9. The Beach Boys - "Til I Die" 10. KEELEY - "Forever's Where You Are" 11. Minxus - "Get" 12. PJ Harvey - "50 Ft. Queenie" 13. Emma Hynes - "Don't Forget" 14. Andy Bell - "Cherry Cola" 15. Nick Haeffner - "EFS 2021" 16. REVOLUTION ABOVE DISORDER - "Annihilator" Blissoutdontmissout!   Keeley Moss, frontwoman of rising Irish dreampop band KEELEY, brings her fantastic "Keeley's Blissed-Out Bangers" to the Bombshell Radio airwaves with her weekly show. If you're a fan of Indie classics, eclectic 80's/90's Indie-Rock and Dreampop then this is the show for you! Recorded in her Dublin studios with skilled Irish producer Alan Maguire, "Keeley's Blissed-Out Bangers" is broadcast every Wednesday at 2pm and every Saturday at 1pm EST. 2022 has been a transformative year for Keeley Moss and her band KEELEY. The critically acclaimed Dublin native was granted “Hot For 2022” status in February by Hot Press magazine in Ireland, and since then she has signed a global publishing deal with Schubert Music, played rapturous shows in Dublin and Cork, launched her own show “Keeley’s Blissed-Out Bangers” Read the full article