If people are sad about The Wizard Facism game coming from someone you used to look up to and admire, may I suggest an author whose books are filled with nuanced characters and strong, dynamic women?

Tamora Pierce has been writing since the 80’s and has two worlds of magic and fantasy and bonus!!! Isn’t a transphobic POS.

Alanna the Lioness

Scene from the end of Lady Knight - Kel digging her own grave 💀

In honor of 2023 being the 40th anniversary of Tamora Pierce’s Song of the Lioness quartet, these are the beloved and much-read paperbacks I bought with my allowance money in 1992, when I was 13.

no "other/see results" we die like men

note that I'm not talking about the best SERIES just your favorite CHARACTER

First look at the 40th anniversary Alanna collection!

Reading through the Tortall books in publication order is funny because you start with Alanna “the village healing woman taught me all she knew” going off to become a knight, and end with Numair “world’s most powerful mage” as young Arram Draper first learning magic at the Carthaki university. Because of the 40 intervening years and five(?) different series further developing the Tortall universe, the magic system is now SO much more complex.  Arram is learning an elementally-based, heavily theory-dependent form of magic where conceptual power is applied to physical objects or energy constructs. His teachers make him develop skills in non-magical areas like juggling, jewelry making, and gardening so eventually they can safely guide him through complicated applications of magic. In comparison, Alanna complains that Duke Roger is spending too much time on theory in order to prevent her and her peers from learning “actual magic” and becoming his rivals. And then she throws purple light at things until they explode or she passes out! We also learn from Arram’s misadventures that most of “magic” is creating methods of applying, storing, and accessing power so the user doesn’t drain their own life force and pass out or die. Alanna uses NONE of these techniques; instead, she pulls her magic directly out of her own life force, thinks about what she wants it to do, and hopes she reaches that goal before draining herself. She even (sometimes) factors in the impact of magically draining herself of energy while attempting tasks that require both magical and physical endurance (such as when deciding how much magic to spend warming herself when making her blizzard hike to claim the Dominion Jewel.)

For one thing, this makes Alanna insanely powerful. In In the Hand of The Goddess, she breaks open Roger’s magically locked door (presumably designed by Roger himself-- an immensely strong and well-trained sorcerer) by shoving her own magic into it until it MELTS. This builds an Alanna who decided magical theory was useless at age 12 because she has an immense access to magical potential energy, and who never learns the basic life-preserving models of magic usage that are taught in intro-level classes. She doesn’t have an interest in learning more sophisticated forms of magic, except in healing, which she cared about enough to learn non-magically. So when she heals, she uses magic as a guide or a supplement, rather than depending on it and then draining herself.  Since she isn’t attempting complex magic, most of the time the limitations of drawing directly from her own life force doesn’t impact her that much. The things she does magically all have much more efficient alternatives, but they require an understanding of magical theory and ability to store energy that Alanna never learned! If she wants to do larger spells, she just keeps feeding energy into it until it breaks or she does. 

The intervening series and Numair’s story makes Alanna’s simultaneously more and less believable. It now makes sense why everyone with even a slight understanding of Alanna’s type of Gift gets angry at times and tells her she’s using magic irresponsibly. (Before, we only understood Alanna’s side of the argument: “Well, I didn’t die and it worked, so calm down.” !!!) The fact that she never actually dies and only rarely is seriously harmed through her own magic use now requires some suspension of disbelief!

This is my favourite bit of Jon's character arc:

Jonathan refused to be provoked. "I'm not charitable," he said coolly. "My father was. Now the results of... certain of his charities threaten this kingdom. I wish he had been more just and less kind."

...

The sentences for all should have been death - the laws on treason were strict - but Jonathan would not begin his rule with executions. He granted more pardons in the first week of his official reign than had King Roald in all of his.

I'm not being snide, I really like the arc Jon gets of showing how his sense of judgement develops. Later on we do get to see Jon screw up, of course, but overall he's a good ruler and he's a good ruler precisely because he has this incredible sense of scale and of the big picture.

This is easier for me to explain in reference to Daine and Kel, but the sense of bigness is one of my favourite things about Tamora Pierce's writing and the thing that has most influenced me, so I get sentimental about it.

I FEEL SO STRONGLY ABOUT THE CHAMBER'S REACTION TO KEL OK

kel is the lump, a stone, the calm surface of a lake- but ONLY on the outside- ONLY to make dealing with people work better

the chamber hammers your weak spots trying to make you BREAK, but KEL, WENT TO THE CHAMBER, AGAIN AND AGAIN, she GREW AROUND it like a TREE

the day came when the chamber had it's chance- to strike her as HARD AS IT COULD

and

there was almost nothing left for it to even aim at

because kel had stuck HERSELF already, had BEEN hammering herself this whole time- had been TESTING herself every step of the way QUESTIONING HERSELF AND asking herself how she could be and do better next time

for the sake of those who need someone when no one sees them as people. for the sake of unwanted animals and overlooked humans- kel became her own ordeal

the chamber couldn't break Kel. SHE broke IT

so it had nothing to do, except make her an ordeal in the real world-

the nothing man, child killer, the promise she will stare evil in the face somewhere somehow, that tantalizing and USELESS knowledge burning her as she is given charge of convicts and refugees and not enough soldiers to defend them and her old desire to be like the Lioness, her inspiration, to go out there and STOP THIS SUFFERING FROM HAPPENNG HERSELF

the chamber jammed this thorn into her heart and THEN it chose to Watch Her out there

as she.... chose people. Again. chose care over glory. everyday duty over heroics. obscurity to wider world- but a friend to a small corner of the world that desperately needed someone to see them, fight for them, and not ever look away... or abandon them

the chamber saw that. it NAMED HER- didn't chose her- didn't make her- gave no gift other than pain to her

but it was glad, to have seen her

Protector. of the Small

gently burying dead sparrows and scoffing at such a silly name

it just occurred to me how funny this is, like

when the terrified villagers showed up raving about mythical beasts, George was all willing to go along with it in terms of providing them shelter and food, but he had to draw the line at sending soldiers because he fundamentally did not believe them that a griffin had popped out of legend to attack their village (understandable)

and that just makes me picture a monty python-esque scene where like some village leader is like "IT WAS A MONSTROUS BEAST! IT HAD CLAWS LIKE SABERS! YOU HAVE TO SEND MEN" and George is just like "Mmm, mmm, yes, I hear you...but like, are we sure that maybe it wasn't just...a bird?" and the leader is like "IT HAD THE HAUNCHES OF A LION! THE HEAD OF AN EAGLE! IT WAS NO BIRD MY LORD!" and George was like "Like maybe a really big, kind of aggressive, scary bird though?" and the villagers were like "MY LORD, TWAS A GRIFFIN, YOU MUST SEND SOLDIERS!" and George was like "Yeah...no, I'm probably not gonna do that...but hey, how about we all go have a nice dinner, my treat, everyone get a good night's rest here...and then tomorrow when everyone is feeling more relaxed we can circle back on that bird idea again, see how it strikes you then."

Okay so I just finished watching Damsel on Netflix (it was fine, solid hero movie), and is it just me or does Millie Bobby Brown's last look fit Alanna the Lioness perfectly or what?

Like I just wish there were more than like three shots of it, because I would use the hell out of this fancast.

Platonic soulmates :’)

After I finished reading The Epic of Gilgamesh today, I entered a fugue state where I sat down and read the entirety of Alanna: The First Adventure by Tamora Pierce.

On the record, I have had a lifelong love and adoration for Pierce's Tortall books. I first read the Song of the Lioness quartet when I was 11, and they rewrote my brain. I love them so much. I reread them and the other Tortall books on a semi-frequent schedule.

It's been a while since I reread any of the Alanna books, if only because my sister took our shared copies when she moved out. I've been meaning to buy my own set for a long while now but haven't been able to justify the purchase. The other week, I just so happened to find the first two volumes at my local indie bookstore. I bought them immediately, as well as ordered the third and fourth book. (And discovered that the store owner knows me by name-- when I went to pick up my order, she saw me and said, Hi Frankie! I got your books over here.) (I may be spending too much money there.)

So I have been in a bit of an emotional rut these past few weeks. Work sucks. Life stinks. The temptation to run off to Tortall and curl up in the fantasy story that captivated me as a kid has never been stronger.

Ergo, I ran off to read the first book as soon as I could.

If you're looking for any critique of this book, series, or Tortall in general, I will never give it. Sure, it's problematic and dated, and in many ways imperfect, but someone else can list out all of its issues. They're all perfect to me.

Anyway, the book. I should say something about this book in particular.

One thing I appreciate about Pierce's writing is how she handles school settings in fantasy. Learning and training is so mundane. All of her heroines have to work hard and put in extra hours of study in order to improve, much less keep up with their peers. It's so normal that it circles around to being weirdly refreshing.

Also, there is still no other fantasy author who handles period talk and birth control the way Pierce does. We make fun of the trope of fantasy birth control nowadays, but I rarely see it presented as it is here: as a part of normal puberty lessons and given long before sex is in the girl's radar. And even today with the glut of YA fantasy stories out there, I still have yet to see menstruation be portrayed as frequently or as bluntly as Pierce writes it.

There was a period of time publishers really tried to push the Tortall books as straight YA, which doesn't work for that reason alone. You gotta market them to middle schoolers. They're the ones just starting puberty talks, and getting scenes like this is so good for their brains.

Moving on: I fucking love these characters. Alanna was an icon of brash, temperamental heroines that have shaped my taste to this day. I love how even in the first book, Jon is kinda shitty. I adore George Cooper. Talk about a taste maker the way this man sets a standard.

I just can't be coherent when it comes to any Tortall books. I have no thoughts. Head empty. I am going to binge the rest of this series as quickly as I can before my library book comes in. Then normal book content will resume.

Before I go, I need to talk about the book covers.

Growing up, my sister and I had these covers:

Which, god. I love them. The black is striking. The art is incredible. Alanna looks so good. They were the perfect pocket-size too. I was going to buy the same edition for my copies, but instead I got the 40th anniversary reprints:

Not bad at all! These books have had some seriously bad covers, and these look great! Very anime, which will appeal to the 11 year olds who need to have their socks rocked by this series.

But, man. I really miss those black covers. One day I will splurge and buy a second set of them just so that I can stare at the art.

You can really tell when fantasy book art started to go downhill when people started bringing computers into it. I really miss the days of gorgeous, highly detailed hand-drawn cover art. When did stock images and barely detailed photos become mainstream for book art?

TORTALL MAP BLANKET I'M TORTALLY NORMAL ABOUT THIS