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justpeer · 2 years
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While a touring production will inevitably, eventually visit Denver, he said, chances are unlikely its Broadway stars, like Montego Glover, will be along. “I’ve been there a little over a month and I’m still not sick of it. “The show is pretty astounding,” Gillette said. I can’t wait to actually see it.”Įven Gene Gillette, an award-winning actor best known for frightening dramatic portrayals like the torturer with a fondness for cats in Curious Theatre’s “The Lieutenant of Inishmore,” is all aboard for “Memphis.” He bartends at its Broadway home, the Shubert Theatre. It’s definitely not a replacement, but it is unique, and I think it has value if executed with care. “This one seems to have the close-up detail necessary for a kind of intimacy that is rare when presenting a big-budget musical on Broadway. “I think more than anything else, this sort of thing makes Broadway musicals more accessible to the public, which is always good for local theater,” he said. Its catchphrase: “Everybody wants to be black on a Saturday night.”īarret Harper, a dancer in Town Hall Arts Center’s “Chicago,” has already bought his tickets. It’s notable for its interracial love story, high-energy choreography and an original power-pop, R&B and gospel score written by, of all people, David Bryan of Bon Jovi. It’s the story of the first white DJ (loosely based on Dewey Phillips) to put so-called “race” music on mainstream radio in 1950s Memphis - to both his great wealth and peril.
#Screenit bonita movie#
“Memphis,” which will be screened at the same four times at all 530 participating cinemas nationwide, marks the first time any Tony-winning best musical is being presented in movie theaters while still running on Broadway. I also like that we can keep our space active between productions while generating a bit of extra revenue.” The work of the National is just so exceptional, and nearly always worth seeing, and the filming is always so expertly produced, that I have found the experience always worthwhile. “I defend the program, though in a qualified way. “You have to decide for yourself about the experience of watching theater on screen,” Martorella said. National Theatre screenings can vary widely depending on the host theater company and its equipment. It’s one thing to see “Memphis” in controlled cinema environs. The answer, quite simply, is that no one seems interested in presenting it in Denver.” “We are asked all the time by folks who drive from Denver why it isn’t offered up there. “Any local theater company could show any of these programs,” said Martorella. It’s up to each participating theater whether to stream live performances or replay recorded ones.
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TheatreWorks subscribes to “NT Live” - a full season of National Theatre productions that has already included “Phedre,” “Fela” and “King Lear,” and culminates June 30 with “The Cherry Orchard.” Its deal with a company called By Experience requires only minimal technical criteria in terms of projector and sound, said TheatreWorks executive director Drew Martorella. Last month, in its own Bon Vivant Theatre, Colorado Springs’ TheatreWorks screened recorded performances of Danny Boyle’s “Frankenstein” for the National Theatre of Great Britain, a one-of-a-kind opportunity for American audiences to see movie star Jonny Lee Miller (“Trainspotting”) alternating in the roles of the creature and the creator. The company’s goal is to change the way we experience the cinema.īut not all offerings available to viewers are taking place in cinemas. “Memphis” is presented by NCM Fathom Events, which is best-known for its screenings of live Metropolitan Opera performances, most recently “Iphigenie en Tauride.” But the company has been expanding its programming to include live concerts and sporting events such as boxing matches and the Tour de France. “If I had a choice between live touring or a taped original, I’d choose live,” said actor David Cates, who recently appeared in Paragon Theatre’s “Reasons to Be Pretty.” “But since it’s the only option right now, why not?” All for $20, or about one-fifth the price of a Broadway ticket. It is professionally edited with remastered sound and offers backstage interviews. The movie-theater production is directed by Emmy-winning Don Roy King (“Survivor”) in multicamera format with close-ups that allow audiences to see the actors sweat. If this data is unavailable or inaccurate and you own or represent this business, click here for more information on how you may be able to correct it.Digital Replica Edition Home Page Close Menu VIEW ADDITIONAL DATA Select from over 115 networks below to view available data about this business.
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screenitinc · 7 months
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bonitasprings · 4 years
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Thank you Screenit! The wind we had last week took out a full panel on one of our listings set for closing. Screenit saved our bacon when they squeezed this surprise repair in for us.. #swfl #lifeinbonitasprings Screenit Inc www.screenitinc.com 239-301-0180 (at Bonita Springs, Florida) https://www.instagram.com/p/B8fC-5QAboO/?igshid=16gqxsdfp0zvw
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