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The Power of Color in Portrait Photography: Using Gels to Match Personality
When it comes to portrait photography, there’s nothing quite like collaborating with a subject whose energy and personality truly shine through the lens. That’s exactly what I experienced during a recent shoot with Carla, a Bronx native actress with a vivacious spirit and a magnetic presence. From the moment she stepped into my cozy converted living room studio, I knew we were in for a creative…
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#Background light#Bold colors#Bronx actress#Color portraits#creative shoot#Deep hues#Dynamic portraits#Hair light#key light#Light reflector#Light spill#Limited space#Living room studio#Magnetic presence#Natural expressions#portrait photography#Radiant glow#Red gel#Saturated colors#Silver parabolic umbrella#Speedotron strobes#Studio lighting#Unique style#Vibrant personality#Warm and cool colors
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Uncovering the Secrets of a Professional Photographer's Equipment: An Insider Look with Jack Robert
Join Greenville, SC based Editorial, Commercial, Branding, and Lifestyle photographer Jack Robert as he takes you on a journey of his equipment choices, the reasons behind them, and where he buys them
Comprehensive List of Equipment (Click each subject title to jump to my reviews and how I utilize each piece)
Click here to Jump To Cameras Review
Canon R5, Canon R6
Click here to jump to Lenses
Canon RF 35mm f/1.8 Macro IS STM Lens
Canon RF 50mm f/1.2L USM Lens
Canon RF 85mm f/1.2 L USM Lens
Canon RF 70-200mm f/2.8 L IS USM Lens
Tamron 17-35 2.8-4
Click here to jump to Computer review
MacBook Pro 16" Laptop - Apple M1 Max chip - 32GB Memory - 1TB SSD - Space Gray
Click here to jump to lighting reviews
Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash
Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)
Backup Bulb Flashpoint Flash Tube for XPLOR 600 Flash Head - AD-H600
Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C)
Click here to jump to Stands & Accessories
Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit (9.5') (Lightweight)
ROLLING BASE Kupo Runway Stand Base (AMAZING)
Flashpoint C-Stand Riser Column (9' Silver)
10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome
Super Clamp with Ratchet Handle
Click here to jump to Modifiers
Westcott 7' Parabolic Umbrella, White/Black
Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63")
Westcott Rapid Box Switch Octa-S with Bowens Switch Insert
48" EZ Lock Octa Quick XL Softbox with Bowens Mount
Click here to jump to memory and hard drives
SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray
WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue
Click here to jump to Compression and Archiving Software
Rawsie (Get 10% off using code JACK10)
Carbon Copy Cloner
Why I buy all of my equipment at Best Buy
As a professional photographer in Greenville, SC, with over ten years of experience, Best Buy is my go-to destination for all of my photography equipment needs. One of the main reasons I choose to shop at Best Buy is their amazing damage policy as a Total Tech Member. Accidents happen, and it's comforting to know that if I accidentally damage a product while handling it, Best Buy will take care of it.
In addition to their damage policy, Best Buy also provides annual maintenance for my DSLR or mirrorless camera. If there's ever a failure from normal wear and tear, they'll repair it at no extra cost to me. This peace of mind is invaluable to a professional photographer like myself, as it allows me to focus on what I do best - capturing beautiful images - without worrying about the reliability of my equipment.
Another perk of shopping at Best Buy is their priority customer service. Best Buy's team is always ready to assist me with any questions or concerns I may have. As a professional, my time is valuable, and I appreciate receiving prompt and efficient service when I need it.
I've also taken advantage of their "My Best Buy" credit card, which either gives me 5% back or allows me to pay for things over 12 or 18 months with zero interest (for the love of god, only use credit cards if you pay them off EVERY MONTH IF THEY DONT HAVE ZERO PERCENT INTEREST).
Lastly, Best Buy's return policy is a game-changer. As a Best Buy Totaltech™ member, most products are eligible for a 60-day return, which means I can shop confidently, knowing that if I'm not completely satisfied with my purchase, I can return it hassle-free while not worrying about damaging the products due to their generous accidental damage coverage.
Best Buy is my go-to destination for all of my photography equipment needs. Their damage policy, annual maintenance, priority customer service, credit card options, and return policy make them the best choice for me as a professional photographer.
What if Best Buy doesn't have what I need?
While Best Buy is my go-to destination for most of my photography equipment needs, I also rely on Adorama and B&H for those niche pieces of equipment Best Buy may not carry.
Adorama and B&H are great websites to purchase equipment, and I have had great experiences with customer service from both companies. They have a wide range of options, and their prices are competitive.
One downside to B&H is that they are closed online quite a bit throughout the year. This can be an inconvenience when I need to purchase something urgently or if I am looking to buy something online. But overall, the customer service, pricing, and variety of options make it worth dealing with their closures.
In conclusion, as a professional photographer, it's important to have a variety of reliable equipment sources. Best Buy, Adorama, and B&H are all great options, each with their own unique perks and downsides. I highly recommend considering them all when making your next equipment purchase.
Cameras
Canon R5
Canon R6
Unleashing the Power of the Canon R5: The Ultimate Tool for Professional Photography
As a professional photographer, having the right equipment is crucial. That's why I rely on the Canon R5 for all my photography needs. This camera is a game-changer, packed with features that make it the ultimate tool for capturing stunning images.
One of the most impressive features of the Canon R5 is its advanced eye-tracking technology. This allows me to capture portraits quickly and easily, even on the run. The camera's autofocus system tracks the subject's eyes, ensuring that they are always in focus, no matter how fast they're moving. This is especially useful when working with children and animals, as they tend to move around a lot.
How the Canon R5's High-Resolution Sensor is a Game-Changer
As a professional photographer, editorial work is a big part of my portfolio. And when it comes to capturing images that tell a story and convey a message, the Canon R5's high-resolution sensor has been a lifesaver. With 45 megapixels, this camera can capture incredible detail and clarity. The high-resolution sensor allows me to see every detail in the image, which is essential when working on editorial projects where the image needs to tell a story and convey a message. This means publishers can print large-format photos without losing any quality.
Additionally, the camera has a wide dynamic range, which allows me to capture images with a lot of depth and dimensionality. This is especially useful when working in challenging lighting conditions, such as bright sunlight or dark interiors. The wide dynamic range allows me to capture images with a lot of detail in the highlights and shadows, which is crucial when working on editorial projects where the image needs to be as detailed and accurate as possible.
Another advantage of the Canon R5's high-resolution sensor is that it allows me to crop images without losing quality. This is particularly useful when working on editorial projects, where the image may need to be cropped or resized to fit a specific layout or format. But it's not just about the technicalities. The Canon R5 also has a great design and ergonomics; it's comfortable to hold and easy to navigate through the menu, which makes it a pleasure to work with. The Canon R5 is an essential piece of equipment for any professional photographer. It's packed with advanced features that make it the ultimate tool for capturing stunning images. Whether quick on-the-run portraits or high-resolution stills, the Canon R5 has everything you need to take your photography to the next level.
Why I use the Canon R6
When it comes to capturing stunning images and videos, photographers and videographers are always on the lookout for the latest and greatest equipment. And while the Canon R5 has undoubtedly made a splash in the world of photography and videography, its little brother, the Canon R6, is also a camera worth considering.
One of the most significant advantages of the R6 is its smaller file size. Hard drive space can quickly become an issue when working with large files. The Canon R6's smaller file size means that you can store more images and videos on your hard drive, making it easier to manage your workflow. Additionally, the smaller file size also means that the Canon R6 is less demanding on your computer's processing power, allowing you to work more efficiently and with less lag.
When it comes to image quality, the Canon R6 doesn't disappoint. The camera has a 20.1-megapixel full-frame sensor that produces stunning images with rich colors and sharp details. The camera also has a high-speed autofocus system, making capturing fast-moving subjects easy. Additionally, the Canon R6 can shoot up to 12 frames per second, making it perfect for grabbing action shots and sports.
Lenses
Canon RF 35mm f/1.8 Macro IS STM Lens
Canon RF 50mm f/1.2L USM Lens
Canon RF 85mm f/1.2 L USM Lens
Canon RF 70-200mm f/2.8 L IS USM Lens
Tamron 17-35 2.8-4
Canon RF Lenses: A Greenville, SC Photographer's Review
As a photographer based in Greenville, South Carolina, I've had the pleasure of working with a variety of Canon camera lenses. But there are a few that stand out as my absolute favorites. Allow me to share my personal experience with these amazing lenses.
Starting off strong with the Canon RF 35mm f/1.8 Macro IS STM Lens
The ultimate tool for capturing awe-inspiring close-up shots. The macro capability allows me to get up close and personal with my subjects, while the f/1.8 aperture creates a mesmerizing bokeh effect. The Image Stabilization (IS) feature is a game-changer, ensuring I can capture sharp images even in dimly lit conditions. This lens has also become my go-to travel companion, paired with my Canon R5. The 35mm focal length is the perfect balance for capturing landscapes, architecture, and cityscapes without distorting the faces of the people I want to photograph. I've used it for street photography, macro photography, landscapes, and architecture and I love that it's lightweight and super sharp.
Up next is the Canon RF 50mm f/1.2L USM Lens, a game-changer for portrait photographers. The f/1.2 aperture serves up the ultimate bokeh and makes capturing dreamy, ethereal portraits a breeze. The USM autofocus is lightning fast, never letting you miss a shot, and the 50mm focal length is a perfect balance for full-body and headshot portraits. This lens is the default on my camera, and it's so versatile and sharp I want to cry. I've had the EF versions of this lens, including the 50mm 1.8, then the 50mm 1.2 for my previous cameras, and now the RF 50 1.2. I didn't think the 50 1.2 could get any sharper, but with this RF version, they've really blown my mind.
The Canon RF 85mm f/1.2 L USM Lens is another new favorite of mine. I've resisted for the longest time getting this lens, but I've finally made the dive after five years of debating it- and I'm not disappointed. I was initially planning on just trying this lens out for an event and returning it- however, its 1.2 aperture was stone-cold amazing for low light situations and getting candids. Not only is it a powerhouse in low light- it's probably the best portrait lens if you have the physical space to be quite a distance from your subject. The f/1.2 aperture creates an incredibly shallow depth of field and produces a beautiful bokeh effect. The lens is a bit on the heavier side, but the build quality is top-notch, and the image quality is second to none.
Finally, the Canon RF 70-200mm f/2.8 L IS USM Lens is an absolute powerhouse. The older EF version was the most reliable and loyal lens I have ever used. It never missed focus and always gave me a fantastic image. I trust it with my life. The new RF version is lighter, so I went with it instead of just using the EF to RF adapter. On the RF Version, the lens extends out when zooming, and I don't particularly enjoy that- but it's not a deal breaker. Is it my go-to lens? No, but I will 100% recommend having it in your bag for many cases. This lens is perfect for capturing family photos, portraits, couples, sports, nature, and wildlife. The long focal length allows me to capture distant subjects easily, and the f/2.8 aperture creates a beautiful bokeh effect. The Image Stabilization (IS) feature is a lifesaver when working in low-light conditions. The build quality is top-notch, and the image quality is simply outstanding.
In conclusion, these four Canon lenses are my go-to choices for capturing stunning images and videos. These lenses have never let me down, from portraits to close-ups to architecture and nature. They are versatile and reliable and produce some of the most beautiful images and videos I've ever captured. I highly recommend them to any photographer looking to expand their lens collection. Whether a professional or hobbyist, these lenses will help you take your photography to the next level.
The last honorable mention is my Tamron 17-35 2.8-4. I bought this on a whim because I needed a wider-angle lens for interiors. It's a bit on the cheaper side, but I've been satisfied with it. I use it on the regular for interior photoshoots when I need that extra view and don't have the physical space to back up. At 17mm, it doesn't distort the edges enough for it to be a bad photo, but I'd be careful when shooting architecture to watch those edges. I also utilize this lens for low, wide-angle shots of models and buildings. It creates a cool effect, giving the subject an automatic power angle over the viewer.
Computer
MacBook Pro 16" Laptop - Apple M1 Max chip - 32GB Memory - 1TB SSD - Space Gray
Do I really need a MacBook Pro!? Yes. I'm also slightly biased towards Apple and know other photographers that use windows computers just fine, but Apple products' premium and luxury experience draw me in. The seamless transitions between iPad, iPhone, and Mac are absolutely magic. Did you know with Apple, you can copy text on your phone and then hit paste on your computer, and it appears there!? It's in the small details that make Apple really stand out.
Regarding the M1 Pro Max laptop, I wanted a portable powerhouse, and Apple delivered what I needed with this laptop. When I upgraded to the Canon R5 with 50MB files, I HAD to upgrade my computer to slay large file sizes with ease. When editing thousands of photos, having a photo even take .5 seconds to load wastes A LOT of time. I needed the fastest computer I could get, not the cheapest or the most bang for my buck. The M1 Pro Max Processor and 32GB of ram easily handle my 50 MB file sizes.
I know Apple products are premium. I know you can build a windows laptop or PC for WAY less and have it be WAY faster- but I put a strong emphasis on the whole ecosystem of Apple and its seamless, luxury experience.
Lighting
Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash
Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)
Backup Bulb Flashpoint Flash Tube for XPLOR 600 Flash Head - AD-H600
Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C)
The Power of Lighting Equipment
My go-to: Flashpoint XPLOR 600 R2 Manual HSS Battery-Powered All-In-One Outdoor Flash. I have three of them, but you having just one is more than enough for most situations. The Flashpoint XPLOR 600 is a powerful and versatile light that, if used correctly, can perfectly balance natural and artificial light. With its 600ws power output and fast recycling time, this light allows me to capture stunning images in even the most challenging lighting conditions. I can overpower the SUN with this bad boy.
One of the best features of the Flashpoint AD600 is its ability to be used wirelessly and portably due to its detachable battery, which gives me the freedom to move around and capture the perfect shot. The Flashpoint XPLOR 600 also has a built-in 2.4G wireless X system, allowing me to control the light remotely and make adjustments as needed. The Flashpoint XPLOR 600 is an essential piece of equipment for any professional photographer. It gives me the power to overcome any lighting challenge and capture beautiful images no matter where or when. With this light, I can unlock the full potential of my Canon R5 and achieve the desired results every time.
Another key accessory, the extension: Flashpoint Portable 600ws Extension FlashHead For The XPLOR 600 (Bowens Mount)
The Flashpoint XPLOR 600ws 8-foot extension head is a powerful addition to any photographer's gear. It transforms the XPLOR600 series monolight into a versatile powerhouse, perfect for use with softboxes or as a gridded hair light. The extension head connects easily to any XPLOR by unplugging the glass shielded flashtube from the monolight body, locking the pronged cable link in place, and then inserting the original flashtube on the head extension sockets. This simple process allows for a quick and easy setup, making it an excellent option for photographers who need to work efficiently and quickly. I don't leave home without it.
Another wise choice is to purchase Backup Bulbs for this light. Yeah, I know they aren't cheap, but I've had one rattle out of the socket and smash on the ground when rolling it along on my Kupo Runway Rolling Base.
You also need to have a way to trigger your strobes, and I use my trusty Flashpoint R2 PRO 2.4GHz Transmitter for Canon (XPro-C) Godox and Flashpoint are the same exact equipment, just different names. You can control multiple strobes and adjust them individually from this transmitter. It's a gamer changer, so you don't have to go to each strobe and change their settings physically. I've been using this trigger for years, and I've had zero issues with it.
Stands & Accessories
Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit (9.5') (Lightweight)
ROLLING BASE Kupo Runway Stand Base (AMAZING)
Flashpoint C-Stand Riser Column (9' Silver)
10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome
Super Clamp with Ratchet Handle
Let's talk about photography's often-overlooked but essential aspect: stands and accessories. They may not be the most exciting topic, but trust me; they can make or break a photoshoot. I rely on the Flashpoint Heavy-Duty Air-Cushioned Light 3-Stand Kit for lightweight, on-the-go situations. The plastic and metal construction keeps it lightweight without sacrificing durability, making it perfect for quick in-and-out photoshoots. But be warned, if you're planning to use it outside, weigh it down with sandbags or have an assistant hold it. Otherwise, it will topple over faster than a game of Jenga. Trust me, investing in the right stands and accessories will make your photography experience smoother and more efficient.
When it comes to stands, my go-to and best purchase has been the combination of the Kupo Runway Stand Base with the Flashpoint C-Stand And an added boom arm. The rolling base feature is a game changer, making loading in and out of photoshoots a breeze by allowing me to hang equipment from the stand rather than carry it all. And during the shoot, the convenience of easily rolling the light, modifier, and stand is unbeatable. If I had to pinpoint any regret in my photography gear purchases, it would be not investing in a rolling base for my c-stand earlier in my career. I cannot recommend this combo enough; it's truly essential for any professional photographer looking to streamline their workflow and save their back from carrying heavy equipment.
Having a variety of stands and accessories at your disposal is crucial for any professional photographer; it allows you to adapt to any situation and get the perfect shot. In addition to my rolling base c-stand combo, I also have a trusty 10.5' Turtle Base C-Stand and Grip Arm Kit, Chrome. This classic c-stand is perfect when I need an extra spot to place a light or modifier. The added boom arm is essential for versatility in positioning and placing the modifier at any angle. And let's remember the importance of sandbags. They are crucial to keeping your stand and equipment safe and secure, so invest in a good set.
Light Modifiers
Westcott 7' Parabolic Umbrella, White/Black
Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63")
Westcott Rapid Box Switch Octa-S with Bowens Switch Insert
48" EZ Lock Octa Quick XL Softbox with Bowens Mount
The Westcott 7' Parabolic Umbrella is an excellent option for creating a large, soft light source. Its 7' span provides ample coverage, making it perfect for achieving a natural-looking catchlight in the eyes. Additionally, the umbrella's white interior helps diffuse the light, producing a soft, even glow. Don't even think you will utilize this in small spaces, though! A tall ceiling and a must if you want to place this modifier in a way that is flattering to the subject. Using this modifier is nice if you have more than one person or groups of people you need to photograph. On another note, the umbrella is also collapsible and easy to transport, making it a convenient choice for photographers on the go. I use this modifier 20% of the time.
The Godox Softbox with Bowens Speed Ring and Grid (13.8 x 63") Can be an excellent modifier for your photography or videography, but it can be pretty tricky and time-consuming to set up. The softbox features four poles that need to be inserted into the corners of the fabric and then into the center ring, which can be a hassle and requires some muscle to assemble. It may not be the best option if you're in a rush or don't want to be seen struggling to set it up. Despite its inconvenience in setup, the rectangular shape of the softbox, measuring 13.8 x 63 inches, makes it ideal for side lighting and backlighting, allowing you to achieve beautiful and natural-looking results. It is a versatile tool that can be useful for portraits, product photography, and videography. You can still consider keeping it in your arsenal as it can be a great addition to your lighting setup, but be aware of the setup time and effort required when using it.
The Westcott Rapid Box Switch Octa-S with Bowens Switch Insert with Bowens Switch Insert is a fantastic addition to any photographer's arsenal. This is my most recent modifier, and I am thrilled that I have it in my collection. It is a portable and collapsible beauty dish that is versatile and can be used in a variety of situations. It's been especially helpful in architectural photography due to its small size- as I use it to light different parts of the subject (room, building, etc.) to combine them all in photoshop into one beautiful and seamlessly lit photo. It's also been great for fashion and editorial portraits. The octa shape of the softbox provides a beautiful wrap-around light, perfect for creating a natural and flattering light on the subject. The Bowens Switch Insert makes it easy to attach to a wide range of strobe lights, making it a convenient option for on-location shoots. All in all, the Westcott Rapid Box Switch Octa-S with Bowens Switch Insert is a great investment for any photographer looking for a portable, compact and versatile lighting solution.
The 48" EZ Lock Octa Quick XL Softbox with Bowens Mount is my ultimate go-to modifier. It's an excellent choice for any photographer looking for a versatile, portable lighting solution. Its 48-inch size is just the right size for creating beautiful, soft light that can cover a wide range of subjects. The octagon shape of the softbox provides a natural and flattering light that is perfect for portraits, product photography, and more. The EZ Lock design makes it quick and easy to set up, so you can spend more time taking pictures and less time fiddling with equipment. The included Bowens mount makes it compatible with a wide range of strobe lights, making it a convenient option for on-location shoots. Additionally, the grid that comes with the softbox allows you to control the light and direct it exactly where you need it, making it even more versatile. Overall, the 48" EZ Lock Octa Quick XL Softbox with Bowens Mount is an excellent choice for anyone needing a portable, easy-to-set-up, and versatile softbox.
Memory Cards and Hard Drives
SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray
WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue
The SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card
As a professional photographer, I am always looking for the best tools to elevate my craft. That's why I love the SanDisk 128GB Extreme PRO UHS-II memory card. This little powerhouse allows me to easily capture stunning cinema-quality 8K, 4K, and Full HD video (not that I ever do as a photographer, but anyway), as well as raw photos and continuous shutter bursts. The storage capacity of 128GB gives me plenty of room to store all of my precious shots, and the UHS-II bus supports lightning-fast read speeds of up to 300 MB/s and write speeds of up to 260 MB/s. The V90 Video Speed Class rating ensures that my write speeds will never drop below 90 MB/s, giving me peace of mind when shooting in high-pressure situations.
What sets this memory card apart from the rest is its reliability. I've been using Sandisk memory cards for years, and they have never let me down. Even my card from five years ago still works like a charm. I've even tried other memory cards like CFExpress, with its impressive 1200mb/s read and write speeds, but I couldn't see any difference when it came to shooting or loading images onto my computer. The SD Card is also a convenient size and fits perfectly in my MacBook Pro's SD card slot. I don't have to lug around a card reader and cord, which is a huge plus in my book. In short, if you're a professional photographer or videographer, the SanDisk 128GB UHS-II SDXC memory card is an absolute must-have in your kit.
My working hard drive, the Samsung - T7 1TB External USB 3.2 Gen 2 Portable SSD with Hardware Encryption - Titan Gray
After a killer photoshoot, I like to transfer my shots straight to my trusty Samsung SSD. Why? Because editing on a lightning-fast hard drive is where it's at, plus it gives me the added bonus of being able to take my SSD on the road with me. That way, if my computer gets jacked, my precious pics are safe and sound. Plus, it keeps my MBP running smoothly by not clogging up valuable internal HD space. Once my edits are complete, and I send the photos to the client for approval and further edits, I use Rawsie to compress them and then back 'em up on three different hard drives. #backupqueen #workflowwinning
The WD - My Passport Ultra 4TB External USB 3.0 Portable Hard Drive - Blue
After loading my photos onto the Samsung SSD, I back them up to a larger, slower HD - like the WD - My Passport Ultra 4TB. And not just one, but two of those bad boys. Because let's face it, you can never be too safe regarding the photos you shoot for a client. Is it overkill? Maybe, but as a photographer, my job is to capture, edit, deliver and preserve photos, which means being as backed up as possible. Plus, there have been a few times where files got misplaced during transfer and having those extra hard drives saved the day. The WD 4TB is the perfect size for a year or two of content, and when it's full or two years have gone by, I put a date frame sticker on it and archive it in a fireproof safe for added protection.
file compression
RAWSIE
Picture this: you're out in the field, capturing stunning shots left and right, and then you get back to your studio and realize your hard drive is bursting at the seams with RAW files. Sound familiar? Well, not anymore. Introducing Rawsie - the ultimate raw image compression app that packs a punch. With up to 5:1 file size reduction, it's a game-changer for photographers like us who shoot with Sony, Canon, Nikon, Fujifilm, and more. And the best part? It's lossless, which means no lossy artifacts, no resolution change, no bit count change, and no color loss—just pure, pristine image quality.
But that's not all; Rawsie is incredibly user-friendly and straightforward. It's like having a personal assistant for your image compression needs. Plus, it's a money-saver in the long run. Trust me, I've been using it for a while now, and it has been a lifesaver.
So, if you're ready to revolutionize your workflow and reclaim valuable storage space, head on over to Rawsie's website and use the code JACK10 upon checkout for an extra 10% off your purchase, trust me, you won't regret it.
archiving
Carbon Copy Cloner
Having a reliable backup solution is crucial, and that's where Carbon Copy Cloner comes in. This software offers a plethora of options for creating backups. Whether it's on an external drive or another Macintosh, you have the flexibility to choose what you want to back up, be it an individual folder or an entire external hard drive.
I've been using CCC for some time now, and I have to say, it makes creating a carbon copy of my files incredibly easy. However, I did run into an issue where deleting files off of one hard drive resulted in them being deleted off the hard drive I was carbon copying to. This is something to keep in mind, but overall, CCC has been a solid choice for me.
In conclusion, if you're looking for a comprehensive and flexible backup solution,Carbon Copy Cloner is definitely worth checking out. Just be aware of the potential pitfall I encountered with file deletion.
Final thoughts
And there you have it, folks. I've just laid out all the nitty-gritty details of the tools and equipment I rely on to get the job done. But this is just the beginning. I want to hear from you too. What are your burning questions? What would you like to know more about? Let's start a dialogue on our work processes, the gear we trust, and any experiences we've had with similar equipment. We can all learn from each other and improve our workflow. So, please don't be shy, leave a comment and let's get this conversation started!
Disclaimer: All the equipment on this page has been tested and approved by yours truly. I've spilled the tea on real-world usage and am sharing my faves with you. The links provided are either the exact products I own or similar alternatives. Bonus: Using the links will support my blog and biz - love you for it!
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Parabolas are your friend.
A photographer I follow made a post about a Broncolor parabolic reflector umbrella. They cost over $2,000. He said that you probably wouldn't be able to tell a difference between a $20 umbrella that you could find on Amazon.
That's... just not true.
I felt like maybe he didn't know how parabolic reflectors functioned and that was why he made that claim.
I also think he'd love having a parabolic reflector because you can get a bunch of different effects with them without ever having to take it off your light stand.
Whereas with a regular umbrella or softbox, in order to change the look you have to change them out for bigger or smaller sizes and that can be a hassle.
Below is a message I sent. But I'm worried I just sound like an obnoxious know-it-all instead of a kindred spirit trying to pass along cool knowledge he may not be aware of.
A parabolic umbrella is almost like an adjustable beauty dish and ring light combined. My big problem with beauty dishes is that sometimes they could give you a bit more hard light than you want. So you'd have to change out the silver one for the white one and it was a whole process. But then maybe the white one would give too soft of a light. PLUS, they only come in one size. So they could only light a face. If you wanted to do a torso shot, you'd have to add ANOTHER light underneath the beauty dish.
But if you look at this video at about 1:10, you can see how he adjusts the refelctivity bigger and smaller, thus creating harder or softer light. You can literally tune the amount of diffusion.
youtube
I'm sorry, but a $20 amazon umbrella isn't going to do that for you.
Broncolor is top of the line and they have a small customer base. So they price their equipment for professionals. Commercial equipment is always pretty expensive. But if it is for a business, usually the cost is totally worth it. Their stuff is also built like a tank and will hold up for years of abuse. Sometimes paying extra for rugged build quality is worth the cost, depending on your use. Some photographers take their equipment all over the world to deserts and rainforests and all kinds of climates.
Getting a Broncolor modifier is probably not a good idea for a lot of photographers. But there are several more reasonably priced parabolic reflectors that will do a similar job. They still cost several hundred dollars, as it requires some pretty precise construction to get the reflectivity and shape perfect.
Unfortunately there are a ton of umbrellas that *claim* they are parabolic but they are actually just deeper umbrellas. You cannot focus the light, eliminating the actual purpose of it.
A good reflector like this is versatile and can save you a lot of time, giving you many looks with one device so you don't have to have multiple softboxes, reflectors, and umbrellas at hand and change them in and out. But it does cost a little more to get that versatility. It may not be worth it for a lot of photographers. But if you shoot enough and you make your income from photography, it is a worthy investment.
I was hoping I could help this photographer see the light (pun intended) because he actually could really benefit from some parabolic fun times. But if he is happy with his current gear, that's fine too.
Honestly, I think he just wanted to complain about the expensive thing.
In any case, this is the video we talked about in our exchange.
youtube
Maybe Karl has an unconscious bias. I mean, we all do. But I don't think he needs to justify spending a lot of money on anything. I've seen him use scrims that he built himself out of scrap wood. From what I've seen, he always uses the best tool for the job. Whether it costs $20 or $2000.
And while he does use *very* expensive gear, I have always been able to take his teachings and adapt them to my modest gear. He's really a great teacher in that way.
The proof is in the pudding, as they say. Karl gets results. His portfolio is amazing. His results aren't just because of the fancy gear, but that gear does allow him to achieve photographic effects that are hard to create with basic tools.
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Light modifiers
There is a range of different light modifiers which are used to direct light. These light modifiers include:
Collapsible reflectors: This type of reflector comes in all shapes and sizes and come in different colors of white gold and silver for the reflector surface. In addition if you dont have this type of reflector a white foam board can be used to reflect the light in the same way onto your subject.
An umbrella: Similar to collapsible reflectors umbrellas come in all different shapes and sizes, the most common being white however the reflector surface can also come in silver and gold. The umbrella comes with a fixed or removable black backing in order to prevent light spillage and can also have removable front diffusion panels to create more of a softbox style lighting. In addition, the umbrella is a similar shape to the sun producing a natural looking round catchlight in the subject's eye and can also make a great outdoor flash modifier. There are different types of umbrella shapes such as the parabolic umbrellas are deeper than traditional ones and tend to be more efficient at bouncing light as well being square and rectangular which are better suited for environments with low ceilings.
Soft box: Most softboxes are rectangular with one or more diffusion panels covering the face of it and is fixed to a light source such as a speed ring. The light the soft box produces is generally a very even lighting over the entire surface of the front diffusion panel and therefore work the best in studios as it produces a very soft but directional light. A rectangular or square softbox creates a catchlight in the subject's eyes. You can also get 8 sided soft boxes called octaboxes which allows for less light spillage than traditional soft boxes.
A beauty dish: A beauty dish is a standard reflector is a relatively small, metal, silver-lined, narrow bowl-shaped device and can be used with umbrellas for the main goal of limiting light spillage- without an umbrella, the standard reflector produces a hard (clearly defined), somewhat harsh quality of light. Even although this may not be best suited for standard main light portraiture it can be an amazing on location rim light or background light. A beauty dish is designed especially to create a circular shaped, semi-hard quality of light with soft edges in portraits.
Ring light: A ring light is circular in shape and is most commonly used with the cameras lens and is specifically designed for studio lights, macro lights or ring light modifiers. The ring light produces a very flat, non-directional type of lighting as a result of being fitted directly to the lens.
colored gels: Color gels are used to change the color of your flash to either match the ambient light or to add creativity to your shots- “creative gels” allows you to change the color of the background or add unique colors to your subjects lighting.
Grid: A grid is simply a set of tube-like structures affixed to the front of a flash or attached to the front of another light modifier such as a softbox. The role of a grid is strict the light to a smaller area within the frame. Grids with circular tubes produce a round spotlight with moderately soft edges and work great as subject-to-background separation tools when directed at the background and especially work well when using colored gels.
Snoot: Similar to a grid a snoot is used in order to also restrict light to a smaller area however with using a snoot the edges will be hard unlike a grid creating soft edges.
Flag AKA gobo: A flag is a black device which blocks out light from hitting a certain area of your composition and like the other types of light modifiers also comes in different shapes and sizes. However if you dont have a flag a black foam board will do the same job.
A cookie: A cookie is very much like the flag however it has a pattern cut out of it and as a result when place next to a light source will create a patterned shadow onto your subject.
A projector: Used with a lens attached and is able to project a scene that is on a transparent piece of paper onto your subject
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Ninjago pokemon crossover/au
Given my name here I think this was going to happen eventually...
But yes Im making my own version of a ninjago pokemon crossover/au and Im sure people have expectations and Im gonna say this.
They are still the ninja first and formost. They are NOT gym leaders, trial cpatainsnor anything related to the trials in becoming a champion. They ARE type trainers EXCEPT they each have one pokemon not of their type at all on their team.
As for what the teams are well I got all the main ninja EXCEPT Nya's team done though I do have three of Nya's pokemon planned out.
The teams so far, will make notes on if pokemon wasnt caught
Kai's
Crimson, Flareon, male,flash fire, Rash, likes to fight, charcoal, moves: fire fang, Flame thrower, double kick, Iron tail (was a gift from Ray before he disapeared)
Lori, Indeedee, female, own tempo, calm, often lost in thought, twisted spoon, moves: calm mind, stored power, pay day, heal pulse (gift from Maya before she disapeared)
Skull, houndoom, female, flash fire, calm, thoroughly cunning, focus band, moves: smog, beat up, fire fang, reversal
Bane, Arcanine, male, intimidate, relaxed, likes to eat, moves: extreme speed, fire fang, crunch, iron tail
Burner, Coalossal, male, steam engine, adamant, quick tempered, protective pads, moves: tar shot, flame charge, flare blitz, stone edge
Burst, Blaziken, male, speed boost, brave, likes to fight, blunder policy, moves: blaze kick, double kick, aerial ace, poison jab (recived after great devour...Kai's the only one who took the offered pokemon)
Jay
Thunder, Jolteon, male, volt absorb, jolly, likes to run, magnet, moves: thunder fang, thunder, shadow ball, Endure (egg was with him when his parents found him)
Sandy, flygon (shiny), female, levitate, docile, good perseverance, dragon fang, moves: dragon claw, dragon dance, earthquake, thunder punch
Storm, Lanturn, female, volt absorb, timid, likes to run, leftovers, moves: electro ball, charge, aqua ring, scald (gift from Nya)
Surge, Raichu (alolan), male, bashful, highly curious, twisted spoon, moves: psychic, electro ball, protect, psyshock
Sunny, Heliolisk, female, sand veil, sassy, alert to sounds, scope lens, moves: parabolic charge, swift, dragon pulse, rock slide
Blade, Vikavolt, male, levitate, hardy, a little quick tempered, silver powder, moves: thunder bolt, x-scissor, Guillotine, bug buzz
Cole
Sam, Tyranitar, male, sand stream, serious, good endurance, smooth rock, moves: rock slide, stomping tantrum, stone edge, crunch
Filla, Florgest (orange flower), female, flower veil, gentle, often lost in thought, safety goggles, moves: petal blizzard, moonblast, synthesis, dazzling gleam (gift from his dad in hopes of getting Cole into dance)
Benny, Steelix, male, rock head, lax, good perseverance, rocky helmet, moves: double edge, iron tail, steel beam, stone edge
Gem, Coalossal, female, steam engine, naive, alert to sounds, utility umbrella, moves: rock polish, rock blast, heat crash, dig
Mark, swampert, male, damp, calm, somewhat vain, soft sand, moves: mud bomb, earthquake, surf, hammer arm (gift from his dad aftrr making up)
Neil, leafeon, female, leaf guard, jolly, likes to run, heat rock, moves: sunny day, synthesis, solar blade, dig (gift from the other ninja when they realized something)
Zane
Glacer, Glaceon, female, snow body, modest, somewhat of a clown, Icy rock, moves: Ice fang, hail, curse, pay day
Flare, Talonflame, male, flame body, serious, somewhat vain, sharp beak, moves: roost, acrobatics, flame charge, me first (given to him by his dad)
Winter, Ninetails (alolan), Female, snow cloak, Mild, highly curious, nevermelt ice, moves: Aurora beam, blizzard, moonblast, disable
Chill, Frosmoth, female, shield dust, calm, strongly defiant, wide lens, moves: feather dance, quiver dance, avalanche, bug buzz
Chime, Lapras, female, water absorb, bashful, highly curious, mystic water, moves: life dew, hydro pump, sheer cold, smart strike
Snow, weavile, female, pickpocket, careful, thoroughly cunning, moves: revenge, Ice shard, metal claw, night slash
Lloyd
Miller, Sylveon (shiny), male, cute charm, impish, somewhat of a clown, shell bell, moves: disarming voice, moonblast, shadow ball, wish (given as an egg)
Lady, bisharp, female, inner focus, serious, strong willed, moves: metal burst, night slash, guillotine, theif (gift from his dad, was already a bisharp)
Star, Togekiss, female, serene grace, calm, somewhat stubborn, focus band, moves: aura sphere, life dew, dazzling gleam, steel wing (gift from the other ninja)
Lotus, whimsicott, male, infiltrator, impish,quick to flee, miracle seed, moves: razor leaf, moon blast, endeavor, energy ball
Morgana, Hatterene, female, magic bounce, docile, often lost in thought, twisted spoon, moves: psycho cut, life dew, confusion, dazzling gleam
Mariposa, mawile, female, hyper cutter, naive, likes to run, metronome, moves: crunch, iron head, play rough, psychic fangs (found as an egg)
Nya's (so far)
Tidal, Vaporeon, male, water absorb, quiet, somewhat quick tempered, mystic water, moves: double kick, water gun, aqua ring, Aurora beam (gift from Maya)
Charm, Gallade, male, steadfast, calm, thoroughly cunning, black belt, moves: psycho cut, night slash, drain punch, reversal (gift from Ray)
Ravine, Lanturn, male, water absorb, serious, often lost in thought, moves: water gun, confuse ray, aqua ring, discharge (gift from Jay)
Notes about the teams
Nay and Jay admidedly laughed when they realized they caught a chinchou for each other. How could they not?
Gem and Burner are actually siblings
Sandy loves helping Jay work on things. It's part of how they meet even!
Flame regrets being the only male on Zane's team
Filla could care less about dance but she cares lots about Cole.
Filla, Lori, and Lady are all basically thenmoms of everyone. They team up to be the moms.
Do not touch Neil or you will have a bunch of angry ground types on your butt. On that note dont touch Chill or flame will hurt you. Dont touch Mariposa because then all the teams will be on you.
Lori helps Zane cook some times
#ninjago crossover#ninjago#ninjago au#pokemon#pokemon crossover#pokemon au#kai#nya#zane julien#cole brookstone#jay walker#lloyd garmadon
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Can you do one where Angus and Taako are training and Taako accidentally hits him with something?
Practice battles in the Icosagon had actually faded into being boring. They were safe. There was no risk. There was no desperation. There was nothing at stake. There were even healers hanging around on the bleachers in case the mock battles knocked anyone down. The only thing at risk was dignity.
Tres Horny Bois were sparring against Team Smarty-pants, Carey, Killian, and Angus McDonald. Both sides knew each others’ weaknesses. Both knew that if they were knocked down to zero hit-points, the clerics gathered on the bleachers would butt in and save valuable lives.
It was routine to the point where Taako was almost doing this in his sleep. He much preferred to get back to sleep, which was why he wanted this dumb exercise over with as soon as possible.
Entangle the Meat Shield, confound the Rogue, dazzle the Mage, cha-cha-cha... Magic Missile, Magic Missile, cha-cha-cha...
Angus cast shield. Lad was learning. Taako was nearly impressed.
Well. If he wanted to shake things up, Taako was game.
He dipped into his ingredients pouch and brought out a single, small, hot pepper. The only warning they would get. Then he cast Dragon Breath, aiming at Carey and Killian.
Angus McDonald, allegedly the worlds’ smartest person, leaped between the competent women and Taako and attempted to cast Shield.
He failed.
Taako watched his life fall to pieces all over again in slow motion.
Angus completed the parabolic arc to the floor of the arena as if he were falling through water. Flames licking at him like they had licked at his stage wagon in Glamour Springs.
Some of the bodies were so small. Not as small as the one that was practically at his feet. Crumpled in pain like those who hadn’t eaten as much of the thirty-clove garlic chicken. Crying out like so many of those he had left behind in his panic.
Just like back then, when he had grabbed Sazed and harnessed the horse to their camper wagon, Taako ran. The whole world was slow as he flung the Umbrastaff away from him and started out of the arena. It felt like trying to run through an ocean of molasses. Like trying to breathe cotton.
He’d done it again. He’d done it again! He’d done it again!
There was nowhere to run to, not on the moon.
He deserved this.
He deserved worse.
There was one way to run. Right off the gods-damn moon. He didn’t hear anything but the rushing of blood in his ears, and the painful drag of air through his throat. He could only see his goal - the edge of the moon base. The unprotected plateau that had been the doom of an uncounted number of dogs[1].
He didn’t stop. Let his feet cycle in thin air for a couple of steps. Then shut his eyes so that he wouldn’t be able to regret his decision.
He’d killed a kid who had no-one and nothing to the point where he hero-worshipped a murdering scuzzbucket like Taako. This death was earned and long since overdue.
Payment for Glamour Springs.
Payment for Angus.
Payment for everything else horrible that he’d done in his entire life.
{fomp!} the wind stopped thundering in his ears and something yanked at his left arm.
Taako’s eyes opened. That fucking umbrella did actually follow him. He glared at it through a veil of tears. “What the fuck is wrong with you?” he demanded. “I killed a kid. I deserve to die...”
The Umbrastaff, as always, was silent.
“I hate you, you accessory from Hell.” So now he was going to live. Fuck. Worse, they could track him because of the fucking silver bracer that his Umbrastaff had a good grip on.
Options. He was going to live because the Umbrastaff wouldn’t let him die. He could cut off his left hand, lose the bracer, and just fucking run. Except he was allergic to pain, so that should be a last resort only.
There were places he could hide where the signal from the Bracer was interrupted There had to be thousands of caverns in The Teeth. He could farm mushrooms and cave slugs and be a cave hobo.
Better than a murder hobo.
A figure appeared before him. Fancy lad. shiny shoes. The feathers in his fancy lad cap were less by one. He had his arms folded and an expression of deep confusion. “Pardon my language, sir, but what the fuck?”
“Great. Now I’m hallucinating,” said Taako.
“No, sir. I’m guaranteed one hundred percent alive. Mr Highchurch was actually handy with a healing spell, sir.”
“Now I know I’m hallucinating...” he rolled his eyes. “The day Merle actually heals anyone is the day the world ends.”
“No, sir. Mr Burnsides reminded him that he can heal and I was fine in the jiffiest of jiffies. But you’d already run off by then.”
Taako reached out with the hand that wasn’t caught up in the grip of a malevolent accessory. Poked Angus.
Kid felt alive enough.
“Are you good, now, sir?”
Taako shrugged, “Well, I’m not as evil as I previously assumed, I guess... Sure you’re not dead?”
“Absolutely, sir.”
They were both featherfalling to the middle of nowhere. Since the moon was closer, it was worth burning a spell slot on. “All right. Improv magic lesson. Come on over to me. I’ll show you what Fly looks like.”
The Umbrastaff was on his side as they soared up to settle on the relative firmness of the Bureau quad. Where Magnus and Merle were waiting with the same question Angus had.
“What the fuck?”
Taako lied like a rug. “Have no fear, gentle co-workers, Taako’s saved the day, the boy, and imparted a valuable lesson.” He denied ever jumping off the moon in the first place, blew so much smoke up everyone’s assed that they gave up on trying to ask Taako anything.
Eventually, they all filtered away, leaving just him and the kid in the middle of the quad.
“Sir,” said Angus. “I heard you say, not again.” He had his notebook and pencil out, raking notes. “What sort of thing could have you panicked like that?”
“Prefer not to answer,” said Taako. “We’re alive today. Be glad of that.” He shut down, turned off, and Blinked the fuck out of there.
Nobody needed to know this shit. If that kid asked any more questions, Taako might actually answer him, one day.
[1] For those of you who are worried - that number is zero. Actually, Davenport and Lucretia are allergic, so they don’t let dogs on the moon.
[TAZ prompts remaining: 4]
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My @profotousa D2+parabolic umbrella deep silver( L )helped me create the light in these beautiful shots. https://www.instagram.com/p/Bn1kBlPgsFw/?utm_source=ig_tumblr_share&igshid=1pqr3876qeegs
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‘Beyond Moonlight’ a series of three, from our studio editorial featuring the stunning @dellanhitchens from @londonmodelscout @wilhelmina.london @wilhelminamodels @unomodels @selectmodelstockholm @amanagementde wearing the @otheruk SRV Number One hat and simple white shirt from @asos_loves_curve @asos - with thanks to @beckyhowiemua for her perfect and dewy make up and the lush and silky hair style. Images shot at @silverspacestudios using two @profoto D2’s with a large silver beauty dish and grid, and @westcottlighting silver parabolic umbrella as fill. #fashionphotographyoftheday #fashionshoots #fashionportrait #londonphotographers #fashioneditorials #editorialphotoshoot #fashionphotos #editorialmodel #studioshoot #agencymodels #advertisingphotographer #art8ambygram #fashionphotographyappreciation #fashionphotographers #fashionphotographyexperience #londonfashionphotography #editorials #fashionshooting #fashionshoot #modelingshoots #blackandwhite_photos #blackandwhitemood #portraitbnw #noirphotography #noirphoto #bwsoulpr0ject (at Silverspace Studios) https://www.instagram.com/p/CaH5xQjtJkv/?utm_medium=tumblr
#fashionphotographyoftheday#fashionshoots#fashionportrait#londonphotographers#fashioneditorials#editorialphotoshoot#fashionphotos#editorialmodel#studioshoot#agencymodels#advertisingphotographer#art8ambygram#fashionphotographyappreciation#fashionphotographers#fashionphotographyexperience#londonfashionphotography#editorials#fashionshooting#fashionshoot#modelingshoots#blackandwhite_photos#blackandwhitemood#portraitbnw#noirphotography#noirphoto#bwsoulpr0ject
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Pre-Production: Diffusion
On-camera flash diffuser: On-camera diffusers simply attach to your camera, covering the flash with some kind of material to soften the light.
Soft Boxes: These are rectangular enclosures that you place over the light source (usually your flash) to soften it. These versatile tools create diffused, directional light, such as the kind that would stream in through a window. Soft boxes come in many different sizes. In general, the larger the softbox, the softer and more diffused the light will be.
Photography umbrellas: An umbrella bounces the light off its surface or by diffusing the light through it. Similar to a soft box, an umbrella is attached to the light source. They are typically made of white cloth or a metallic silver material.
Beauty Dish: The beauty dish is a photographic lighting device that uses a parabolic reflector to distribute light towards a focal point. The light created is between that of a direct flash and a soft box, giving the image a wrapped, contrasted look, which adds a more dramatic effect.
Sources:
https://youtu.be/bEeHYhk_lec
https://youtu.be/Bb0aBun182g
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Having some fun with the Westcott 7 Feet Silver Parabolic Umbrella.-2021 #westcott #westcottumbrella #paraboliccurves #fj400 #fj200 #strobelights #dtla #lighting #manfrotto #photographylife (at Downtown Los Angeles) https://www.instagram.com/p/CM6YsudBxKZ/?igshid=177dmk3y11l48
#westcott#westcottumbrella#paraboliccurves#fj400#fj200#strobelights#dtla#lighting#manfrotto#photographylife
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Deep Parabolic Umbrella https://www.divineworks.biz/deep-parabolic-umbrella/ The Profoto silver deep umbrella has a deeper, more parabolic shape than the average umbrella. Silver-painted, lightweight fabric #photography #photographybusiness #parabolicumbrella #lightingdesign #amazonshopping #camera #DivineWorks https://www.instagram.com/p/B3rcHjIn0y7/?igshid=1v5ytlluxvjz7
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Studio Soft Lighting Umbrella .
During our photography production module, we have also been introduced to the umbrella, another studio tool. The umbrella maintains a similar function to the softbox.
Umbrella diffuses the light out over a wide surface area that aids to produce soft light and is widely used in a studio setting.
Reflective diffusion: A flashlight is shot without delay into the base of a black umbrella with a white or silver lining. The flash is bounced back at the scene. The open parabolic shape diffuses the light over a wide proximity. The light then scatters from the form helping to spread it out.
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Breaking down one of the most undervalued Cannabis Plays
The Cannabis Green Rush has minted many new millionaires. The global Cannabis market is expected to reach USD $146.4 billion in the next 6 years there are a lot more profits to be made. The U.S. legal marijuana market size was estimated to be over USD $10 billion last year and is expected to grow at a CAGR of 24.9% up until 2025.
For more information, you can consider good Stock Market Analysis.
Our team has discovered a small cap hyper growth company that shows a ton of promise.
This company is one of the most undervalued Cannabis companies based on realized revenue and their stock is up over 200% in the last 3 months.
C21 Investments inc.
CSE:CXXI
Market Cap: $148 million
Revenue: $32 million
Shares Issued: 62 million
C21 Investments is a vertically integrated cannabis corporation that processes, manufactures, and distributes cannabis within the United States with operations in Oregon and Nevada. The company’s strategy is to purchase 100% interests in licensed,operating, revenue producing businesses that operate cultivation, processing, production, and retail operations.
You can consider visiting Latest Financial News sites for more information about financial news.
C21 Investments is a vertically integrated cannabis corporation that processes, manufactures, and distributes cannabis within the United States with operations in Oregon and Nevada. The company’s strategy is to purchase 100% interests in licensed,operating, revenue producing businesses that operate cultivation, processing, production, and retail operations.
Flagship Assets
Silver State Relief -Nevada
C21 Investments has a 155,000 square foot cultivation and processing facility and a 8,000 square foot retail dispensary. This established and profitable business serves 36,000 customers and generated $25million in the last 12 months.
Eco Firma Farms – Oregon, USA
C21 Investments operates a 23,000 square foot, state-of-the-art facility, on 20 acres south of Canby, Oregon. They are the a founding member of the Oregon Cannabis Association and are establishing significant cultivation capacity.
Pure Green – Oregon, USA
Pure Green is a 3,000 square foot retail dispensary that has been operating since January 2014 as a local retailer for both medical and recreational products. The dispensary is located in the Hollywood Neighbourhood, on Portland’s “Green Mile” and in a building that once housed Portland’s first post-prohibition liquor store.
Phantom Farms- Oregon, USA
C21 Investments has outdoor cultivation facilities totaling 80,000 square feet with a planned additional 40,000 square feet facility in development. Phantom Farms also has an extraction laboratory, distribution warehouse and a 7,700 square foot indoor facility. Phantom Farms’ wholesale license allows them to distribute product to over 175 dispensaries statewide.
Swell Companies Ltd. – Oregon, USA ( Pending )
C21 Investments has an umbrella of brands that include Dab Society Extracts, Hood Oil, and LoudLab Cannabis Refinement. Swell Companies also has a 10,000 square foot facility and a 5,000 square foot distribution warehouse.
5 Reasons we believe CXXI is poised for a breakout
1. The company is planning an expansion into California in 2019. With 39 million people and the world’s 5th largest economy this market offers significant opportunity. California is a very mature market and has very high Cannabis usage rates.
2. The company has registered its securities in the USA and the assignment of a US trading symbol is imminent. This additional listing will provide increased visibility and volume based liquidity for the company. Village Farms (CSE: VF and OTC: VFFIF) surged nearly 400% in a matter of 11 weeks this year when they received their OTC listing.
3. C21’s tight share structure is a reflection of the management team’s fiscal responsibility and commitment. Insiders own a significant share of the stock and the float is only 34 million. Low float stocks tend to rise more quickly because of the limited number of available shares. resulting in an opportunity for investors to realize superior price action to the upside
4. The company has a strong management team that includes:
Cultivation expert with 30 years of experience
Marketing team with ex brand marketing experts from Microsoft and Burton
Finance team with executives coming from Royal Bank and Morgan Stanley
5. Projected calendar year 2019 and 2020 revenues (post-acquisitions) is US$100m so C21 today is trading at only 1.5 forward sales. This makes this company significantly undervalued compared to most Cannabis firms.
Bottom Line
Overall, C21 has a profitable business that is showing significant long term revenue potential. The recent parabolic rise should be viewed with caution and if investing it is important to set up a stop loss to limit any potential losses. Cannabis investments can be highly volatile and preservation of capital when making a speculative investment always needs to be top of mind
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Deal Dash – Weekly Roundup for March 8th, 2019
Welcome to our Deal Dash, your source for the best deals, sales, rebates, and announcements of the week on photography and cinematography related gear, accessories, and software.
This week, we have a few big announcements from companies like Creative Live, Adorama, B&H, Nikon, Fundy, and Borrowlenses, as well as the continuation of Nikon rebates, Sony trade-ins, and some price drops from Phase One.
B&H Deals Of The Week
Save $50-$1300 on a huge selection of items from Microphones & Laptops to Camera Bundles & Speakers at B&H Photo this week!
Save $50 on Wacom PTH451 Intuos Pro Professional Pen & Touch Tablet
Save $410 on Sony Alpha a7R III Mirrorless Digital Camera (Body only) with 4TB HD Kit
Click here to see all the incredible offers from B&H
Lighting Week with Adorama
Save anywhere from 10%-56% on select Lighting Gear and Accessories on Adorama this week!
Save $100 on Westcott 7′ Parabolic Three Umbrella Kit. Includes 1 White Diffusion, 1 Silver and 1 White/Black
Save $400 on Litepanels Astra E 1×1 Daylight LED Panel. 5600K Color Range, 44deg. Beam Angle, 0-100% Dimming, TIR Optics, High CRI, Dual Cooling Modes, 1696 Lux at 5′
Click here to see all the incredible offers from Adorama
Save up to $75 On Creative Live Classes
Use Code 15off to save 15$ when you spend $50+
Use Code 40off to save 40$ when you spend $100+
Use Code 75off to save 75$ when you spend $150+
Click here to find your favorite Creative Live classes
Save $99 on Fundy Suite
For a limited time, Fundy is offering $99 off your purchase of any Fundy Suite. Click to see full details.
Save On Rentals With Borrowlenses
Save up to 30$ or 15% on all rentals from Borrowlenses
Use Code: RENT15OR30
Phase One Announces Price Drops on Certified Pre-Owned
From now through the end of April, Phase One is offering huge price drops on Certified Pre-owned IQ2 60 MP and IQ3 100 MP systems. For the next two months, they’ve reduced the price of the IQ2 60MP by $3,000 and the IQ3 100 MP by $4,000, with the option to include a brand new XF body for only $5,000 and a 25% discount on any prime lens of your choice.
Also, by purchasing, you’ll automatically be enrolled in the MaxRESOLUTION customer benefits program, giving you access to customized training, exclusive events, special discounts, and more.
Miscellaneous Offers
SPIDERPRO HAND STRAPS from Spider Holster – $65-$75
Save on NBP Plugins with Presale
Save on Press Printed & Acrylic Prints from Bayphoto – Save 30% on all press printed products, (Use Code 30PRESS) and 20% from Acrylic Prints & Blocks, (Use Code 20ACR).
Free Shipping on Domestic Orders from Freefly Systems
For a limited time, save up to $200 on the Drobo 5D3, 5N2, 5C, B810n and B810i. Also, for the month of March, get a free SSD with every Drobo 8D purchase. Use the following codes respectively
Save $100 on Drobo 5D3 – MADNESS5D3
Save $100 on Drobo 5N2 – MADNESS5N2
Save $50 on 5C – MADNESS5C
Save $200 on B810n – MADNESSB810N
Save $200 on B810i – MADNESSB810I
Free Drobo Webinar (Thursday, March 14th) & Chance to Win a Drobo 8D
Huge Sony Trade-in Program Continues
Cash in your old camera or lens for up to $500 trade-in bonus towards a selection of Sony products. here will be Instant savings, Trade-in Bonus, and Trade in Value.
Sony a7 II -$400 off, for a sale price of $998.
Sony a7R III – $200 off, for a sale price of $2,998.
Sony a7S II – $200 off, for a sale price of $2,198.
Sony a9 – $500 off, for a sale price of $3,998.
See the full list here.
Big Nikon Rebates Continue
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Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED V – $2796.95
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Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED – $896.95
Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR – $946.95
Nikon AF-S NIKKOR 50mm f/1.4G – $446.95
Nikon AF-S NIKKOR 14-24mm f/2.8G ED – $1896.95
Nikon AF-S NIKKOR 85mm f/1.4G – $1596.95
Nikon AF-S NIKKOR 24-70mm f/2.8G ED – $1796.95
Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR – $2296.95
Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – $1246.95
Nikon AF-S NIKKOR 35mm f/1.4G Lens – $1696.95
Nikon Landscape & Macro 2 Lens Kit with 10-20mm f/4.5-5.6 and 40mm f/2.8 – $546.95
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Linco Lincostore 44"Photography Umbrella Black and Silver Photo Studio Umbrella Deep Umbrella (Parabolic 75") 3261
Linco Lincostore 44″Photography Umbrella Black and Silver Photo Studio Umbrella Deep Umbrella (Parabolic 75″) 3261
Linco Lincostore 44″Photography Umbrella Black and Silver Photo Studio Umbrella Deep Umbrella (Parabolic 75″) 3261
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How to Shoot the ‘Natural Glow Look’: A Beauty Lighting Setup
For the last few beauty shoots I’ve done, I was asked to emulate the “Natural Glow Look”. This is a pretty common look in photography today! We see it in campaigns of big makeup companies such as L’oreal, Estee Lauder, Revlon, and L’OREAL, ESTEE LAUDER, REVLON, & Neutrogena, just to name a few.
The first step in getting the “Natural Glow Look” is to get a team (a makeup artist (MUA) and hairstylist, or at minimum an MUA) that will be able to portray the natural glow as close as possible before the shooting even begins. My MUA, Monique Carraway, does a great job of emulating this look, therefore making my job so much easier!
Lighting
The “Natural Glow Look” lighting can be achieved with multiple lighting modifiers. The two that I find myself using the most would be a white beauty dish, or a silver parabolic or regular umbrella.
The background is totally user dependent. If you would like a high key white background, I would suggest putting the model in front of some type of rectangular or parabolic softbox. This way when you take the image, it will be a beautiful pure white background. Also (depending on how far your subject is from the backlight), you will get a great wrap-around effect.
You can also simply change your backdrop color, or only use the key light to create a nice grey color behind the model! Today we will be going with the high key setup with a parabolic softbox behind and our key light will be a white beauty dish.
Once the model, Erica Silhan, was on set, I gave her an aluminum chair (back of the chair facing the camera) to sit on. The model is approximately 6-8 inches away from the parabolic softbox which has a 300-watt-second strobe on it at about 1/16th power.
Our key light is about 3-4 feet away from the model directly centered to her and slightly above eye level. Our beauty dish is bare and the light is set to 1/2 power.
(Please note my strobes operate like this: 1/128th lowest power | 1/1 full power.)
Also on both sides of the model were 2 black V-Flats to stop too much of the wrap around effect mentioned earlier.
This light can sometimes be considered “flat” but with using the v-flats and the high key background it blends out rather well!
Highlights of the Beauty Dish
The beauty dish has a love-hate relationship with a lot of photographers! Mainly because it gives such a harsh source of light, which makes it a less forgiving light. When using a softbox, you get a nice soft wrapping light verses harsh and shadows. There are a few things I love about the beauty dish and it has to do with the highlights it gives you.
There are three highlights I want to focus on. It would be the bridge of the nose, right below the nose along with the top of the lip, and right under the eyes.
These three areas scream high-end beauty and are found in a lot of beauty images across the globe!
Post-Processing
Once the lighting is as close as you want it in camera, it is time to take the images to the computer! I shoot all my images in RAW format because even though we get everything as close to how we want it in camera, that is only one step in making your images pop! Retouching and color grading are an essential step to showcasing your creativity in these images!
When I am in the studio setting I always shoot tethered into either my MacBook Pro Laptop or iMac desktop. It helps me to see what tweaks I need to make on the spot and with Lightroom it is really easy to get images over to Photoshop for retouching and color grading!
Conclusion
This is how you emulate the “Natural Glow Look.” Hopefully this blog post is able to help you recreate this look! I would love to see some of the outcomes!
About the author: Rodney T. Ager Jr. is a fashion and beauty photographer based in Bridgeport, Connecticut. The opinions expressed in this article are solely those of the author. You can find more of his work on his website and Instagram. This article was also published here.
from Photography News https://petapixel.com/2018/09/14/how-to-shoot-the-natural-glow-look-a-beauty-lighting-setup/
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