#Taylor’s voice mixed with the huskiness of the men’s voices | Explore Tumblr Posts and Blogs

justforbooks · 3 months

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In 1967 when Radio 1 was founded as a successor to the BBC Light Programme, one of its aims was to reach housewives – and to attract them, the station employed only male DJs (or “husband substitutes”, as they were known behind the scenes) for the first three years. It was only in 1970, bending with the times, that it took on its first female presenter, Anne (later Annie) Nightingale, a former journalist and television presenter with almost no radio experience.

The original male presenters have long since left the station, but Nightingale was still working for Radio 1 at the time of her death, aged 83, and had become its longest-serving broadcaster, most recently on air in December 2023. Known to fans as the Queen of Breaks – breakbeat was her specialist genre – she defied the station’s usual career trajectory (five years as a top-tier presenter, then off to weekends or Radio 2) by staying relevant. She introduced listeners to prog rock, punk, indie and dance music, and was unfeignedly passionate about them all. At 75, she told a dance magazine: “I listen to what 13-year-olds listen to because that’s the future. [I’ve] got to be ahead of the game all the time.”

As a dance music specialist from the late 1980s onward – playing “the biggest bass bangers”, as Radio 1’s website put it – Nightingale spent the second half of her career broadcasting to people too young to have known that she had been friends with the Beatles and Marc Bolan. But her age was immaterial because of her stature in the dance world. In 2001, she received Muzik magazine’s Caner of the Year prize in recognition of her late-night lifestyle – her favourite of all her awards, which also included an MBE in 2002 for services to broadcasting (advanced to CBE in 2020), and an honorary doctorate in journalism.

She was a highly knowledgable musical curator, and an expert at exploiting the intimacy of radio. Though Nightingale prioritised music over DJ patter, she recognised that a human voice was still an essential part of the mix; husky-toned and self-deprecating, she belied the station’s early fear that a female DJ would lack authority. According to the writer Irvine Welsh, who listened to her while growing up, her “cool, funky tones” stood out against “the flatulent sounds of loud, boring, thick and egotistical men strafing the airwaves”.

An only child, Nightingale was born in Osterley, west London, to Basil, who ran a wallpaper company, and Celia (nee Winter), a chiropodist. Educated at the independent Lady Eleanor Holles school in Hampton, she left before her A-levels. Overriding her parents’ request that she have “something to fall back on”, she enrolled on a journalism course at the Regent Street Polytechnic (now the University of Westminster). Moving to Brighton after graduation, she married a Fleet Street journalist, Gordon Thomas, and had two children. After a short stint at the Brighton and Hove Gazette, she became the only woman in the newsroom at the Brighton Argus.

Along with reporting local news at the parish-council level, she was given a music column called Spin With Me, which gave her access to the biggest pop stars of the 60s. Her friendship with the Beatles later helped open doors at Radio 1 – the band’s publicist, Derek Taylor, persuaded the station controller to let her audition after her own requests were repeatedly refused.

At a Dusty Springfield gig in 1964, she met Vicki Wickham, producer of Ready Steady Go!, who hired her as co-presenter of a new pop show called That’s For Me. It lasted only a few months, but the exposure led to writing work at the Daily Express and Cosmopolitan, and radio appearances on Today and Woman’s Hour. It was the era of pirate stations such as Radio Caroline; she considered applying to Caroline but was put off by the idea of “living out at sea with a bunch of blokes”.

Finally installed at Radio 1 in 1970, she was hampered at first by a lack of technical knowhow – her first day was marked by eight seconds of dead airtime when she accidentally pressed the “off” switch in the middle of a record. Yet she quickly established herself, choosing her own playlist almost from the start. Her skill at persuading listeners that what she wanted to hear was what they wanted to hear led in 1978 to the job of presenting BBC Two’s “serious” rock programme, The Old Grey Whistle Test. It had failed to keep up with musical fashion, a problem she tackled by booking the most challenging artists she could get away with and braving the consequences. She was delighted to bag Public Image Ltd for a live appearance, though frontman John Lydon repaid her enthusiasm by admonishing her for being “so fucking patronising”.

Four years at Whistle Test were followed by a return to Radio 1’s highly popular Sunday afternoon request show for 12 years. When acid house gained traction in the late 80s, she credited it with changing her life; from that point, she played solely dance music on Radio 1, first in the influential Chill Out Zone slot, then on a longstanding programme that went out at 1am on Wednesdays. Her free time, she said, was consumed by listening to the thousands of demo tapes she received every week.

Despite her achievements, Nightingale claimed she lacked confidence until she was robbed in Havana, Cuba in 1996. The attack left her unable to walk for months, but made her “a stronger person”, she said.

Though she hated nostalgia, she did reflect that ageing had been isolating. The death of John Peel, her friend from the early days of Radio 1, provoked the unusually downbeat comment: “Now John’s gone there’s nobody I know in my age group who remotely likes this kind of thing. I don’t understand why. I’m driven by it.”

She published two volumes of autobiography, Chase the Fade (1982) and Wicked Speed (2000), and a 50th-anniversary volume, Hey Hi Hello: Five Decades of Pop Culture from Britain’s First Female DJ, in 2020.

She is survived by her children, Alex and Lucy, from her first marriage, which ended in divorce. Her second marriage, to the actor Binky Baker in 1978, also ended in divorce.

🔔 Anne Avril Nightingale, broadcaster, born 1 April 1940; died 11 January 2024

Daily inspiration. Discover more photos at Just for Books…?

#just for books #annie nightingale #in memoriam

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ckentdaily · 5 years

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Welcome to the World

“Gosh, I’m awful sorry,” Clark coughed, after inhaling half of the finishing powder that the makeup artist, Alice, just applied. Alice was nice. Alice only asked him questions about Bruce Wayne and whether or not the little husky mix he adopted was as cute as she seemed in the photos. After Clark had reassured her that, yes, Ace was adorable and Bruce was spoiling her, he shook her hand with both of his and thanked her twice.

The dressing room was silent again. He stood up and stretched his legs, after prying the narrow wooden chair from his hips. No one on set had expected him to be this big, which resulted in some last minute seating changes... but only once he was in front of the camera. A little discomfort now was fine. He just didn’t want to be remembered backstage for breaking a chair.

“Ok, Clark. Let’s decide who you’re gonna be today.” He squinted at himself in the mirror, not liking how the powder obscured the pores in his face. He leaned against the vanity and scrunched up his nose, then rolled his shoulders back. With his tie tucked and a confident smile, he stared at his reflection. One hand in his pocket. Feet shoulder width apart.

Too much like Superman.

He rolled his shoulders forward, higher by his ears, and let his weight shift to the right. He hunched forward and made sure his glasses were high on the bridge of his nose, with the black rim obscuring the space between his eyelids and brow. The lens were thick enough that his eyelashes would barely be seen, much less noticed.

Too much like Clark. Old Clark.

The Clark that hid from opportunities like these, and only scraped by in job interviews, scuttling through parties along the back wall until he faded into the background.

Clark didn’t want to be that Clark today. He didn’t want to be that Clark ever again if it meant he couldn’t be effective.

He straightened up, and took his hand out of his pocket, but he smiled again. Just a disarming, shy one, but enough that he didn’t look like he was prepared to jump out of his skin at any moment.

Better.

He buttoned his blazer and opened the door, just as he heard one of the crew telling Brandon, from sound, to grab the guest and bring him out.

“Showtime, huh?”

“If you’re just joining us, I’m Chuck Wilton, and as the Ukraine scandal unfolds, WGBS is bringing you an exclusive interview with the journalist, Clark Kent, who broke the story. Welcome Clark.” The introduction rolled off the older, gaunt looking man’s tongue with a practiced ease. Chuck appeared on millions of screens across Metropolis and the country for more than a decade. He was a familiar, no nonsense face in American homes.

And he was still too conservative for Clark’s liking. He could respect the man’s commitment to his work while disagreeing with his personal politics. Clark couldn’t relax entirely, even as he shook Chuck’s hand and sat down in the appropriately sized swivel chair, on his side of the desk. He knew not to close his eyes when the pitcher’s planning a curveball. Clark just didn’t know when it would come.

“Thanks for havin’ me, Chuck. I’m glad to be here,” Clark kept the drawl in his voice, as he let the button loose and set down his typed notes in front of him.

Chuck first asked about Clark’s conversations with Ambassador William Taylor, envoy to Ukraine, who returned stateside to testify in front of Congress about the President’s international transgressions. Clark answered calmly, laying out the timeline of the President withholding national aid to force another government to investigate his political opponents.

“That’s correct. President Trump asked for Kiev to investigate former Vice President Biden and would not release security aid until this was done. Requesting that a foreign government conduct a politically motivated investigation with the promise of something in return is not only illegal, but it’s not how the United States conducts foreign affairs.”

“And this single phone call, that we don’t have access to the transcript for, is enough for Speaker Pelosi to file the articles of impeachment? The testimony of a single civil servant has launched these closed door hearings in the SCIF?”

“Not just any civil servant, Chuck. Mr. Taylor is a decorated veteran who has served in nonpartisan roles under both Democratic and Republican administrations since 1985. He worked for the Department of Energy and NATO, ‘fore he began working internationally for the State Department.” Clark pushed back, still smiling, but dropping his hands to his lap to keep from gesturing as he spoke. “I think that in the coming days, you’ll see more and more folks comin’ forward, but this is on top of the previous and documented abuses of power by this administration since 2016.”

“Pelosi has hemmed and hawwed about keeping the scope narrow. If this is the event that finally lights the spark of impeachment, why couch it in the context of those other allegations? Isn’t the public ready to move on from the spectacle of the Speaker grasping at straws?” Chuck fixed Clark with a look over his glasses.

“I think that the latest Pew polls showing public support for a removal of the President from office answers that question better than either of us could. I think it can be argued that it may not have been politically viable to move to impeachment before now, ‘specially in light of the GOP’s shameful display yesterday in the SCIF.”

“Don’t they have the right to protest peacefully, as any other American group?”

Clark’s smile grew tight. “They’d have that right if it was an actual protest, but you’ve got to call it like it is, Chuck. They committed a federal crime. The two dozen or so elected officials barged into the SCIF, brought their cellphones in with them and tweeted from inside. The SCIF is a Sensitive Compartmented Information Facility. These rooms are designed to handle sensitive materials while matters of national security’re bein’ discussed.”

“They weren’t protesting, Mr. Wilton,” Clark took a deep breath, “They were obstructing justice and protesting the very rules they put into place durin’ the era of the filibuster, under President Obama. Electronics weren’t supposed to be in that room, because of the high risk of compromise by foreign agencies. Representative Gaetz knows that."

Chuck hummed unhappily, “Even if they simply wanted to be in the room during the hearing? Isn’t that a reasonable request?”

“If they were one of the Republicans on the congressional Intelligence committees that were supposed to be there? Certainly. But the fact is that those representatives-- from both parties, I might add-- were already in the room. Closed-door testimonies were standard practice durin’ the impeachment inquiries into former Presidents Clinton and Nixon.” Clark worked his jaw and continued. “Just because our current President might act like he’s above the law, doesn’t mean that his party should feel entitled to do the same.”

“I see. It says here that you’ve been at the Planet for two years?” Chuck opted to pivot, leaning back in his chair.

“Yessir, two years this December.” Clark clasped his hand in front of him, on top of the desk. His smile brightened again.

“Where have they been hiding you? Welcome to the world, Mr. Kent.”

“Aha, thank you, Chuck,” Clark laughed nervously.

“Why haven’t we heard from you before? It says here that this is the first time you’ve written on national politics for them. The last time your name was in the news, you were the news. A puff piece from a gossip columnist in Gotham about your current relationship.”

“I’m grateful to my editor, Perry White, for giving me the opportunity to inform the American people about what’s happening on Capitol Hill. I think that they want to hear more about if our Congress is going to impeach a sitting president in an election year, than they do about my personal life.” Clark glanced away and then forced himself to meet Chuck’s gaze again. Old Clark wouldn’t be allowed to finish this interview. “Wouldn’t you agree, Chuck?”

“I would.” Chuck smiled for the first time. His teeth were straight, but yellowed. “But they would also like to know if they’re receiving their news from a reliable source. What would you say to those that might think you’re just trying to keep your name in the papers?”

“The Daily Planet prides itself on integrity. That’s been true since the paper was founded. I think that this story could have been written by any of its reporters. My answer to those folks would be simple, Chuck: the article speaks for itself. Our investigative team has complied page by page summaries of the ambassador’s testimony, cross-referenced with additional witnesses since the probe began.”

Clark paused and turned away from Chuck to stare directly at the camera.

“Stories like this aren’t meant to catapult any one person into stardom or notoriety, they’re meant to keep hard-working Americans abreast of the issues that will have profound impacts on their lives. Make no mistake, Chuck, the American people have asked for the president to be held to the same standards as any other citizen. They have a right to know that some of the men and women that they voted into office aren’t only talkin’ the talk, they’re walkin’ the walk, and they’re ready to check the Executive Branch.”

“Powerful words from a new face. I’d like to thank today’s guest, Clark Kent, from The Daily Planet. I’m sure this won’t be the last we’ll see of him.” Chuck gestured to Clark, who nodded and waved, and then a relieved looking woman with a clipboard and a large headset gave the cue to cut to commercial.

#action post.#plot plot plot.#long post

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sensizlik-now · 5 years

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Taylor Swift Lover predictions

1) I Forgot That You Existed –> I actually have two predictions about this song: 1. About drama that revolved around Taylor and Kanye, maybe about how since she found someone who loves her for her she forgot all of the people that did her wrong, I feel like it will be a big bop, badass song.

2. About past relationships, about how she forgot about her exes because she found the right one, the one worthy of her love, romantic, upbeat song.

>>Leaning towards first prediction tho

2. Cruel Summer- I have a feeling its about her trial, how she felt at that times, just her explaining her pain through metaphors, slowly building to strong emotional song --> Lyric: Summer’s knife

4. The Man- We already can see some parts of it so I think she will go off about ''men'' and how its easier to be a man in this world, another badass song, getting Look what you made me do vibes.

6. I Think He Knows – about her and Joe, about how he knows how she feels, maybe it will be about their beginning, how he knew she was in love with her because she couldnt hide it from her Lover, secretive bop

7. Miss Americana & the Heartbreak Prince- maybe about the start of her relationship with Joe, when she still didnt know him enough so she made her own story, I am getting some fairytale kind of vibe, maybe Love story vibes? Or maybe how media portrays their relationship and them laughing about it?

8. Paper Rings- maybe some cute story that happened between her and her Lover, maybe how they promised each other that someday those paper rings will turn into diamond ring, maybe about keeping promise to hang on to him? I feel like this will be her soft song, just her and her Lover, maybe something like mix of You are in love and Love story? Killer lyrics, upbeat music.

9. Cornelia Street- this is the one I am most excited for, maybe she will sing about times with Joe in Cornelia street, about some moments that stuck to her because she found them important, inside jokes and happiness they felt in that street, soft song, I am getting Wildest dreams vibes, about fairtyle kind of love spoken through metaphors.

10. Death By a Thousand Cuts- This one is the one I am most nervous about because I feel like it will be a bop but with emotional lyrics (like All you had to do was stay), where she will be singing about cuts that she did to herself (metaphorically of course), about cuts her false friends caused and things that made her sad and wounded --> I think the lyrics of this songs are: ‘’Luck of the draw, only draws the unlucky. And so, I became the butt of the joke. I wounded the good and I trusted the wicked. Clearing the air, I breathed in the smoke.’’

11. London Boy- this one is about Joe, duhhh, I think it will be bop and everyone will be cheering when they first hear it. Maybe series of moments when he made her feel like a princess and about how much he means to her but also a tough stuff they had to go through because every relationship has up and downs, and how through it all they stayed strong and together, maybe even first fight and then solving it together, basically showing two sides of relationships -->Lyrics: I can’t talk to you when you’re like this. Staring out the window like I’m not your favourite town. I’m New York City (getting Stay Stay Stay vibes)

12. Soon You'll Get Better (feat. Dixie Chicks)-I think this one is about her mom, about her battle with cancer, about young Taylor watching both of her parents going through this awful illness and her now in the present watching her mom and saying she will get better, she will go through it and she will beat it again, emotional, sad, slow song with husky voice, heartbreaking voice, everyone will cry.

13. False God- I have two predictions about this one 1. About all of these celebrities acting like they are God (See Kayne and Donald Trump) and how they feed on their fame and think they are Gods because they have followers, maybe first cuss word in this album, she will throw our wigs with this one, another badass song, I did something bad vibe.

2. About people thinking celebrities are Gods and they dont make mistakes, worshiping them and making them feel like they need to be someone else to meet everyones expactations and how hard that is- emotional, Delicate vibes.

15. Afterglow- well it can mean sex, the feel after doing it, but I dont think so, maybe more romantic So it goes vibe about how her Lover makes her feel

2. about how she feels about herself, finding herself, being her happy self, doing better than she was self, happy upbeat song -->Lyrics: Like a Tennessee Stella McCartney.

17. It's Nice to Have a Friend- about her real friends, the one who support her, the one who didnt run when it got tough, ones that make her feel alive and happy, I am getting mix of 22 and This is why we cant have nice things vibe

About the betrayal of her ‘’real friends’’, so she is saying sarcastically: ‘’Its nice to have a friend’’ , it could be that lyrics of this song are: ‘’ Luck of the draw, only draws the unlucky. And so, I became the butt of the joke. I wounded the good and I trusted the wicked. Clearing the air, I breathed in the smoke., upbeat, strong badass vibes’’

18. Daylight- this one is about finding happiness, letting go and moving on to things that are important, letting go of bad memories and stepping into the daylight

I am pretty sure the last lyric willl be: ''Step into the daylight and let it go.'' – happy, nostalgic vibe, will make us all happy that she found what she was looking for.

#taylor swift #taylor swift lover #taylorlurking #taylornation #taylor swift predictions #ts7 #ts7 lover #ts7 lurking #ts7 predictions

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