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Saptapadi (1961) | dir. Ajoy Kar
"How are you feeling?"
"Good"
"What's good about it?
"Everything."
#saptapadi#saptapadi 1951#ajoy kar#uttam kumar#suchitra sen#indian cinema#cinema#movies#films#bengali cinema#classic cinema#world cinema#1960s#indian movies#indian films#aesthetic#film scenes#movie scenes#movie quotes#film quotes#cinematography#screencaps#bengali films#bengali movies
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সিনেমার জগতের অজয় করের অবদান
বাংলা সিনেমার জগতে খুব জনপ্রিয় ছিলেন চলচিত্র পরিচালক অজয় কর তার কলাকৌশল ,কার্য্যকলাপ ধীরে ধীরে মন জয় করে নিয়েছিল সিনেমা প্রিয় মানুষগুলোকে শুরুতে ল্যাবেটরিতে কাজ করার পর তিনি ফ্লিম এর কাজ করা শুরু করেছিলেন বেশ কিছু সিনেমা বাঙালির মানুষ আজ ও মনে রেখেছে অনবদ্য প্রকৃতির ছোয়ায় সাজিয়ে তুলেছিলেন তিনি তার প্রতিটি ছবিকে তবে Bengali Cinema Director Ajoy Kar সম্পর্কে আরো জানতে ক্লিক করুন I
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স্বর্ণযুগের এক আলোকচিত্রকরের কথা
বাংলা সিনেমার জগতে খুব জনপ্রিয় ছিলেন চলচিত্র পরিচালক অজয় কর তার কলাকৌশল ,কার্য্যকলাপ ধীরে ধীরে মন জয় করে নিয়েছিল সিনেমা প্রিয় মানুষগুলোকে শুরুতে ল্যাবেটরিতে কাজ করার পর তিনি ফ্লিম এর কাজ করা শুরু করেছিলেন বেশ কিছু সিনেমা বাঙালির মানুষ আজ ও মনে রেখেছে অনবদ্য প্রকৃতির ছোয়ায় সাজিয়ে তুলেছিলেন তিনি তার প্রতিটি ছবিকে তবে Bengali Cinema Director Ajoy Kar সম্পর্কে আরো জানতে ক্লিক করুন I
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Soumitra Chatterjee: India acting legend dies, aged 85 Over the years, Chatterjee worked with leading directors like Tapan Sinha, Mrinal Sen, Asit Sen, Ajoy Kar, Rituparno Ghosh and Aparna Sen. In 1988, he worked with John Hurt and Hugh Grant in The Bengali Night, a film set in Kolkata.
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A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
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Soumitra Chatterjee in a film still (courtesy SoumitraChattopadhyayFanClub)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You have turned…
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A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
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Soumitra Chatterjee in a film still (courtesy SoumitraChattopadhyayFanClub)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You…
View On WordPress
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Text
A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
[ad_1]
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Soumitra Chatterjee in a film still (courtesy SoumitraChattopadhyayFanClub)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You…
View On WordPress
0 notes
Text
A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
<!-- -->
Soumitra Chatterjee in a film still (courtesy SoumitraChattopadhyayFanClub)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You have…
View On WordPress
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Saat Pake Bandha (1963) | dir. Ajoy Kar
[ Suchitra Sen, Chhaya Devi, Pahari Sanyal ]
#Saat Pake Bandha#Saat Pake Bandha 1963#ajoy kar#suchitra sen#chhaya devi#pahari sanyal#indian cinema#cinema#movies#films#world cinema#classic cinema#bengali cinema#1960s#cinematography#film quotes#movie quotes#film scenes#movie scenes#bengali films#bengali movies#film screencaps#movie screencaps#screencaps#chhaya debi
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A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
<!-- -->
Soumitra Chatterjee in a film still (courtesy SoumitraChattopadhyayFanClub)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You have…
View On WordPress
0 notes
Text
A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
[ad_1]
<!-- -->
A file photo of Soumitra Chatterjee from fan-club (courtesy soumitrachattopadhyayo)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh…
View On WordPress
0 notes
Text
A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
[ad_1]
<!-- -->
A file photo of Soumitra Chatterjee from fan-club (courtesy soumitrachattopadhyayo)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh…
View On WordPress
0 notes
Text
A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
<!-- -->
A file photo of Soumitra Chatterjee from fan-club (courtesy soumitrachattopadhyayo)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You…
View On WordPress
0 notes
Text
A Farewell To Soumitra Chatterjee, Bengal's Tallest Superstar
A Farewell To Soumitra Chatterjee, Bengal’s Tallest Superstar
<!-- -->
A file photo of Soumitra Chatterjee from fan-club (courtesy soumitrachattopadhyayo)
Highlights
He was 23 when he started acting
He breathed life into Ray’s most powerful characters
He also worked with Bengal greats Mrinal Sen, Tapan Sinha, Ajoy Kar
New Delhi:
When the legendary Satyajit Ray met the gangly young actor in 1958 for a role in his film, he exclaimed “Oh dear, You…
View On WordPress
0 notes
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“I have seen it all, I did it all, I said it all, But I can’t remember it all…”
That’s how our Lifetime Achievement Winner, Moushumi Chatterjee defines her four-decade-old journey. “I don’t consider anyone bad. It’s the situation that makes people do things. You may hurt someone unintentionally. But you must never humiliate anyone,” says the actor who continues to throw up interesting performances. In 2014, she won the Filmfare Award for Best Supporting Actress for the Bengali film Goynar Baksho and now the Filmfare Lifetime Achievement Award 2015. “I wish my father-in-law (the late musician/filmmaker Hemant Kumar) was present to see me receive this honour,” she says. In the recent hit Piku, she impressed with her brazen candour on sexuality. What’s more she was pitted against Amitabh Bachchan, her co-star in Basu Chatterjee’s quaint film Manzil (1979), remembered for its RD Burman number Rimjhim gire saawan. “Amitji possesses the same dedication. His sense of humour is intact,” she says. “Rimjhim gire was shot over two days in natural light and rain… from Colaba, VT to Marine Drive. I remember my eyeliner getting smudged! We kept having coffee to keep ourselves warm,” she reminisces.
Child bride
The reluctant star of Tarun Mazumdar’s Ballika Badhu (1965) never imagined that fiction would turn into the truth of her life. “I did Ballika Badhu when I was in the fifth standard. I got married when I was in the tenth,” recalls she. Young Indira (her real name) got engaged to‘guardian and neighbour’ Hemant Kumar’s son, Jayant Mukherjee (Babu). “I fell in love with Babu. He was the first man I came in touch with outside my family. In my dowry, came a dog, a doll’s house and a friend, my girl Friday,” she laughs.
The teen bride had already seen in Bengali films like Parineeta, Anindita and Anand Ashram. She came to Mumbai with husband Babu only to have film offers lined-up for her. Raj Khosla’s Kachche Dhaage was her first film, though Shakti Samanta’s Anuraag, where she played a visually-challenged girl released first in 1973. The next year saw her team up with Amitabh Bachchan in the thriller Benaam and opposite Rajesh Khanna in Humshakal. Her most notable performance was that of a rape survivor in Manoj Kumar’s Roti Kapada Aur Makaan (1974). “I was pregnant with my first child but Manojji took great care of me. I threw up with all the atta (flour) in my mouth. A duplicate blouse was placed on me, which was later flung aside for the scene.” She claims, “The song Hai hai yeh majboori was to be filmed on me. But I got pregnant. The phrase‘do takiya’ in the song matches my character Tulsi’s language not that of the sophisticated Zeenat Aman’s in the film.”
Her other successful films were Swarg Narak and Angoor with Sanjeev Kumar. The hat-trick of hits Maang Baro Sajna, Ghar Ek Mandir and Pet Pyaar Aur Paap put her in the big league in 1984. Later, she graduated to doing character roles in Ghayal, Ghar Parivaar and Udhaar Ki Zindagi. Ask Moushumi to analyse her appeal and she says self-effacingly, “I’ve a crooked nose. I’m slightly cock-eyed. Perhaps my smile, my laughter charmed. Also, I had a voluptuous figure. I was never skinny. Actually, sex-appeal lies in your face, your eyes. Having a great figure doesn’t matter.” She recalls how the late director Raj Khosla summed her up. “He said, “Moushumi’s childlike, not childish. She can be fun-loving like an eight-year-old and wise like a woman of 80.”
Will break, not bend
In an industry, which has not been entirely kind to married actresses, Moushumi finds herself grateful. “Mahesh Bhatt once chided me for being ‘unprofessional’. He joked, ‘Every time your career is doing well, you get pregnant’. I replied, ‘My babies have added to my life’.’You can be a top star, a celebrity or even a queen but ultimately you need a family, a home.”
What she does admit to is her ‘will break but not bend’ dictum, which became the reason of her walking out of big projects. “I was not the ambitious kind, who wanted work by hook or crook. I did films on my own terms. I even shot for some big banner films but left them after a few days because my ethics didn’t allow me to continue. I didn’t compromise my sanskar. They thought I was stubborn and crazy.”
Rumours of being ‘uncooperative’ plagued her career. “Some top heroes could not take my behaviour. They’d say, ‘You prefer to talk to the spot boy rather than have a cup of coffee with me. Do you think you’re Vyjayanthimala? I’d say, ‘No, I believe I’m Cleopatra’. Some, noticing my stance, would turn respectful, some indifferent.” She recalls the time when a senior actress gave her some ‘advice’. “She said, ‘Why don’t you open up? You rub them the wrong way. What’s the harm in having dinner with them on outdoors?’”
She holds her heroes Vinod Khanna, Rishi Kapoor, Shashi Kapoor, Sanjeev Kumar and Dharmendra in high regard. “Once Dharamji happened to see me at a particular party. He said, ‘Why have you come here? Go home right now!’ Rishi was helpful when I was pregnant and shooting for Zehreela Insaan. While Sanjeev Kumar loved to relax at my house, enjoying non-vegetarian food and watching films.”
My home, my world
While showbiz wanted more of her, all she wanted was to rush back home. “I could switch from being Moushumi to Indu very easily. The minute pack-up was announced I wanted to run home to my husband. Even after Payal was born, I’d want to see Babu first.” In fact, the foundation of their bond, she says, was formed in those early years.
She was a minor when her first daughter Payal was born. “My gynaecologist told me ‘a kid is having a kid’. When Payal was born, I didn’t have patience. She’d break my toys; I’d want to break hers.” She had Megha at 24 and didn’t work for two years as she was a weak child. “But the moment I thought of returning, I got four offers including Watan Ke Rakhwale, Aag Hi Aag and Ghayal,” says she.
Her ingenuousness remained intact even after motherhood and that’s why perhaps Dharmendra signed her for his production Ghayal. “I wasn’t interested. I suggested other heroines. But he said, ‘Kudiye, none can match your inocence. You can make the audience ghayal with your pain’.”
She owes the liberty she enjoyed to her husband. “Babu was well off. He wasn’t living off me. He trusted me. My life has been an open book. Yes, he was possessive about certain things. Like once when I wore a sleeveless blouse, he didn’t like it. He said, ‘Have you forgotten to wear a blouse?’” she laughs.
LINK-UPS & LIES
Though she was a married actress, rumours of romantic liaisons didn’t spare her. She was linked to various heroes including the late Vinod Mehra and Farooque Sheikh and distributor Ramesh Sippy. With Vinod Mehra she did around 10 films including Anuraag, Us-Paar, Raftaar, Umar Qaid and Zindagi and that set the grapevine buzzing. “Vinod and Babu were close friends. We lived in the same building. So we often went out together. That gave rise to rumours.” She doesn’t deny her outgoing disposition. “I am a flirt. I can flirt even with a plant, with an animal. In fact, Shabana Azmi once said, ‘Shashi Kapoor and you can flirt with anyone from six to 60,” she titters. But she’s aware of the perils of a friendly disposition. “The way I show my warmth is misconstrued. Babu once told me, ‘You’re a heroine. People view you differently. Be careful’. But he also jokes that even on my death bed I will flirt with the doctor.”
On a serious note she explains, “I never reacted to rumours. Those close to me knew, where I was and with whom. My husband was with me. Yes, I committed mistakes.” She reflects, “I realised Moushumi Chatterjee had many admirers. There were people who said, ‘I love you’ and even those who said, ‘I want to marry you’. I couldn’t push them away or be rude. I gave them enough time and also to myself to understand that they were attracted to me and not in love with me. I respect them. I even respect their spouses who also went through a bad time.” She’s still a ‘romantic’ but her definition of love has changed. “Love is an illusion. It’s at best attraction and attachment. Gradually, you move on to other things, your emotions are channelised into your children, your work…”
Golden time
Glamour is short-lived and what lasts is the halo of contentment. “I’ve seen actresses go haywire. I committed a lot of mistakes too. But once I realised them, I took a U turn and never looked back. Your lifestyle is important. If you abuse life, life will abuse you back. Actresses turn lonely because they don’t listen to the voice within.” She insists on being spiritual. “I’m a Hindu but I perform namaz. I visit the church. You can reach God by touching human beings. You come alone and go alone. I take pleasure in simple things, like cooking and being with my children. And of course getting into arguments with husband Jayant. “Babu merely listens, unless I provoke him. We share a great sense of humour. Like when I say, ‘Gala dukh raha hai (my throat is hurting)’, he shoots back, ‘Daba doon (shall I press it)?’”
Moushumi Chatterjee’s best works
Balika Badhu (1967)
An adolescent Moushumi was about endearing innocence as a child-bride in Tarun Majumdar’s Bengali drama. It was later remade in Hindi with Sachin Pilgaonkar and Rajni Sharma in the lead.
Parineeta (1969)
The many adaptations of Sarat Chandra Chattopadhyay’s Parineeta include Moushumi’s take as a young woman’s unflinching devotion to her childhood sweetheart. This was directed by Ajoy Kar. It featured Samit Bhanja, Bijon Bhattacharya and Khagesh Chakravarti
Anuraag (1972)
A blind girl befriends a terminally ill child. The tragedy turns into a tale of hope and love in the Shakti Samanta directorial.
Kuchhe Dhaage (1973)
Moushumi’s village belle act was the perfect foil to the machismo dripping portrayals of Vinod Khanna and Kabir Bedi. Mere bachpan tu jaa… had an uncanny real-life echo to Moushumi’s own evolution.
Zehreela Insaan (1974)
Best remembered for the chartbuster O Hansini and Rishi Kapoor’s emotional confusion. Moushumi matched his intensity with her innocence and ease.
Roti Kapda Aur Makaan (1974)
Manoj Kumar’s war cry against corruption featured Moushumi in a ghastly rape sequence. She was apparently pregnant then but carried off the scene with elan.
Benaam (1974)
Both Moushumi and Amitabh Bachchan share great chemistry as a married couple. Their paradise is lost once their son goes missing.
Manzil (1979)
Basu Chatterjee’s Manzil not only gave us the rain-drenched panorama of Mumbai’s bay-line but also the monsoon ode Rimjhim gire sawan filmed on Amitabh Bachchan and Moushumi.
Swayamvar (1980)
Moushumi was all fire and sweet tantrums as Shashi Kapoor’s demanding ladylove in Swayamvar.
Pyaasa Saawan (1981)
Sexy and sentimental, Moushumi played the perfect wife in this melodrama. She won appreciation and sympathy as Jeetendra’s ailing wife here.
Angoor (1982)
Gulzar’s comedy of errors worked on a low-key sense of humour. Moushumi’s distrustful, daft, housewife act was perfect for the character.
Ghayal (1990)
As Sunny Deol’s grief-ridden sister-in-law in Ghayal, she provided a gravitas to her performance.
Moushumi’s most-loved melodies
· Sun ri pawan pawan puriya – Anuraag (1973)
· �� Tere nainon ke main deep jalaaonga – Anuraag (1973)
· hansini – Zehreela Insaan (1974)
· Mehngai maar gayee – Roti Kapda Aur Makaan (1974)
· Vado karo janam – Sabse Bada Rupaiya (1976)
· Rimjhim gire sawan – Manzil (1979)
· Wada nahin karte kisi se – Prem Bandhan (1979)
· Mausam pe jawani hai – Do Premee (1980)
· Yun na rootho – Itni Si Baat (1981)
· Megha re megha re – Pyaasa Sawan (1981)
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Actress Suchitra Sen was the first Indian actress to be bestowed with an award in an international film festival.
The actress was the recipient of the Best Actress trophy at the Moscow Film Festival for her remarkable work in Saat Pake Bandha, a film that released in 1963.
Saat Pake Bandha (Bengali: সাত পাকে বাঁধা) (1963) is a Bengali romantic film starring Soumitra Chatterjee, Suchitra Sen, Pahari Sanyal and Tarun Kumar. Directed by Ajoy Kar, it was a box office success upon its release.
Professor Sukhendu Dutta (Soumitra Chatterjee), a well-educated poor orphan, who lives with his aunt in a small apartment in Kolkata. Along with the regular job in the university, he also earns his living by private tuition. He met Archana Basu (Suchitra Sen), a well-educated woman of rich family background in a private party thrown in honour of a student of Sukhendu. After that, they fell in love and got married. Archana's mother was not happy with the marriage from the beginning, considering the poor income of Sukhendu. Eventually her too much interference in the married life of Sukhendu and Archana led to a mutual separation.
Cast
Soumitra Chatterjee as Sukhendu Dutta
Suchitra Sen as Archana Basu
Pahari Sanyal as Archana's Father
Chhaya Devi as Archana's Mother
The movie was remade in 1963 in Telugu as Vivaha Bandham, in 1974 in Hindi as Kora Kagaz and in Tamil as Lalitha in 1976.
youtube
Kora Kagaz is a 1974 Hindi drama film produced by Sanath Kothari and directed by Anil Ganguly. The film stars Vijay Anand, Jaya Bhaduri, A.K. Hangal, Achala Sachdev and Deven Verma. The films music is by Kalyanji Anandji. The famous title song "Mera Jeevan Kora Kagaz" was by Kishore Kumar.
At the 22nd National Film Awards, it won the award for Best Popular Film Providing Wholesome Entertainment, while Lata Mangeshkar won the award for Best Female Playback Singer.The film is a remake of 1963 Bengali film Saat Pake Bandha directed by Ajoy Kar, and starring Suchitra Sen which itself was based on the story Saat Paake Bandha by Ashutosh Mukhopadhyay,
Professor Sukesh Dutt (Vijay Anand) and Archana Gupta (Jaya Bhaduri) meet each other in a chance encounter while traveling by BEST bus service in Mumbai. Their meeting again results in formal introduction to each other. Both get attracted to each other and get married. Archana's mother does not like Sukesh due to his modest income. She makes up stories about their affluence, which offends Sukesh. This results in acrimony between Archana and Sukesh, and they decide to separate. Archana goes to live with her parents, while Sukesh relocates. Archana's family asks her to forget Sukesh, and remarry, which Archana finds difficult since she still has feelings for Sukesh.
Cast
Vijay Anand as Professor Sukesh Dutt
Jaya Bhaduri as Archana Gupta
A. K. Hangal as Principal Gupta
Achala Sachdev as Mrs. Gupta
Nazneen as Aruna Gupta
Dinesh Hingoo as Govind Gupta
Ramesh Deo as Archana's Uncle
Seema Deo as Archana's Aunt
Sulochana Latkar as Sukesh's Aunt
Master Shahid as Deepak
Deven Verma as Drona Acharya
Crew
Director - Anil Ganguly
Story - Ashutosh Mukherjee
Screenplay - Surendra Shailaj
Dialogue - M. G. Hashmat
Producer - Sanat Kothari
Cinematographer - Bipin Gajjar
Art Director - Abdul Rahim
Choreographer - Suresh Bhatt, Praveen Kumar
Music Director - Kalyanji Anandji
Lyricist - M. G. Hashmat
Playback Singers - Kishore Kumar, Lata Mangeshkar
Editor - Waman B. Bhosle, Guru Dutt
Music
Song "Mera Jeevan Kora Kagaz" topped the Binaca Geetmala annual list 1974
Song Title Singers
"Mera Jeevan Kora Kagaz" Kishore Kumar 3:35
"Mera Padhne Mein Nahin Lage Dil" Lata Mangeshkar
"Roothe Roothe Piya" Lata Mangeshkar
Awards and nominations
National Film Award
Best Popular Film Providing Wholesome Entertainment : Anil Ganguly
Best Female Playback Singer: Lata Mangeshkar for the song "Roothe Roothe Piya.
Filmfare Awards
Won
Filmfare Best Actress Award - Jaya Bachchan
Filmfare Best Music Director Award - Kalyanji Anandji
Nomination
Best Film
Best Director - Anil Ganguly
Best Story - Ashutosh Mukhopadhyay
Best Lyricist - M.G.Hashmat for the song "Mera Jeevan Kora Kagaz"
Best Male Playback Singer - Kishore Kumar for the song "Mera Jeevan Kora Kagaz"
BFJA Awards
Lata Mangeshkar - Best Female Playback Singer in Hindi film section
Kishore Kumar - Best Male Playback Singer in Hindi film section
Kalyanji Anandji - Best Music Directors in Hindi film section
M.G.Hashmat - Best Lyricist in Hindi film section.
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