Apta - Sun Sun Apta 2020

Tross - Kumla Revisited The Overview Effect Höga Nord Rekords 2018

Pabellón Sintético - Amelie Pabellón Sintético 2015

Paul Ellis - Ocean Immersion Music for The Space Between Atoms Cyclical Dreams 2023

Aarktica - These Days Fail to Bring Me Near Morning One (2023 Remaster) Projekt Records 2001/2023

Monochrome Echo - I Can See the Stars Moonkeeper Reckoning Spun Out of Control 2022

4T Thieves - Under The Wall Nomad's Requiem 4T Thieves 2023

Move D - Beyond the Machine Kunststoff (Remastered) AVA RECORDS 1984/2016

Stone Anthem - Through the Looking Glass Between The Bliss Castles in Space 2023

Ginger Root - Having Fun Mahjong Room Acrophase Records 2018

The South Coast Synth Ensemble - Sports Men Modern Electronics Volume 1 Castles in Space 2023

UFO Club - Smoke And Fluff Runa EP Invisible, Inc 2021

Rickard Jäverling - Bruised Banana Album 4 Höga Nord Rekords 2020

Panama Fleets - Cocobolo Heart Around Alone Sparkwood Records 2022

DJ Dorrit - Moogie MO_ACID Jeff Bridges Móatún 7 2023

Kösmonaut - Jagged Gene Transgressive Transmissions Castles in Space 2022

Touch Sensitive - Perfume The 36th Level Future Classic 2019

JB Dunckel - Sex Ufo Carbon JN Dunckel 2022

Manual - Miraparque Memory and Matter- Selected Remixes, Rarities and Unreleased Tracks 2007-2014 Awkward Silence 2008

Virgo - The Creation Of Typology Landform Code Fantasy Enhancing 2020

Harmonious Thelonious - Afterhour Cheapo Sounds Bureau B 2023

Ogle - Stalactites Cascade Preston Capes 2022

Beyond Our Galaxy - The Arboria Institute Surface Analysis Cyclical Dreams 2022

Binaural Space - Old Fields of Lithium Spacetudes Too Binaural Space 2023

Onepointwo - Throbbing Motor Lifeforms Solstice '21 Subexotic Records 2021

Cautionary Guides - Hundred of Wirral A Cautionary Drive Around The Wirral Castles in Space 2023

Uncle Fido - They Admire the Stars Tipentap Sauntering Day Binaural Space 2023

Felix Laband - Borc Love The Soft White Hand Compost Records 2022

viñu-vinu - Space Echoes from Afar Mystery Circles 2018

Jesse - Astral Waters Fluids Höga Nord Rekords 2018

USA: Percussionist-Composer Frank Colón Performs His Picturesque, Danceable And Romantic Music On “Latin Lounge”

Colón’s Infectious Originals Team His Percussion With A Variety Of Top Brazilian Instrumentalists Who Share The Lead On Trumpet, Flute, Keyboards, Guitars, Accordion And Harmonica

RELEASE DATE: JAN. 1, 2020 FRANK COLÓN “LATIN LOUNGE” Label: TECHNOPRIMAL MUSIC, UNLTD. Artist Website: www.frankcolonpercussion.com Release Date: JAN. 1, 2020 UPC Code: 194171614446  Track listing (all songs composed & arranged by Frank Colón)  1. Emerald Coast (04:26)  2. Easy Does It (03:30)  3. Summer Cocktail (03:42)  4. Let’s Just Go... (04:06)  5. Samba Gitano (03:25)  6. Spanish Heart (04:56)  7. Bali (07:55)  8. Wishful Thinking (05:33)  9. Tango Lucumí (03:59)  10. The Whales of Bahia (05:27)  Musicians + Instruments: (in alphabetical order)  -José Arimateia: Trumpet, Flugelhorn -Raphael Batista: Violin -Julio Falavigna: Drums -Daniel Figueiredo: Synths -Jamie Glaser: Acoustic Guitar -Estevão Lima: Bass -Jr. Lobbo: Electric Guitar -Luana Mallet: Vocals -Carlos Malta: Flute, Bass Flute -Kleyton Martins: Keyboards -Roman Miroshnichenko: Flamenco Guitar -Elton Ricardo: Fender Rhodes -Cristiano Rocha: Drums -José Staneck: Harmonica -Matheus Starling: Electric Guitar -Cristiano Veneza: Violin, Viola, Cello -Mateus Viano: Accordion -Frank Colón: Percussion, Voice, Programming   Throughout his career, Frank Colón has been greatly in-demand as a percussionist with popular artists that include Manhattan Transfer, Aretha Franklin, and Tania Maria. But while his percussion is a prominent part of the ensembles of “Latin Lounge”, it is his writing and use of the varied colors from the other musicians that make this a particularly notable recording.   Recorded in Rio de Janeiro, Brazil, “Latin Lounge” has Colón using the talents of such fine Brazilian musicians as trumpeter José Arimateia, flautist Carlos Malta, Julio Falavigna on drums, and bassist Estevão Lima, along with harmonica, accordion, two strings, and four very different guitarists.   His ten originals are filled with rich melodies, picturesque moods, and infectious Latin grooves. The song titles often define the music, such as the exotic “Emerald Coast,” the optimistic grooves of “Easy Does It,” and “Summer Cocktail”, and the sultry “Let’s Just Go…”, with it’s particularly catchy bass pattern. Jamie Glaser’s acoustic guitar on the funky “Wishful Thinking”, the use of accordion on “Tango Lucumí”, and Roman Miroshnichenko’s Flamenco guitar on “Spanish Heart,” memorably add to the variety of this atmospheric set.   In his career, Colón has worked with many top artists including Manhattan Transfer, Wayne Shorter, Gato Barbieri, Michel Camilo, Chucho Valdés, Michel Petrucciani, Joe Zawinul, Flora Purim, Dr. Billy Taylor, Milton Nascimento, Harry Belafonte, Airto Moreira, and Paquito D’Rivera, among others. His previous CDs include: “Live At Vartanjazz” and “Latin Wonder”.   “Latin Lounge” is filled with music that is difficult to resist. As Frank Colón accurately says, “Latin Lounge will move your body, touch your heart, and soothe your soul.The blend of musical cultures raises consciousness, brings people together, and promotes peace. ‘Latin Lounge’ transports the listener to a land they’ve always imagined, but never knew existed.” 

AVAILABLE FROM: https://store.cdbaby.com/cd/frankcolon12

Media Contact Jim Eigo Jazz Promo Services 272 State Route 94 South #1 Warwick, NY 10990 Ph: 845-986-1677 Cell / text: 917-755-8960 Skype: jazzpromo [email protected] www.jazzpromoservices.com "Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

via Blogger https://ift.tt/2R5hWve

Do Remember The Lady Of Rage Rocking The Mic Rough With Her Afro Puffs (Video)

It was a monumental year when Dr. Dre released The Chronic on his Death Row Records imprint in 1992. The multi-platinum album was a street sensation that marked a new era of Rap. It delivered G-Funk to the mainstream, with videos that displayed the laid back vibes, set against menacing lyricism, and cautionary tales of life in Compton, Long Beach, and South Central Los Angeles. Like Marley Marl with his “Symphony,” Dre’s solo debut introduced an ensemble of stars on the mic, behind the boards, and helping supply the smoked-out party. Snoop Doggy Dogg, RBX, Warren G, and Kurupt were some those names. But most notably, The Chronic also showcased a fierce female MC who matched the grit and toughness of her Compton and Long Beach counterparts, although she was raised in Farmville, Virginia.

The track “Lyrical Gangbang” wouldn’t be as hard-hitting if The Lady Of Rage didn’t set the stage with her memorable, hardcore delivery of the lines: “Now I’ma kick up dust, as I begin to bust, On the wick-wack, f*cked up suckers you can’t trust.”

The Lady Of Rage Details The Serious Health Issues She’s Been Facing

The former Chubb Rock protege known as “Rockin’ Robin” showed up again on The Chronic rapping from the spot of cellblock H on “Stranded On Death Row.” Cellblock H, as she would explain to XXL, is a reference to a women’s prison cell. She explained to the magazine as apart of their 20th-anniversary piece on The Chronic: “I ended my verse with ‘cellblock H’ ’cause I remember running across a television show called Prisoner: Cellblock H, and I think it was about a women’s prison. Me being the female in the crew, I just referenced a female’s prison, cellblock H.”

Snoop Doggy Dogg got his solo album shot less than a year after The Chronic with Doggystyle. Rage is actually the first rapper to set off Snoop’s debut with “G Funk (Intro).” It was there that she rapped the lyrics, “I rock ruff and stuff with my afro puffs / Handcuffed as I bust, ’bout to tear sh*t up.” Just a few months later, in 1994, for the Above The Rim soundtrack, the woman born Robin Allen reiterated those lines as a hook for the first solo Death Row Records single, “Afro Puffs.”

The Lady Of Rage Roughs Up A Tough DJ Premier Track With MC Eiht (Video)

Her solo single was supported by Snoop Dogg making an appearance for some background vocals and a music video cameo. Through G-Funk synths and a heavy bassline, Rage set the track off rugged: “I rock on with my bad self ’cause it’s a must / It’s the Lady Of Rage still kickin’ up dust / So umm, let me loosen up my bra strap / And umm, let me boost ya with my raw rap / ‘Cause I’ma break it down to the nitty-gritty one time / When it comes to the lyrics, I gets busy with mine / Busy as a beaver / Ya best believe-a / This grand diva’s runnin’ sh*t with the speed of a cheetah / Meet a / Lyrical murderer… I’m servin’ ’em like two scoops of chocolate / Check out how I rock it.”

Featuring some of Dr. Dre’s hardest production of the period, the track hit #5 on Billboard’s Hot Rap Songs and served as the second single for the Above The Rim soundtrack, following Warren G & Nate Dogg’s “Regulate.” The album, however, peaked at #1 on Billboard’s Top R&B/Hip-Hop Albums in 1994.

Daz Explains Why Lady Of Rage & Inspectah Deck Verses Did Not Make All Eyez On Me (Video)

Despite the success of the track, The Lady Of Rage has expressed her initial distaste for “Afro Puffs.” In an interview with Billboard’s Erika Ramirez from 2014, Rage revealed how it almost never happened –– or, at least, it wasn’t supposed to:

“That song almost didn’t happen,” she said. “I just so happened to go to the studio that day, and Dre was playing this beat. He was like, ‘You got something for that Rage? Let me hear it.’ I spit a rhyme that I had written a few days prior. I didn’t like [the song], but Dre was like, ‘Damn, Rage, will you just shut the f*ck up? It’s not even done yet.’ I still didn’t like it, but everybody else did. I asked Suge [Knight] to not put the song on the soundtrack, and he was like, ‘Alright Rage, we won’t do it.’”

Hear The Original Version Of “California Love” & It’s Nuthin’ But A Dre Thang

The MC continues, “I was riding in the car with Suge’s wife [Sharitha Knight], and I told her, ‘I’m so glad they got rid of that song.’ And she said, ‘Girl, they didn’t take that song off the soundtrack.’ I had a fit! I said, ‘They’re going to ruin my career. That song cannot be the one.’ My style was more East Coast. I’m from Virginia and ‘Afro Puffs’ was this G-Funk sound. [Interscope Records Chairman at the time] Jimmy Iovine called me and told me to calm down because the song is such a hit. That became my claim to fame.”

“Afro Puffs” might’ve been a huge enough single to warrant Rage’s solo debut. However, despite the song’s success, Rage waited while Tha Dogg Pound dropped their Dogg Food debut in 1995. By the end of that year, the label’s priorities had shifted entirely with the arrival of Tupac Shakur. By March of 1996, Dr. Dre, who had worked so closely with Rage, left the label he co-founded. Her first and only studio album, Necessary Roughness, released in June of 1997. The record was released via Death Row and Interscope and featured production by DJ Premier, Daz Dillinger, Easy Mo Bee, DJ Kenny Parker, and Rage herself.

Snoop Dogg Reveals The Original Beat For “Nuthin But A G Thang” & Raps To It

Not long after her album, Rage left Death Row. In 2005, she spoke to Jake Paine (now with Ambrosia For Heads) for AllHipHop about her frustrations. “I went up there one day to pick something up. I’d been going up there all the time. Suge was locked up at the time; things were run differently. When I got to the lobby, the guy there told me I needed an appointment to go upstairs. I was like, ‘I need an appointment? For what?’ All I got was, ‘Things are different now.’ I was insulted by that. I’m one of the artists—one of the reasons this office is here, I feel. I didn’t sell millions of records, but I was on those things. This is mines, like Dre’s, Snoop’s, Suge’s, whatever. I said, ‘Can you go get the package for me?’ When he went upstairs, I picked up something and I broke some things up, and really give them a reason for not lettin’ me in here. I never went back again until I couple of months ago. I was just mad. I was pregnant, I was mad, that was slap in the face.”

Rage’s persona, on the mic and real-life, earned her a role in Next Friday. At a time when her music career was limited, the MC made a convincing bully as “Baby D.” However, Rage has never beat down anything as badly as that amazing Dre production on “Afro Puffs.”

Other Ambrosia For Heads Do Remember Features

#BonusBeat: The Lady Of Rage’s pre-Death Row debut on wax, Chubb Rock’s “Bring ‘Em Home Safely,” featuring 3rd Bass’ Pete Nice and Lucas Secon:

It was a monumental year when Dr. Dre released The Chronic on his Death Row Records imprint in 1992. The multi-platinum album was a street sensation that marked a new era of Rap. It delivered G-Funk to the mainstream, with videos that displayed the laid back vibes, set against menacing lyricism, and cautionary tales of life in Compton, Long Beach, and South Central Los Angeles. Like Marley Marl with his “Symphony,” Dre’s solo debut introduced an ensemble of stars on the mic, behind the boards, and helping supply the smoked-out party. Snoop Doggy Dogg, RBX, Warren G, and Kurupt were some those names. But most notably, The Chronic also showcased a fierce female MC who matched the grit and toughness of her Compton and Long Beach counterparts, although she was raised in Farmville, Virginia.

The track “Lyrical Gangbang” wouldn’t be as hard-hitting if The Lady Of Rage didn’t set the stage with her memorable, hardcore delivery of the lines: “Now I’ma kick up dust, as I begin to bust, On the wick-wack, f*cked up suckers you can’t trust.”

The Lady Of Rage Details The Serious Health Issues She’s Been Facing

The former Chubb Rock protege known as “Rockin’ Robin” showed up again on The Chronic rapping from the spot of cellblock H on “Stranded On Death Row.” Cellblock H, as she would explain to XXL, is a reference to a women’s prison cell. She explained to the magazine as apart of their 20th-anniversary piece on The Chronic: “I ended my verse with ‘cellblock H’ ’cause I remember running across a television show called Prisoner: Cellblock H, and I think it was about a women’s prison. Me being the female in the crew, I just referenced a female’s prison, cellblock H.”

Snoop Doggy Dogg got his solo album shot less than a year after The Chronic with Doggystyle. Rage is actually the first rapper to set off Snoop’s debut with “G Funk (Intro).” It was there that she rapped the lyrics, “I rock ruff and stuff with my afro puffs / Handcuffed as I bust, ’bout to tear sh*t up.” Just a few months later, in 1994, for the Above The Rim soundtrack, the woman born Robin Allen reiterated those lines as a hook for the first solo Death Row Records single, “Afro Puffs.”

The Lady Of Rage Roughs Up A Tough DJ Premier Track With MC Eiht (Video)

Her solo single was supported by Snoop Dogg making an appearance for some background vocals and a music video cameo. Through G-Funk synths and a heavy bassline, Rage set the track off rugged: “I rock on with my bad self ’cause it’s a must / It’s the Lady Of Rage still kickin’ up dust / So umm, let me loosen up my bra strap / And umm, let me boost ya with my raw rap / ‘Cause I’ma break it down to the nitty-gritty one time / When it comes to the lyrics, I gets busy with mine / Busy as a beaver / Ya best believe-a / This grand diva’s runnin’ sh*t with the speed of a cheetah / Meet a / Lyrical murderer… I’m servin’ ’em like two scoops of chocolate / Check out how I rock it.”

Featuring some of Dr. Dre’s hardest production of the period, the track hit #5 on Billboard’s Hot Rap Songs and served as the second single for the Above The Rim soundtrack, following Warren G & Nate Dogg’s “Regulate.” The album, however, peaked at #1 on Billboard’s Top R&B/Hip-Hop Albums in 1994.

Daz Explains Why Lady Of Rage & Inspectah Deck Verses Did Not Make All Eyez On Me (Video)

Despite the success of the track, The Lady Of Rage has expressed her initial distaste for “Afro Puffs.” In an interview with Billboard’s Erika Ramirez from 2014, Rage revealed how it almost never happened –– or, at least, it wasn’t supposed to:

“That song almost didn’t happen,” she said. “I just so happened to go to the studio that day, and Dre was playing this beat. He was like, ‘You got something for that Rage? Let me hear it.’ I spit a rhyme that I had written a few days prior. I didn’t like [the song], but Dre was like, ‘Damn, Rage, will you just shut the f*ck up? It’s not even done yet.’ I still didn’t like it, but everybody else did. I asked Suge [Knight] to not put the song on the soundtrack, and he was like, ‘Alright Rage, we won’t do it.’”

Hear The Original Version Of “California Love” & It’s Nuthin’ But A Dre Thang

The MC continues, “I was riding in the car with Suge’s wife [Sharitha Knight], and I told her, ‘I’m so glad they got rid of that song.’ And she said, ‘Girl, they didn’t take that song off the soundtrack.’ I had a fit! I said, ‘They’re going to ruin my career. That song cannot be the one.’ My style was more East Coast. I’m from Virginia and ‘Afro Puffs’ was this G-Funk sound. [Interscope Records Chairman at the time] Jimmy Iovine called me and told me to calm down because the song is such a hit. That became my claim to fame.”

“Afro Puffs” might’ve been a huge enough single to warrant Rage’s solo debut. However, despite the song’s success, Rage waited while Tha Dogg Pound dropped their Dogg Food debut in 1995. By the end of that year, the label’s priorities had shifted entirely with the arrival of Tupac Shakur. By March of 1996, Dr. Dre, who had worked so closely with Rage, left the label he co-founded. Her first and only studio album, Necessary Roughness, released in June of 1997. The record was released via Death Row and Interscope and featured production by DJ Premier, Daz Dillinger, Easy Mo Bee, DJ Kenny Parker, and Rage herself.

Snoop Dogg Reveals The Original Beat For “Nuthin But A G Thang” & Raps To It

Not long after her album, Rage left Death Row. In 2005, she spoke to Jake Paine (now with Ambrosia For Heads) for AllHipHop about her frustrations. “I went up there one day to pick something up. I’d been going up there all the time. Suge was locked up at the time; things were run differently. When I got to the lobby, the guy there told me I needed an appointment to go upstairs. I was like, ‘I need an appointment? For what?’ All I got was, ‘Things are different now.’ I was insulted by that. I’m one of the artists—one of the reasons this office is here, I feel. I didn’t sell millions of records, but I was on those things. This is mines, like Dre’s, Snoop’s, Suge’s, whatever. I said, ‘Can you go get the package for me?’ When he went upstairs, I picked up something and I broke some things up, and really give them a reason for not lettin’ me in here. I never went back again until I couple of months ago. I was just mad. I was pregnant, I was mad, that was slap in the face.”

Rage’s persona, on the mic and real-life, earned her a role in Next Friday. At a time when her music career was limited, the MC made a convincing bully as “Baby D.” However, Rage has never beat down anything as badly as that amazing Dre production on “Afro Puffs.”

Other Ambrosia For Heads Do Remember Features

#BonusBeat: The Lady Of Rage’s pre-Death Row debut on wax, Chubb Rock’s “Bring ‘Em Home Safely,” featuring 3rd Bass’ Pete Nice and Lucas Secon:

The post Do Remember The Lady Of Rage Rocking The Mic Rough With Her Afro Puffs (Video) appeared first on .

The post Do Remember The Lady Of Rage Rocking The Mic Rough With Her Afro Puffs (Video) appeared first on .

from WordPress http://www.richmegavideo.com/do-remember-the-lady-of-rage-rocking-the-mic-rough-with-her-afro-puffs-video/

How to Make Hard Rap Beats

rai 2018 mp3 The art of creating difficult rap beats is all in the come to feel. As with any design of tunes, it is required that you find out what instruments travel the genre just before you can commence to learn it. When it comes to rap beats, it is crucial that you make certain the bass and drums are on position. Exterior of easy chord framework, these are definitely two most critical areas of the beat which make it audio so very good. When making a difficult beat, it aids if you are in an aggressive temper. This will get you that organic really feel that the track demands. Most dim tracks are in minimal keys. So whatsoever key you might be enjoying in, make certain it is minimal. This offers it a dim and edgy come to feel. Use great samples with your subs. These have to be very weighty. Nevertheless, leave area for your kick drum to breathe. If your kick does not stand out, there is no foundation sonically. So here are the key points: Reliable bass, minor crucial, kick as the foundation. Following, I will go a small further into instrumentation. To get a nice dim sound, consider utilizing some heat pads, some staccato string ensembles, and some quirky synths as leads. Brass sections are the supreme instrumental-darkeners. Utilizing any variation of lower raspy trombones, and French horns will definitely give you that aggression that you look for in your challenging rap beats. Punchy kicks, crisp snares, mild hi-hats, easy crashes, darkish bells, and scorching open up hats are all factors that need to be place into the combine as properly. Following up is tempo. What is a difficult defeat when the tempo is also gradual? This can simply kill the vibe, and/or give you a totally distinct effect than you meant. BPMs for these types of tracks should selection from one hundred twenty five-one hundred forty for soiled south or trap-like beats, and eighty-a hundred and five for East Coast fashion beats. If you remain inside this assortment for your presented genre, you will uncover that you get a wonderful vibe from the beat. Now that you have the principles for setting up an extreme instrumental, you have the resources to start generating some funds off of your tunes. It is genuinely easy these times. It is in fact less difficult than making an attempt to apply to every occupation on your block and hoping you get employed by a person so that they can explain to you what to do. Go ahead, throw some tracks together, get a web site, and will not be frightened to begin creating some money with your newly acclaimed hard rap beats.

Intro 00:00

Christopher Hanlon-Never Too Far 00:55

Dave Clarkson-Wondering Star 02:47

Brian Duffy-Wind On Combe Gibbet 04:26

Chapter 1 08:00

Pruski-Euphoria 10:55

36-Peaceful Moments 15:18

Don Leisure, Amanda Whiting-The First Chant 19:34

Ogle-Andromeda 23:54

Krakenkraft-Omniversive 26:54

Payta-Flower Child 30:10

Chapter 2 323:22

The Hologram People-John Barleycorn Must Die 35:49

Dan Ubick-Dawn Patrol 38:28

Tegu-X 39:29

Mason Bee-There You Are 45:23

Michal Turtle-Jeka 50:19

The South Coast Synth Ensemble-Avril 14th 54:21

Chapter 3 59:30

Fabien Guiraud-L'accident du poisson rouge 1:03:37

Sauveur Mallia-Double Polygone 1:08:09

Martin Stürtzer-The last Outpost 1:10:30

Etienne Jaumet, Fabrizio Rat-Rive Opposte 1:20:39

Lunaria-Venusian Cloud Structure 1:25:51

Mario Luciano, Lauren Santi-Peace of Time 1:35:25

Chapter 4 1:37:03

Listening Center-The Journey Home 1:42:26

Marco Lucchi-toy harp n°20 (+ juno koto) 1:49:10

Urban Meditation-Nightfall 1:51:23

Abdicant-Long Thinking 1:56:48

Outro 1:59:34

Beer of the week: Cygnus X-1 by Monkey Brew

Saturday 02 December Mixtape 401 “Sad Palms EXCLUSIVE” Ambient, Drone, Experimental Electronic, Electroacoustic, Space music Tuesdays & Saturdays. Support the artists and labels. Don't forget to subscribe or tip so future shows can bloom.

Trevlad Sounds-Welcome in you wonderful listener 00:00

Philippe Blache-Contra Spem Spero 00:31

Antarctic Wastelands, Julia Gjertsen, Snufmumriko, anthéne & Logic Moon-Sculpture 2 (by zarr.) 06:09

TALsounds-Palms 11:56

HHNOI-A Scrambled Anthem 17:25

Halftribe & awakened souls-Upstream 20:51

Lauge-Frazil Ice (Sebby Kowal Recycle) 23:48

Field Lines Cartographer-Golden Hour 27:45

Julie Byrne, Laugh Cry Laugh-'22 35:03

André 3000-That Night In Hawaii When I Turned Into A Panther And Started Making These Low Register Purring Tones That I Couldn't Control … Sh¥t Was Wild 36:43

Listening Center-An Opening, Like a Tunnel 46:17

Peter Bark, Rhucle-Dream Night 54:01

OVRSCN-II 56:24

The South Coast Synth Ensemble-By The River 1:02:38

Anenon-Maine Piano 1:06:07

Steven Kemner-Seeping Root (Rinnovare Recycle) 1:06:51

Gallery Six-1 (City Of Dawn Recycle) 1:13:01

sevensy-Grey Winds 1:17:16

Henrik Meierkord-Suddig (Fionnlagh Recycle) 1:22:38

Pepo Galán-Niebla (Powlos Recycle) 1:26:03

Vince Clarke-Red Planet 1:29:36

36-Through The Other Side 1:33:53

Dr Atmo & Ramin-Sadworld-(Mōshonsensu Rework) 1:37:47